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Ruin and Rising |
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ON THE FOURTH DAY, we came upon a cavern with a perfectly still pool that gave the illusion of a night sky, its depths sparkling with tiny luminescent fish. * * *
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A Rule Against Murder (Inspector Gamache series, 4)
Louise Penny, 2009
St. Martin's Press
336 pp.
ISBN-13: 9780312614164
Summary
It is the height of summer, and Armand Gamache and his wife are celebrating their wedding anniversary at an isolated, luxurious inn not far from the village of Three Pines. But they’re not alone.
The Finney family—rich, cultured, and respectable—has also arrived for a celebration of their own. As the heat rises and the humidity closes in, some surprising guests turn up at the Finney reunion...and a terrible summer storm leaves behind a dead body. Now it’s up to Chief Inspector Gamache to unearth long-buried secrets and hatreds hidden behind polite smiles. The chase takes him to Three Pines—into the dark corners of his own life, and finally to a harrowing climax. (From the publisher.)
See all our Reading Guides for Chief Inspector Gamache novels by Louise Penny.
Author Bio
• Birth—1958
• Where—Toronto, Canada
• Education—B.A, Ryerson University
• Awards—Agatha Award (4 times) "New Blood" Dagger Award;
Arthur Ellis Award; Barry Award, Anthony Award; Dilys Award.
• Currently—lives in Knowlton, Canada (outside of Montreal)
In her words
I live outside a small village south of Montreal, quite close to the American border. I'd like to tell you a little bit about myself. I was born in Toronto in 1958 and became a journalist and radio host with the Canadian Broadcasting Corporation, specializing in hard news and current affairs. My first job was in Toronto and then moved to Thunder Bay at the far tip of Lake Superior, in Ontario. It was a great place to learn the art and craft of radio and interviewing, and listening. That was the key. A good interviewer rarely speaks, she listens. Closely and carefully. I think the same is true of writers.
From Thunder Bay I moved to Winnipeg to produce documentaries and host the CBC afternoon show. It was a hugely creative time with amazingly creative people. But I decided I needed to host a morning show, and so accepted a job in Quebec City. The advantage of a morning show is that it has the largest audience, the disadvantage is having to rise at 4am.
But Quebec City offered other advantages that far outweighed the ungodly hour. It's staggeringly beautiful and almost totally French and I wanted to learn. Within weeks I'd called Quebecers "good pumpkins", ordered flaming mice in a restaurant, for dessert naturally, and asked a taxi driver to "take me to the war, please." He turned around and asked "Which war exactly, Madame?" Fortunately elegant and venerable Quebec City has a very tolerant and gentle nature and simply smiled at me.
From there the job took me to Montreal, where I ended my career on CBC Radio's noon programme.
In my mid-thirties the most remarkable thing happened. I fell in love with Michael, the head of hematology at the Montreal Children's Hospital. He'd go on to hold the first named chair in pediatric hematology in Canada, something I take full credit for, out of his hearing.
It's an amazing and blessed thing to find love later in life. It was my first marriage and his second. He'd lost his first wife to cancer a few years earlier and that had just about killed him. Sad and grieving we met and began a gentle and tentative courtship, both of us slightly fearful, but overcome with the rightness of it. And overcome with gratitude that this should happen to us and deeply grateful to the family and friends who supported us.
Fifteen years later we live in an old United Empire Loyalist brick home in the country, surrounded by maple woods and mountains and smelly dogs.
Since I was a child I've dreamed of writing and now I am. Beyond my wildest dreams (and I can dream pretty wild) the Chief Inspector Gamache books have found a world-wide audience, won awards and ended up on bestseller lists including the New York Times. Even more satisfying, I have found a group of friends in the writing community. Other authors, booksellers, readers—who have become important parts of our lives. I thought writing might provide me with an income—I had no idea the real riches were more precious but less substantial. Friendships.
There are times when I'm in tears writing. Not because I'm so moved by my own writing, but out of gratitude that I get to do this. In my life as a journalist I covered deaths and accidents and horrible events, as well as the quieter disasters of despair and poverty. Now, every morning I go to my office, put the coffee on, fire up the computer and visit my imaginary friends, Gamache and Beauvoir and Clara and Peter. What a privilege it is to write. I hope you enjoy reading the books as much as I enjoy writing them.
Chief Inspector Gamache was inspired by a number of people, and one main inspiration was this man holding a copy of En plein coeur. Jean Gamache, a tailor in Granby. He looks slightly as I picture Gamache, but mostly it was his courtesy and dignity and kind eyes that really caught my imagination. What a pleasure to be able to give him a copy of En plein coeur! (From the author's website with permission.)
Book Reviews
With its small-town hominess, the Canadian village of Three Pines draws the reader into its quaint traditions. Who wouldn’t be charmed by the dramas of a community where Easter egg hunts and socials at the bed and breakfast are the most exciting events? Yet it is Penny’s fastidious, cultured, and smart Inspector Gamache who makes [The Cruelest Month] impossible to put down.
People
Penny’s plotting has been compared to Agatha Christie’s...in these wonderful books full of poetry and weather and a brooding manor house, and people who read and think and laugh and eat a lot of really excellent food. Move over, Mitford.
Charlotte Observer
(Starred review.) Murder interrupts Chief Insp. Armand Gamache and his wife's annual summer holiday at Quebec's isolated, lake-front Manoir Bellechasse in Agatha-winner Penny's intriguing, well-crafted fourth mystery (after 2008's The Cruelest Month). Irene Finney, the matriarch of a large eccentric family having a reunion at the Manoir, marks the event by having installed in the lodge's garden a statue of the long-dead father of her middle-aged children. When the massive statue falls and crushes one of the daughters, Gamache investigates and discovers no love lost among the surviving offspring. Also in the suspect pool are Bellechasse's owner, chef and maître d'. Despite the scorn the snobbish Finneys heap on Gamache's sleuthing efforts as well as his own infamous family tree, the inspector treats them all respectfully as he seeks to bring a killer to justice. Seamless, often lyrical prose artfully reveals the characters' flaws, dreams and blessings.
Publishers Weekly
The Quebecois village of Three Pines (first introduced in Still Life and Fatal Grace) is once again the scene of a perplexing murder, and Chief Inspector Armand Gamache and his team have caught the case. Madeleine Favreau, a cheerful and well-liked village resident, collapsed and died at an impromptu seance at a local house thought to be haunted. The cause of death is pronounced a high dose of ephedrine and fright. But Madeleine wasn't dieting, so who slipped her the ephedrine? Gamache is an engaging, modern-day Poirot who gently teases out information from his suspects while enjoying marvelous bistro meals and cozy walks on the village common. His team is an unlikely troupe of departmental misfits who blossom under his deft tutelage, turning up just the right clues. Penny is an award-winning writer whose cozies go beyond traditional boundaries, providing entertaining characters, a picturesque locale, and thought-provoking plots. Highly recommended. —Susan Clifford Braun
Library Journal
(Starred review.) Readers who haven’t discovered Louise Penny and her Armand Gamache series yet are in for a treat.... Suspects abound, naturally, and Gamache sorts through them with aplomb. One of the best traditional mystery series currently being published. —Judy Coon
Booklist
Discussion Questions
1. Louise Penny has said that she initially set out to write A Rule Against Murder as a classic mystery, a tribute to Golden Age writers such as Christie and Tey and Sayers, masters of the hermetic environment. She wanted to take that form and bring it into the 21st century. As the story unfolds, in what ways does it follow—or diverge from—the conventions of traditional crime fiction?
2. In the course of the Finney reunion, numerous parent-child relationships are explored: between Charles Morrow and his children when they were young; between Irene Finney and those now adult children; between Pierre Patenaude and his father and the staff he regards as surrogate sons and daughters; even between Gamache and his father and son. What sorts of things go wrong in those relationships, and what goes right?
3. What about other family relationships? How do you view the interactions, past and present, among the Morrow siblings? Consider the various marriages in the book—for example, between Armand and Reine-Marie Gamache, Clara and Peter Morrow, and Bert and Irene Finney. What makes them happy or otherwise?
4. What do you think about the character of Bean? How about the mother, Marianna?
5. How does Louise Penny plant clues to the murder throughout the story? Which ones did you pick up, and what conclusions did you draw? Did you, like Gamache—who tells Bean he made a massive mistake—miss anything important?
6. If you have read other novels in the series, how does it feel to step away from Three Pines? How does it change your view of Clara and Peter? What about Gamache, who functions much more as a private citizen here than in other books?
7. The title of the book is taken from a conversation that occurs after the murder:
“What happened here last night isn’t allowed,” said Madame Dubois.
It was such an extraordinary thing to say, it stopped the ravenous Inspector Beauvoir from taking another bite of his roast beef on baguette.
“You have a rule against murder?” he asked.
“I do. When my husband I bought the Bellechasse we made a pact.... Everything that stepped foot on this land would be safe.”
In what ways does the Manoir Bellechasse succeed at being a refuge from the harshness of the world? How and why does it fail?
8. What roles do courage and cowardice play in the story?
9. “We’re all blessed and we’re all blighted,” Bert Finney tells Gamache. “Every day each of us does our sums. The question is, what do we count?” Do you agree with Bert? What sorts of things do you count?
10. “Paradise lost,” says Gamache at the end; “to have it all and to lose it. That’s what this case was about.” What is paradise in this story, and how is it lost?
(Questions issued by publisher.)
The Rules Do Not Apply
Ariel Levy, 2017
Random House
224 pp.
ISBN-13: 9780812996937
Summary
A gorgeous memoir about a woman overcoming dramatic loss and finding reinvention—for readers of Cheryl Strayed and Joan Didion
When thirty-eight-year-old New Yorker writer Ariel Levy left for a reporting trip to Mongolia in 2012, she was pregnant, married, financially secure, and successful on her own terms. A month later, none of that was true.
Levy picks you up and hurls you through the story of how she built an unconventional life and then watched it fall apart with astonishing speed. Like much of her generation, she was raised to resist traditional rules—about work, about love, and about womanhood.
"I wanted what we all want: everything. We want a mate who feels like family and a lover who is exotic, surprising. We want to be youthful adventurers and middle-aged mothers. We want intimacy and autonomy, safety and stimulation, reassurance and novelty, coziness and thrills. But we can’t have it all."
In this profound and beautiful memoir, Levy chronicles the adventure and heartbreak of being "a woman who is free to do whatever she chooses." Her own story of resilience becomes an unforgettable portrait of the shifting forces in our culture, of what has changed—and of what is eternal. (From the publisher.)
Author Bio
• Birth—October 17, 1974
• Raised—Larchmont, New York, USA
• Education—B.A., Wesleyan University
• Currently—lives in New York, New York
Ariel Levy is an American staff writer at The New Yorker magazine and the author of the books The Rules do Not Apply (2017) and Female Chauvinist Pigs: Women and the Rise of Raunch Culture (2005). Her work has appeared in the Washington Post, New Yorker, Vogue, Slate, and New York Times. Levy was named one of the "Forty Under 40" most influential out individuals in the June/July 2009 issue of The Advocate.
Early life and education
Levy was raised in Larchmont, New York, and says she knew from early on that she wanted to become a writer
I always wanted to be a writer, for as long as I can remember. I’ve kept a journal since at least the third grade—writing has always been my method for making sense of the world and my experience. Also, my dad is a writer so it seemed sort of natural.
She graduated from Wesleyan University in 1996 and claims that her experiences at the university, which had "coed showers, on principle," influenced her views regarding modern sexuality. After graduating, she was briefly employed by Planned Parenthood, but claims that she was fired because she is "an extremely poor typist." Not long after, she was hired by New York magazine.
Levy spent 12 years at New York magazine where, as a contributing editor, she wrote about John Waters, Stanley Bosworth, Donatella Versace, the writer George W. S. Trow, the feminist Andrea Dworkin, and the artists Ryan McGinley and Dash Snow.
In 2008, she moved to The New Yorker, becoming staff writer and publishing profiles of Cindy McCain, Silvio Berlusconi, Caster Semenya and Callista Gingrich. Levy has explored issues surrounding American drug use, gender roles, lesbian culture, and the popularity of U.S. pop culture staples such as Sex and the City. Some of these articles allude to Levy's personal thoughts on the status of modern feminism.
Culture critic
Levy criticized the pornographic video series Girls Gone Wild after she followed its camera crew for three days, interviewed both the makers of the series and the women who appeared on the videos, and commented on the series' concept and the debauchery she was witnessing. Many of the young women Levy spoke with believed that bawdy and liberated were synonymous.
Levy's experiences amid Girls Gone Wild appear again in Female Chauvinist Pigs, in which she attempts to explain "why young women today are embracing raunchy aspects of our culture that would likely have caused their feminist foremothers to vomit."
In today's culture, Levy writes, the idea of a woman participating in a wet T-shirt contest or being comfortable watching explicit pornography has become a symbol of strength; she says that she was surprised at how many people, both men and women, working for programs such as Girls Gone Wild told her that this new "raunch" culture marked not the downfall of feminism but its triumph, but Levy is unconvinced.
Levy's work is anthologized in The Best American Essays of 2008, New York Stories, and 30 Ways of Looking at Hillary.
Personal life
In 2013 she wrote about losing her unborn baby at 19 weeks while traveling alone in Mongolia, which became the basis for her 2017 memoir Rules Do Not Apply. (Adapted from Wikipedia. Retieved 3/1/2017.)
Book Reviews
[A] dark and absorbing memoir.… Though some of the lessons learned in this memorable story are painful, Levy ultimately finds redemption in her ability to glimpse the light beyond the darkness, and to gain a deepening gratitude for friends, family, and her profession.
Publishers Weekly
With dignity and grace, this former golden girl eloquently acknowledges how the fact that "everybody doesn’t get everything"” in life is "as natural and unavoidable as mortality." Unflinchingly candid and occasionally heartbreaking.
Kirkus Reviews
Discussion Questions
We'll add publisher questions if and when they're available; in the meantime, please use our LitLovers taking points to start a discussion for The Rules Do Not Apply…then take off on your own:
1. Ariel Levy's memoir begins with this statement: "For the first time I can remember, I cannot locate my competent self." She feels disoriented and confused. Have you ever felt this way, even without the devastating loss Levy has experienced?
2. Levy comes to see herself as the cause of her own collapse: "I knew, as surely as I now knew that I wanted a child, that this change in fortune was my fault," she writes. What do you think? What realization does she eventually come to?
3. How do you see Ariel Levy? Is she too hard on herself? She has led a particularly comfortable existence, one my say a life of privilege. Do you think in some way that comfort shielded her from experiences that the majority of people struggle with and perhaps left her less able to cope with life's vicissitudes?
4. Consider your own life: which circumstances have been, or are, outside of your control? Which ones have been, or are, within your purview? How much control do we have over our lives?
5. Talk about Levy's marriage, her infidelity, and her spouse's alcoholism.
(Questions by LitLovers. Please feel free to use them, online or off, with attribution.)
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The Rules of Attraction
Bret Easton Ellis, 1987
Knopf Doubleday
288 pp.
ISBN-13: 9780679781486
Summary
Set at a small, affluent liberal-arts college in New England at the height of the Reagan 80s, The Rules of Attraction is a startlingly funny, kaleidoscopic novel about three students with no plans for the future—or even the present—who become entangled in a curious romantic triangle. Bret Easton Ellis trains his incisive gaze on the kids at self-consciously bohemian Camden College and treats their sexual posturings and agonies with a mixture of acrid hilarity and compassion while exposing the moral vacuum at the center of their lives.
Lauren changes boyfriends every time she changes majors and still pines for Victor who split for Europe months ago and she might or might not be writing anonymous love letter to ambivalent, hard-drinking Sean, a hopeless romantic who only has eyes for Lauren, even if he ends up in bed with half the campus, and Paul, Lauren's ex, forthrightly bisexual and whose passion masks a shrewd pragmatism. They waste time getting wasted, race from Thirsty Thursday Happy Hours to Dressed To Get Screwed parties to drinks at The Edge of the World or The Graveyard. The Rules of Attraction is a poignant, hilarious take on the death of romance. (From the publisher.)
Author Bio
• Birth—March 7, 1964
• Where—Los Angeles, California, USA
• Education—B.A., Bennington College (Vermont)
• Currently—lives in New York, NY and Los Angeles, CA
Bret Easton Ellis, an American novelist and short story writer, once regarded as one of the so-called literary Brat Pack, (which also included Tama Janowitz and Jay McInerney) is a self-proclaimed "moralist." Ellis employs a technique of linking novels with common, recurring characters.
Ellis was raised in Sherman Oaks in the San Fernando Valley, the son of Robert Martin Ellis, a wealthy property developer, and Dale Ellis, a homemaker. His parents divorced in 1982. He was educated at The Buckley School, where he did not distinguish himself; then he took a music-based course at Bennington College in Vermont, which is thinly disguised as Camden College in all of his novels. He was a part-time musician in 1980s bands such as The Parents before his first book was published.
Less Than Zero, a tale of disaffected, rich teenagers of Los Angeles, was praised by critics and sold well. He moved to New York City in 1987 for the publication of his second novel, The Rules of Attraction, which follows a group of sexually promiscuous college students. Although it sold fairly well, Ellis admits he felt he had "fallen off," after the novel failed to match the success of his debut effort.
That novel introduced Patrick Bateman, who would become the principal character of his controversial third novel, the graphically violent novel American Psycho. Originally intended to be published by Simon & Schuster, it was withdrawn after external protests from groups such as the NOW and others due to the alleged misogynistic nature of the book. The novel was later published by Vintage in 1991. Some consider American Psycho, whose protagonist, Patrick Bateman, is both a cartoonishly materialistic yuppie and a serial killer, to be an example of transgressive art. The novel has achieved considerable cult status.
His collection of short stories, The Informers, was released in 1994, while his publishers waited on the promised fourth novel. His fourth novel, Glamorama, published in 1998, is set in the world of high fashion. The story follows a male model who becomes entangled in a bizarre terrorist organization composed entirely of other models. Glamorama plays with themes of media, celebrity, and political violence and, like its predecessor American Psycho, uses surrealism to convey a sense of postmodern dread.
Lunar Park, released in 2005, uses the form of a celebrity memoir to tell a ghost story about the novelist "Bret Easton Ellis," and his chilling experiences in the apparently haunted home he shares with his wife and son. In keeping with his usual style, Ellis mixes absurd comedy with a bleak and violent vision. In this semi-autobiographical novel, the fictional Bret continues both transient affairs and long-term relationships with men and women at various points in the novel. Critical reaction to the novel was mostly positive, with many critics endeared by the tones of wistfulness and sentimentality Ellis had achieved.
When asked a 2002 interview whether or not he was gay, Ellis explained that he does not identify himself as gay or straight. He explained that he is comfortable to be thought of as gay, bisexual or heterosexual and that he enjoys playing with his persona, identifying variously as gay, straight and bi to different people over the years.
In an August 2005 New York Times article, "Bret Easton Ellis: The Man in the Mirror," Ellis revealed that his best friend and lover for six years, Michael Wade Kaplan, died in 2004 at the age of 30. Ellis described their partnership as being a "very loose kind" and "not particularly conventional" as "neither one of us was interested in the lifestyle." Kaplan's death left Ellis bereft and experiencing what he describes as "a midlife crisis" which acted as a "big catalyst" in helping Ellis finish Lunar Park, adding "a new layer of wistfulness and melancholy to the writing" that had not been there before."
Lunar Park was dedicated to Kaplan and Ellis's father, Robert, who died in 1992 and about whom he speaks openly in interviews promoting the novel. Ellis describes feeling liberated by completing the novel which allowed him to come to terms with many of the unresolved issues regarding his father. In his author Q&A on the Random House website, Ellis comments on their relationship, which left him with a lot of damage. Now older, Ellis describes how his opinion of his father changed over the prior 15 years while writing Glamorama, in which the central conspiracy concerns the relationship of a father and son. Even earlier, the character of Patrick Bateman from American Psycho was based on his father. (Adapted from Wikipedia.)
Book Reviews
Having read some 200-plus pages of this sort of thing, the reader senses that Mr. Ellis is not only playing to our cheapest voyeuristic impulses by trying to glamorize the shallow world he's created but is also zeroing in on his characters' worst traits in order to feel superior to them himself. While there's a hint of a plot ..., his characters are so sketchily defined, so uniformly jaded and drugged out as to be indistinguishable from one another, and we're left to echo their own refrain: ''It's all so boring.''
Michiko Kakutani - New York Times
Serves to establish Mr. Ellis' reputation further as one of the primary inside sources in upper-middle-class America's continuing investigation of what has happend to its children....There is a raunchy tradition in literature— the young man lurching around the lower depths, short on cash, long on nerve, taking his knocks and writing about it. But here we have...young men and women spending their parents' dough and feeling victimized by the help.
Scott Spencer - New York Times Book Review
Ellis is, first and last, a moralist. Under cover of his laconic voice, every word in his [novels] springs from grieving outrage at our spiritual condition.
Los Angeles Times Book Review
This tale of privileged college students at their self-absorbed and childish worst is the very book that countless students have dreamed of writing at their most self-absorbed and childish moments. With one bestseller to his credit, Less Than Zero author and recent Bennington College graduate Ellis has had the unique opportunity of seeing his dream become a reality, and all those other once-and-future students can breathe a sigh of relief that it didn't happen to them. Through a series of brief first-person accounts, the novel chronicles one term at a fictional New England college, with particular emphasis on a decidedly contemporary love triangle (one woman and two men) in which all possible combinations have been explored, and each pines after the one who's pining after the other. Theirs is a world of physical, chemical and emotional excess—an adolescent fantasy of sex, drugs and sturm und drang—wherein characters are distinguished only by the respective means by which they squander their health, wealth and youth. Despite its contemporary feel and flashy structure, the book begins and ends midsentence—the narrative relies on the stalest staples of melodrama and manages to pack in a suicide, assorted suicide attempts, an abortion and the death of a parent without giving the impression that anything is happening or that any of it matters.
Publishers Weekly
Two years after his debut best seller, Less Than Zero, Ellis returns with a very different novel. Though still about college students (Ellis graduated only last year), this story is told through numerous student diaries, illustrating the "accidents" that often form the basis of modern relationships. Here, misunderstandings, differing perceptions, and often just bad hearing cause pairings to begin or end, proving Ellis' implicit thesis that there are no "rules." Ellis has his pretensions (the book starts and finishes in the middle of a sentence, and one diary entry is in easy French), but he successfully fleshes out his characters and creates involving situations. —Susan Avallone
Library Journal
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
Also consider these LitLovers talking points to help get a discussion started for The Rules of Attraction:
1. What kind of world does Ellis describe in The Rules of Attraction? Does he is glamorize it? Does he seem to approve or admire it...or something else? What do you think?
2. Is this the world of real college students? Would you consider the novel a work of "social psychology" as some have? Others call it a "dark comedy." What do you think (actually, what is a dark comedy)?
3. The story begins and ends, intentionally, half-way through a sentence. Why might Ellis have done so? What effect does it create?
4. Do you come to sympathize with, or like, any of these characters? If so, who—Lauren, Mary, Sean, Paul, or Victor? How would you describe them?
5. In what way do these students represent a culture of conspicuous consumption? How do they use (or abuse) their privilege?
6. What is at the heart of these young peoples' lives, anything? One character writes, "I am very tired. That's what I am. Tired of everything." What's the significance of that statement? Are they vacant individuals, or do they long for something underneath their shiny, rich exteriors.
7. What is the larger picture Ellis attempts to suss out for us in The Rules of Attraction?
(Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)
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Rules of Civility
Amor Towles, 2011
Penguin Group USA
352 pp.
ISBN-13: 9780670022694
Summary
Set in New York City in 1938, Rules of Civility tells the story of a watershed year in the life of an uncompromising twenty-five-year- old named Katey Kontent.
Armed with little more than a formidable intellect, a bracing wit, and her own brand of cool nerve, Katey embarks on a journey from a Wall Street secretarial pool through the upper echelons of New York society in search of a brighter future.
The story opens on New Year's Eve in a Greenwich Village jazz bar, where Katey and her boardinghouse roommate Eve happen to meet Tinker Grey, a handsome banker with royal blue eyes and a ready smile. This chance encounter and its startling consequences cast Katey off her current course, but end up providing her unexpected access to the rarified offices of Conde Nast and a glittering new social circle.
Befriended in turn by a shy, principled multimillionaire, an Upper East Side ne'er-do-well, and a single-minded widow who is ahead of her times, Katey has the chance to experience first hand the poise secured by wealth and station, but also the aspirations, envy, disloyalty, and desires that reside just below the surface.
Even as she waits for circumstances to bring Tinker back into her orbit, she will learn how individual choices become the means by which life crystallizes loss.
Elegant and captivating, Rules of Civility turns a Jamesian eye on how spur of the moment decisions define life for decades to come. A love letter to a great American city at the end of the Depression, readers will quickly fall under its spell of crisp writing, sparkling atmosphere and breathtaking revelations, as Towles evokes the ghosts of Fitzgerald, Capote, and McCarthy. (From the publisher.)
Author Bio
• Birth—1964
• Where—near Boston, Massachusetts, USA
• Education—B.A., Yale University; M.A., Stanford University
• Currently—lives in New York City, New York
Amor Towles was born and raised just outside Boston, Massachusetts. He graduated from Yale University and received an MA in English from Stanford University, where he was a Scowcroft Fellow. For his Master's thesis, he wrote a series of five related stories that was published in the Paris Review in 1989.
Towles spent the next 20 years in the financial industry as director of research for Select Equity Group, an $18 billion hedge fund. During that time, he never gave up the dream of becoming an author. A decade into his financial career, he began work on a novel set in the Russian countryside, only to toss the manuscript after seven years. Finally, in 2006, he made another effort, this time succeeding with what would become his 2011 debut novel, Rules of Civility.
In 2013, Towles retired so he devote himself to full-time writing. His second book, A Gentleman in Moscow came out in 2016. According to Towles, the book was inspired by a business trip two years earlier as he mused about guests at Le Richemond hotel in Geneva, Switzerland. He had noticed the same people on a previous trip, and he began to wonder what it would be like to be trapped, for decades, inside a hotel. Towles wrote his thoughts down on Le Richemond hotel stationery, notes which he has kept to this day. (Adapted from the publisher and Wall Street Journal.)
Book Reviews
With this snappy period piece, Towles resurrects the cinematic black-and-white Manhattan of the golden age of screwball comedy, gal-pal camaraderie and romantic mischief.
Liesl Schillinger - New York Times
This very good first novel about striving and surviving in Depression-era Manhattan deserves attention The great strength of Rules of Civility is in the sharp, sure-handed evocation of Manhattan in the late '30s.
Wall Street Journal
Even the most jaded New Yorker can see the beauty in Amor Towles' Rules of Civility, the antiqued portrait of an unlikely jet set making the most of Manhattan.
San Francisco Chronicle
The new novel we couldn't put down...in the crisp, noirish prose of the era, Towles portrays complex relationships in a city that is at once melting pot and elitist enclave - and a thoroughly modern heroine who fearlessly claims her place in it.
Oprah Magazine
Put on some Billie Holiday, pour a dry martini and immerse yourself in the eventful life of Katey Kontent...[Towles] clearly knows the privileged world he's writing about, as well as the vivid, sometimes reckless characters who inhabit it.
People
In his smashing debut, Towles details the intriguing life of Katherine Kontent and how her world is upended by the fateful events of 1938. Kate and her roommate, Evelyn Ross, have moved to Manhattan for its culture and the chance to class up their lives with glamour—be it with jazz musicians, trust fund lotharios, or any man with a hint of charm who will pay for dinner and drinks. Both Kate and Evelyn are enamored of sophisticated Tinker Grey, who they meet in a jazz club; he appears to be another handsome, moneyed gent, but as the women vie for his affection, a tragic event may seal a burgeoning romance's fate. New York's wealthy class is thick with snobbery, unexpected largesse, pettiness, jealousies, and an unmistakable sense of who belongs and who does not, but it's the undercurrent of unease—as with Towles's depiction of how the upper class can use its money and influence to manipulate others' lives in profoundly unsavory ways—that gives his vision depth and complexity. His first effort is remarkable for its strong narrative, original characters and a voice influenced by Fitzgerald and Capote, but clearly true to itself.
Publishers Weekly
On New Year's Eve 1937, at a jazz bar in New York's Greenwich Village, Katey and Eve are charmed by the handsome and successful Tinker Grey. The three become fast friends and spend early 1938 exploring the town together, until a car accident permanently injures Eve. Feeling guilty, Tinker, the driver, takes care of Eve and unsuccessfully tries to love her. Despite the presence and initial impact of Tinker and Eve, though, this first novel is about Katey's 1938. Eve moves on, and Tinker fades, but Katey, the narrator, stays to challenge the New York bourgeois unwaveringly with her acerbic wit, capturing the attention of several doting men. She quits her job as a typist and pursues a career as editor of a respected, if risqué, society magazine. And Katey does it without a handout (she thinks). Verdict: Historical love story. Snappy dialog and sophisticated characters. A romantic look at the difficulties of being a New Yorker. But not, as the publisher suggests, reminiscent of Fitzgerald, though similar themes (class, betrayal, despair) arise. This novel would, however, make a nice (contemporary) companion to novels like The Great Gatsby and is thusly recommended.—Stephen Morrow, Ohio Univ., Columbus.
Library Journal
Manhattan in the late 1930s is the setting for this saga of a bright, attractive and ambitious young woman whose relationships with her insecure roommate and the privileged Adonis they meet in a jazz club are never the same after an auto accident. Towles' buzzed-about first novel is an affectionate return to the post–Jazz Age years, and the literary style that grew out of it (though seasoned with expletives). Brooklyn girl Katey Kontent and her boardinghouse mate, Midwestern beauty Eve Ross, are expert flirts who become an instant, inseparable threesome with mysterious young banker Tinker Grey. With him, they hit all the hot nightspots and consume much alcohol. After a milk truck mauls his roadster with the women in it, permanently scarring Eve, the guilt-ridden Tinker devotes himself to her, though he and she both know he has stronger feelings for Katey. Strong-willed Katey works her way up the career ladder, from secretarial job on Wall Street to publisher's assistant at Condé Nast, forging friendships with society types and not allowing social niceties to stand in her way. Eve and Tinker grow apart, and then Kate, belatedly seeing Tinker for what he is, sadly gives up on him. Named after George Washington's book of moral and social codes, this novel documents with breezy intelligence and impeccable reserve the machinations of wealth and power at an historical moment that in some ways seems not so different from the current one. Tinker, echoing Gatsby, is permanently adrift. The novel is a bit light on plot, relying perhaps too much on description. But the characters are beautifully drawn, the dialogue is sharp and Towles avoids the period nostalgia and sentimentality to which a lesser writer might succumb. An elegant, pithy performance by a first-time novelist who couldn't seem more familiar with his characters or territory.
Kirkus Reviews
Discussion Questions
(Questions developed by the author.)
1. At the outset, Rules of Civility appears to be about the interrelationship between Katey, Tinker, and Eve; but then events quickly lead Eve and Tinker offstage. Are Dicky Vanderwhile, Wallace Wolcott, Bitsy, Peaches, Hank, and Anne Grandyn as essential to Katey's "story" as Tinker and Eve? If so, what role do you think each plays in fashioning the Katey of the future?
2. Katey observes at one point that Agatha Christie "doles out her little surprises at the carefully calibrated pace of a nanny dispensing sweets to the children in her care." Something similar could be said of how Katey doles out information about herself. What sort of things is Katey slow to reveal, and what drives her reticence?
3. After seeing Tinker at Chinoisserie, Katey indicts George Washington's "Rules of Civility" as "A do-it yourself charm school. A sort of How to Win Friends and Influence People 150 years ahead of its time." But Dicky sees some nobility in Tinker's aspiration to follow Washington's rules. Where does your judgment fall on Tinker? Is Katey wholly innocent of Tinker's crime? Where does simulation end and character begin? Which of Washington's rules do you aspire to?
4. A central theme in the book is that a chance encounter or cursory decision in one's twenties can shape one's course for decades to come. Do you think this is true to life? Were there casual encounters or decisions that you made, which in retrospect were watershed events?
5. When I told my seven-year-old son that I had written a book that was going to be published, he said: That's great! But who is going to do the pictures? While the Walker Evans portraits in the book may not meet my son's standards of illustration, they are somewhat central to the narrative. In addition, there are the family photographs that line Wallace Wolcott's wall (including the school picture in which Tinker appears twice); there are the photographs of celebrities that Mason Tate reviews with Katey at Condé Nast; there are the pictures that end up on Katey and Valentine's wall. Why is the medium of photography a fitting motif for the book? How do the various photographs serve its themes?
6. One of the pleasures of writing fiction is discovering upon completion of a project that some thread of imagery has run through the work without your being aware—forming, in essence, an unintentional motif. While I was very conscious of photography as a motif in the book, and the imagery of fairy tales, here are two motifs that I only recognized after the fact: navigation (expressed through references to the Odyssey; to the shipwrecks of the Titanic, Endurance, and Robinson Crusoe; and through Thoreau's reckoning and pole star metaphors); and the blessed and the damned (expressed through scattered references to churches, paradise, the inferno, doomsday, redemption day, the pietà and the language of the Gospels). What role do these motifs play in the thematic composition of the book? And if you see me in an airport, can you please explain them to me?
7. Upon completion of this book, one of my guilty pleasures has been imagining how Eve was doing in Hollywood. When Eve says, "I like it just fine on this side of the windshield," what does she mean? And why is the life Tinker offers her so contrary to the new life she intends to pursue? If you register at my Web site, on the first of the year I will send you a short story on Eve's progress.
8. When Tinker sets out on his new life, why does he intend to start his days saying Katey's name? What does he mean when he describes Katey as someone of "such poise and purpose"? Is the book improved by the four sections from Tinker's point of view, or hindered by them?
9. T. S. Eliot's "The Love Song of J. Alfred Prufrock" is referenced in the book's preface and its epilogue. Why is that poem somehow central to Katey's 1969 reflections on her 1938 experiences?
10. Please don't answer this last question until the wine bottles are empty and the servers are waiting impatiently to clear your table: In the epilogue, Katey observes that "Right choices are the means by which life crystallizes loss." What is a right choice that you have made and what did you leave behind as a result?
(Questions by the author...issued by the publisher.)
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The Rules of Magic
Alice Hoffman, 2017
Simon & Schuster
384 pp.
ISBN-13: 9781501137471
Summary
From beloved author Alice Hoffman comes the spellbinding prequel to her bestseller, Practical Magic.
Find your magic.
For the Owens family, love is a curse that began in 1620, when Maria Owens was charged with witchery for loving the wrong man.
Hundreds of years later, in New York City at the cusp of the sixties, when the whole world is about to change, Susanna Owens knows that her three children are dangerously unique. Difficult Franny, with skin as pale as milk and blood red hair, shy and beautiful Jet, who can read other people’s thoughts, and charismatic Vincent, who began looking for trouble on the day he could walk.
From the start Susanna sets down rules for her children: No walking in the moonlight, no red shoes, no wearing black, no cats, no crows, no candles, no books about magic. And most importantly, never, ever, fall in love. But when her children visit their Aunt Isabelle, in the small Massachusetts town where the Owens family has been blamed for everything that has ever gone wrong, they uncover family secrets and begin to understand the truth of who they are. Back in New York City each begins a risky journey as they try to escape the family curse.
The Owens children cannot escape love even if they try, just as they cannot escape the pains of the human heart. The two beautiful sisters will grow up to be the revered, and sometimes feared, aunts in Practical Magic, while Vincent, their beloved brother, will leave an unexpected legacy. Thrilling and exquisite, real and fantastical, The Rules of Magic is a story about the power of love reminding us that the only remedy for being human is to be true to yourself. (From the publisher.)
Author Bio
• Birth—March 16, 1952
• Where—New York, New York, USA
• Education—B.A., Adelphi University; M.A., Stanford University
• Currently—lives in Boston, Massachusetts
Alice Hoffman was born in New York City and grew up on Long Island. After graduating from high school in 1969, she attended Adelphi University, from which she received a BA, and then received a Mirrellees Fellowship to the Stanford University Creative Writing Center, which she attended in 1973 and 74, receiving an MA in creative writing. She currently lives in Boston ,Massachusetts.
Beginnings
Hoffman’s first novel, Property Of, was written at the age of twenty-one, while she was studying at Stanford, and published shortly thereafter by Farrar Straus and Giroux. She credits her mentor, professor and writer Albert J. Guerard, and his wife, the writer Maclin Bocock Guerard, for helping her to publish her first short story in the magazine Fiction. Editor Ted Solotaroff then contacted her to ask if she had a novel, at which point she quickly began to write what was to become Property Of, a section of which was published in Mr. Solotaroff’s magazine, American Review.
Since that remarkable beginning, Alice Hoffman has become one of our most distinguished novelists. She has published a total of twenty-three novels, three books of short fiction, and eight books for children and young adults.
Highlights
♦ Her novel, Here on Earth, an Oprah Book Club choice, was a modern reworking of some of the themes of Emily Bronte’s masterpiece Wuthering Heights.
♦ Practical Magic was made into a Warner film starring Sandra Bullock and Nicole Kidman.
♦ Her novel, At Risk, which concerns a family dealing with AIDS, can be found on the reading lists of many universities, colleges and secondary schools.
♦ Hoffman’s advance from Local Girls, a collection of inter-related fictions about love and loss on Long Island, was donated to help create the Hoffman Breast Center at Mt. Auburn Hospital in Cambridge, MA.
♦ Blackbird House is a book of stories centering around an old farm on Cape Cod.
♦ Hoffman’s recent books include Aquamarine and Indigo, novels for pre-teens, and the New York Times bestsellers The River King, Blue Diary, The Probable Future, and The Ice Queen.
♦ Green Angel, a post-apocalyptic fairy tale about loss and love, was published by Scholastic and The Foretelling, a book about an Amazon girl in the Bronze Age, was published by Little Brown. In 2007 Little Brown published the teen novel Incantation, a story about hidden Jews during the Spanish Inquisition, which Publishers Weekly has chosen as one of the best books of the year.
♦ More recent novels include The Third Angel, The Story Sisters, the teen novel, Green Witch, a sequel to her popular post-apocalyptic fairy tale, Green Angel.
♦ The Red Garden, published in 2011, is a collection of linked fictions about a small town in Massachusetts where a garden holds the secrets of many lives.
Recognition
Hoffman’s work has been published in more than twenty translations and more than one hundred foreign editions. Her novels have received mention as notable books of the year by the New York Times, Entertainment Weekly, Los Angeles Times, Library Journal, and People magazine. Her short fiction and non-fiction have appeared in the New York Times, Boston Globe Magazine, Kenyon Review, Los Angeles Times, Architectural Digest, Harvard Review, Ploughshares and other magazines.
She has also worked as a screenwriter and is the author of the original screenplay "Independence Day," a film starring Kathleen Quinlan and Diane Wiest. Her teen novel Aquamarine was made into a film starring Emma Roberts.
In 2011 Alice published The Dovekeepers, which Toni Morrison calls "... a major contribution to twenty-first century literature" for the past five years. The story of the survivors of Masada is considered by many to be Hoffman’s masterpiece. The New York Times bestselling novel is slated for 2015 miniseries, produced by Roma Downey and Mark Burnett, starring Cote de Pablo of NCIS fame.
Most recent
The Museum of Extraordinary Things was released in 2014 and was an immediate bestseller, the New York Times Book Review noting, "A lavish tale about strange yet sympathetic people, haunted by the past and living in bizarre circumstances… Imaginative…"
Nightbird, a Middle Reader, was released in March of 2015. In August of 2015, The Marriage Opposites, Alice’s latest novel, was an immediate New York Times bestseller. "Hoffman is the prolific Boston-based magical realist, whose stories fittingly play to the notion that love—both romantic and platonic—represents a mystical meeting of perfectly paired souls," said Vogue magazine. (Adapted from the author's website.)
Book Reviews
(Starred review.) Hoffman delights in this prequel to Practical Magic, as three siblings discover both the power and curse of their magic.… The spellbinding story, focusing on the strength of family bonds through joy and sorrow…. Fans of Practical Magic will be bewitched.-
Publishers Weekly
(Starred review.) Hoffman deftly weaves in dramatic events from the era, including the Vietnam War… without sacrificing the fairy-tale feeling of her story.… [R]eaders who…prefer to be kept at something of a remove from the grittiness of life's tragedies will relish this book. —Sharon Mensing, Emerald Mountain School, Steamboat Springs, CO
Library Journal
No one's more confident or entertaining than Hoffman at putting across characters willing to tempt fate for true love. Real events…enter the characters' family history, as well as a stunning plot twist — everything fans… could hope for.
Kirkus Reviews
Discussion Questions
1. We learn that the rules of magic are to harm no one, remember that what you give will be returned to you threefold, and fall in love whenever you can. Do Franny, Jet, and Vincent live by these rules? What happens when they break them? What set of rules would you live by?
2. Make note of the part titles. What do the titles add to the narrative? Why do you think the author chose the titles she did?
3. Alice Hoffman’s novels are often woven with qualities that earn them a place in the genre of magical realism. Discuss how she achieves this writing style. What details do you notice she includes? What sources of inspiration does she draw from?
4. When the Owens siblings visit Aunt Isabelle for the first time, she tells them a story about a cousin named Maggie, who was turned into a rabbit. She warns Franny, Jet, and Vincent that this "is what happens when you repudiate who you are" (page 30). Each is certain that the harrowing tale was meant to caution her or him specifically. How do they interpret it differently? Why do you think Isabelle shared this story?
5. If you are familiar with Practical Magic, you already know that the Owenses’ ancestor, Maria, cast a curse that brought an end to any man who fell in love with a member of the family. In The Rules of Magic, we uncover the secret that they are "all descendants of a witch-finder and a witch" (page 138). What is revealed about Maria’s love affair? Does it help us understand the reasoning behind the curse?
6. Frances in particular seems to wrestle the most with the curse, even with her Maid of Thorns reputation. Why is this so? Why do you think she can’t embrace love the way her siblings do?
7. Forgiveness quickly becomes a large theme of the novel. After their parents die, Jet develops a deep self-hatred. The distrust between Franny and Haylin only grows after the incident at Turtle Pond, and Vincent’s own heavy secrets burden him. Discuss how the characters work through their conflicts, and whether or not they are able to resolve the issues.
8. There is something magical about Vincent’s music. Audiences are spellbound by his performances, even early on in Isabelle’s garden. His song, "I Walk at Night," seems to tell the past and the future, like a prophecy. Discuss which lines you liked best. Did you notice any that foreshadowed events? What references do the lyrics make? When he says, "I walked at night, I longed to fight" (page 217), what do you think he means?
9. One summer night while walking his dog, Harry, Vincent stumbles upon the Stonewall riots, often recognized as the origin of the gay rights movement in the United States. What do you know about this historical event? Do you think the revolt changed him? How do the riots contrast with Vincent and William’s trip to California during the Summer of Love?
10. Jet also wanders through a historical event inspired by the Human Be-In, held in Central Park on Easter Sunday of 1967. She accidentally ingests LSD and almost drowns herself in one of the park’s ponds. What brought Jet to this moment? Would you consider it her rock bottom? When she meets Rafael, he begins to pull Jet out of her despair. How does their love help her recover, and how does it differ from her relationship with Levi?
11. When Vincent and William visit April in California, she remarks, "Fate is what you make of it.… You can make the best of it or you can let it make the best of you" (page 220). In a novel that often seems ruled by fate, how do the characters determine their own destinies? How is the advice applicable to April’s own life?
12. Vincent’s fate is altered when he is drafted to Vietnam in one of the country’s most unpopular and controversial wars. Do you think his sisters did the right thing by smuggling him out of the country? What would you have done if you or a loved one were drafted at the time?
13. When Haylin, the love of Franny’s life, dies from cancer, she asks her sister, "How will I ever love anyone again?" Of course, Sally and Gillian Owens, recently orphaned through a tragedy of their own, become the answer to that question. Still, this is an issue that resurfaces throughout the book. In a family where love is destined to bring loss, how do the characters continue to find the courage to love more, not less?
(Questions issued by the publisher.)
Run
Ann Patchett, 2007
HarperCollins
295 pp.
ISBN-13:& 9780061340642
Summary
It's a winter evening in Boston and the temperature has drastically dropped as a blizzard approaches the city. On this fateful night, Bernard Doyle plans to meet his two adopted sons, Tip the older, and more serious, and Teddy, the affectionate dreamer, at a Harvard auditorium to hear a speech given by Jesse Jackson.
Doyle, an Irish Catholic and former Boston mayor, has done his best to keep his two sons interested in politics, from the day he and his now deceased wife became their parents, through their childhoods, and now in their lives as college students. Though the two boys are African-American, the bonds of the family's love have never been tested. But as the snow begins to falls, an accident triggers into motion a series of events that will forever change their lives.
This is at its very center, a novel about what truly defines family and the lengths we will go to protect our children. Patchett beautifully weaves together seemingly disparate lives to show how intimately humans can connect. Stunning and powerful, Run is sure to engage any Patchett fan and bring her even more admirers. (From the publisher.)
Author Bio
• Birth—December 2, 1963
• Where—Los Angeles, California, USA
• Raised—Nashville, Tennessee
• Education—B.A., Sarah Lawrence College; M.F.A., University of Iowa
• Awards—Guggenheim Fellowship; PEN/Faulkner Award; Orange Prize
• Currently—lives in Nashville, Tennessee
Ann Patchett is an American author of both fiction and nonfiction. She is perhaps best known for her 2001 novel, Bel Canto, which won her the Orange Prize and PEN/Faulkner Award and brought her nationwide fame.
Patchett was born in Los Angeles, California, and raised in Nashville, Tennessee. Her mother is the novelist Jeanne Ray. Her father, Frank Patchett, who died in 2012 and had been long divorced from her mother, served as a Los Angeles police officer for 33 years, and participated in the arrests of both Charles Manson and Sirhan Sirhan. The story of Patchett's own family is the basis for her 2016 novel, Commonwealth, about the individual lives of a blended family spanning five decades.
Education and career
Patchett attended St. Bernard Academy, a private Catholic school for girls run by the Sisters of Mercy. Following graduation, she attended Sarah Lawrence College and took fiction writing classes with Allan Gurganus, Russell Banks, and Grace Paley. She managed to publish her first story in The Paris Review before she graduated. After college, she went on to the Iowa Writers' Workshop at the University of Iowa
For nine years, Patchett worked at Seventeen magazine, writing primarily non-fiction; the magazine published one of every five articles she wrote. She said that the magazine's editors could be cruel, but she eventually stopped taking criticism personally. She ended her relationship with the magazine following a dispute with one editor, exclaiming, "I’ll never darken your door again!"
In 1990-91, Patchett attended the Fine Arts Work Center in Provincetown, Massachusetts. It was there she wrote The Patron Saint of Liars, which was published in 1992 (becoming a 1998 TV movie). It was where she also met longtime friend Elizabeth McCracken—whom Patchett refers to as her editor and the only person to read her manuscripts as she is writing.
Although Patchett's second novel Taft won the Janet Heidinger Kafka Prize in fiction in 1994, her fourth book, Bel Canto, was her breakthrough novel. Published in 2001, it was a National Book Critics Circle Award Finalist and won the PEN/Faulkner Award and Britain's Orange Prize.
In addition to her other novels and memoirs, Patchett has written for publications such as The New York Times Magazine, Washington Post, Oprah Magazine, ELLE, GQ, Gourmet, and Vogue. She is the editor of the 2006 volume of the anthology series The Best American Short Stories.
Personal
Patchett was only six when she moved to Nashville, Tennessee, and she lives there still. She is particularly enamored of her beautiful pink brick home on Whitland Avenue where she has lived since 2004 with her husband and dog. When asked by the New York Times where would she go if she could travel anywhere, Patchett responded...
I've done a lot of travel writing, and people like to ask me where I would go if I could go anyplace. My answer is always the same: I would go home. I am away more than I would like, giving talks, selling books, and I never walk through my own front door without thinking: thank-you-thank-you-thank-you.... [Home is] the stable window that opens out into the imagination.
In 2010, when she found that her hometown of Nashville no longer had a good book store, she co-founded Parnassus Books with Karen Hayes; the store opened in November 2011. In 2012, Patchett was on Time magazine's list of the 100 most influential people in the world. She is a vegan for "both moral and health reasons."
In an interview, she once told Barnes and Noble that the book that influenced her writing more than any other was Humboldt's Gift by Saul Bellow.
I think I read it in the tenth grade. My mother was reading it. It was the first truly adult literary novel I had read outside of school, and I read it probably half a dozen times. I found Bellow's directness very moving. The book seemed so intelligent and unpretentious. I wanted to write like that book.
Books
1992 - The Patron Saint of Liars
1994 - Taft
1997 - The Magician's Assistant
2004 - Truth and Beauty: A Friendship
2001 - Bel Canto
2007 - Run
2008 - What Now?
2011 - State of Wonder; The Getaway Car: A Practical Memoir About Writing and Life
2013 - This Is the Story of a Happy Marriage
2016 - Commonwealth
2019 - The Dutch House
(Author bio adapted from Wikipedia. Retrieved 9/5/2016.)
Book Reviews
Run, with a title that suggests many things (including Kenya's athletic prowess and Doyle's political drive), and with a watery looking cover that reflects the whole book's aura of a human aquarium, becomes an elegant melange of family ties. Ms. Patchett gives her readers much to contemplate when genetics, privilege, opportunity and nurture come into play. And to her credit she is neither vague nor reductive about any of these things; she creates a genuinely rich landscape of human possibility…Run…shimmers with its author's rarefied eloquence, and with the deep resonance of her insights.
Janet Maslin - New York Times
This fifth novel by the author of the much-admired Bel Canto is engaging, surprising, provocative and moving. Its force is diminished somewhat by a couple of extended passages in which Ann Patchett resorts to conversation rather than action to fill in some of her plot's holes, but these are minor annoyances in what is otherwise a thoroughly intelligent book, an intimate domestic drama that nonetheless deals with big issues touching us all: religion, race, class, politics and, above all else, family.
Jonathan Yardley - Washington Post
Novelists can no longer take it as an insult when people say their novels are like good television, because the finest American television is better written than most novels. Ann Patchett's new one has the texture, the pace and the fairy tale elegance of a half dozen novels she might have read and loved growing up, but the magic and the finesse of Run is really much closer to that of Six Feet Under or ER or The Sopranos, and that is good news for everybody, not least her readers. Bernadette and Bernard Doyle were a Boston couple who wanted to have a big lively family. They had one boy, Sullivan, and then adopted two black kids, Teddy and Tip. Mr. Doyle is a former mayor of Boston and he continues his interest in politics, hoping his boys will shape up one day for elected office, though none of them seems especially keen. Bernadette dies when the adopted kids are just four, and much of the book offers a placid requiem to her memory in particular and to the force of motherhood in lives generally. An old statue from Bernadette's side of the family seems to convey miracles, and there will be more than one before this gracious book is done. One night, during a heavy snowfall, Teddy and Tip accompany their father to a lecture given by Jessie Jackson at the Kennedy Centre. Tip is preoccupied with studying fish, so he feels more than a little coerced by his father. After the lecture they get into an argument and Tip walks backwards in the road. A car appears out of nowhere and so does a woman called Tennessee, who pushes Tip out of the car's path and is herself struck. Thus, a woman is taken to hospital and her daughter, Kenya, is left in the company of the Doyles. Relationships begin both to emerge and unravel, disclosing secrets, hopes, fears. Run is a novel with timeless concerns at its heart—class and belonging, parenthood and love—and if it wears that heart on its sleeve, then it does so with confidence. And so it should: the book is lovely to read and is satisfyingly bold in its attempt to say something patient and true about family. Patchett knows how to wear big human concerns very lightly, and that is a continuing bonus for those who found a great deal to admire in her previous work, especially the ultra-lauded Bel Canto. Yet one should not mistake that lightness for anything cosmetic: Run is a book that sets out inventively to contend with the temper of our times, and by the end we feel we really know the Doyle family in all its intensity and with all its surprises.
Andrew O'Hagan - Publishers Weekly
Two families come together in a traffic accident during a snowstorm. Nothing terribly unusual there, except that a woman has purposely thrown herself under a car to protect a stranger. It quickly becomes clear that the families-a poor, single black mother with her 11-year-old daughter and a white, Irish Catholic, former Boston mayor with a biological son and two adopted black college-aged sons whose much-loved wife died over 20 years ago-have a connection. The award-winning Patchett (Bel Canto) here presents an engrossing and enjoyable novel. While there are a few unexpected turns, the reader very quickly figures out where the plot is headed, but that does not detract from the pleasure of reading. The somewhat unusual premise is presented very matter-of-factly; this is not a story about race but about family and the depths of parents' love of their children, whether biological, adopted, given away, or otherwise acquired, and of each other.
Sarah Conrad Weisman - Library Journal
A family-of-man fable that reads a little too pat to ring true. Like the popular previous novel by Patchett (Bel Canto, 2001), this one finds an unexpected incident connecting and affecting a seemingly disparate cast of characters, isolating them within their own microcosm. The setting is Boston-very Catholic, very political, very racially divided-on the snowiest evening in more than two decades, when a large group gathers to hear a speech by the Rev. Jesse Jackson. Among them is widower Bernard Doyle, once the city's mayor until a scandal involving his oldest son compromised his career (one of the underdeveloped subplots here). Still a political junkie, Doyle wants his two adopted, college-age African-American sons to express more interest in his passion. Though he'd had high political aspirations for these two-even going so far as to name them Tip and Teddy-both are pursuing different paths. Tip wants to be a scientist studying fish; Teddy hears the call of the priesthood, likely inspired by his adoptive mother's uncle, the elderly Father Sullivan. The priest has reluctantly gained notoriety as a faith healer (another underdeveloped subplot), though he doesn't believe he has extraordinary powers, and his own faith has become shaky. Leaving the Jackson speech, Tip steps amid the swirling snow into the path of an SUV. A woman with her young daughter pushes him out of the way, letting the SUV hit her. Is the woman Tip's real mother? (And Teddy's?) Is the young daughter their sister? Why do she and her mother seem to know so much more about the Doyles than they know about her? What do we make of the statue of the Virgin Mary that looks so much like the only mother Tip and Teddy have known? And what about that significant plot twist revealed in conversation between a dead woman and one who may be dying? By the time the extended family converges on the hospital, it has become plain that neither these people nor this family can ever be the same. Compelling story but thematically heavy-handed.
Kirkus Reviews
Discussion Questions
1. How would you characterize Teddy and Tip's relationship as siblings? How does it compare to their relationship with their brother, Sullivan?
2. At the Jesse Jackson lecture, Doyle reviews the personalities of his three sons and thinks about which of them would be most able to lead. Which of the boys do you think would make the best politician? Do you think Doyle's assessments of their characters are accurate or biased?
3. Discuss the concept of nature versus nurture. Do you think that Sullivan, Tip, and Teddy are who they are, or would they have turned out differently had Bernadette lived? How would those differences manifest themselves?
4. Discuss the different meanings of the title. How many different ways does the word Run work for you?
5. Run includes several incidences of doubling—two brothers who get adopted, two mothers who die, two men named Sullivan, two Tennessee Alice Mosers, two accidents involving hospital stays. What is the effect for you as a reader of seeing similar characters and events repeated over the course of the book? Can you think of any other examples of doubling in literature?
6. Why is Kenya the one subject that Sullivan and his father can agree on? How does her adoption into the family help Teddy and Tip understand Sullivan and what he went through growing up?
7. Towards the end of the story we see images of four mothers (including the Virgin Mary) on Kenya's dresser. What is the author saying about women and mothers to have them all there together?
8. Why does Kenya's mother conceal her true identity from her daughter? Do you think that she imagines the conversation in the hospital with Tennessee Alice Moser after surgery or do you think it really happened?
9. What does Father Sullivan's encounter with Tennessee in the hospital suggest about his ability to heal?
10. Doyle is very invested in politics on both local and national levels, but he falters at the idea of taking home a stray child. What does this book say to you about social responsibility?
11. Of the many characters in Run, which did you feel most connected to on an emotional level? How do you explain that connection?
12. How did you react to Bernard Doyle's decision to bestow the heirloom statue on Kenya, a daughter who has literally shared nothing with his former wife, Bernadette? Do you think he made the same decision his wife would have made?
(Questions issued by publisher.)
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Run Me to Earth
Paul Yoon, 2020
Simon & Schuster
272 pp.
ISBN-13: 9781501154041
Summary
A beautiful, aching novel about three kids orphaned in 1960s Laos—and how their destinies are entwined across decades, anointed by Hernan Diaz as "one of those rare novels that stays with us to become a standard with which we measure other books."
Alisak, Prany, and Noi—three orphans united by devastating loss—must do what is necessary to survive the perilous landscape of 1960s Laos.
When they take shelter in a bombed out field hospital, they meet Vang, a doctor dedicated to helping the wounded at all costs.
Soon the teens are serving as motorcycle couriers, delicately navigating their bikes across the fields filled with unexploded bombs, beneath the indiscriminate barrage from the sky.
In a world where the landscape and the roads have turned into an ocean of bombs, we follow their grueling days of rescuing civilians and searching for medical supplies, until Vang secures their evacuation on the last helicopters leaving the country.
It’s a move with irrevocable consequences—and sets them on disparate and treacherous paths across the world.
Spanning decades and magically weaving together storylines laced with beauty and cruelty, Paul Yoon crafts a gorgeous story that is a breathtaking historical feat and a fierce study of the powers of hope, perseverance, and grace. (From the publisher.)
Author Bio
• Birth—1980
• Where—New York City, New York, USA
• Education—B.A., Weslyan University
• Award—New York Library Young Lion Award
• Currently—lives in Cambridge, Massachusetts
Paul Yoon is an American writer—author of two novels, Snow Hunters (2014) and Run Me to Earth (2020), and two short story collections, Once the Shore (2009) and The Mountain (2017).
His work has appeared in the PEN/O. Henry Prize Stories collection. The National Book Foundation him it one of its "5 under 35" awards.
Once on the faculty of the Bennington Writing Seminars, Yoon is now a Briggs-Copeland lecturer at Harvard University. He lives in Cambridge, Massachusetts with his wife, the author Laura van den Berg. (Adapted from Wikipedia. Retrireved 3/28/2020.)
Book Reviews
Richly layered…. Throughout the novel, beauty and violence coexist in a universe that seems by turns cruel and wondrous…. Yoon has stitched an intense meditation on the devastating nature of war and displacement (Editor's Choice).
New York Times Book Review
Spellbinding…. With his panoramic vision of the displacements of war, Yoon reminds us of the people never considered or accounted for in the halls of power.
Washington Post
[A] gorgeous book about the bonds of friendship and the ruptures of war. Even more significantly, in telling the stories of a trio of Laotian teens, it inverts and reorients the American war story…. Yoon is a master of subtle storytelling often leaving powerful emotions unexpressed, violent acts undetailed.
Los Angeles Times
Yoon's artfully orchestrated narrative illuminates this loudest, harshest, most chaotic of situations with restraint and elegance, finding and tracing an emotional thread that weaves the story into the reader's heart…. This unique work of historical fiction could not be more timely, or more timeless.
Minneapolis Star Tribune
[Yoon] writes with a soft, measured hand. He calmly builds memorable scenes even when events turn violent.
Associated Press
Yoon’s greatest skill lies in crafting subtle moments that underline the strange and specific sadness inherent to trauma…. As children around the world continue to grow up surrounded by violence and war, authors like Yoon seek to understand how experiencing those horrors shapes the adults they eventually become. And in Run Me to Earth, those horrors are scattered like unexploded bombs, waiting to go off at any time.
Time
Engrossing and luminous…. Yoon crafts an exceptionally human and poignant story.
Newsweek
This story of three Laotian orphans making their way through their war-torn world in the 1960s asks important questions about what it means to feel safe, and to call a place home.
Vogue
Run Me to Earth isn’t trying to educate or do the work of scholars and teachers; it has its own agenda. Art cannot supplant history, but it can amplify it.
New Republic
Yoon asks whether anyone can truly survive the ruins of war in this sparely written gem.… Yoon’s eloquent, sensitive character study… illustrates how the horrors of the past can linger…. This is a finely wrought tale about courage and endurance.
Publishers Weekly
(Starred review) Yoon, ever the elegant and penetrating writer, coolly delivers a devastating sense of what it’s like to be in the midst of war…. Yoon, ever the elegant and penetrating writer, coolly delivers a devastating sense of what it’s like to be in the midst of war
Library Journal
(Starred review) Yoon again exemplifies his unparalleled ability to create a quietly spectacular narrative that reveals the unfathomable worst and unwavering best of humanity; the result here provides mesmerizing gratification.
Booklist
(Starred review) [Yoon is] stretching his abilities while still writing with deliberate, almost vigilant care…. [His] imaginative prose and affection for his characters make the story… [a]nother masterpiece in miniature about the unpredictable directions a life can take.
Kirkus Reviews
Discussion Questions
We'll add publisher questions if and when they're available; in the meantime, use our LitLovers Talking Points to help start a discussion for RUN ME TO EARTH … then take off on your own:
1. Consider how the violence of war and its continual bombing affects the three young children at the heart of Run Me to Earth.
2. In what way do the children manage to hold on to a shred of shared innocence, even as they sense that their lives will soon become harder.
3. Talk about how memories persist for years after the war, some filled with vivid suffering, others with deep tenderness. Which recollections most moved you—either because of their horror and brutality, or because of their humanity?
4. Alisak recalls the time he swallowed a tooth during a beating. "There were times this fact bothered him more than his own hunger or the sudden volley of gunfire." Why would that particular memory be so persistent?
5. What drives Prany to commit the violent acts that he does?
6. Twenty years after the end of the war, Khit tries to track down Alisak. Why does she search for him; what does she hope for. What did she and Prany feel for one another as teenagers, and how has that long ago connection affected her relations with her husband?
7. The novel begins and ends with Alisak. Why do you think the author made that choice? How has he been left after the war? How has the war continued to shape his life?
8. The novel begins as a single narrative line centered on the three children and Dr. Vang. Eventually, the storyline breaks up into separate strands. Talk about how the fractured structure reflects the shattered lives of the characters as a result of the ongoing war.
9. What is the complicity of America's intervention in Laos with the destruction it wrought?
(Questions by LitLovers. Please feel free to use them, online and off, with attribution. Thanks.)
The Russian Concubine
Kate Furnivall, 2007
Penguin Group
517 pp.
ISBN-13: 9780425215586
Summary
A sweeping novel set in war-torn 1928 China, with a star-crossed love story at its center.
In a city full of thieves and Communists, danger and death, spirited young Lydia Ivanova has lived a hard life. Always looking over her shoulder, the sixteen-year-old must steal to feed herself and her mother, Valentina, who numbered among the Russian elite until Bolsheviks murdered most of them, including her husband. As exiles, Lydia and Valentina have learned to survive in a foreign land.
Often, Lydia steals away to meet with the handsome young freedom fighter Chang An Lo. But they face danger: Chiang Kai Shek's troops are headed toward Junchow to kill Reds like Chang, who has in his possession the jewels of a tsarina, meant as a gift for the despot's wife.
The young pair's all-consuming love can only bring shame and peril upon them, from both sides. Those in power will do anything to quell it. But Lydia and Chang are powerless to end it. (From the publisher.)
Author Bio
• Birth—N/A
• Raised—Penarth, Wales, UK
• Education—London University
• Currently—lives in Devon, England
Kate Furnivall was raised in Penarth, a small seaside town in Wales. Her mother, whose own childhood was spent in Russia, China and India, discovered at an early age that the world around us is so volatile, that the only things of true value are those inside your head and your heart. These values Kate explores in The Russian Concubine.
Kate went to London University where she studied English and from there she went into publishing, writing material for a series of books on the canals of Britain. Then into advertising where she met her future husband, Norman. She travelled widely, giving her an insight into how different cultures function which was to prove invaluable when writing The Russian Concubine.
By now Kate had two sons and so moved out of London to a 300-year old thatched cottage in the countryside where Norman became a full-time crime writer. He won the John Creasey Award in 1987, writing as Neville Steed. Kate and Norman now live by the sea in the beautiful county of Devon, only 5 minutes from the home of Agatha Christie!
It was when her mother died in 2000 that Kate decided to write a book inspired by her mother's story. The Russian Concubine contains fictional characters and events, but Kate made use of the extraordinary situation that was her mother's childhood experience—that of two White Russian refugees, a mother and daughter, stuck without money or papers in an International Settlement in China. (From the author's website.)
Book Reviews
The experiences of the author's mother inspired this debut novel, a somewhat improbable tale of star-crossed love in 1928 China. Valentina Ivanova and her 16-year-old daughter, Lydia, White Russian refugees, live in grinding poverty in the International Settlement of Junchow, subsisting off whatever presents Valentina can charm from gentlemen admirers and the profits Lydia makes from pawning stolen goods. When Lydia inadvertently attracts the unwelcome attentions of a criminal gang, the Black Snakes, she finds a rescuer in Chang An Lo, an English-speaking Communist and kung fu master. Danger is never far as the two fall in love. Lydia's travails are mirrored by those of Theo Willoughby, the British headmaster of her school. Theo's struggle to preserve his school and his happy life with his Chinese mistress, Li Mei, drives him to collude with Li Mei's estranged father-the leader of the Black Snakes-to run opium into Junchow. Violence is more prevalent (and graphic) than sex, and the narrative has extended periods of inertia during which there is much action, but not of the plot-advancing sort. Despite these flaws, Furnivall vividly evokes Lydia's character and personal struggles against a backdrop of depravity and corruption.
Publishers Weekly
Set in prerevolutionary China between the world wars, Furnivall's debut offers up a love story as tumultuous as its setting. Lydia, a 16-year-old refugee from Russia, and her mother, Valentina, a former concert pianist, have taken up a life of impoverishment in the International Settlement in Junchow. Indulging in deception and petty thievery to survive, Lydia one day finds herself on the wrong side of the Black Snakes, an organized gang of Chinese criminals. Enter the young Communist Chang An Lo, who saves Lydia's life on impulse and thus sets off their disastrous love story. Surrounded by a cast of nefarious characters who entangle Lydia and Chang in a web of crimes as varied as drug trafficking, sexual perversion, and thieving, the young lovers find their romance meeting resistance and complication at every turn. While her characters are engaging and her pacing quick, Furnivall's zealousness gets in the way. Too many characters and unnecessary plot points cause this otherwise entertaining story to lose focus, diminishing its impact. Recommended only for larger historical fiction collections.
Library Journal
Discussion Questions
1. Despite her being a European girl, and therefore less than nothing to his people, Chang saves Lydia's life at the beginning of the novel. Why do you think he does so?
2. Lydia's stubborn bravery at the beginning of The Russian Concubine is described as foolhardy by many of the people she encounters. Do you agree with this assessment? Do you think that other people's opinion of her changes by the end of the book? Why?
3. How does Theo serve as a bridge between the Chinese and Western worlds he lives in? How does acting in that capacity take its toll on him towards the end of the novel?
4. Discuss the sacrifices and moral compromises that each character makes for what he or she believes is the greater good. For example, Theo becomes an opium runner in order to earn money to keep his school open, educating the European children in China. Do you think that the characters' actions in their respective situations help make them stronger people, or do their actions lessen them as humans?
5. Lydia and Chang get caught up in the turmoil of the political situation in the 1920s. Do you think that the poverty levels in China made it easy for young men to become Communists? Did the presence of the expatriate Russians make a difference in their political leanings? Discuss how Chang's Communist beliefs war with his love for Lydia.
6. Toward the end of the novel, Valentina reveals the secret of Lydia's scholarship to the Willoughby Academy. Do you think that her sacrifice for her daughter is an example of her strength as a mother, or her weakness as a woman?
7. When Lydia first meets Liev Popkov, she's facing him at a line-up after her lie regarding the stolen necklace at the Ulysses Club gets him arrested. Later, she hires him as her bodyguard, but their relationship develops into a friendship beyond employer/employee. Why do you think that Liev becomes so protective of Lydia after he meets her?
8. In many ways, Alfred is the first stable male influence in Lydia's life. What kind of life do you think Lydia would have led had Alfred entered her life earlier? Do you feel his nature/personality was as influential as his money? Does his money play a positive or a negative role in shaping their relationship?
9. The theme of freedom is prevalent throughout the novel. In what ways are Lydia and Chang caged, even before they are kidnapped by the Black Snakes? How does their love for each other help to set them free? Do you think that their relationship mirrors the political situation in China at all?
(Questions issued by publisher.)
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The Russian Debutante's Handbook
Gary Shteyngart, 2002
Penguin Group USA
496 pp.
ISBN-13: 9781573229883
Summary
Vladimir Girshkin—twenty-five-year-old Russian immigrant, "Little Failure" according to his high-achieving mother, unhappy lover to fat dungeon mistress Challah (his "little Challah bread"), and lowly clerk at the bureaucratic Emma Lazarus Immigrant Absorption Society—is about to have his first break.
When the unlikely figure of a wealthy but psychotic old Russian war hero appears and introduces Vladimir to his best friend, who just happens to be a small electric fan, Vladimir has little inkling that he is about to embark on an adventure of unrelenting lunacy—one that overturns his assumptions about what it means to be an immigrant in America."
The Russian Debutante's Handbook takes us from New York City's Lower East Side to the hip frontier wilderness of Prava—the Eastern European Paris of the '90s—whose grand and glorious beauty is marred only by the shadow of the looming statue of Stalin's foot. There, with the encouragement of the Groundhog, a murderous (but fun-loving) Russian mafioso, Vladimir infiltrates the American ex-pat community with the hope of defrauding his young middle-class compatriots by launching a pyramid scheme that's as stupid as it is brilliant.
Things go swimmingly at first, but nothing is quite as it seems in Prava, and Vladimir learns that in order to reinvent himself, he must first discover who he really is. (From the publisher.)
Author Bio
• Birth—July 5, 1972
• Where—Leningrad, USSR
• Education—B.A., Oberlin College (Ohio); M.F.A.,
Hunter College (NYC)
• Awards—Stephen Crane Award; National Jewish
Book Award
• Currently—lives in New York, New York
Gary Shteyngart (born Igor Semyonovich Shteyngart) is an American writer born in Leningrad, USSR. Much of his work is satirical and relies on the invention of elaborately fictitious yet somehow familiar places and times.
Background
Shteyngart spent the first seven years of his childhood living in a square dominated by a huge statue of Vladimir Lenin in what is now St. Petersburg, Russia; (he alternately calls it "St. Leningrad" or "St. Leninsburg"). He comes from a Jewish family and describes his family as typically Soviet. His father worked as an engineer in a LOMO camera factory; his mother was a pianist.
In 1979 when Gary was 7, the Shteyngart family immigrated to the United States, where he was brought up with no television in his family's New York City apartment and where English was not the household language. He did not shed his thick Russian accent until the age of 14.
Later Shteyngart traveled to Prague, an experience that inspired his first novel, set in the fictitious European city of Prava. He is a graduate of Stuyvesant High School in New York City; Oberlin College in Ohio, where he earned a degree in politics; and Hunter College of the City University of New York, where he earned an MFA in Creative Writing.
Writing career
Shteyngart took a trip to Prague which inspired his first novel, The Russian Debutante's Handbook (2002), which is set in the fictitious European city of Prava. He has published two more novels: Absurdistan (2006) and Super Sad True Love Story (2010). His fourth book, Little Failure (2014), is a memoir recounting his family's emigration to the U.S. in 1979.
His other writing has appeared in The New Yorker, Slate, Granta, Travel and Leisure, and The New York Times.
Shteyngart's work has received numerous awards. The Russian Debutante's Handbook won the Stephen Crane Award for First Fiction, the Book-of-the-Month Club First Fiction Award and the National Jewish Book Award for Fiction. It was named a New York Times Notable Book and one of the best debuts of the year by The Guardian. In 2002, he was named one of the five best new writers by Shout NY Magazine. Absurdistan was chosen as one of the ten best books of the year by the New York Times Book Revieww and Time magazine, as well as a book of the year by the Washington Post, Chicago Tribune, San Francisco Chronicle and many other publications. In June 2010, Shteyngart was named as one of The New Yorker magazine's "20 under 40" luminary fiction writers. Super Sad True Love Story won the 2011 Bollinger Everyman Wodehouse Prize for comic literature.
Personal
Shteyngart now lives in New York City. He has taught writing at Hunter College, and currently teaches writing at Columbia University. During the Fall of 2007, he also had a fellowship at the American Academy in Berlin, Germany.
Shteyngart is married to Esther Won who is of Korean descent. In October 2013, they became parents to Johnny Won Shteyngart. (Adapted from Wikipedia. Retrieved 2/14/2014.)
Book Reviews
The "Russian debutante" in Gary Shteyngart's very funny, very deft first novel is one Vladimir Girshkin, a feckless 25-year-old Russian-American who...[is] trying to cope with the confusions of life in America of the 1990's and the incessant demands of an ambitious and endlessly aggrieved mother.... Mr. Shteyngart tells the uproarious and highly entertaining story of how Vladimir journeys from St. Petersburg to Scarsdale and back to Eastern Europe.... And the people Vladimir meets along the way are sketched with an equally wicked and comic hand.... [helping] the very talented Mr. Shteyngart expose the absurdities that exist on either side of the former iron curtain.
Michikio Kakutani - New York Times
Gary Shteyngart ... has produced a sardonic,moving and ingeniously crafted update of earlier sagas of upward-struggling American newcomers.
Washington Post
[A] terrifically charming tale of a young Russian immigrant's capitalist and carnal aspirations.
Vanity Fair
This picaresque debut...transcends its personal genesis to become an all-around great American story.
New York Time Out
The rampaging narrative is festooned on every page with glitering one-liners,improbably apt similes and other miniature pleasures.
Elle
Orwell once remarked that the narrator of Tropic of Cancer was so far from endeavoring to influence the future, he simply lies down and lets things happen to him. Shteyngart, whose sensibility is allied with Miller's, takes a passive character, Vladimir Girshkin, and makes him briefly proactivewith disastrous resultsin his smart debut novel. Vladimir is the son of immigrants who came to the U.S. via a Carter administration swap (American wheat for Russian Jews); his father, a doctor prone to dreams of suicide and complicated medical schemes, and his mother, an entrepreneur who makes fun of her son's gait, give him the inestimable gift of alienation. In true slacker fashion, Vladimir, at 25, is wasting his expensive education clerking at the Emma Lazarus Immigration Absorption Society. A client, Rybakov, bribes Vladimir to get him American citizenship, confiding that his son, the Groundhog, is a leading businessman (in prostitutes and drugs) in Pravathe Paris of the nineties in the fictional Republika Stolovaya. Vladimir fakes a citizenship ceremony for Rybakov in order to curry favor with the Groundhog. Then, because he has unwisely repelled the sexual advances of crime boss Jordi while trying to make some illicit bucks to keep his girlfriend, Francesca, in squid and sake dinners in Manhattan, Vladimir leaves abruptly for Prava. Once there, and backed by the Groundhog, Vladimir embarks on a scheme to fleece the American students who have flocked to Prava's legendary scene. Although the satire on the expatriate American community is a little too easy, Shteyngart's Vladimir remains an impressive piece of work, an amoral buffoon who energizes this remarkably mature work.
Publishers Weekly
Failurchka Mother's Little Failure is what Vladimir Girshkin's overweening Russian immigrant mother calls her 25-year-old son at the beginning of this picaresque, episodic, and somewhat sprawling first novel. Vladimir is stuck in a dead-end job and saddled with girlfriend Challah, "queen of everything musky and mammal-like." Then through a series of chance encounters, he is catapulted to the eastern European city of "Prava" to find himself welcomed into the fold of powerful Mafiosi. Shteyngart introduces a large cast of exotic characters, mainly twentysomethings meandering from adventure to adventure. Yet this distinctive new voice, which is both richly ironic and often side-splittingly funny, still seems to be seeking the right register. The relentless humor and satire obscure the development of character that is necessary to make readers believe the cast is real and not just being staged. Moreover, one wonders why the author felt the need to (thinly) disguise Prague (Prava) with its river Tavlata (Vltava) and the 1969 (1968) Soviet invasion. Thus, his highly imaginative but at times maddening panorama comes to resemble a dazzling Potemkin village. Though this is not an experimental novel, it is difficult to escape the conclusion that the author is still experimenting with a very large talent he's not entirely sure what to do with. But having gotten a taste, we will eagerly await his next offering, in which less just might be more. Recommended for all literary collections and larger public libraries. —Edward Cone
Library Journal
This moving and funny debut novel offers a fresh take on the oft-told story of the immigrant longing for an authentic sense of place.... This is a complex and impressive work, full of humanistic touches and worldly humor.
Book Magazine
First-novelist Shteyngart casts a cold eye alike on Clinton-era aimlessness and free-enterprise excess in Eastern Europe. It's Vladimir Girshkin's 25th birthday in 1993, and his mother wastes no time reminding him that he's a disappointment. Since the family arrived in New York from the USSR 13 years before, she's become a successful businesswoman, while Dr. Girshkin adds to their coffers by defrauding Medicare. But Vladimir has dropped out of a progressive midwestern college to take a job at the Emma Lazarus Society helping new immigrants. One of them, the decidedly crazy Mr. Rybakov, wants to get Vladimir in touch with his son Groundhog, a mafioso operating in Prava, "the Paris of the '90s," an imaginary Eastern European city transformed by the collapse of communism into a mecca for criminals and novelty-seeking Americans. At first, Vladimir prefers to hang around the trendier sections of Manhattan, exchanging grad-student babble with the crowd gathered around girlfriend Francesca. But a misadventure in Miami with an amorous drug-dealer makes it advisable for him to get out of town, so Vladimir heads for Prava, where he persuades Groundhog to fund a Ponzi scheme based on getting American expatriates to invest in a literary magazine. Heavy drinking, observations about the void after communism, and a new girlfriend await Vladimir before his bamboozling comes to light and he must once again flee vengeful mafiosi. A sardonic but surprisingly moving epilogue finds him five years later in Cleveland, working at his father-in-law's insurance company, thinking wistfully of the days when he lived "foolishly, imperially, ecstatically" in the Wild West of Eastern Europe. Himself a Leningrad-bornAmerican citizen, Shteyngart mercilessly exposes the moral ambiguities of late-20th-century life under whatever form of government. Though slightly chilly toward its large cast of characters, the novel is redeemed by its thematic sweep and Vladimir's engaging brio. Ambitious, funny, intelligent, in love with irony and literary allusions, as if by a lighter Nabokov.
Kirkus Reviews
Discussion Questions
1. Assimilation is a major theme in The Russian Debutante's Handbook. Discuss Vladimir's various attempts to assimilate. Which one is most successful and why?
2. Vladimir retains a distinct self-identification as a poor Russian Jew, despite his mother's success in America and the many opportunities available to him as an American citizen. Discuss his ennui as a manifestation of successful Americanization.
3. Rybakov is also attempting to assimilate in his way. Discuss the humor inherant in the Fan Man's chief impetus toward citizenship being the legitimization of his opinions.
4. How does Vladimir's mother's intense desire for her son's success backfire? Why does her pressure on him to assimilate also backfire?
5. Vladimir doesn't seem to care much about money in his days at the Emma Lazarus Society. How does his affair with Frannie change that? What is the newfound appeal of material success?
6. Vladimir shows himself to be remarkably adaptable. What is the crucial difference between adaptation and assimilation?
7. History is an important character in this novel. How does it differently effect the lives of Rybakov? Kostya? Perry Cohen?
8. How is the destruction of the Foot symbolic of both Prava's escape from history and Vladimir's?
9. What does Vladimir learn about appearances from Morgan? Discuss the irony of this All-American girl's desire to immerse herself in Prava and its politics, and flee the bland, affluent normalcy so many immigrants seek.
10. Do you believe that Vladimir has assimilated at the end—that his life in Cleveland as an accountant with a wife and baby on the way has finally Americanized him? Or does Vladimir's nostalgia for his past status as an outcast reveal something more complex about the makeup of our souls.
(Questions issued by publishers.)
Russian Winter;
Daphne Kalotay, 2010
HarperCollins
463 pp.
ISBN-13: 9780061962165
Summary
A mysterious jewel holds the key to a life-changing secret, in this breathtaking tale of love and art, betrayal and redemption.
When she decides to auction her remarkable jewelry collection, Nina Revskaya, once a great star of the Bolshoi Ballet, believes she has finally drawn a curtain on her past. Instead, the former ballerina finds herself overwhelmed by memories of her homeland and of the events, both glorious and heartbreaking, that changed the course of her life half a century ago.
It was in Russia that she discovered the magic of the theater; that she fell in love with the poet Viktor Elsin; that she and her dearest companions—Gersh, a brilliant composer, and the exquisite Vera, Nina’s closest friend—became victims of Stalinist aggression. And it was in Russia that a terrible discovery incited a deadly act of betrayal—and an ingenious escape that led Nina to the West and eventually to Boston.
Nina has kept her secrets for half a lifetime. But two people will not let the past rest: Drew Brooks, an inquisitive young associate at a Boston auction house, and Grigori Solodin, a professor of Russian who believes that a unique set of jewels may hold the key to his own ambiguous past. Together these unlikely partners begin to unravel a mystery surrounding a love letter, a poem, and a necklace of unknown provenance, setting in motion a series of revelations that will have life-altering consequences for them all.
Interweaving past and present, Moscow and New England, the backstage tumult of the dance world and the transformative power of art, Daphne Kalotay’s luminous first novel—a literary page-turner of the highest order—captures the uncertainty and terror of individuals powerless to withstand the forces of history, while affirming that even in times of great strife, the human spirit reaches for beauty and grace, forgiveness and transcendence. (From the publisher.)
Author Bio
• Birth—N/A
• Raised—New Jersey, USA
• Education—B.A., Vassar; Boston University, Ph.D
• Awards—Florence Randall Award; Henfield Founda-
tion's Transatlantic Review Award
• Currently—lives in Brookline, Massachusetts
Daphne Kalotay grew up in New Jersey and graduated from Vassar College before moving to Massachusetts, in 1993, to attend Boston University's Creative Writing Program. There her stories went on to win the school's Florence Engel Randall Fiction Prize and a Transatlantic Review Award from The Henfield Foundation.
She remained at BU to complete a PhD in Modern and Contemporary Literature, writing her doctoral dissertation on the works of Mavis Gallant. (Her interviews with Mavis Gallant can be read in The Paris Review's Writers-At-Work series.)
Daphne has received fellowships from the Christopher Isherwood Foundation, the La Napoule Foundation, Yaddo and the MacDowell Colony, and is a grateful recipient of the W.K. Rose Fellowship in the Creative Arts from Vassar College.
She has taught creative writing at Boston University, Middlebury College and Skidmore College and lives in Brookline, Massachusetts. Her first novel, Russian Winter, published in 2010, was a finalist in the James Jones First Novel. (From the publisher.)
Book Reviews
[A] magnificent tale of love, loss, betrayal and redemption…Characters appear like an endless stacking nest of Matryoshka dolls, one more fascinating and intriguing than the next…The complex story is multi-layered and labyrinthine so that the reader, just like these characters, does not know whom to believe or distrust…Toward the end, with many unanswered questions swirling, the author lets the truth ebb and flow until a final riptide of revelations leaves the reader profoundly moved.
Eugenia Zuckerman - Washington Post
With sure and suspenseful artistry, Daphne Kalotay intersperses the unfortunate and tortuous histories of Nina, Elsin, and their artist friends with new discoveries and disclosures. The several stories draw together in a conclusion that is surprising, fitting, and satisfying.
Boston Globe
An exceptional debut novel.... Delving into Nina’s life with the Bolshoi Ballet, her life among the Soviet Union’s artist community and her escape from the Stalinist regime add glamour and historical flavor to this novel of secrets, intrigue and wonderfully described priceless gems.
USA Today
Kalotay makes a powerful debut with a novel about a Soviet-era prima ballerina, now retired and living in Boston, who confronts her past as she puts up for auction the jewelry she took with her when she left her husband and defected. Nina "The Butterfly" Revskaya, 79, reveals little about the past to curious auction house representative Drew Brooks as he peruses her cache of exquisite jewelry. Nina likewise rebuffs inquiries from foreign language professor Grigori Solodin, who has translated the works of Nina's poet husband and who offers an additional item for auction: the amber necklace he inherited from the parents he never knew. In extended flashbacks, Nina recalls intimate moments and misunderstandings with her husband, happy and disturbing times with his Jewish composer best friend, and encounters with her own childhood friend. Meanwhile, Drew and Grigori delve into the jewelry's provenance, hoping to learn as much about the jewels as their own pasts. While the Soviet-era romance can lean too much on melodrama, Kalotay turns out a mostly entrancing story thanks to a skillful depiction of artistic life behind the Iron Curtain and intriguing glimpses into auction house operations.
Publishers Weekly
Kalotay has created appealing, well-rounded characters in well-researched settings.... Although the book’s heft and jacket illustration suggest a tome, this is a briskly paced, fresh, and engaging first novel dealing with the pain of loss and the power of love. —Michael Leber
Booklist
A complex story that, in the end, boils down to the simplest of elements: love, fear, disappointment and loss. An auspicious first novel, elegantly written and without a false note.
Kirkus Reviews
Discussion Questions
1. How would you describe Nina Revskaya? What kind a person was she? Do you sympathize with the way events shaped the woman she became? And how would you compare her with Vera Borodina? What exactly was the nature of their friendship? What held them back from sharing their deepest secrets?
2. How does living in a repressive society like Stalin's Soviet Union affect human relationships? Can real trust ever be formed between friends, spouses, colleagues? What risks do people face in revealing their true nature?
3. Each piece of Nina's jewelry denotes a particular memory. Why do you think she waited so long to finally part with her jewels? Are there memories we have that are too painful to face, yet too dear to let go of? Do any of your possessions hold a special memory for you?
4. In your opinion, did Viktor Elsin truly love Nina? Did she love him? What about Gersh and Vera? What sacrifices were each willing to make for love?
5. After she defected, Nina believed she had shed the first third of her life. To what extent was this true? Can we ever truly rid ourselves of parts of our lives—or ourselves—that we don't like? What is the price of forgetting?
6. Nina cherished the solitude of her later years. "She relished the very texture of her privacy, its depth of space and freedom, much of an entire day hers alone. Her early life of always sharing, never a private moment or corner or closet shelf of her own, had left her hungry for this." Was her solitude a release, or was it a fortress she used to keep others—and the past—away?
7. Was Nina a victim of the society in which she was raised—or a perpetrator of its worst abuses? Would her ambitions have eventually led her to behave the way her jealousy ultimately caused her to act? Was Nina's jealousy justified? Did Viktor, Gershstein, and Vera have a hand in their own demise? Are the choices Nina made forgivable?
8. Themes of art, politics, and love are intertwined throughout the novel. How do art and politics influence each other? Can art be a release from political oppression? In what ways can it be oppression's tool?
9. Can art flourish in a repressive state? How does repression influence the creation and expression of art? In a repressive state like the Soviet Union, must artistic success be accompanied by compromise? Compare the choices that Viktor, Nina, Gersh, and Vera made.
10. Were Gersh, Viktor and Vera radicals? What makes someone a dissident? Why do nations like the former Soviet Union insist on silencing all criticism?
11. What did art—the ballet—mean to Nina? Did she have to make a choice between dance and love? Could she have balanced both? What about women today? Have choices become easier or more difficult as opportunities for women have expanded?
12. Zoltan, also a refugee from the Iron Curtain, tells Grigori, "I remember before I left Hungary understanding completely that literature could save me as much as it could get me killed. Of course it's not like that here. But isn't it funny, that in some ways the price one pays for freedom of speech is...a kind of indifference." What does he mean by this? What do you think of his viewpoint? Must an artist suffer in some way to produce art?
13. After Nina defected to the West, she found she could not enjoy all of its freedoms. "Even when she tried to will it open, Nina's heart would not budge." Why couldn't she open herself up to new love and new friends? What held her back—habit, or guilt?
14. What do you think of Drew Brooks? Do you see similarities between her and Nina? What are your impressions of Grigori Solodin? How are he and Nina alike?
15. What did Drew and Grigori offer each other that others could not? Do you think their personalities and experiences made them more attuned to Nina's unconscious longings and regrets?
16. Why did Nina refuse to see Grigori on the occasions he tried to contact her? How were their assumptions about each other wrong?
17. On their third anniversary, Viktor tells Nina, "love is all we have." But for Nina, it is dance and love. And years later, Grigori's colleague and friend Zoltan remarks, "There are only two things that really matter in life. Literature and love." Can art change the world—change who we are? Can love? Has love or a passion transformed you or someone you know?
18. Have you ever met anyone who has lived under repressive circumstances? How did discovering their story affect you or your outlook?
19. Did Grigori ultimately have a better life—though it was fraught with uncertainty—because of Nina's selfishness? How might his experience have been different if he'd grown up in the Soviet Union rather than Europe and eventually America?
(Questions issued by publisher.)
Rustication
Charles Palliser, 2013
W.W. Norton
336 pp.
ISBN-13: 9780393088724
Summary
A vertiginous gothic masterpiece from the best-selling author of The Quincunx.
Charles Palliser’s work has been hailed as “so compulsively absorbing that reality disappears” (New York Times). Since his extraordinary debut, The Quincunx, his works have sold over one million copies worldwide. With his new novel, Rustication, he returns to the town of Thurchester, which he evoked so hauntingly in The Unburied.
It is winter 1863, and Richard Shenstone, aged seventeen, has been sent down—“rusticated”—from Cambridge under a cloud of suspicion. Addicted to opium and tormented by sexual desire, he finds temporary refuge in a dilapidated old mansion on the southern English coast inhabited by his newly impoverished mother and his sister, Effie.
Soon, graphic and threatening letters begin to circulate among his neighbors, and Richard finds himself the leading suspect in a series of crimes and misdemeanors ranging from vivisection to murder. (From the publisher.)
Author Bio
• Birth—December 11, 1947
• Where—Holyoke, Massachusetts, USA
• Raised—in the UK
• Education—Oxford University
• Awards—Sue Kaufman Prize
• Currently—lives in London, England, UK
Charles Palliser is a best-selling novelist, American-born but British-based. His most well-known novel, The Quincunx, has sold over a million copies internationally. He is the elder brother of the late author and freelance journalist Marcus Palliser.
Life and career
Born in New England he is an American citizen but has lived in the United Kingdom since the age of three. He went up to Oxford in 1967 to read English Language and Literature and took a First in June 1970. He was awarded the BLitt (Bachelor of Letters, a post graduate degree) in 1975 for a dissertation on Modernist fiction.
From 1974 until 1990 Palliser was a Lecturer in the Department of English at the University of Strathclyde in Glasgow. He was the first Deputy Editor of The Literary Review when it was founded in 1979. He taught creative writing during the Spring semester of 1986 at Rutgers University in New Jersey.
In 1990 he gave up his university post to become a full-time writer when his first novel, The Quincunx, became an international best-seller. He teaches occasionally for the Arvon Foundation, the Skyros Institute, the University of London, London Metropolitan University, and Middlesex University. He was Writer in Residence at the University of Poitiers in 1997.
Work
He has published four novels which have been translated into a dozen languages; among them French, German, Dutch, Finnish, Spanish, Greek, Japanese, Lithuanian, Polish and Russian. Palliser has also written for the theatre, radio, and television. His stage play, Week Nothing, toured Scotland in 1980. His 90 minute radio play, The Journal of Simon Owen, was commissioned by the BBC and twice broadcast on Radio 4 in June, 1982. His short TV film, "Obsessions: Writing," was broadcast by the BBC and published by BBC Publications in 1991. His short radio play, "Artist with Designs," was broadcast on BBC Radio 3 on 21 February 2004.
Since 1990 he has written the Introduction to a Penguin Classics edition of the Sherlock Holmes stories, the foreword to a new French translation of Wilkie Collins’ The Moonstone published by Editions Phebus, and other articles on 19th century and contemporary fiction. He is a past member of the long-running North London Writers circle.
Awards and nominations
In 1991 The Quincunx was awarded the Sue Kaufman Prize for First Fiction by the American Academy and Institute of Arts and Letters which is given for the best first novel published in North America. The Unburied was nominated for the 2001 International IMPAC Dublin Literary Award. (From Wikipedia. Retrieved 2013.)
Book Reviews
(Starred review.) Palliser juxtaposes Gothic melodrama, a metafictional frame, a vividly unreliable narrator, and a roiling mix of mysteries in this provocative Victorian thriller.... Rustication showcases the author’s originality, boldness, and range.... [Despite] its graphic passages...the novel wraps a genuinely memorable reflection on family and human fallibility in a wickedly entertaining, intricately plotted read.
Publishers Weekly
Palliser vividly captures the claustrophobic feeling of a small Victorian community being overwhelmed by anxiety and mistrust, and fans of twisty plots will enjoy guessing at the town’s many secrets as they sift through the rumors and gossip offered up by a well-drawn cast of darkly quirky characters. —Mara Bandy, Champaign P.L., IL
Library Journal
Something wicked...iis in the heart of a small town in mid-Victorian England. Sent down from Cambridge in disgrace, 17-year-old Richard Shenstone retreats to an ancient, crumbling house on the edge of a marshy bay occupied by his recently widowed mother and his enigmatically secretive sister.... Paranoia reigns supreme as the twists and turns keep multiplying in this gothic horror show adeptly spun. —Margaret Flanagan
Booklist
A reprobate college student stands accused of a host of moral failings in an intensely gothic tale....but, like most gothic literature, this is a highly moral novel: It's about the struggle to live rightly when nature and man alike send storm clouds your way. The story turns on whether or not Richard is the author of [a series of vicious] letters, but...[m]uch time is spent elaborating on the complex web of relationships in the town...which saps the emotional power of Richard's effort to redeem himself.
Kirkus Reviews
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
We'll add specific questions if and when they're made available by the publisher.
Sabbath's Theater
Philip Roth, 1995
Knopf Doubleday
464pp.
ISBN-13: 9780679772590
Summary
Winner of the National Book Award
Sabbath's Theater is a comic creation of epic proportions, and Mickey Sabbath is its gargantuan hero.
Once a scandalously inventive puppeteer, Sabbath at sixty-four is still defiantly antagonistic and exceedingly libidinous. But after the death of his long-time mistress—an erotic free spirit whose adulterous daring surpassed even his own—Sabbath embarks on a turbulent journey into his past.
Bereft and grieving, besieged by the ghosts of those who loved and hated him most, he contrives a succession of farcical disasters that take him to the brink of madness and extinction. (From the publisher.)
Author Bio
• Birth—March 19, 1933
• Where—Newark, New Jersey, USA
• Education—B.A., Bucknell University; M.A., University of
Chicago
• Awards—the most awarded US writer—see below
• Currently—lives in Connecticut
After many years of teaching comparative literature—mostly at the University of Pennsylvania—Philip Roth retired from teaching as Distinguished Professor of Literature at Hunter College in 1992. Until 1989, he was general editor of the Penguin book series Writers from the Other Europe, which he inaugurated in 1974 and which introduced the work of Bruno Schultz and Milan Kundera to an American audience.
His lengthy interviews with foreign authors—among them Primo Levi, Ivan Klima, and Aharon Appelfeld—have appeared in the New York Review of Books, the London Review of Books, and the New York Times Book Review. Roth was born in Newark, New Jersey, in 1933 and has lived in Rome, London, Chicago, and New York. He now resides in Connecticut. (From the publisher.)
More
Philip Roth's long and celebrated career has been something of a thorn in the side of the writer. As it is for so many, fame has been the proverbial double-edged sword, bringing his trenchant tragic-comedies to a wide audience, but also making him a prisoner of expectations and perceptions. Still, since 1959, Roth has forged along, crafting gorgeous variations of the Great American Novel and producing, in addition, an autobiography (The Facts) and a non-fictional account of his father's death (Patrimony: A True Story).
Roth's novels have been oft characterized as "Jewish literature," a stifling distinction that irks Roth to no end. Having grown up in a Jewish household in a lower-middle-class sub-section of Newark, New Jersey, he is incessantly being asked where his seemingly autobiographical characters end and the author begins, another irritant for Roth. He approaches interviewers with an unsettling combination of stoicism, defensiveness, and black wit, qualities that are reflected in his work. For such a high-profile writer, Roth remains enigmatic, seeming to have laid his life out plainly in his writing, but refusing to specify who the real Philip Roth is.
Roth's debut Goodbye, Columbus instantly established him as a significant writer. This National Book Award winner was a curious compendium of a novella that explored class conflict and romantic relationships and five short stories. Here, fully formed in Roth's first outing, was his signature wit, his unflinching insightfulness, and his uncanny ability to satirize his character's situations while also presenting them with humanity. The only missing element of his early work was the outrageousness he would not begin to cultivate until his third full-length novel Portnoy's Complaint—an unquestionably daring and funny post-sexual revolution comedy that tipped Roth over the line from critically acclaimed writer to literary celebrity.
Even as Roth's personal relationships and his relationship to writing were severely shaken following the success of Portnoy's Complaint, he continued publishing outrageous novels in the vein of his commercial breakthrough. There was Our Gang, a parodic attack on the Nixon administration, and The Breast, a truly bizarre take on Kafka's Metamorphosis, and My Life as a Man, the pivotal novel that introduced Roth's literary alter ego, Nathan Zuckerman.
Zuckerman would soon be the subject of his very own series, which followed the writer's journey from aspiring young artist with lofty goals to a bestselling author, constantly bombarded by idiotic questions, to a man whose most important relationships have all but crumbled in the wake of his success. The Zuckerman Trilogy (The Ghost Writer, Zuckerman Unbound, and The Counterlife) directly parallels Roth's career and unfolds with aching poignancy and unforgiving humor.
Zuckerman would later reemerge in another trilogy, although this time he would largely be relegated to the role of narrator. Roth's American Trilogy (I Married a Communist, the PEN/Faulkner Award winning The Human Stain, and The Plot Against America), shifts the focus to key moments in the history of late-20th–century American history.
In Everyman (2006), Roth reaches further back into history. Taking its name from a line of 15th-century English allegorical plays, Everyman is classic Roth—funny, tragic, and above all else, human. It is also yet another in a seemingly unbreakable line of critical favorites, praised by Kirkus Reviews, Booklist, Publishers Weekly, and The Library Journal.
In 2007's highly anticipated Exit Ghost, Roth returned Nathan Zuckerman to his native Manhattan for one final adventure, thus bringing to a rueful, satisfying conclusion one of the most acclaimed literary series of our day. While this may (or may not) be Zuckerman's swan song, it seems unlikely that we have seen the last Philip Roth. Long may he roar. (Author bio from Barnes & Noble.)
Literary Awards
Philip Roth is one of the most celebrated living American writers. Two of his works of fiction have won the National Book Award (Goodbye, Columbus; Sabbath's Theater); two others were finalists. Two have won National Book Critics Circle awards (Patrimony; Counterlife); again, another two were finalists. He has also won three PEN/Faulkner Awards (Operation Shylock, The Human Stain, and Everyman) and a Pulitzer Prize for Fiction for his 1997 novel, American Pastoral. In 2001, The Human Stain was awarded the United Kingdom's WH Smith Literary Award for the best book of the year. In 2002, he was awarded the National Book Foundation's Award for Distinguished Contribution to American Letters. Literary critic Harold Bloom has named him as one of the four major American novelists still at work, along with Thomas Pynchon, Don DeLillo, and Cormac McCarthy. In May 2006, he was given the PEN/Nabokov Award, and in 2007 the first PEN/Saul Bellow Award — both for lifetime achievement.
The May 21, 2006 issue of the New York Times Book Review announced the results of a letter that was sent to what the publication described as "a couple of hundred prominent writers, critics, editors and other literary sages, asking them to please identify 'the single best work of American fiction published in the last 25 years." Of the 22 books cited, six of Roth's novels were selected: American Pastoral, The Counterlife, Operation Shylock, Sabbath's Theater, The Human Stain, and The Plot Against America. The accompanying essay, written by critic A.O. Scott, stated, "If we had asked for the single best writer of fiction of the past 25 years, [Roth] would have won." ("More" and "Awards" from Wikipedia.)
Book Reviews
Sabbath's Theater [is] Mr. Roth's longest and, in my judgment, richest, most rewarding novel.... Ever since Portnoy's Complaint, Mr. Roth has been pre-eminent as a literary stand-up comedian, and some of the routines in Sabbath's Theater show him in top form.... [However,] there is plenty of nastiness in this book, and certain readers will find it repellent, not funny at all. One of Sabbath's friends, his patience exhausted by Mickey's abusive behavior, calls it "the discredited male polemic's last gasp." There is something to this charge, and the novel is stronger for allowing readers to consider the hero in such terms, if they choose. But it would be a mistake to do so exclusively, for that would involve foreclosing on the sympathies we give to the outrageous Sabbath when, in a section of 60 pages, the heart of the novel and one of the great sequences in American fiction, he returns to the Jersey Shore of his boyhood.
William H. Pritchard - New York Times Book Review
The novel fails to open out into a larger comment on society or our shared experience of mortality: Sabbath remains such a willfully selfish character that his adventures become a kind of black hole, absorbing rather than emitting light. He does not grow or learn from Drenka's death or his other losses; he simply learns to reaffirm the narcissism that has informed his entire life. As a result, Sabbath cannot assume a tragic stature; he remains, merely, pathetic.
Michiko Yakutani - New York Times
This is Roth's twenty-first novel and displays all the Rothian concerns and stylistic quirks his readers have grown accustomed to, only more exaggerated. It is a long, long book, but it grows on you.—Bonnie Smothers
Booklist
Roth's National Book Award-winning novel is a hilarious, beautifully written spoof about an aging puppeteer who finds himself rudderless when the death of his mistress, Drenka, effectively removes the driving force of his life: sex. Mickey Sabbath, now resigned to preparing for his own death, toasts all of the formerly significant figures in his life, including his first wife, who walked out on him; his mother, who was consumed by the death of Mickey's older brother during the war; and the nubile Drenka, whose appeal for Mickey's sexual fealty shortly before her death falls upon deaf ears. David Dukes reads this rip-roaring tale with a sensitivity that complements Roth's well-wrought prose. Recommended for all serious fiction collections, but advise your patrons to listen with the car windows up and the volume down. —Mark Annichiarico.
Library Journal
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
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Sacred Hearts
Sarah Dunant, 2009
Random House
400 pp.
ISBN-13: 9780812974058
Summary
The year is 1570, and in the convent of Santa Caterina in the Italian city of Ferrara noble women find space to pursue their lives under God's protection. But any community, however smoothly run, suffers tremors when it takes in someone by force. And the arrival of Santa Caterina's new novice sets in motion a chain of events that will shake the convent to its core.
The sixteen-year-old daughter of a noble family from Milan, Serafina is willful, emotional, sharp, and defiant—young enough to have a life to look forward to and old enough to know when that life is being cut short. Her first night inside the walls is spent in an incandescent rage so violent that the dispensary mistress, Suora Zuana, is dispatched to the girl's cell to sedate her. Thus begins a complex relationship of trust and betrayal between the young rebel and the clever, scholarly nun, who is old enough to be Serafina's mother.
As Serafina rails against her incarceration, others are drawn into the drama: the ancient, mysterious Suora Magdalena—with her history of visions and ecstasies—locked in her cell; the ferociously devout novice mistress Suora Umiliana, who comes to see in the postulant a way to extend her influence; and, watching it all, the abbess, Madonna Chiara, a woman as fluent in politics as she is in prayer. As disorder and rebellion mount, it is the abbess's job to keep the convent stable while, outside its walls, the dictates of the Counter-Reformation begin to purge the Catholic Church and impose on the nunneries a regime of terrible oppression.
Sarah Dunant, the bestselling author of The Birth of Venus and In the Company of the Courtesan, brings this intricate Renaissance world compellingly to life. Amid Sacred Hearts is a rich, engrossing, multifaceted love story, encompassing the passions of the flesh, the exultation of the spirit, and the deep, enduring power of friendship. (From the publisher.)
Author Bio
• Birth—August 8, 1950
• Where—London, England, UK
• Education—B.A., Cambridge University
• Awards—Silver Dagger Award for Crime Fiction
• Currently—lives in London, England
Sarah Dunant is a writer, broadcaster and critic. She was a founding vice patron of the Orange Prize for women's fiction, sits on the editorial board of the Royal Academy magazine, and reviews for the Times, Guardian, and Independent on Sunday. She teaches creative writing at The Faber Academy in London and biennially at Washington University in St. Louis in its Renaissance studies course. She is also a creative writing fellow at Oxford Brookes University. She has two daughters and lives in London and Florence.
Early career
Dunant was born in London. She attended Godolphin and Latymer School and studied history at Newnham College, Cambridge, where she was heavily involved in theatre and the Footlights review. After a brief spell working for the BBC she spent much of her twenties traveling (Japan, India, Asia and Central and South America) before starting to write. Her first two novels, along with a BBC television series, were written with a friend. After this she went solo.
Since then she has written ten novels, three screenplays and edited two books of essays. She has worked in television and radio as a producer and presenter: most notably for BBC Television where for seven years (1989–1996) she presented the live nightly culture programme The Late Show. After that she presented the BBC Radio 3 radio programme Night Waves.
Books
Dunant's work ranges over a number of genres and eras. Her narratives are hard to categorise due to their inventive treatment of time and space, and a favoured device of hers is to run two or more plot strands concurrently, as she does in Mapping the Edge. A common concern running through her work is women's perceptions and points of view, with other themes included.
Her first eight novels were broadly written within a thriller form. Their setting was contemporary and allowed her to explore such themes such as the drug trade, surrogacy, terrorism, animals rights, cosmetic surgery and sexual violence.
Then in 2000 an extended visit to Florence rekindled her first love: History. The novels which followed—The Birth of Venus (2003), In the Company of the Courtesan (2006), and Sacred Hearts (2009) were extensively researched historical explorations of what it was like to be a woman within the Italian Renaissance. The trilogy looked at marriage, the culture of courtesans and the life of cloistered nuns. They were all international best sellers and were translated into over 30 languages.
Her 2013 novel Blood & Beauty centers on a depiction of Italy's Borgia dynasty. It sets out to offer a historically accurate vision of a family who have been much maligned by history. Dunant states in her afterword that she plans to write a second, concluding novel, about the family. (From Wikipedia. Retrieved 9/22/2013.)
Book Reviews
(Starred review.) Dunant (The Birth of Venus) revisits 16th-century Italy, where the convents are filled with the daughters of noblemen who are unable or unwilling to pay a dowry to marry them off. The Santa Caterina convent's newest novice, Serafina, is miserable, having been shunted off by her father to separate her from a forbidden romance. She also has a singing voice that will be the glory of the convent and-more importantly to some-a substantial bonus for the convent's coffers. The convent's apothecary, Suora Zuana, strikes up a friendship with Serafina, enlisting her as an assistant in the convent dispensary and herb garden, but despite Zuana's attempts to help the girl adjust, Serafina remains focused on escaping. Serafina's constant struggle and her faith (of a type different from that common to convents) challenge Zuana's worldview and the political structure of Santa Caterina. A cast of complex characters breathe new life into the classic star-crossed lovers trope while affording readers a look at a facet of Renaissance life beyond the far more common viscounts and courtesans. Dunant's an accomplished storyteller, and this is a rich and rewarding novel.
Publishers Weekly
With her third novel set during the Italian Renaissance (after The Birth of Venus and In the Company of the Courtesan), Dunant continues to captivate. The year is 1570, and the convent of Santa Caterina, in the northern city of Ferrara, is considered the crown jewel of Italian nunneries. In a time when the cost of a daughter's dowry is staggering, many noblemen choose to marry surplus daughters off to the church, a far less expensive option. Not surprisingly, not all the women are willing participants. This is the story of the unlikely friendship forged between two women—Serafina, the angry, rebellious novice forced into convent life after an illicit affair comes to light, and Zuana, the calm, capable head of the dispensary, who cannot forget her painful assimilation 16 years previously. Dunant brilliantly depicts the daily rhythms of convent life and offers an intriguing glimpse into 16th-century church politics. A rich tale filled with passion and the enduring power of faith, this novel is highly recommended for historical fiction readers. —Makiia Lucier, Moscow, ID
Library Journal
Another Renaissance novel from Dunant (In the Company of the Courtesan, 2006, etc.), this one focused on convent life. In 16th-century Italy, convents were not home merely to women who felt called to Christ. They were also repositories for ugly, unconventional or otherwise unmarriageable daughters. Many of these discarded young women were from noble families, and the luxuries and extravagances of court life left them disinclined toward asceticism. Nuns who vowed to avoid unnecessary talk nevertheless managed to gossip. Women committed to poverty lined their rough habits with satin and fur. And the promise of eternal chastity was no safeguard against desire. Dunant does a thorough job of depicting these tensions, conflicts and paradoxes. She captures convent life and sets it in a larger cultural context, paying particular attention to the religious politics of the times. The novel boasts a bibliography of 56 titles, and the reader who is so inclined can make a game of guessing which historical or theological tidbit came from which source. Unfortunately, this is about the only form of entertainment on offer here. The book has none of the dash, energy and storytelling confidence that made Dunant's last novel so enjoyable. She seems overwhelmed or overawed by her material, and the narrative is not merely slow but oddly repetitive. Characters make the same discoveries again and again, and even the most dramatic events simply dissipate. The repetitive plot does have the effect of giving the reader a sense of a nun's existence, defined as it is by a never-deviating schedule of devotions. For the nun with a true vocation, this is no doubt a source of comfort and even elation, a release from mundane time and a tantalizing foretaste of eternity. But the average reader is likely to identify with those extraneous daughters interred against their will, struggling to stay awake and yearning for a little action. A disappointing effort from a talented writer.
Kirkus Reviews
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
Also consider these LitLovers talking points to help get a discussion started for Sacred Hearts:
1. Talk about the convents—their environment, practices, and the women who populate them. Who are the nuns, for instance, and why are they there?
2. Discuss the tension between the vows of chastity the women take and the suppression of natural sexual desire. Consider that tension in light of the 21st century. Different? The same?
3. What is Zuana's interest in Serafina? What are the differences between the two women...and in what way does the younger woman challenge the older one? Who changes whom in the process of this story?
4. Dunant also portrays the wider religious-political world surrounding the convent. Talk about what was going on in the larger world of the church and how it affected the convent.
5. If you've read other books by Sarah Dunant, how does this one compare?
(Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)
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The Sacrifice of Tamar
Naomi Ragen, 1995 (U.S. printing, 2010)
St. Martin's Press
480 pp.
ISBN-13: 9780312570224
Summary
From the author of Jephte's Daughter and Sotah comes The Sacrifice of Tamar, a powerful novel that examines with unflinching honesty the dark heart of racism and the surprising capacity of the human spirit to soar above its sordid consequences.
Tamar Finegold is twenty-one years old, the happy, beautiful bride of a rising young Rabbi in one of Brooklyn's insulated, ultra-Orthodox Jewish communities. Having married the man of her dreams and taken her place as a wife—and hopefully soon-to-be mother—in her community, Tamar feels as though the world is at her feet.
But her secure, predictable existence is brought to an abrupt end when she is raped by an intruder. Fearing the unbearable stigma and threat to her marriage that could result from telling the truth, Tamar makes a fateful decision that changes her life forever.
Her feeling that she did the only thing she could under the circumstances explodes when years later a shocking, undreamed of turn of events finally forces her to confront her past, once and for all. (From the publisher.)
Author Bio
• Birth—July 10, 1949
• Where—New York, New York, USA
• Education—B.A., Brooklyn College; M.A., Hebrew University
of Jerusalem
• Currently—lives in Jerusalme, Israel
Naomi Ragen is the author of seven novels, including several international bestsellers, and her weekly email columns on life in the Middle East are read and distributed by thousands of subscribers worldwide. An American, she has lived in Jerusalem for the past thirty-nine years and was recently voted one of the three most popular authors in Israel. (From the publisher.)
More
Ragen’s first three novels, which described the lives of ultra-Orthodox Jewish women in Israel and the United States, dealt with themes that had not previously been addressed in that society's literature: wife-abuse (Jephte’s Daughter: 1989), adultery (Sotah: 1992) and rape (The Sacrifice of Tamar: 1995). Reaction to these novels in the Orthodox and ultra-Orthodox communities was mixed. Some hailed her as a pioneer who for the first time exposed and opened to public discussion problems which the communities had preferred to pretend did not exist, while others criticized her for “hanging out the dirty laundry” for everyone to see, thus embarrassing the rabbis who were believed by many to be effectively dealing with these problems “behind the scenes” and also putting “ammunition in the hands of the anti-Semites.”
Her next novel (The Ghost of Hannah Mendes: 1998) told the story of a Sephardic family brought back from the abyss of assimilation by the spirit of their ancestor Gracia Mendes (a true historical figure), a 16th century Portuguese crypto-Jew who risked her life and her considerable fortune to practice her religion in secret.
Chains Around the Grass (2002) is a semi-autobiographical novel of the author’s childhood which dealt with the failure of the American dream for her parents.
In The Covenant (2004) Ragen dealt with the contemporary theme of an ordinary family sucked into the horror of Islamic terrorism.
The Saturday Wife (2007), the story of a rabbi's wayward wife, is loosely based on Flaubert’s Madame Bovary, and is a satire of modern Jewish Orthodoxy.
Ragen is also known as a playwright. Her 2001 drama, Women’s Minyan, tells the story of an ultra-Orthodox woman who, upon fleeing from her adulterous and abusive husband, finds that he has manipulated the rabbinical courts to deprive her of the right to see or speak to her twelve children. The story is based on a true incident. Women’s Minyan ran for six years in Israel's National Theatre and has been staged in the United States, Canada and Argentina. (From Wikipedia.)
Book Reviews
Returning to familiar terrain in her third novel (after Jephte's Daughter and Sotah), Ragen again examines the lives of ultra-orthodox Jews and the severe consequences that can befall even the most faithful when they take a serious, albeit human misstep. Most of the story takes place in a Brooklyn neighborhood resembling Borough Park, although, as in her previous books, dramatic fanfare occurs in Israel, too. Pious Tamar both adores and is in awe of her warm and brilliant husband, Josh. She is looking forward to an intimate evening after her ritual visit to the mikvah (here Ragen offers a tediously detailed description about Jewish conjugal laws), but that evening she is raped by a black man. She does not tell her husband about the attack, and when she discovers she is pregnant, she does not abort the fetus, because she is not sure whether the rapist or Josh is the father. In trying to make the reader understand why Tamar would choose silence and sustain the pregnancy, Ragen flashes back to Tamar's youth, particularly her relationship with two friends who play pivotal roles throughout her life: Hadassah, the beautiful, rebellious daughter of the neighborhood's primary religious leader, and Jenny, who comes from a secular background but easily adapts to Orthodox observance. The interplay between the girls as they take tentative steps into the secular world of the late 1960s provides some charming scenes, and the final chapters prove moving and dramatic when later consequences of Tamar's deceptive silence shatter her family's life. While Ragen is an able storyteller and handles dialogue deftly, her plots are becoming hackneyed. It's an insular and provincial world that she has chosen to portray, and here she adds little that is new or eye-opening to the reader.
Publishers Weekly
Ragen (Jepthe's Daughter) continues to describe life in the ultra-orthodox Jewish communities of the United States and Israel. After being raped, Tamar, the young wife of a brilliant rabbi, chooses to conceal the crime. Soon, she discovers that she is pregnant and wrestles with a moral decision she is ill equipped to make. "What's not nice we don't show" is the modus operandi of Tamar's world, a creed to which she adheres until 20 years later when she must step forward or see innocent lives destroyed. The author paints a picture of a rigid, unyielding people for whom true tolerance and understanding is a luxury only the most saintly can afford, and she juxtaposes the more worldly modern orthodox as a positive alternative. Although Tamar is not a truly lovable heroine, and her transformation is difficult to accept, the author's fluid writing and fascinating descriptions of an exotic community will make this an attractive title for public libraries. —Andrea Caron Kempf, Johnson Cty. Community Coll. Lib., Overland Park, KS
Library Journal
The rape of a young, ultra-Orthodox Jewish woman and her ultimate redemption are at the very heart of Ragen's latest novel....The author handles this complex and moving story with a deft touch as Tamar's outwardly perfect life must finally be reconciled with her long-kept secret. —Alice Joyce
Booklist
Classic urban-Jewish myth replaces Bible stories in this latest chaste offering from Ragen (Sotah, 1992). Ultra-Orthodox, 21-year-old Tamar Finegold is raped by a black man while babysitting her nephew. Unwilling to become an object of pity and gossip in her tightly knit Brooklyn community, Tamar resolves to hide the fact from her family, friends, and neighbors. She even keeps the incident a secret from her pious husband, Josh, afraid that he will divorce her if Jewish law commands him to. When Tamar discovers that she is pregnant, however, she must reevaluate. The child could be the rapist's, but it might also be Josh's, with whom she slept that very same night. After soul-searching and sleeplessness, Tamar finally confides in her two best friends from childhood: Hadassah Mandlebright, the fallen only daughter of the revered Kovnitzer Rebbe, and born-again Jew Jenny Douglas. The three women meet at Hadassah's apartment in Manhattan and Tamar leaves the next morning determined to go through with her pregnancy. Eight months later she gives birth to a white child, Aaron. Tamar believes that the episode is finished; for the next 20 years she lives a spotless—if troubled—life, giving birth to two more children, becoming a respected matron in the community. But when Aaron's wife is punished for Tamar's sins of omission, Tamar must again make a decision, this time one her conscience can live with. Although Ragen exposes herself to charges of racism here, the black rapist is more important as a plot device than a representative of his race. More central is Ragen's typically harsh judgment of the insular ultra-Orthodox Jewish community, although she does create some saintly religious characters. As in Sotah, Ragen's moral is that fulfillment can be found outside the rigid boundaries of community but within the teachings of the commandments. Cliche-ridden and predictable, but also strangely affecting.
Kirkus Reviews
Discussion Questions
1. The social code of the ultra Orthodox world serves not only as the background for The Sacrifice of Tamar, but as one of its most controversial elements. How would you define that code, and in what way is it a catalyst for the behavior of the characters?
2. In discussing this book, the author said portraying Tamar sympathetically was extremely challenging. In what way does Tamar’s behavior evoke antagonism in the reader? What events and information does the author supply that help evince sympathy for her decision and her plight?
3. Describe Josh. What do you think his reaction would have been had Tamar told him the truth immediately?
4. Tamar hides the truth. How would the community have reacted had Tamar let the truth about the rape be known? Her family? Was Tamar’s sacrifice in vain?
5. Tamar’s cousin Zissel appears only briefly in the story. Why is Zissel important to the story?
6. At the beginning of the book, Tamar has the simplistic belief that “God treated you the way you treated others.” What happens to this belief by the end of the book? Is it still intact? Has it changed? In what ways?
7. What, exactly, is the sacrifice Tamar makes? Or is it Tamar herself who is sacrificed? What does she gain from her behavior, and what does she lose?
8. The Sacrifice of Tamar has an important racial element. Is Tamar a racist? How does the book portray racism?
9. In Tamar, Jenny, and Hadassah, the book presents three models of religious adherence. What are they? How would you describe the positive and negative role religion plays in each of their lives?
(Questions issued by publisher.)
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Sad Janet
Lucie Britsch, 2020
Penguin Publishing
288 pp.
ISBN-13: 9780593086520
Summary
Janet works at a rundown dog shelter in the woods. She wears black, loves the Smiths, and can’t wait to get rid of her passive-aggressive boyfriend. Her brain is full of anxiety, like "one of those closets you never want to open because everything will fall out and crush you."
She has a meddlesome family, eccentric coworkers, one old friend who’s left her for Ibiza, and one new friend who’s really just a neighbor she sees in the hallway. Most of all, Janet has her sadness—a comfortable cloak she uses to insulate herself from the oppressions of the wider world.
That is, until one fateful summer when word spreads about a new pill that offers even cynics like her a short-term taste of happiness… just long enough to make it through the holidays without wanting to stab someone with a candy cane.
When her family stages an intervention, her boyfriend leaves, and the prospect of making it through Christmas alone seems like too much, Janet decides to give them what they want. What follows is life-changing for all concerned—in ways no one quite expects.
Hilarious, bitterly wise, and surprisingly warm, Sad Janet is the depression comedy you never knew you needed. (From the publisher.)
Author Bio
Lucie Britsch's writing has appeared in Catapult Story, Vol. 1 Brooklyn, Split Lip Magazine, and The Sun (UK), and has been nominated for a Pushcart Prize. She lives in England, and Sad Janet is her first novel. (From the publisher.)
Book Reviews
A gentle, yet precise probe into the nature of melancholia.… Sad Janet is a strangely exuberant meditation on sadness; Britsch articulates the conflicting comforts and pains of depression in a distinctively memorable, wise way.
Refinery29
[A] darkly comic debut, a deadpan, abrasive narrator muses on her depression.… Janet has a gift for homing in on her own emotional state and everyone else’s, which Britsch renders in rueful, knowing prose…. [T]his monologue on unhappiness is undeniably infectious.
Publishers Weekly
(Starred review) The narrative voice of Janet in Britsch’s debut novel is a skin-tingling combination of new and necessary…. This book and this character are radical, and readers are likely to feel a relief at reading the thoughts they’ve had but not spoken.
Booklist
[A] darkly humorous debut… [and] sardonic portrayal of self-improvement…. However, by its end, it becomes a sort of echo chamber unto itself, full of cynicism, angst, existential ennui, and no solution. Perhaps that is life. A misanthropic tale goes awry.
Kirkus Reviews
Discussion Questions
We'll add publisher questions if and when they're available; in the meantime, use our LitLovers talking points to help discuss SAD JANET … then take off on your own:
1. Does Janet's sadness resonate with you? If so, in what way? If not, do you lose patience with her? Is she wallowing in her depression … or trapped?
2. Talk about Janet's counter-cultural desires: her wish not to have a boyfriend, own a house, or have children. Why does she hold these seemingly contrarian aspirations?
3. How would you describe the other characters in Lucie Britsch's novel: Janet's boyfriend and her family?
4. Janet tells us, "Love is like gluten," and that she "should have told the doctor. I can't process it properly." Funny! But what does she mean?
5. Talk about the dogs. What role do they play in Janet's life? Who or what do they stand in for, both the role they play in Janet's life, as well as the symbolic role in the novel itself?
6. What are Janet's perceptions—the pros and cons—of taking the medication. Why did she agree to take the pills?
7. Is this a "self-improvement" novel? Or a parody of one?
(Questions by LitLovers. Please feel free to use them, online and off, with attribution. Thanks.)
Sadie
Courtney Summers, 2018
Wednesday Books
320 pp.
ISBN-13: 9781250105714
Summary
A missing girl on a journey of revenge. A Serial-like podcast which follows the clues she's left behind. And an ending you won't be able to stop talking about.
Sadie hasn't had an easy life. Growing up on her own, she's been raising her sister Mattie in an isolated small town, trying her best to provide a normal life and keep their heads above water.
But when Mattie is found dead, Sadie's entire world crumbles. After a somewhat botched police investigation, Sadie is determined to bring her sister's killer to justice and hits the road following a few meager clues to find him.
When West McCray—a radio personality working on a segment about small, forgotten towns in America—overhears Sadie's story at a local gas station, he becomes obsessed with finding the missing girl. He starts his own podcast as he tracks Sadie's journey, trying to figure out what happened, hoping to find her before it's too late.
Courtney Summers has written the breakout book of her career. Sadie is propulsive and harrowing and will keep you riveted until the last page. (From the publisher.)
Author Bio
• Birth—1986
• Where—Belleville, Ontario, Canada
• Education—self-directed
• Awards—Cybils Award
• Currently—lives near Belleville, Ontario
Courtney Summers is a Canadian writer of young adult fiction. Her best known works are Cracked Up to Be, This is Not a Test, and All the Rage.
Career
In 2008, when she was 22, Summers published her first novel, Cracked Up to Be. The debut won the 2009 Cybils Award for YA Fiction. Her second novel, Some Girls Are, came out 2010 and received starred reviews from Kirkus Reviews, Publishers Weekly, School Library Journal and was a 2010 Goodreads Choice Nominee in the YA Fiction category. Both novels were repackaged in 2013 as a 2-in-1 edition titled What Goes Around.
Summers' third novel, Fall for Anything, was released in 2010, receiving starred reviews from Kirkus Reviews and Booklist.
Up to this point, Summers' novels were all contemporary and realistic. But her 2002 novel, This is Not a Test, is set during a zombie apocalypse. It received a starred review from Publishers Weekly and was optioned for television by Sony. In 2015, Summers released Please Remain Calm, an e-novella sequel to This is Not a Test.
Summers' fifth novel, All the Rage, was her hardcover debut. Released in 2015, it was chosen as the sixth official selection of Tumblr's Reblog Book Club and received starred reviews from Kirkus Reviews, Publishers Weekly, and School Library Journal. It was also named a Spring 2015 Junior Library Guild Selection.
On April 14, 2015, to mark the release of All the Rage, Summers launched the hashtag campaign #ToTheGirls, encouraging people to send messages of support and positivity to girls across social media. #ToTheGirls trended worldwide on Twitter. Notable press coverage included The Today Show. It was named one of the most important feminist hashtags of 2015 by Mic News.
Sadie came out in 2018. Like her other books, it too received stars from the four major book reviewers, ths time from all four: Kirkus, School Library Journal, Booklist, and Publishers Weekly.
Summers has also contributed short stories to the anthologies Defy the Dark and Violent Ends. (Adapted from Wikipedia. Retrieved 10/5/2018.)
Book Reviews
(Starred review) [A] taut, suspenseful book about abuse and power that feels personal, as if Summers …can’t take one more dead or abused girl. Readers may well feel similarly (Ages 13–up).
Publishers Weekly
(Starred review) —[C]ompelling.… It's impossible to not be drawn into this haunting thriller of a book. A heartrending must-have (Gr 9-up). —Amanda Mastrull
School Library Journal
(Starred review) Though Sadie’s story is occasionally a bit overwrought, her hunt for Mattie’s killer is captivating, and Summers excels at slowly unspooling both Sadie’s and West’s investigations at a measured, tantalizing pace. —Sarah Hunter
Booklist
(Starred review) Sadie is seeking her sister's killer; months later, podcast producer West McCray seeks to learn why Sadie abandoned her car and vanished.… [C]hild sexual abuse permeates the novel…. A riveting tour de force (Ages14-18).
Kirkus Reviews
Discussion Questions
1. In what ways does the dual narrative structure of Sadie add to the reading experience?
2. In the first episode of The Girls, how does the way West describes the town of Cold Creek set up the tone for the rest of the story?
3. What role do the towns Sadie passes through (Cold Creek, Montgomery, Langford, and Farfield) play in this story? Each town has a distinct description; what do these settings tell you?
4. How does the podcast element add to the overall story of Sadie?
5. Why do you think podcasts have taken listeners by storm? What do you think it is about them that appeals to listeners?
6. What forces are working against Sadie? What obstacles has she had to overcome in order to survive?
7. Out of all the people who Sadie comes across in her journey, which person (or people) do you think has the most effect on her? And who do you think Sadie affected the most; why?
8. What effect do you think the postcard from L.A. was supposed to have versus the actual effect it had on Sadie and Mattie? Do you think that the sender regretted sending the postcard?
9. What do you think Sadie would say to West if they ever met in person? Do you think she’d like him? Would she trust him with her story?
10. At the end of the book, what do you think happened to Sadie?
(Questions issued by the publisher.)
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Safe Haven
Nicholas Sparks, 2012
Grand Central Publishing
432 pp.
ISBN-13: 9781455523542
Summary
When a mysterious young woman named Katie appears in the small North Carolina town of Southport, her sudden arrival raises questions about her past.
Beautiful yet self-effacing, Katie seems determined to avoid forming personal ties until a series of events draws her into two reluctant relationships: one with Alex, a widowed store owner with a kind heart and two young children; and another with her plainspoken single neighbor, Jo. Despite her reservations, Katie slowly begins to let down her guard, putting down roots in the close-knit community and becoming increasingly attached to Alex and his family.
But even as Katie begins to fall in love, she struggles with the dark secret that still haunts and terrifies her...a past that set her on a fearful, shattering journey across the country, to the sheltered oasis of Southport. With Jo's empathic and stubborn support, Katie eventually realizes that she must choose between a life of transient safety and one of riskier rewards...and that in the darkest hour, love is the only true safe haven. (From the publisher.)
Author Bio
• Birth—December 31. 1965
• Where—Omaha, Nebraska, USA
• Education—B.A., University of Notre Dame
• Currently—lives in New Bern, North Carolina
Nicholas Charles Sparks is an American novelist, screenwriter and producer. He has published some 20 novels, plus one non-fiction. Ten have been adapted to films, including Message in a Bottle, A Walk to Remember, The Notebook, Nights in Rodanthe, Dear John, The Last Song, The Lucky One, and most recently The Longest Ride.
Background
Sparks was born to Patrick Michael Sparks, a professor of business, and Jill Emma Marie Sparks (nee Thoene), a homemaker and an optometrist's assistant. He was the middle of three children, with an older brother and a younger sister, "Dana", who died at the age of 33 from a brain tumor. Sparks said that she is the inspiration for the main character in his novel A Walk to Remember.
His father was pursuing graduate studies at University of Minnesota and University of Southern California, and the family moved a great deal, so by the time Sparks was eight, he had lived in Watertown, Minnesota, Inglewood, California, Playa del Rey, California, and Grand Island, Nebraska, which was his mother's hometown during his parents' one year separation.
In 1974 his father became a professor of business at California State University, Sacramento teaching behavioral theory and management. His family settled in Fair Oaks, California, and remained there through Nicholas's high school days. He graduated in 1984 as valedictorian from Bella Vista High School, then enrolled at the University of Notre Dame under a full track and field scholarship. In his freshman year, his team set a record for the 4 x 800 relay.
Sparks majored in business finance and graduated from Notre Dame with honors in 1988. He also met his future wife that year, Cathy Cote from New Hampshire, while they were both on spring break. They married in 1989 and moved to New Bern, North Carolina.
Writing career
While still in school in 1985, Sparks penned his first (never published) novel, The Passing, while home for the summer between freshman and sophomore years at Notre Dame. He wrote another novel in 1989, also unpublished, The Royal Murders.
After college, Sparks sought work with publishers or to attend law school, but was rejected in both attempts. He then spent the next three years trying other careers, including real estate appraisal, waiting tables, selling dental products by phone and starting his own manufacturing business.
In 1990, Sparks co-wrote with Billy Mills Wokini: A Lakota Journey to Happiness and Self-Understanding. The book was published by Random House sold 50,000 copies in its first year.
In 1992, Sparks began selling pharmaceuticals and in 1993 was transferred to Washington, DC. It was there that he wrote another novel in his spare time, The Notebook. Two years later, he was discovered by literary agent Theresa Park, who picked The Notebook out of her agency's slush pile, liked it, and offered to represent him. In October 1995, Park secured a $1 million advance for The Notebook from Time Warner Book Group. The novel was published in 1996 and made the New York Times best-seller list in its first week of release.
With the success of his first novel, he and Cathy moved to New Bern, NC. After his first publishing success, he began writing his string of international bestsellers.
Personal life and philanthropy
Sparks continues to reside in North Carolina with his wife Cathy, their three sons, and twin daughters. A Roman Catholic since birth, he and his wife are raising their children in the Catholic faith.
In 2008, Entertainment Weekly reported that Sparks and his wife had donated "close to $10 million" to start a private Christian college-prep school, The Epiphany School of Global Studies, which emphasizes travel and lifelong learning.
Sparks also donated $900,000 for a new all-weather tartan track to New Bern High School. He also donates his time to help coach the New Bern High School track team and a local club track team as a volunteer head coach.
In addition to track, he funds scholarships, internships and annual fellowship to the Creative Writing Program (MFA) at the University of Notre Dame. (Adapted from Wikipedia.)
Book Reviews
When Katie turns up in Southport, N.C., her presence in the small town and determination to keep to herself raises questions. But when events beyond her control force Katie to open up—and she begins to fall in love—she must come to grips with a dark secret from her past. Narrator Rebecca Lowman captures the essence of Sparks' novel and creates numerous voices and dialects for his characters, including the smooth Southern drawl of Katie's mysterious neighbor and sisterly confidant Jo, as well as the New England accent of Katie's estranged husband Kevin. Lowman also does her best to keep Katie from descending into movie-of-the week victimhood, particularly as the heroine enters into a budding romance with widower storekeeper Alex.
Publishers Weekly
A young woman with secrets finds home, community and a potential new love in a small North Carolina beach town; now if she can only rid herself of a past that haunts her, she may just have the life she's always longed for. No one in Southport, N.C., seems too concerned with the fact that Katie wants to keep to herself, even if it is a small town, and she's a mysterious, pretty woman. But since there's only one attractive, eligible man in the whole town--Alex, the widowed owner of the town's general store--then it only makes sense that the two would notice each other. Throw in a couple of events that allow Katie to show herself as a woman of character (despite her secretive ways) and Alex to represent a perfect man, and of course, the two of them will wind up on the path to true love. Especially since she's great with kids, and he just happens to have two of them, to whom he is a gentle, wonderful father with the patience of a saint. But, alas, Katie is a woman with secrets, and that generally means that there is someone out there looking for her. Since Katie lives in a tiny, isolated shack in the middle of nowhere, it's a good thing she likes her quirky new neighbor, Jo. Jo encourages her to become more invested in Alex, who, everyone knows, is a good man. Romance progresses. A haunting past life catches up with Katie with frightening consequences. Love prevails. An emotionally wrenching story with a dramatic happily-ever-after.
Kirkus Reviews
Discussion Questions
1. When Alex first meets Katie, he senses that she is in trouble. How does he figure out what has happened to her?
2. What is the nature of Jo and Katie’s relationship? How does Jo help Katie adjust to her life in Southport?
3. Katie and Alex fall in love very quickly. What draws them together? Have you ever fallen in love so quickly? If not, do you think it’s possible?
4. On their first date, Alex says to Katie: “Everyone has a past, but that’s just it—t’s in the past. You can learn from it, but you can’t change it.” Do you agree with him? Is it possible to truly put the past behind you?
5. Alex is a widower who has had to raise two children on his own. How has he dealt with his grief in the years since his wife passed away? Have you experienced grief of this magnitude in your own life? How did you handle it?
6. When Katie tells Alex about Kevin she says: “I hate him, but I hate myself, too.” Why does she feel this way? How does Katie change as she spends more and more time in Southport? How is she different by the end of the book?
7. Despite his violent behavior and his incessant drinking, Kevin quotes the Bible constantly and takes the Ten Commandments seriously. How do you understand his behavior?
8. Katie’s past puts Alex and his family in potential danger. Do you think it was irresponsible of Alex to involve himself with a woman he knew could endanger him and his children?
9. Why do you think the author chose to write a portion of the book from Kevin’s perspective. Do you have any sympathy for Kevin? Why or why not?
10. Did reading this book give you a new or better understanding of domestic abuse?
11. At the end of the novel, Alex tells Katie he is sorry for her loss. What does he mean by this? How does Katie react?
12. What do you make of Katie’s discovery at the end of the novel? Do you find the book’s ending believable?
13. This novel is in large part about safety and trust and how we often take these two things for granted. Did this book make you think differently about your own life and the things you value?
(Questions from the author's website.)
The Safe Place
Anna Downes, 2020
St. Martin's Press
368 pp.
ISBN-13: 9781250264800
Summary
Superbly tense and oozing with atmosphere, Anna Downes's debut, The Safe Place, is the perfect summer suspense, with the modern gothic feel of Ruth Ware and the morally complex family dynamics of Lisa Jewell.
Welcome to paradise … will you ever be able to leave?
Emily is a mess.
Emily Proudman just lost her acting agent, her job, and her apartment in one miserable day.
Emily is desperate.
Scott Denny, a successful and charismatic CEO, has a problem that neither his business acumen nor vast wealth can fix. Until he meets Emily.
Emily is perfect.
Scott offers Emily a summer job as a housekeeper on his remote, beautiful French estate. Enchanted by his lovely wife Nina, and his eccentric young daughter, Aurelia, Emily falls headlong into this oasis of wine-soaked days by the pool.
But soon Emily realizes that Scott and Nina are hiding dangerous secrets, and if she doesn't play along, the consequences could be deadly. (From the publisher.)
Author Bio
Anna Downes was born and raised in Sheffield, UK, but now lives just north of Sydney, Australia with her husband and two children. She worked as an actress before turning her attention to writing.
Downes was shortlisted for the Sydney Writers Room Short Story Prize (2017) and longlisted for the Margaret River Short Story Competition (2018). The Safe Place was inspired by Anna’s experiences working as a live-in housekeeper on a remote French estate in 2009-10. (From the publisher.)
Book Reviews
Downes keeps the sense of foreboding building…. Emily is a compelling character who arrives in France scatterbrained and immature but find the inner strength to save herself.
Washington Post
Gripping, satisfying and also promising first suspense novel. Psychological suspense, really, but in a setting where we expect a "gothic romance'—isolated house, mysterious owner, troubled child needing care.… But a larger cast than that, and characters that, even though we are in close point of view with each in turn, continue to surprise us.
Shawangunk Journal
It all adds up to an intriguing and addictive read. A real page turner; I couldn't put the book down once the secrets began to be unveiled.
AU Review.com (Australia)
[A]tmospheric, fitfully gripping…. Though plenty of surprises await the reader, Aurelia’s palpable suffering casts something of a pall over this mix of romantic escapism and gothic menace. Ruth Ware fans may want to check this one out.
Publishers Weekly
Downes' debut novel is a slow burn of a story with Emily picking up on snippets of conversations as a breadcrumb trail leads her to an astounding conclusion. A great read for those looking for a side of mystery with their women's fiction.
Booklist
Discussion Questions
We'll add publisher questions if and when they're available; in the meantime, use our LitLovers talking points to help start a discussion … then take off on your own:
m. In hindsight, what makes Emily the perfect person for Scott Denny to hire as an au pair for his wife, Nina, and daughter, Aurelia? Consider the state of Emily's life at at the onset of the novel—her lack of money, her family relationships, and her prospects (or lack of) for the future.
m. At first, Querencia is idyllic. When did you you begin, however, to suspect that things were not quite so perfect? What was your first clue?
m. Talk about Scott and what we know about his various machinations.
m. How does Emily's nascent attraction to Scott confuse her growing intuition that things are seriously amiss?
m. The story is told through multiple perspectives—that of Emily, Scott, and Nina. How do the different viewpoints affect what we come to know and when we know it? Did the narrative strategy increase or decrease your surprise at the end? In other words, was the final revelation surprising or predictable?
m. Did your opinion of Emily change by the end of the novel? Does she rise to the level of heroine by meeting the challenges thrown her way?
(Questions by LitLovers. Please feel free to use them, online and off, with attribution. Thanks.)
Sag Harbor
Colson Whitehead, 2009
Knopf Doubleday
288 pp.
ISBN-13: 9780307455161
Summary
The year is 1985. Benji Cooper is one of the only black students at an elite prep school in Manhattan. He spends his falls and winters going to roller-disco bar mitzvahs, playing too much Dungeons and Dragons, and trying to catch glimpses of nudity on late-night cable TV. After a tragic mishap on his first day of high school—when Benji reveals his deep enthusiasm for the horror movie magazine Fangoria—his social doom is sealed for the next four years.
But every summer, Benji escapes to the Hamptons, to Sag Harbor, where a small community of African American professionals have built a world of their own. Because their parents come out only on weekends, he and his friends are left to their own devices for three glorious months. And although he’s just as confused about this all-black refuge as he is about the white world he negotiates the rest of the year, he thinks that maybe this summer things will be different. If all goes according to plan, that is.
There will be trials and tribulations, of course. There will be complicated new handshakes to fumble through, and state-of-the-art profanity to master. He will be tested by contests big and small, by his misshapen haircut (which seems to have a will of its own), by the New Coke Tragedy of ’85, and by his secret Lite FM addiction. But maybe, with a little luck, things will turn out differently this summer.
In this deeply affectionate and fiercely funny coming-of-age novel, Whitehead—using the perpetual mortification of teenage existence and the desperate quest for reinvention—lithelyprobes the elusive nature of identity, both personal and communal. (From the publisher.)
Author Bio
• Birth—November 1969
• Where—New York, New York (USA)
• Education—B.A., Harvard University
• Awards—PEN/Oakland Award; Whiting Writers Award
• Currently—lives in Brooklyn, New York
Born in 1969 and raised in Manhattan, Colson Whitehead received his undergraduate degree from Harvard. After graduation, he went to work for the Village Voice as a book , television, and music reviewer.
Whitehead's first novel, The Intuitionist, was published in 1999 and was a finalist for the PEN/Hemingway and a winner of the Quality Paperback Book Club's New Voices Award. In 2001, he published John Henry Days, a startlingly original retelling of the famous story from American folklore. The novel received several honors and was shortlisted for the National Book Critics Circle Award and the Pulitzer Prize. In 2003, a collection of his essays, The Colossus of New York, was named a New York Times Notable Book of the year.
Whitehead's writing continues to attract awards, rave reviews, and a devoted, avid readership. In between books, he produces reviews, essays, short stories, and cultural commentary for a number of distinguished publications, including the New York Times, The New Yorker, Harper's, and Granta. He is the recipient of a coveted MacArthur Fellowship (dubbed the "genius grant") , a Whiting Writers Award, and a fellowship at the Cullman Center for Scholars and Writers.
Extras
From a 2009 Barnes & Noble interview:
• Where do I get my ideas? Usually I come across some strange fact in a book, or article, or tv show and think, That's weird, wouldn't it be kooky if...?
• I like to write in the nude—I find the gentle breezes tickle the fine hairs of creativity.
• Here are some of the things I like: staying in the house all day, screening phone calls, keeping the shades drawn. Deglazing. Oh, how I love to deglaze.
• Here's what I dislike: performance art, people who walk slowly in front of me, romantic comedies, panel discussions.
• When asked what book most influenced his career as a writer, here is his response:
There are many books, obviously. Today I'll go with Gravity's Rainbow by Thomas Pynchon, because I'm feeling nostalgic for a good, long read. I have fond memories of reading it at age 19, while flat broke, in a crappy apartment, with nothing to do but watch Quincy, cook up some cheap halibut, and read GR. I remember getting to the last 100 pages and thinking, "He's not going to end this the way I think he's going to end it, is he? It would be crazy if he did that!" And he did. The lesson being, no idea is too weird—as long as you can pull it off. (Author bio and interview from Barnes & Noble.)
Book Reviews
Sea-breeze buoyant....teasingly self-aware spirit.....hilariously trifling intricacies of this self-discovery process. Credit Mr. Whitehead with this: He captures the fire flies of teenage summertime in a jar....What's best about Sag Harbor is the utter and sometimes mortifying accuracy of its descriptive details....equally aware of the tiny nuances of teen culture....When this book's range encompasses kids, parents, community, tradition and history simultaneously, Mr. Whitehead's recovered memories don't seem so trivial after all.
Janet Maslin - New York Times
Whitehead's delicious language and sarcastic, clever voice fit this teenager who's slowly constructing himself. Sag Harbor is not "How I became a writer"; there's no hint of Benji's destiny beyond his sharp-eyed way of looking at things, his writerly voice and his desire to provide a historical and sociological context for blacks in the Hamptons. Still, with the story meandering like a teenager's attention, the book feels more like a memoir than a traditional plot-driven novel. It's easy to come away thinking not much happens—Whitehead has said as much—but Sag Harbor mirrors life, which is also plotless. It's an inner monologue, a collection of stories about a classic teenage summer where there's some cool stuff and some tedium and Benji grows in minute ways he can't yet see.
New York Times Book Review
Detailing the life of a dorky teenager in a community that's peculiar but oddly familiar, Sag Harbor is a kind of black "Brighton Beach Memoirs," but it's spiced with the anxieties of being African American in a culture determined to dictate what that means…The novel's eight chapters are, in effect, masterful short stories, deceptively desultory as they riff on the essential quests of teenage boys: BB guns, nude beaches, beer and, above all, the elusive secret to fitting in. But plot is the least of Whitehead's concerns here. Charm alone drives most of these chapters, the seductive voice of a narrator as clever as he is self-deprecating, moving from one comic anecdote to the next with infectious delight in his own memories.
Washington Post
In his ebullient, supremely confident fourth novel….offers such pleasures only a grump would complain….Debates and disquisitions about the timeless ephemera of pop culture appear in realistic proportion, and the resulting humor feels earned rather than easy, because of its thematic relevance and, above all, Whitehead’s skill with voice and character….come off the page with energy and pathos.
San Diego Union
The inventive, gifted Whitehead….registers the minutia of ‘80s culture….effortlessly readable….masterful at re-creating the organized chaos of the teenage mind. Sag Harbor moves between vignettes with the urgency and awareness of a kid still mesmerized by the mundane….offers a loving exploration….By opting to show, rather than describe, their innocence, Whitehead recalls its allure. And what better time to reminisce over that than summer?
Cleveland Plain Dealer
Whitehead's most enjoyable book--warm and funny, carefully observed, and beautifully written, studded with small moments of pain and epiphany....Whiehead seems to be having the time of his life; one can almost feel him relaxing into this book as if it actually were the summer home of his youth....The humor of Sag Harbor—which reaches its apex in a scene involving seminal mid-'80s hip hop group UTFO's appearance at the local waffle cone emporium, where the rapper known as Dr. Ice provides some astute medical advice--is twinned by pain. It is Benji's uncertainty about everything that gives him such perspective, imbues even his most casual observations with a sheen of elegiac wisdom....tense, lush, poignant—Sag Harbor at its most satisfying.
Boston Globe
In what Whitehead describes as his "Autobiographical Fourth Novel" (as opposed to the more usual autobiographical first novel), the author of the Pulitzer Prize finalist John Henry Days explores the in-between space of adolescence through one boy's summer in a predominantly black Long Island neighborhood. Benji and Reggie, brothers so closely knit that many mistake them for twins, have been coming out to Sag Harbor for as long as they can remember. For Benji, each three-month stay at Sag is a chance to catch up with friends he doesn't see the rest of the year, and to escape the social awkwardness that comes with a bad afro, reading Fangoria, and being the rare African-American student at an exclusive Manhattan prep school. As he and Reggie develop separate identities and confront new factors like girls, part-time jobs and car-ownership, Benji struggles to adapt to circumstances that could see him joining the ranks of "Those Who Don't Come Out Anymore." Benji's funny and touching story progresses leisurely toward Labor Day, but his reflections on what's gone before provide a roadmap to what comes later, resolving social conflicts that, at least this year, have yet to explode.
Publishers Weekly
Fifteen-year-old Benji has spent every summer since he can remember in Sag Harbor, NY. The rest of the year, he's a black preppie from Manhattan, with a doctor father and a lawyer mother and a younger brother, Reggie. It is 1985, and Reggie gets a job at Burger King, leaving Benji (who would prefer to be called Ben) to hang with his summer friends (the term posse wasn't invented yet), other black prep school refugees. Not a lot happens during those three months. Or does everything happen, all that matters to an insecure, nerdy teen just beginning to recognize the man he might become? Scooping ice cream at Jonni Waffle, riding to the "white beach" with the one guy who's got a car, trying to crash a Lisa Lisa concert at the hip club, and kissing a girl and copping a feel are significant events in a life that encompasses generations of folks who called Sag Harbor home. Wonderful, evocative writing, as always, from Whitehead (Apex Hides the Hurt); male readers especially will relate. Highly recommended.
Bette-Lee Fox - Library Journal
For all the range of effect, philosophical weight, originality of style, variety of characterization, humor, and tragic intensity [Faulkner's works] are withouAnother surprise from an author who never writes the same novel twice. Though Whitehead has earned considerable critical acclaim for his earlier work-in particular his debut (The Intuitionist, 1999) and its successor (John Henry Days, 2001)-he'll likely reach a wider readership with his warmest novel to date. Funniest as well, though there have been flashes of humor throughout his writing. The author blurs the line between fiction and memoir as he recounts the coming-of-age summer of 15-year-old Benji Cooper in the family's summer retreat of New York's Sag Harbor. "According to the world, we were the definition of paradox: black boys with beach houses," writes Whitehead. Caucasians are only an occasional curiosity within this idyll, and parents are mostly absent as well. Each chapter is pretty much a self-contained entity, corresponding to a rite of passage: getting the first job, negotiating the mysteries of the opposite sex. There's an accident with a BB gun and plenty of episodes of convincing someone older to buy beer, but not much really happens during this particular summer. Yet by the end of it, Benji is well on his way to becoming Ben, and he realizes that he is a different person than when the summer started. He also realizes that this time in his life will eventually live only in memory. There might be some distinctions between Benji and Whitehead, though the novelist also spent his youthful summers in Sag Harbor and was the same age as Benji in 1985, when the novel is set. Yet the first-person narrator has the novelist's eye for detail, craft of character development and analytical instincts for sharp social commentary. Not as thematically ambitious as Whitehead's earlier work,but a whole lot of fun to read.
Kirkus Reviews
Discussion Questions
1. How does each of Benji’s comrades (Reggie, NP, Randy, Bobby, Marcus, Clive) contribute to the group? What challenges do they face as friends?
2. Explain the differences between Benji’s age group and that of his sister. During these years, why is the disparity between high school and college so acute?
3. Benji comments that “the rock” on the beach near his beach house serves as a racial barrier. White people won’t walk much further past it. What similar examples can you think of that exist today or in your own community? How have racial barriers changed in the last 20 years? How are they still the same?
4. The emergence of hip-hop is a strong influence in the lives of Benji and his friends. In what ways does music affect their generation? In what ways has music affected your own life?
5. Benji grapples with his identity throughout the novel. At one point he states:
“According to the world we were the definition of a paradox: black boys with beach houses. A paradox to the outside, but it never occurred to us that there was anything strange about it.” (Pg. 57)
How is this community a paradox? How is Benji’s identity shaped by the two worlds he inhabits, both during the school year, and then during the summer season?
6. Benji often refers to the handshake, song, and/or dance he will surely conquer by the “end” of the summer. To what degree is he constantly trying to reinvent himself?
7. What do you think are the characteristics of a typical 1980’s adolescent? How does Benji fit the stereotype? How is he different?
8. Benji clearly realizes toward the end of the summer that what he loves, is perhaps not the girls he pines after, but his beach home and “what he put into it.” He reflects back on a tender moment with his family and the fond memories of being a child. What is it about our childhoods that evoke such special memories within us? Is there a place from your own past that touched your life as Sag Harbor touched Benji?
9. Throughout the novel there looms a hint of darkness behind the relationship between Benji’s father and his family. His father seems to have a violent strain. How does this affect Benji and his family? What is the role of the father in a young man’s coming of age?
10. From Catcher in the Rye to Stand By Me, the coming-of-age novel is a perennial in American literature. What do you think is so appealing and universal about this genre?
(Questions issued by publisher.)
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Sahara
Angella Ricot, 2014
Authorhouse
240 pp.
ISBN-13: 9781496924155
Summary
When three sisters overhear their father's overwhelming deal to sell them into prostitution, they immediately take fate into their own hands in search of their own destiny.
They embark on a powerful and compelling journey that takes root in the exotic realm of the Caribbean island of Labadee, later to spring fully fledged in the glamorous cosmopolitan city of New York. Out of the struggle emerges the valiant and beautiful heroine, Sahara, a sensational gold thief who gets herself entangled in sensuous political games and dangerous liaisons.
Sahara is a story of love, lust, money, and betrayal that is ingrained with power, politics, and prejudice. The plot spins to a volatile climax that sets the stage for the ultimate scandal in the White House. (From the publisher.)
Author Bio
• Birth—N/A
• Where—Port-au-Prince, Haiti
• Education—B.A., University of South Florida
• Awards—Iliad Press, Cader Publishing
• Currently—lives in New York, NY
Born in Haiti, award-winning author Angella Ricot immigrated to the United States over twenty years ago. A graduate of the University of South Florida, she was trained in both psychology and the medical sciences. She has appeared in the Miami Times and in the New York Caribbean newspapers. Her first book, Mirror of Souls, was released in 2004, with subsequent works pending publication.
Angella Ricot currently lives in the heart of the cosmopolitan city of New York. While her rigorous training laid the foundation for her career, her roots in the Caribbean mixed with the zest of urban city life provide the tapestry for her inspirations.
Visit the author's website.
Follow Angella on Facebook.
Book Reviews
Fantastic, compulsive reading, gripping, could not put it down.... Ricot places at the core of the structure of this book the theme of human trafficking....a theme that is deadly serious, a theme that is harrowing as well as tragic. There is no small wonder she is able to get her teeth into the spirit of this book.... [A] truly thrilling read worthy of the company of fellow female writers like Danielle Steel or Anne Rice. This book is a political satire. But this review will fail in its objective to influence readers to read what is my felt sense that this book is a classic, if I fail to emphasize and re-emphasize that this novel Sahara reads completely like a work of fiction, for it tells a fantastic epic story that holds your interest from start to end.
Michael Mulvihill, Horror Novelist
I read this book in one sitting because I couldn't put it down. It had copious amounts of sex and violence appropriately placed to keep you interested. There were real life characters in the book that you will certainly recognize. However, it is apparent that these characters have fictitious roles in the book. To me, the book is full of symbolism about women and their role in American life. For example, women have no power and at the same time have unlimited power over men. There are some obvious other examples of symbolism in the reading; some jump out at you while others are obfuscated to some degree. This makes re-reading the book enjoyable to ascertain some of these nuances. I recommend reading Sahara by a Great American writer Angella Ricot.
Robert D. Womack
Discussion Questions
1. Fans often ask me what inspired you to write this book?
Current events and world news such as President Bill Clinton and his relationship with Third World countries inspired me.
2. Why do you think that this book will appeal to readers?
It will appeal to a wide audience for it is filled with political intrigues and sensuous games that will keep the reader on his toes and get him/her out of her comfort zone.
3. How is your book relevant in today’s society?
It brings into the spotlight latest political drama, women’s issues and human trafficking.
4. Is there any subject currently trending in the news that relates to your book?
It shares some themes with the television show "Scandal." Sahara is to President Bill Clinton what Olivia Pope is to President Fitzgerald Grant. However, Sahara expands further to touch upon serious issues like drugs trafficking and human trafficking.
5. What makes your book different from other books like it?
The plot and the originality of the characters make Sahara exceptionally different.
6. What do you want readers to take away from your writing?
We are the masters of our own destiny. With enough willpower fate can be overcome.
(Questions courtesy of the author.)
Saint Mazie
Jami Attenberg, 2015
Grand Central Publishing
336 pp.
ISBN-13: 9781455599899
Summary
Meet Mazie Phillips: big-hearted and bawdy, she's the truth-telling proprietress of The Venice, the famed New York City movie theater.
It's the Jazz Age, with romance and booze aplenty—even when Prohibition kicks in—and Mazie never turns down a night on the town. But her high spirits mask a childhood rooted in poverty, and her diary, always close at hand, holds her dearest secrets.
When the Great Depression hits, Mazie's life is on the brink of transformation. Addicts and bums roam the Bowery; homelessness is rampant. If Mazie won't help them, then who?
When she opens the doors of The Venice to those in need, this ticket taking, fun-time girl becomes the beating heart of the Lower East Side, and in defining one neighborhood helps define the city.
Then, more than ninety years after Mazie began her diary, it's discovered by a documentarian in search of a good story. Who was Mazie Phillips, really? A chorus of voices from the past and present fill in some of the mysterious blanks of her adventurous life.
Inspired by the life of a woman who was profiled in Joseph Mitchell's classic Up in the Old Hotel, Jami Attenberg's Saint Mazie is infused with Jami's wit, bravery, and heart. Mazie's rise to "sainthood"—and her irrepressible spirit—is unforgettable. (From the publisher.)
Author Bio
• Birth—1971
• Raised—Buffalo Grove, Illinois, USA
• Education—B.A., John Hopkins University
• Currently—lives in New Orleans, Louisiana
Jami Attenberg is an American writer of fiction and essays. She grew up in Buffalo Grove, Illinois, and is a graduate of Johns Hopkins University with a degree in Writing.
Her early works were published in numerous zines and in a 2003 chapbook called Deli Life. Her first book, Instant Love, a collection of interconnected short stories, was published in 2006. That work has been followed by a series of novels:
2008 - The Kept Man
2010 - The Melting Season
2012 - The Middlesteins
2015 - Saint Mazie
2017 - All Grown Up
2019 - All This Could Be Yours
Attenberg's work has appeared in a number of anthologies and magazines, including Nerve and The New York Times. She lives in New Orleans, Louisiana. (Adapted from Wikipedia. First retrieved 10/28/2012.)
Book Reviews
Full of love and drink and dirty sex and nobility.... Attenberg takes Mitchell's witty, colorful piece and spins it into something equally lively and new.
New York Times Book Review
[F]resh and witty.... Saint Mazie looks deep into the spirit of generosity. Jami Attenberg's Mazie lives a very big life in a very small space, turning her darkest experiences into something inspiring.
Wall Street Journal
Attenberg is a nimble and inventive storyteller with a particular knack for getting at the heart of outsized characters.... [she] proves her chops as a historical novelist by perfectly capturing Mazie's jazz-age voice, which ranges from clipped and vulgar to melancholy and lyrical. Attenberg also sidesteps many of the pitfalls of the form: no day-by-day plodding through the decades, no unedited research notes masquerading as dialogue. She resists any plot twist or final revelation to provide a tidy psychological explanation for Mazie Phillips-Gordon sainthood.
Washington Post
Delightful . . . [an] often ebullient tale about the simple pleasures of a working life.... Thanks to the wonderful Jami Attenberg (with an assist from the legendary Joseph Mitchell) Mazie does live on, an actual 20th century New York City saint.
NPR
Attenberg captures Mazie's voice so vividly you can close the book and still hear her talking. She is a tremendous achievement.... [A] bold, magnificent book about family, altruism, women and freedom, as well as a love letter to New York and a timely social manifesto for the 21st century.
Guardian (UK)
Attenberg's style, at turns lyrical and blunt, is a strong match for Mazie.... This voice-pleasantly tinged with jazz age argot, refreshingly modern in its honesty, and always intimate-is Attenberg's great achievement in Saint Mazie.... [A] boisterous, deep, provocative book.
Boston Globe
The real-life Mazie first appeared in a 1940 New Yorker profile by Joseph Mitchell and later again in his seminal collection, Up in the Old Hotel. Now Mazie's latest, and perhaps more powerful incarnation, is in the novel Saint Mazie by Jami Attenberg. Here Mazie continues to grab the lapels and hearts of readers—and we are all the more glad for the shake-up she gives us.... Achieves immortality in the minds and hearts of readers.
Milwaukee Journal Sentinel
[I]ngeniously constructed.... An attentive character study that also happens to be rich in city lore and period detail, Saint Mazie is an edifying, companionable and moving novel.
Kansas City Star
Attenberg has an impressive ability to capture unique voices and make these characters authentic and distinctive.... [T]he voices in Saint Mazie ring out and linger, bringing to life this specific place and time in New York-and American-history.
Dallas Morning News
A winning novel and a lovely tribute to a New Yorker whose only claim to fame is her outsized kindness. Her Mazie is richly imagined and three-dimensional, and in these pages she lives forever.
Los Angeles Times
The hugely talented Jami Attenberg, most recently author of The Middlesteins, has built a novel based on an imagined diary of Mazie Phillips, a Bowery movie-theater proprietress.
New York Magazine
Tender-hearted and loose-living, Mazie is the unlikely guardian angel of New York City's Depression-Era down-and-outs. You'll love this smart, touching novel that brings her world to life.
People
Boisterous and compassionate.
O Magazine
A funny, touching novel.
Vanity Fair
An exuberant portrait of an unforgettable woman and the city she loves.
BBC.com
Impressive.... Attenberg excels at developing Mazie's voice as she grows from an impetuous, witty girl, into a shrewd-yet-selfless character. But the book is largely about the silent tragedies of womanhood, and the different forms love and loneliness can take.... What Saint Mazie is most concerned with: how to be a human being.
Bust Magazine
Mazie, the good-time girl is also a woman who cares deeply about the less fortunate, and this plays out most endearingly in her friendship with a pious nun.... [A] vivid picture of life during the Depression.
Publishers Weekly
Grand, bigmouthed, bighearted Mazie Phillips spends her days as proprietress of the Venice, an old-line New York City movie theater, and her nights on the town. Then the Depression hits, and she opens the Venice to anyone in need.
Library Journal
Early 20th-century New York and its denizens portrayed through the fictional diary of a nonfictional heroine.... Too much concept and not enough story, but Mazie might win your heart anyway with her tough-talking mensch-iness.
Kirkus Reviews
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
(We'll add specific questions if and when they're made available by the publisher.)
Saint X
Alexis Schaitkin, 2020
Celadon Books
352 pp.
ISBN-13: 9781250219596
Summary
When you lose the person who is most essential to you, who do you become?
Claire is only seven years old when her college-age sister, Alison, disappears on the last night of their family vacation at a resort on the Caribbean island of Saint X. Several days later, Alison’s body is found in a remote spot on a nearby cay, and two local men–employees at the resort–are arrested.
But the evidence is slim, the timeline against it, and the men are soon released. The story turns into national tabloid news, a lurid mystery that will go unsolved. For Claire and her parents, there is only the return home to broken lives.
Years later, Claire is living and working in New York City when a brief but fateful encounter brings her together with Clive Richardson, one of the men originally suspected of murdering her sister.
It is a moment that sets Claire on an obsessive pursuit of the truth–not only to find out what happened the night of Alison’s death but also to answer the elusive question: Who exactly was her sister? At seven, Claire had been barely old enough to know her: a beautiful, changeable, provocative girl of eighteen at a turbulent moment of identity formation.
As Claire doggedly shadows Clive, hoping to gain his trust, waiting for the slip that will reveal the truth, an unlikely attachment develops between them, two people whose lives were forever marked by the same tragedy.
For readers of Emma Cline’s The Girls and Lauren Groff’s Fates and Furies, Saint X is a flawlessly drawn and deeply moving story that culminates in an emotionally powerful ending. (From the publisher.)
Author Bio
Alexis Schaitkin’s short stories and essays have appeared in Ecotone, Southwest Review, Southern Review, New York Times, and elsewhere. Her fiction has been anthologized in The Best American Short Stories and The Best American Nonrequired Reading.
Schaitkin received her MFA in fiction from the University of Virginia, where she was a Henry Hoyns Fellow. She lives in Williamstown, Massachusetts, with her husband and son. Saint X is her debut novel. (From the publisher.)
Book Reviews
Any death of course creates aftershocks among those closest to the deceased, but we rarely spare a thought for those on the fringes. Schaitkin does, demonstrating in no more than a few pages each how Alison's passing affects her various satellites: her teacher, roommate, a random man on holiday, an actor, the girlfriend of the suspect and so on. The connections are faint, the domino effect crystal clear. All these sub-narratives dedicated to minor and major characters, chapters that do little to move the plot along, could easily have resulted in a novel that buckled under the weight of its structural ambitions, but Schaitkin pulls it off without a hitch.… Saint X is hypnotic, delivering acute social commentary on everything from class and race to familial bonds and community…. I devoured Saint X in a day.
Oyinkan Braithwaite - New York Times Book Review -
A smart, socially conscious thriller that will take you away.
People
There’s one moment in every person’s life, posits Saint X, that will define the rest of it. For many in this novel, it’s the death of Alison Thomas, a teenage girl who perishes while vacationing with her family on a Caribbean island. The mystery remains unsolved until years later, when her sister Claire runs into one of the original suspects in New York and befriends him, hoping to piece together what happened to Alison. Claire’s obsessive pursuit of the truth gives Alexis Schaitkin’s debut the urgency of a thriller, but its most compelling chapters take the perspectives of peripheral characters, whose accounts alter our understanding of Alison’s death–and of where it happened: a cruel, fragile paradise.
Entertainment Weekly
Schaitkin’s unsettling debut plays with the conventions of the romantic thriller to comment on the uneasy relationship between working-class residents of a fictional island in the Caribbean and the wealthy American tourists…. This is a smart page-turner, both thought-provoking and effortlessly entertaining.
Publishers Weekly
While point-of-view shifts may be confusing…, the richness of the characters makes the attempt worthwhile. Questions of race and privilege deepen the impact of the characters' struggles…. Readers who enjoy a mystery with emotional depth will find this a compelling and impressive debut. —Julie Ciccarelli, Tacoma P.L., WA
Library Journal
Magnetic…a nuanced examination of class, privilege and the terrible ways that tragedy can echo forward in time. Schaitkin embellishes a strong plot with psychologically complex main characters…. This is a must-read for fans of literary suspense.
BookPage
(Starred review) The death of a teenage vacationer on a fictional Caribbean island reverberates through many lives, particularly those of her 7-year-old sister and one of the workers at the resort.…This writer is fearless, and her…killer debut is a thriller…and insightful study of race, class, and obsession.
Kirkus Reviews
Discussion Questions
1. What does the island setting contribute to the story? What about the juxtaposition of New York City?
2. What do you think Claire’s habit of writing words in the air with her finger demonstrates about her?
3. What’s the symbolism of Faraway Cay and the woman with hooves for feet? What does that mythology add to the story?
4. Why do you think the author chose to intersperse the voices of minor characters, such as the movie actor and other vacationers, throughout the book? What effect does this achieve?
5. What does Claire’s name change to Emily signify to you?
6. Did you ever think Clive might pose a threat to Emily when he found out who she was?
7. What does Clive’s nickname Gogo indicate about his personality? About Edwin’s?
8. Emily’s world in New York becomes very small after she encounters Clive. Do you think that was intentional or unintentional on her part? What might have motivated her to turn inward?
9. What do Alison’s recorded diary entries reveal to Emily? Was Emily right to listen to them, or do you think it was an invasion of privacy? What about their mom?
10. What are the similarities between Emily’s life in New York and Clive’s? What are the differences?
11. What do you think about Edwin’s relationship with Sara?
12. Alison witnessed a pivotal moment in Clive and Edwin’s relationship. How did that shape the rest of the narrative—Clive and Edwin’s relationship, their futures, Alison’s tragedy?
13. When Emily learns the truth, and remembers the night before Alison disappeared, what do you think is her primary emotion? Grief? Relief? Guilt? Something else?
14. Do you think Emily coming into Clive’s life was ultimately a bad thing or a good thing for Clive?
(Questions issued by the publisher.)
Saints of All Occasions
J. Courtney Sullivan, 2017
Knopf Doubleday
352 pp.
ISBN-13: 9780307959577
Summary
A sweeping, unforgettable novel from The New York Times best-selling author of Maine, about the hope, sacrifice, and love between two sisters and the secret that drives them apart.
Nora and Theresa Flynn are 21 and 17 when they leave their small village in Ireland and journey to America. Nora is the responsible sister; she's shy and serious and engaged to a man she isn't sure that she loves. Theresa is gregarious; she is thrilled by their new life in Boston and besotted with the fashionable dresses and dance halls on Dudley Street.
But when Theresa ends up pregnant, Nora is forced to come up with a plan—a decision with repercussions they are both far too young to understand.
Fifty years later, Nora is the matriarch of a big Catholic family with four grown children: John, a successful, if opportunistic, political consultant; Bridget, quietly preparing to have a baby with her girlfriend; Brian, at loose ends after a failed baseball career; and Patrick, Nora's favorite, the beautiful boy who gives her no end of heartache.
Estranged from her sister, Theresa is a cloistered nun, living in an abbey in rural Vermont. Until, after decades of silence, a sudden death forces Nora and Theresa to confront the choices they made so long ago.
A graceful, supremely moving novel from one of our most beloved writers, Saints for All Occasions explores the fascinating, funny, and sometimes achingly sad ways a secret at the heart of one family both breaks them and binds them together. (From the publisher.)
Author Bio
• Birth—1982
• Where—near Boston, Massachusetts, USA
• Education—B.A., Smith College
• Currently—Brooklyn, New York, New York
Julie Courtney Sullivan, better known as J. Courtney Sullivan, is an American novelist and former writer for the New York Times. She comes from an Irish-Catholic family where many of the women go by their middle rather than first names.
Sullivan grew up outside of Boston, Massachusetts. She attended Smith College in Northampton, Massachusetts, where she majored in Victorian literature and received the Ellen M. Hatfield Memorial Prize for best short story, the Norma M. Leas prize for excellence in written English, and the Jeanne MacFarland Prize for excellent work in Women's Studies.
She graduated in 2003, then moved to New York and began working at Allure. Sullivan later moved to the New York Times, where she worked for over three years. Her writing has since appeared in the New York Times Book Review, Chicago Tribune, New York magazine, New York Observer, Men's Vogue, Elle, and Glamour.
In 2007, her first book was published, a dating guide titled Dating Up: Dump the Shlump and Find a Quality Man; she has since stated that she wrote the book for money and that "fiction was always [her] passion."
She self-identifies as a feminist, a stance that has been reflected in both her fiction and nonfiction work. In 2006, she wrote a piece for the New York Times "Modern Love" column about her experiences in the dating world, and in 2010 she co-edited a feminist essay collection titled Click: When We Knew We Were Feminists. Her novels often deal prominently with relationships between female characters.
Currently, Sullivan serves on the advisory board of Girls Write Now, a nonprofit organization that pairs young and professional female writers in mentoring partnerships. She has also been involved with GEMS, a New York organization dedicated to ending child sex trafficking.[6]
Novels
• Commencement
In 2010, Sullivan published her first novel, Commencement, which focuses on the experiences of four friends at Smith College, Sullivan's alma mater. She wrote 15 different drafts of the book before sending it to her editor, after which it underwent two or three more revisions.
Commencement received positive reviews from many major publications and became a New York Times bestseller. After the book's publication, feminist icon Gloria Steinem called Sullivan personally to offer her praise. Steinem described the novel as "generous-hearted, brave...Commencement makes clear that the feminist revolution is just beginning". In 2011, Oprah's Book Club included Commencement in a list of "5 Feminist Classics to (Re)read as a Mom, Wife and Writer."
• Maine
Sullivan's second novel, Maine, deals with four women from three different generations of the same family spending the summer at a beachfront cottage in New England. Though Sullivan did not base the fictional Kellehers directly on her own Irish-Catholic family, she drew on her own childhood experiences while writing the novel. Maine received reviews that were slightly more mixed than those for Commencement, but that were ultimately postitive. It was named one of the top ten fiction books of 2011 by Time magazine.
• The Engagements
Sullivan's third novel, The Engagements, came out in 2013 to solid reviews. The novel traces four different marriages. Ron Charles of the Washington Post called it, "a delightful marriage of cultural research and literary entertainment." (From Wikipedia. Retrieved 6/11/2013.)
Book Reviews
[R]ichly told.… Sullivan writes assuredly and engagingly, layering her story with complexity, if not always depth. Perspective shifts among characters, making us care for them, sometimes in spite of themselves, and even laugh at them a little. For all of its sorrow, the book refuses to be weighed down by sadness. In fact, there is a buoyancy that draws its lightness from family conversation, the closeness of siblings, and the care and devotion of nuns in Theresa’s abbey. Much to talk about for book clubs. A super read. READ MORE …
Molly Lundquist - LitLovers
Sullivan succeeds in creating a believably complicated, clannish Irish-American family, and the novel’s most engrossing scenes occur when the Raffertys gather in Nora’s kitchen to drink beer, laugh at inside jokes, finger old wounds and puzzle over their dour, conscientious mother. Because it’s Nora, rather than Theresa, who emerges as the novel’s most mysterious character. Its real drama involves her gradual transformation from a shy, unhappy young immigrant to an established matriarch, with a matriarch’s long skein of pride and sorrow — and secrets.
Suzanne Berne - New York Times Book Review
Here to fill the Brooklyn-sized hole in your heart is the story of sisters Nora and Theresa Flynn, Irish Catholics who journey to America full of hope (Best Books to Read in 2017).
Elizabeth Logan - Glamour
Sullivan has a gift for capturing complicated sibling dynamics, especially in a family ruled by Catholic repression.… [Her] quiet ending is a satisfying conclusion to this rich, well-crafted story.
Publishers Weekly
Sullivan brings her characters to life, capturing the complexities and nuances of family, tradition, and kept secrets. For all fiction readers. —Joanna Burkhardt, Univ. of Rhode Island Libs., Providence
Library Journal
Sullivan once again expertly delivers a messy and complicated family story with sharp yet sympathetic writing. —Magan Szwarek
Booklist
Of Catholic guilt, silences, and secrets: an expertly spun family drama, a genre Sullivan has staked out as her own.… Sullivan often approaches melodrama, but she steers clear of the sentimentality that might easily have crept into this tale of regret and nostalgia.
Kirkus Reviews
Discussion Questions
1. Describe the differences between Nora and Theresa when they were girls. Did you find it surprising how their paths diverged as they grew older?
2. Discuss Nora’s sense of responsibility and obligation to her family, including as the oldest sibling and following her mother’s death. How does this role, which she adopts from a young age, influence her understanding of motherhood throughout her life?
3. Although Patrick is not alive in the present-day sections of the novel (2009), how does the author give us a full portrait of his character? What do others’ opinions and memories of him help us glean about his personality and behaviors that a more direct interaction with him in the narrative wouldn’t provide?
4. How do all of Nora’s children complement one another, even as we see their vastly disparate feelings toward Patrick? What do their reactions Even though a death is at the center of the novel’s plot, did you find that death was a central concern of the novel’s themes? Either way, what does the cascade of events following a death like Patrick’s suggest about how we might value our time with loved ones and the legacy that we leave them with when we’re gone?
5. Even though a death is at the center of the novel’s plot, did you find that death was a central concern of the novel’s themes? Either way, what does the cascade of events following a death like Patrick’s suggest about how we might value our time with loved ones and the legacy that we leave them with when we’re gone?
6. Discuss the portrayal of romantic love in the novel: between Nora and Charlie, Bridget and Natalie, John and Julia, and other couples. How is it prioritized differently among them, and what are the particular ways that affection and passion manifest themselves between couples?
7. How does Mother Cecilia’s experience in the abbey compare with your expectations of what religious life is like? Were you surprised by any of the stances she took toward the church, other nuns and priests, and changes in culture during the novel’s time period of the late 1950s through 2009?
8. What seem to be the biggest differences between the girls’ lives in Ireland and their lives in the United States? Did you feel that either of them regretted the move at any given point, and why?
9. Describe the shifting gender dynamics over the course of the novel’s time line. In the roughly fifty years that pass, what changes about men’s and women’s roles and what doesn’t, including to the roles influenced by the family’s deep, traditional Irish roots?
10. How do Nora and Theresa respond differently to the task of motherhood that falls upon them, biologically or otherwise? In what ways are they both mothers to Patrick and the other people in their lives? How does the novel upend the traditional definition of motherhood, which Nora describes as “a physical act as much as an emotional one. It took every part of you” (page 229)?
11. How did the structure of the novel influence your understanding of and sympathy toward the characters as the narrative moved back and forth in time? What was the benefit of learning about Patrick, in particular, in this way—seeing him first in a posthumous light and then more closely as he grew up? And how did the perspective on the family that you had as a reader differ from what the characters could know about themselves and one another in real time?
12. What were common threads among the secrets the characters kept from one another? Why do you think some characters, more than others, were more willing to be complicit in keeping those secrets, especially when it came to Patrick?
13. How do you think the circumstances of Patrick’s birth affected his sense of belonging, even if only implicitly? What other characters struggled to feel like they belonged, and how did they deal with those feelings?
14. Early in the novel, Theresa is described as “simply the most. The most brave and beautiful and brash and clever” (page 15). How does this quality help her stay resilient through the many obstacles in her life? How do other characters, including Nora, prove to be resilient in their own ways, and which characters are most successful?
15. What did you make of the end of the novel? Do you think that the sisters will be able to truly forgive each other, or is their past too much to overcome?
16. Consider your own family relationships and customs, including religious beliefs and traditions. Were there parts of the Raffertys’ rituals or conflicts among one another that seemed familiar to you, even if they weren’t specific to being Irish and/or Catholic?
(Questions issued by the publisher.)
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Salvage the Bones
Jesmyn Ward, 2011
Bloomsbury USA
272 pp.
ISBN-13: 9781608196265
Summary
Winner, 2011 National Book Award
A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. A hard drinker, largely absent, he doesn't show concern for much else.
Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's fourteen and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting.
As the twelve days that make up the novel's framework yield to their dramatic conclusion, this unforgettable family-motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce-pulls itself up to face another day.
A big-hearted novel about familial love and community against all odds, and a wrenching look at the lonesome, brutal, and restrictive realities of rural poverty, Salvage the Bones is muscled with poetry, revelatory, and real. (From the publisher.)
Author Bio
• Birth—1977
• Where—DeLisle, Mississippi, USA
• Education—B.A., Stanford University; M.F.A., University of Michigan
• Awards—2 National Book Awards (others below)
• Currently—lives in Mississippi; commutes to Mobile, Alabama
Jesmyn Ward is an American novelist and two-time National Book Award winner for fiction. Salvage the Bones won in 2011 (it also won a 2012 Alex Award), and Sing, the Unburied, Sing, won in 2017. Her other two books include her first novel, Where the Line Bleeds (2008) and a memoir, The Men We Reaped (2013), about the deaths of her brother and other young male friends.
Early years
Jesmyn Ward grew up in DeLisle, a small rural community in Mississippi. She developed a love-hate relationship with her hometown after having been bullied at public school by black classmates and, subsequently, by white students while attending a private school paid for by her mother’s employer.
Ward received her undergraduate degree from Stanford University, choosing to become a writer upon graduation in order to honor the memory of her younger brother killed by a drunk driver earlier that year. Ward went on to earn an M.F.A. from the University of Michigan in 2005. At U of M she won five Hopwood Awards for essays, drama, and fiction.
Shortly afterwards, she and her family became victims of the 2005 Hurricane Katrina. With their house in De Lisle flooding rapidly, the Ward family set out in their car to get to a local church, but ended up stranded in a field full of tractors. When the white owners of the land eventually checked on their possessions, they refused to invite the Wards into their home, claiming they were overcrowded. Tired and traumatized, the refugees were eventually given shelter by another white family down the road.
Ward went on to work at the University of New Orleans, where her daily commute took her through neighborhoods ravaged by the hurricane. Empathizing with the struggle of the survivors and coming to terms with her own experience during the storm, Ward was unable to write creatively for three years—the time it took her to find a publisher for her first novel, Where the Line Bleeds.
In 2008 she returned to Stanford as a Stegner Fellow—one of the most prestigious awards available to emerging American writers.
Literary career
Earlier in 2008, just as Ward was deciding to give up writing and enroll in a nursing program, Where the Line Bleeds was accepted by Doug Seibold at Agate Publishing. Starting on the day twin protagonists Joshua and Christophe DeLisle graduate from high school, Where the Line Bleeds follows the brothers as their choices pull them in opposite directions. Unwilling to leave the small rural town on the Gulf Coast where they were raised by their loving grandmother, the twins struggle to find work, with Joshua eventually becoming a dock hand and Christophe joining his drug-dealing cousin.
In a starred review, Publishers Weekly called Ward "a fresh new voice in American literature" who "unflinchingly describes a world full of despair but not devoid of hope." The novel was picked as a Book Club Selection by Essence and received a Black Caucus of the American Library Association (BCALA) Honor Award in 2009. It was shortlisted for the Virginia Commonwealth University Cabell First Novelist Award and the Hurston-Wright Legacy Award.
Her second novel Salvage the Bones (2011) homes in once more on the visceral bond between poor black siblings growing up on the Gulf Coast. Chronicling the lives of pregnant teenager Esch Batiste, her three brothers, and their father during the 10 days leading up to Hurricane Katrina, the day of the cyclone, and the day after, Ward uses a vibrant language steeped in metaphors to illuminate the fundamental aspects of love, friendship, passion, and tenderness.
Explaining her main character's fascination with the Greek mythological figure of Medea, Ward told Elizabeth Hoover of the Paris Review
It infuriates me that the work of white American writers can be universal and lay claim to classic texts, while black and female authors are ghetto-ized as "other." I wanted to align Esch with that classic text, with the universal figure of Medea, the antihero, to claim that tradition as part of my Western literary heritage. The stories I write are particular to my community and my people, which means the details are particular to our circumstances, but the larger story of the survivor, the savage, is essentially a universal, human one.
In 2011, Ward won the National Book Award in the Fiction category for Salvage the Bones. Interviewed by CNN’s Ed Lavandera, she said that both her nomination and her victory had come as a surprise, given that the novel had been largely ignored by mainstream reviewers. In a television interview with Anna Bressanin of BBC News on (December 22, 2011), Ward said...
When I hear people talking about the fact that they think we live in a post-racial America, … it blows my mind, because I don’t know that place. I’ve never lived there. … If one day, … they’re able to pick up my work and read it and see … the characters in my books as human beings and feel for them, then I think that that is a political act.
Jesmyn Ward received an Alex Award for Salvage the Bones in 2012. The Alex Awards are given out each year by the Young Adult Library Services Association to ten books written for adults that resonate strongly with young people aged 12 through 18. Commenting on the winning books in School Library Journal, former Alex Award committee chair, Angela Carstensen described Salvage the Bones as a novel with "a small but intense following—each reader has passed the book to a friend."
In 2013, Ward published her memoir Men We Reaped. She announced on her blog two years earlier that she had finished the book's first draft, calling it the hardest thing she had ever written. The memoir explores the lives of her brother and four other young black men who lost their lives in her hometown. (Adapted from the publisher and Wikipedia. Retrieved 9/28/2013.)
Book Reviews
On one level, Salvage the Bones is a simple story about a poor black family that's about to be trashed by one of the most deadly hurricanes in U.S. history. What makes the novel so powerful, though, is the way Ward winds private passions with that menace gathering force out in the Gulf of Mexico. Without a hint of pretension, in the simple lives of these poor people living among chickens and abandoned cars, she evokes the tenacious love and desperation of classical tragedy…Salvage the Bones has the aura of a classic about it.
Ron Charles - Washington Post
The novel’s power comes from the dread of the approaching storm and a pair of violent climaxes. The first is a dog fight, an appalling spectacle given emotional depth by Skeetah’s love for the pit bull China (their bond is the strongest and most affecting in the book). When the hurricane strikes, Ms. Ward endows it, too, with attributes maternal and savage: ‘Katrina is the mother we will remember until the next mother with large merciless hands, committed to blood, comes.
Wall Street Journal
Jesmyn Ward has written...the first Katrina-drenched fiction I'd press upon readers now.... Ward's pacing around the hurricane is exquisite—we nearly forget its impending savagery. The Batistes’ shared sacrifice is moving, made more so by their occasional shirking of sacrifice. Ward allows the letdowns integral to family life to play their part.
Cleveland Plain Dealer
Searing.... Despite the brutal world it depicts, Salvage the Bones is a beautiful read. Ward’s redolent prose conjures the magic and menace of the southern landscape.
Dallas Morning News
(Starred review.) Ward's poetic second novel covers the 12 days leading up to Hurricane Katrina via the rich, mournful voice of Esch Batiste, a pregnant 14-year-old black girl living.… [T]hough her voice threatens to overpower the story, it does a far greater service to the book by giving its cast of small lives a huge resonance.
Publishers Weekly
(Starred review.) Ward uses fearless, toughly lyrical language to convey this family's close-knit tenderness, the sheer bloody-minded difficulty of rural African American life.… [A]n eye-opening heartbreaker that ends in hope. —Barbara Hoffert
Library Journal
A pitch-perfect account of struggle and community in the rural South… Though the characters in Salvage the Bones face down Hurricane Katrina, the story isn’t really about the storm. It’s about people facing challenges, and how they band together to overcome adversity.
BookPage
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
Also consider these LitLovers talking points to help get a discussion started for Salvage the Bones:
1. How would you describe the Batiste family—first, as a family unit, then each of the members, Esch (our narrator), Claude (the father), Randall, Skeetah, and Junior? What motivates (or not) each of them? Which family member frustrates you most? Which do you admire most?
2. Talk about Bois Sauvage and its deprivations—the poverty, unemployment and housing. How does the area shape the people, especially young people, who live there? Or the reverse—do its residents shape Bois Sauvage?
3. The love affair Skeetah has with China is very much at the heart of this story. Is Skeetah right to rob neighbors to obtain medicine he needs for her?
4. Are you disturbed by the book's concentration on dog fighting? How does the author portray the fighting? Does the love Skeetah has for China contradict your understanding of that culture?
5. What about Esch's pregnancy? Why might the author have created a narrator, and central character, as a young pregnant teenager? What, overall, does the author of this book suggest about the nature of motherhood?
6. What is the symbolic meaning of Esch's fascination with the myth of Medea? What does the author mean, in an interview with the Paris Review, when she says...
Medea is in Hurricane Katrina because her power to unmake worlds, to manipulate the elements, closely aligns with the storm. And [Medea is] in Esch, too.*
7. Suspense is results from the fact that readers are anxious to learn what happens to characters. However, given that readers know the outcome of Katrina—that it will destroy almost everything in its path—how does Ward create suspense in this story?
8. In what way is Katrina both destructive and cleansing? What does Katrina represent symbolically?
9. In the book's title, the word "salvage" is close to "savage." According to the author, the term savage has honor to it: meaning that, when all has been lost, "you are strong, you are fierce, and you possess hope."* Talk about the interplay between those two words—salvage and savage—in other words, the way the two come together in this book.
10. Were you disappointed in how the book ended? Ward, having experienced firsthand the horrors of Katrina, has said in the Paris Review...
I realized that if I was going to assume the responsibility of writing about my home, I needed narrative ruthlessness. I couldn’t dull the edges and fall in love with my characters and spare them. Life does not spare us.*
Do you agree with her? Or is her view of life too harsh? Isn't there also the possibility that life will spare us? What do you think?
(Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)
*Paris Review.org, 8/30/2011
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Salvation
Alyssa Coooper, 2012
Melange Press
236 pp.
ISBN-13: 9781612354866
Summary
Salvation has a bit of everything—young love, Victorian charm, and vampire horror, tied together with unique literary flair.
The story begins with Alec, a young man struggling to accept the brutal loss of his parents and find his place in an unforgiving world.
As his life tumbles in a downward spiral, Alec meets Maya, a girl who seems determined to change his life. With her friendship and support, he finally begins to crawl back towards the light.
But Maya is not what she seems.
She is a vampire, born on a small farm in the nineteenth century and brought into her immortal life by a man who has played the part of guardian angel, father, and lover to her—but who is also her greatest enemy. This foe has chased her for a century and chases her still, putting her and Alec both in mortal danger.
Together, they fight for survival, for life and for love, as they each desperately seek their own salvation. (From the publisher.)
Author Bio
• Birth—May 9, 1990
• Where—Belleville, Ontario, Canada
• Education—Advanced Graphic Design Diploma
• Currently—lives in Belleville, Ontario
Alyssa Cooper is a born wordweaver, swallowing stanzas like sustenance and leaving thumbnails of poetry everywhere she goes. She was born in Ontario, Canada, where she lives with her vintage typewriters and her personal library.
A poet and author with a passion for the literary and experimental, Alyssa writes passionately, viciously, and on any surface she can find. Her poetry has appeared in poetry anthologies and literary magazines since early 2012, including the Revival Literary Journal and Journey to Crone by Chuffed Buff Books. After the release of her novella, Sunshine, her prose began to gain popularity as well, with short stories appearing in Emrys Journal, The Brief Grislys, and Postscripts to Darkness.
Her first novel, a century-long romp through the life of a maladjusted vampire, was released on Halloween of 2012. Salvation was released digitally and in print by Melange Books, LLC. Her second novel, an anthem for the twenty-something lost in an adolescent wasteland, is anticipated for release from Melange Books in late 2013. She is also eagerly awaiting the release of her first poetry collection, Cold Breath of Life, all the while filling her bookshelves to bursting and draining countless pens. (From the author.)
Visit the author's website.
Book Reviews
Salvation is not your typical romance novel. We start knowing that Maya is going to die. She and Alec are together, but she’s dying. He doesn’t know how to let her go or how he will live without her. We see her death. It’s poignant, heartbreaking, and visceral... Alec is a heavily flawed character...[and] I found it hard to sympathize with [him] for a while.... Yet as things progress with Maya, we see a new side to Alec.... Maya is a vampire...[who] is killed by her maker. Merek.... Once Maya appears to die, we’re suddenly seeing her death again, but this time from her perspective. From there, we learn of Maya’s entire story.... The ending was…not happy, but it was perfect... This was a well written, haunting tale that will stick with you.
Patricia Eddy - Mystical Lit Lounge
I was sold instantly. The story follows a vampire girl named Mali. She comes into Alec's life at the perfect moment and helps him piece back together his life. They both fall for each other instantly and enjoy what little time they have together. Mali has a past, that follows her to Alec. Her creator, her past lover, and a dark secret that threatens her immortality. This story was definitely a FOUR STAR read.... I found the end a little depressing, but I honestly can not think of another way to tie this story up. It had to end the way it did.... If you love paranormal romances, this has a romance that crosses the times, filled with conflict and an undying love you can't go wrong with this book.
Kristine Schwartz - Schwartz Reviews
Discussion Questions
1. Identify Alec's character flaws in Book One; discuss which have been resolved by Book Three, and which are still existing.
2. What is the significance of Alec's dream sequence in Book One, Chapter Two?
3. Discuss the importance of Jeanne/Mali/Maya's chosen name to her identity through out the novel.
3. In Book Two, Mali is conflicted about her life as a vampire. By the time she meets Alec, she has come to terms with it. Discuss the evolution of her opinion and chose a side.
4. Consider Jeanne/Mali and Marek's relationship. Do you feel that there was ever a true connection between them, or a continuous co-dependent cycle?
5. Consider Mali's role in the deaths of the family members. Do you feel that her actions were justified?
(Questions provided courtesy of the author.)
The Same Sky
Amanda Eyre Ward, 2015
Random House
288 pp.
ISBN-13: 9780553390506
Summary
A beautiful and heartrending novel about motherhood, resilience, and faith—a ripped-from-the-headlines story of two families on both sides of the American border.
Alice and her husband, Jake, own a barbecue restaurant in Austin, Texas. Hardworking and popular in their community, they have a loving marriage and thriving business, but Alice still feels that something is missing, lying just beyond reach.
Carla is a strong-willed young girl who’s had to grow up fast, acting as caretaker to her six-year-old brother Junior. Years ago, her mother left the family behind in Honduras to make the arduous, illegal journey to Texas. But when Carla’s grandmother dies and violence in the city escalates, Carla takes fate into her own hands—and with Junior, she joins the thousands of children making their way across Mexico to America, facing great peril for the chance at a better life.
In this elegant novel, the lives of Alice and Carla will intersect in a profound and surprising way. Poignant and arresting, The Same Sky is about finding courage through struggle, hope amid heartache, and summoning the strength—no matter what dangers await—to find the place where you belong. (From the publisher.)
Author Bio
• Birth—1972
• Where—New York, New York, USA
• Raised—Rye, New York
• Education—B.A., William College; M.F.A., University of Montana
• Currently—lives in Austin, Texas
Amanda Eyre Ward was born in New York City in 1972. Her family moved to Rye, New York when she was four. Amanda attended Kent School in Kent, CT, where she wrote for the Kent News.
Amanda majored in English and American Studies at Williams College in Williamstown, Massachusetts. She studied fiction writing with Jim Shepard and spent her junior fall in coastal Kenya. She worked part-time at the Williamstown Public Library. After graduation, Amanda taught at Athens College in Greece for a year, and then moved to Missoula, Montana.
Amanda studied fiction writing at the University of Montana with Bill Kittredge, Dierdre McNamer, Debra Earling, and Kevin Canty, receiving her MFA. After traveling to Egypt, she took a job at the University of Montana Mansfield Library, working in Inter Library Loan.
In 1998, Amanda moved to Austin, Texas where she began working on Sleep Toward Heaven. She wrote for the Austin Chronicle and worked for a variety of Internet startups. In 1999, Amanda won third prize in the Austin Chronicle short story contest with her story "Miss Montana’s Wedding Day."
She published Butte as in Beautiful that same year.
In July, 2000, Amanda married the geologist Tip Meckel in Ouray, Colorado.
They spent a summer in New Orleans, Louisiana, where Amanda wrote the short stories "The Beginning of the Wrong Novel" and "Classified."
During that summer, Amanda finished Sleep Toward Heaven, which was published in 2003. That novel won the Violet Crown Book Award and was optioned for film by Sandra Bullock and Fox Searchlight. To promote Sleep Toward Heaven, Amanda, her baby, and her mother Mary-Anne Westley traveled to London and Paris.
Amanda moved to Waterville, Maine, where she wrote in an attic filled with books. Her second novel, How to Be Lost, was published in 2004 and was selected as a Target Bookmarked pick. It has been published in fifteen countries.
After a year in Maine and two years on Cape Cod, Massachusetts, Amanda and her family returned to Austin, Texas.
To research her third novel, Forgive Me, Amanda traveled with her sister, Liza Ward Bennigson, to Cape Town, South Africa. Forgive Me was published in 2007.
In 2009, she published her short story collection, Love Stories in This Town.
Close Your Eyes, Amanda's fourth novel, was published in 2011, receiving a four-star review in People Magazine and winning the Elle Lettres Readers' Prize for September. It inspired the Dallas Morning News to write, "With Close Your Eyes, Austin novelist Amanda Eyre Ward puts another jewel in her crown as the reigning doyenne of 'dark secrets' literary fiction."
Close Your Eyes was named in Kirkus Reviews Best Books of 2011, and won the Elle Magazine Fiction Book of the Year.
Amanda's fifth novel, The Same Sky, was published in 2015. It was considered one of the most anticipated books for 2015 by BookPeople and named a "Book of the Week" by People Magazine. Dallas Morning News wrote, "Ward has written a novel that brilliantly attaches us to broader perspectives. It is a needed respite from the angry politics surrounding border issues that, instead of dividing us, connects us to our humanity."
Amanda currently writes every morning and spends afternoons with her children. (From the author's website.)
Book Reviews
Surprising and deeply satisfying.... Ward has written a novel that brilliantly attaches us to broader perspectives. It is a needed respite from the angry politics surrounding border issues that, instead of dividing us, connects us to our humanity.
Dallas Morning News
A deeply affecting look at the contrast between middle-class U.S. life and the brutal reality of Central American children so desperate they’ll risk everything.
People
It takes a skilled, compassionate writer to craft an authentic, moving page-turner from a complex social issue like immigration, but Ward nails it.
Good Housekeeping
Poignant and bittersweet.... Eyre’s wrenching fifth novel is a study in contrasts.... Carla’s journey is powerfully rendered and will stick with readers long after they close the book.
Publishers Weekly
The Same Sky is a book that works to understand our community; not just our neighborhoods in Austin, but America as a whole. It’s important reading for anyone who has an opinion on immigration.
BookPeople
Ward writes with great empathy.... Earnest and well-told. Heartstrings will be pulled.
Kirkus Reviews
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
(We'll add specific questions if and when they're made available by the publisher.)
The Same Sweet Girls
Cassandra King, 2005
Hyperion
560 pp.
ISBN-13: 9780786891092
Summary
"None of the Same Sweet Girls are really girls anymore, and none of them have actually ever been that sweet. But the story of this spirited group of six southern women, who have been holding biannual reunions ever since they were together in college, is nothing short of compelling.
The story of the Same Sweet Girls is told by three of the women who suddenly face middle age and major life changes. First lady Julia Stovall, the perfect political wife, is torn between loyalty to her husband, the governor of Alabama, and an unwelcome attraction to his bodyguard. The fun-loving former jock Lanier Sanders, who always finds a way to mess up her life, has done it yet again. And Corrine Cooper, a renowned gourd artist, battles her controlling ex-husband for the affection of her estranged son.
On an island every summer and in the mountains every fall, the Same Sweet Girls come together to share their stories. When one of the group faces the most difficult challenge of her life, the novel builds to a powerful conclusion. (From the publisher.)
Author Bio
• Birth—1944
• Where—Lower Alabama, USa
• Education—B.A., M.A., Alabama college
• Currently—lives in the Low Country, South Carolina
Cassandra King is the author of five novels, most recently the critically acclaimed Moonrise (2013), her literary homage to Rebecca by Daphne du Maurier. Moonrise is a Fall 2013 Okra Pick and a Southern Independent Booksellers Alliance (SIBA) bestseller. It has been described as “her finest book to date.”
Fellow Southern writers Sandra Brown, Fannie Flagg, and Dorothea Benton Frank hailed her previous novel, Queen of Broken Hearts (2008), as “wonderful,” “uplifting,” “absolutely fabulous,” and “filled with irresistible characters.” Prior to that, King’s third book, The Same Sweet Girls (2005), was a #1 Booksense Selection and Booksense bestseller, a Southeastern Bookseller Association bestseller, a New York Post Required Reading selection, and a Literary Guild Book-of-the-Month Club selection.
Her first novel, Making Waves in Zion, was published in 1995 by River City Press and reissued in 2004 by Hyperion. Her second novel, The Sunday Wife (2002), was a Booksense Pick, a People Magazine Page-Turner of the Week, a Literary Guild Book-of-the-Month selection, a Books-a-Million President’s Pick, a South Carolina State Readers’ Circle selection, and a Salt Lake Library Readers’ Choice Award nominee. In paperback, the novel was chosen by the Nestle Corporation for its campaign to promote reading groups.
King’s short fiction and essays have appeared in numerous journals and anthologies, including Callaloo, Alabama Bound: The Stories of a State (1995), Belles’ Letters: Contemporary Fiction by Alabama Women (1999), Stories From Where We Live (2002), and Stories From The Blue Moon Cafe (2004). Aside from writing fiction, she has taught writing on the college level, conducted corporate writing seminars, worked as a human-interest reporter for a Pelham, Alabama, weekly paper, and published an article on her second-favorite pastime, cooking, in Cooking Light magazine.
A native of L.A. (Lower Alabama), King currents lives in the Low Country of South Carolina with her husband, novelist Pat Conroy, whom she met when he wrote a blurb for Making Waves. (From the author's website.)
Book Reviews
For 30 years, six Southern college friends—the Same Sweet Girls—have been gathering for a biannual reunion. As King's wry, touching novel begins, the girls are nearing 50 and coming to terms with the life decisions they've made.... [T]he story's gentle Southern humor and warmth shine. It isn't all iced tea and tomato pie—King tackles some troubling issues—but the characters are true to life, and readers will sympathize with their struggles.
Publishers Weekly
Discussion Questions
1. Look at the Walt Whitman quote at the beginning of The Same Sweet Girls. Why does King use this here?
2. Why does Corrine state early on that, "The illusion of sweetness, that's all that counts. We don't have to be sincerely sweet, but by God we have to be good at faking it. Southern girls will stab you in the back, same as anyone else, but we'll give you a sugary smile while doing it"? Why is this important to the story? How do Southern women differ from women in other parts of the country?
3. Looking at each chapter, how is the book structured? Why does King utilize this style here? What is the affect of multiple narrators?
4. Briefly describe each of the Same Sweet Girls. Share your impression of the group. Who do you like the most, and why? What are their backgrounds? How did they become a group, and why are they such good friends?
5. Consider Miles, Jesse Phoenix, Joe Ed, Paul and Cal. What are your impressions of these men? What are their roles in the story?
6. Thinking about the couplings of Julia and Joe Ed, Corrine and Miles, and Lanier and Paul, how did these couples get together? What kind of relationships do these Same Sweet Girls have with the men in their lives? What do these relationships reveal, or possibly reflect, about the Same Sweet Girls views of themselves?
7. Focusing on Astor’s and Roseanelle’s role in the book. Why are these unlikely characters accepted and tolerated, even loved, by the rest of the group? How do they influence other characters in the book? Why do others accept and even ignore such obvious flaws in their friends?
8. Lanier keeps a sort of diary, what she calls her Life Lessons notebook. Think about some of Lanier's notebook entries. For example, "Any landing you walk away from is a good landing;" "When the pupil is ready, the teacher appears;" "Seems to me that all males are obsessed with expanding their bodies and females with shrinking theirs, which must have something to do with their self-images." Discuss what they mean and whether or not they are helpful to you.
9. In Chapter 12, what do you make of Julia's saying she "survived life by slow paddling down the river of denial"? What has she been denying? Recount her relationship with her mother. What was her mother's reaction when Bethany was born? Did Julia somehow agree with her mother? How does Julia evolve, and what enables her to do so?
10. Looking at Corrine, what do the gourds represent, both literally and figuratively? Why does King choose gourds instead of canvas or pottery for Corrine's art? Trace Corrine's personal history. Why is she the one who has a terminal disease? What does Miles mean when he says to her, "Your biography becomes your biology?" Is this true in her case? Do you believe this is true in general? Why?
11. What gives Corrine the motivation to stand up to Miles? Share how you reacted when she finally does.
12. In Chapter 18, Lindy confronts Lanier about Lanier's affect on her and others: "Then change, Mama . . ." How did you react do this speech? What would you say to Lindy? What would you say to Lanier?
13. In Chapter 23, there is a discussion of helping a friend die. What would you do if a friend or family member asked you to assist their death? Would you want that kind of help? Knowing what Corrine does about her disease, what you advise her to do about her treatment? Why is Lanier so surprised when she learns Paul might assist someone's death?
14. Why is Cal so attracted to Corrine? What is significant about the timing of his interest? What is the significance of the large kettle gourd that he returns to her? What enables his aged grandmother to understand the purpose of this kettle gourd? Discuss the paragraph in Chapter 26 where Cal says to Corrine, "Damn right you're not like me . . . You've got to finish that one."
15. What resonates, and affects you the most, about The Same Sweet Girls? What stays with you?
(Questions from the author's website.)
The Samurai's Garden
Gail Tsukiyama, 1994
St. Martin's Press
224 pp.
ISBN-13: 9780312144074
Summary
On the eve of the Second World War, a young Chinese man is sent to his family's summer home in Japan to recover from tuberculosis. He will rest, swim in the salubrious sea, and paint in the brilliant shoreside light. It will be quiet and solitary.
But he meets four local residents — a lovely young Japanese girl and three older people. What then ensues is a tale that readers will find at once classical yet utterly unique. Young Stephen has his own adventure, but it is the unfolding story of Matsu, Sachi, and Kenzo that seizes your attention and will stay with you forever.
Tsukiyama, with lines as clean, simple, telling, and dazzling as the best of Oriental art, has created an exquisite little masterpiece. (From the publisher.)
Author Bio
• Birth—N/A
• Where—San Francisco, California, USA
• Education—B.A., M.A., San Francisco State University
• Awards—Academy of American Poets Award;
PEN Oakland/Josephine Miles Literary Award
• Currently—El Cerito, California
Readers know Gail Tsukiyama through her best-selling novel The Samurai’s Garden (1994). Her other works include Women of the Silk (1991), Night of Many Dreams (1998), The Language of Threads (1999), The Street of a Thousand Blossoms (2007), Dreaming Water (2002), and A Hundred Flowers (2012).
Born to a Chinese mother and a Japanese father, she grew up in San Francisco and now lives in El Cerrito, California. She earned her bachelor's and master's degrees in English with a concentration in Creative Writing at San Francisco State University. With an understanding of her heritage, Tsukiyama explores the sights, sounds and feelings of China and Japan in her novels.
She was one of nine fiction authors to appear during the first Library of Congress National Book Festival in 2001. (From the publisher.)
Book Reviews
As the title suggests in this charming book, gardens are central to the thematic concerns. They require loving devotion and constant nurturing, the very qualities that heal the human body and soul and provide respite from the world's ills.
A LitLovers LitPick (Nov. '06)
Seventeen-year-old Stephen leaves his home in Hong Kong just as the Japanese are poised to invade China. He is sent to Tarumi, a small village in Japan, to recuperate from tuberculosis. His developing friendship with three adults and a young woman his own age brings him to the beginnings of wisdom about love, honor, and loss. Given the potentially interesting subplot (the story of a love triangle doomed by the outbreak of leprosy in the village) and the fascinating period in which the book is set, this second novel by the author of Women of the Silk (1991) has the potential to be a winner. Unfortunately, it is sunk by a flat, dull prose style, one-dimensional characters who fail to engage the reader's interest, and the author's tendency to tell rather than show. Libraries with comprehensive fiction collections might consider, but others can pass. —Nancy Pearl, Washington Ctr. for the Book, Seattle
Library Journal
Discussion Questions
1. The title of the novel obviously alludes to Matsu's garden, but to whom else could the title refer as a "Samurai"? Why?
2. The garden acts as a center or core of the novel. All three central characters (Stephen, Matsu, and Sachi) find some sense of comfort in tending the garden. What are some of the metaphors for the garden and how are they worked out in the novel?
3. Loneliness, solitude, and isolation are all themes that permeate the novel throughout. How do the three central characters' approaches to these feelings vary, resemble each other, and evolve?
4. It appears as though Stephen and Sachi are somehow juxtaposed. How is this connection represented and developed?
5. How is the politically turbulent time at which The Samurai's Garden takes place approached in the novel? Is it a strongly political novel or does the world of Tamuri somehow defy and avoid the political turmoil of the era?
6. How is Stephen and Keiko's relationship represented? Examine it in relation to the courtships of the past—Kenzo and Sachi, as well as Matsu and Sachi.
7. As the novel progresses, Stephen stops longing to return to his home and in fact dreads having to leave Tamuri. What provokes this change of heart? Also, how does this sentiment affect the ending of the novel?
(Questions issued by publisher.)
top of page (summary)
San Miguel
T.C. Boyle, 2012
Penguin Group USA
384 pp.
ISBN-13: 9780670026241
Summary
On a tiny, desolate, windswept island off the coast of Southern California, two families, one in the 1880s and one in the 1930s, come to start new lives and pursue dreams of self-reliance and freedom. Their extraordinary stories, full of struggle and hope, are the subject of T. C. Boyle’s haunting new novel.
Thirty-eight-year-old Marantha Waters arrives on San Miguel on New Year’s Day 1888 to restore her failing health. Joined by her husband, a stubborn, driven Civil War veteran who will take over the operation of the sheep ranch on the island, Marantha strives to persevere in the face of the hardships, some anticipated and some not, of living in such brutal isolation. Two years later their adopted teenage daughter, Edith, an aspiring actress, will exploit every opportunity to escape the captivity her father has imposed on her.
Time closes in on them all and as the new century approaches, the ranch stands untenanted. And then in March 1930, Elise Lester, a librarian from New York City, settles on San Miguel with her husband, Herbie, a World War I veteran full of manic energy. As the years go on they find a measure of fulfillment and serenity; Elise gives birth to two daughters, and the family even achieves a celebrity of sorts. But will the peace and beauty of the island see them through the impending war as it had seen them through the Depression?
Rendered in Boyle’s accomplished, assured voice, with great period detail and utterly memorable characters, this is a moving and dramatic work from one of America’s most talented and inventive storytellers. (From the publisher.)
Author Bio
• Birth—December 2, 1948
• Where—Peekskill, New York, USA
• Education—B.A., State University of New York at Potsdam; Ph.D., Iowa University
• Awards—Pen/Faulkner Award, 1998
• Currently—lives near Santa Barbara, California
T. Coraghessan Boyle (kuh-RAGG-issun) received his doctorate in nineteenth-century English literature from the University of Iowa in 1977. Since 1977, Boyle has taught creative writing at the University of Southern California. While in college, Boyle exchanged his middle name, John, for the unusual Coraghessan (kuh-RAGG-issun), the name of one of his Irish ancestors.
Boyle is the author of Descent of Man (1979), Water Music (1982), Budding Prospects (1984), Greasy Lake (1985), World's End (1987, winner of the PEN/Faulkner Award for fiction), If the River Was Whiskey (1989), East Is East (1990), The Road to Wellville (1993), which was made into a movie starring Anthony Hopkins, and Without a Hero (1994). His work has appeared in major American magazines, including The New Yorker, Esquire, Harper's, Paris Review, and Atlantic Monthly. Boyle lives with his wife, Karen, and their three children near Santa Barbara, California, in a house designed in 1909 by the architect Frank Lloyd Wright.
More
In the interest of time and space, it might be easier to note the writers that T. C. Boyle isn't compared to. But let's give the reverse a try: Donald Barthelme, John Barth, Thomas Pynchon, Evelyn Waugh, Franz Kafka, James Joyce, Kingsley Amis, Thomas Berger, Robert Coover, Lorrie Moore, Stanley Elkin, Tom Robbins, Tom Wolfe, Hunter S. Thompson, Don DeLillo, Flannery O'Connor. Oh, let's not forget F. Lee Bailey. And Dr. Seuss.
Boyle, widely admired for his acrobatic verbal skill, wild narratives and quirky characters (in one short story, he imagines a love affair between Dwight Eisenhower and Nikita Khrushchev's wife), has dazzled critics since his first novel in 1981.
Consider this example, from Larry McCaffery in a 1985 article for the New York Times:
Beneath its surface play, erudition and sheer storytelling power, his fiction also presents a disturbing and convincing critique of an American society so jaded with sensationalized images and plasticized excess that nothing stirs its spirit anymore.... It is into this world that Mr. Boyle projects his heroes, who are typically lusty, exuberant dreamers whose wildly inflated ambitions lead them into a series of hilarious, often disastrous adventures.
But as much as critics will bow at his linguistic gifts, some also knock him for resting on them a bit too heavily, hinting that the impressive showmanship attempts to hide a shortage of depth and substance. Craig Seligman, writing in the New Republic in 1993, pointed out that...
Boyle loves a mess. He loves chaos. He loves marshes and jungles, and he loves the jungle of language: luxuriant sentences overgrown with lianas of lists, sesquipedalian words hanging down like rare fruits. For all its exoticism, though, his prose is lucid to the point of transparency. It doesn't require much deeper concentration than a good newspaper (though it does require a dictionary).
Reviewing The Tortilla Curtain in 1995, New York Times critic Scott Spencer scratched his head over why Boyle had invited readers along for this particular ride:
Mr. Boyle's fictional strategy is puzzling. Why are we being asked to follow the fates of characters for whom he clearly feels such contempt? Not surprisingly, this is ultimately off-putting. Perhaps Mr. Boyle has received too much praise for his zany sense of humor; in this book, that wit often seems merely a maddening volley of cheap shots. It's like living next door to a gun nut who spends all day and half the night shooting at beer bottles.
Growing up, Boyle had no aspirations to be a writer. It wasn't until his studies at State University of New York, where he as a music student, that he bumped into his muse. "I went there to be a music major but found I really couldn't hack that at the age of 17," he told The Writer in 1999. "I just started to read outside my classes—literature and history. I wound up being a history and English major; when I wandered into a creative writing class as a junior, I realized that writing was what I could do."
He then started teaching, in part to avoid getting drafted into the Vietnam War, and later applied to the University of Iowa Writer's Workshop.
After a collection of short stories in 1979, he released his first novel, Water Music, called "pitiless and brilliant" by the New Republic, and has shuttled back and forth between novels and short stories, all known for their explosions of character imagination. Mr. Boyle's literary sensibility...thrives on excess, profusion, pushing past the limits of good taste to comic extremes," McCaffery wrote in his 1985 New York Times piece. "He is a master of rendering the grotesque details of the rot, decay and sleaze of a society up to its ears in K Mart oil cans, Kitty Litter and the rusted skeletons of abandoned cars and refrigerators."
In his review of Drop City, the 2003 novel set in California commune that won Boyle a National Book Award nomination, Dwight Garner joins the chorus of critical acclaim over the years—"Boyle has always been a fiendishly talented writer"—but he also acknowledges some of the criticism that Boyle has faced in these same years:
The rap against Boyle's work has long been that he's a sort of madcap predator drone, raining down hard nuggets of contempt, sarcasm and bitter humor on the poor men and women in his books while rarely giving us characters we're actually persuaded to feel anything about. This is partly a bum rap—and I'd hate to knock contempt, sarcasm and bitter humor—but there's enough truth in it that it's a joy to find, in Drop City that Boyle gives us a lot more than simply a line of bong-addled innocents led to slaughter.
But perhaps the neatest summary of Boyle's work would be from Lorrie Moore, one of the novelists to which he has been compared. In a 1994 New York Times review of Boyle's short story collection Without a Hero, she praised Boyle's "astonishing and characteristic verve, his unaverted gaze, his fascination with everything lunatic and queasy." She continues...
God knows, Mr. Boyle can write like an angel, if at times a caustic, gum-chewing one. And in this strong, varied collection maybe we have what we'd hope to find in heaven itself (by the time we begged our way there): no lessening of brilliance, plus a couple of laughs to mitigate all that high and distant sighing over what goes on below."
Extras
• Boyle changed his middle name from John to Coraghessan ( "kuh-RAGG-issun") when he was 17.
• He is known almost as much for his ego as his writing. "Each book I put out, I think, 'Goodbye, Updike and Mailer, forget it," the New Republic quoted him as saying. "I joke at Viking that I'm going to make them forget the name of Stephen King forever, I'm going to sell so many copies.
• Boyle's philosophy on reading and writing, as told to The Writer: "Good literature is a living, brilliant, great thing that speaks to you on an individual and personal level. You're the reader. I think the essence of it is telling a story. It's entertainment. It's not something to be taught in a classroom, necessarily. To be alive and be good, it has to be a good story that grabs you by the nose and doesn't let you go till The End." (From Barnes and Noble)
Book Reviews
In T. Coraghessan Boyle’s mesmerizing and elegiac 14th novel, “San Miguel,” two utopians from different eras establish their own private idylls on the desolate Channel Islands off the California coast.... The inhabitants find the island pummeled by sandstorms and shrouded by fogs, only infrequently giving way to rare days when it is the paradise they sought.
Small events grow in importance.... For Boyle, a writer known for his maximalist plots, it is a brave stylistic choice that pays off, allowing the reader a visceral experience of what life was like at the time. In “San Miguel,” the main egoist is also the most fully realized character: Herbie Lester.... Herbie’s high-octane, manic energy fuels the ranch. By turns, he is generous, loving and a good father; he is also moody, depressive and selfish.... Thanks to Boyle’s immense talent we come to care deeply about this complicated and difficult man’s fate.... Herbie’s infatuation with Haile Selass...indicate that the idyllic, isolated utopia they sought has become impossible to sustain.... In the pages of this novel, at least, that tantalizing dream is preserved.
New York Times Book Review
Theatrical as he appears in those outrageous shirts and jackets, in his fiction Boyle never steals the spotlight from his characters, from what they're wrestling with. His previous novel, When the Killing's Done (2011), took place on the Channel Islands off the coast of California and managed to make the complex issue of environmental reclamation tremendously exciting. His new novel, San Miguel, is a kind of prequel that again takes place on one of the Channel Islands, but the story's tone and pace are entirely different. Instead of violently dramatizing a contemporary debate, San Miguel is an absorbing work of historical fiction based on the lives of two real families who resided on San Miguel Island in the 19th and 20th centuries.
Ron Charles - Washington Post
Throughout his career, Boyle has shown a fascination with remote, forgotten places as a kind of stage where various shadings of the American character are revealed.... As always, he fills his pages with wonderfully precise character studies and lush descriptions of the physical landscape.
Hector Tobar - Los Angeles Times
The story of two families who lived on the windiest and wildest of the Channel Islands…the layering of these isolated lives, the archeology of human habitation, the different responses to self-sufficiency make this one of the most satisfying novels in Boyle’s canon.
Susan Salter Reynolds - Los Angeles Magazine
A saga of women, three women brought to the island by men.... Boyle has carved out a beautiful, damp, atmospheric novel, sharp and exacting…[his] spirited novels are a reckoning with consequence laced with humor, insight, and pathos.
Terry Tempest Williams - San Francisco Chronicle
In T.C. Boyle’s San Miguel, two strong women generations apart are seduced and mistreated by the same powerful entity – not a man but a starkly beautiful, barely inhabited island off the California coast.... Boyle portrays the heartbreaking toll San Miguel takes on these couples in a novel as beguiling as the island itself.
O, The Oprah Magazine
On New Year’s Day 1888, the ailing Marantha Waters sails across San Francisco Bay to remote San Miguel Island with her second husband and adopted daughter in hopes that the fresh air will restore her health. Marantha and her family, city folk by nature, risk the last of her inheritance on a farm lashed by wind and rain; removed from the pleasant distractions of late Victorian society and thrust into primitive living conditions, the Waters find themselves left with little to do but discover the strengths and weaknesses in themselves and in each other. Decades later during the Depression, Elise and Herbie Lester take over the farm and undergo their own transformations. Ripe with exhaustively researched period detail, Boyle’s epic saga of struggle, loss, and resilience (after When the Killing’s Done) tackles Pacific pioneer history with literary verve. The author subtly interweaves the fates of Native Americans, Irish immigrants, Spanish and Italian migrant workers, and Chinese fishermen into the Waters’ and the Lesters’ lives, but the novel is primarily a history of the land itself, unchanging despite its various visitors and residents, and as beautiful, imperfect, and unrelenting as Boyle’s characters.
Publishers Weekly
This latest novel from Boyle (The Women; When the Killing's Done) portrays two families living and working on barren San Miguel Island off the coast of California. In 1888 Marantha Waters leaves her comfortable life on mainland California and moves out to San Miguel with her adopted daughter and husband, a steely Civil War veteran convinced that he'll have success sheep ranching on the island. Marantha is seriously ill, but instead of breathing the clean, restorative air she expected, she must live in a drafty, moldy shack in a damp environment where the sun rarely shines. Years later, in 1930, Elise Lester, newly wed at 38, moves to San Miguel with her husband, Herbie, a World War I veteran. Though Herbie has his highs and lows, they are happy, and they have two daughters. The outside world learns of their pioneering ways, and they achieve a celebrity Herbie hopes will translate into additional income. Then World War II arrives, and with war in the Pacific, their insular island location may no longer be a refuge. Verdict: In this absorbing work, Boyle does an excellent job of describing the desperation and desolation of life on the island. Readers can almost feel the cold and damp seeping into their bones. —Shaunna Hunter, Hampden-Sydney Coll. Lib., VA
Library Journal
A richly rewarding read.... As ever, Boyle’s prose is vivid and precise, and he imbues his subjects with wonderful complexity. The perils and pleasures of island living, the limits to natural resources, and the echoes of war all provide ample grist for his mill.
Booklist
The prolific author's latest is historical, not only in period and subject matter, but in tone and ponderous theme. The 14th novel from Boyle returns to the Channel Islands off the coast of California, a setting which served him so well in his previous novel (When the Killing's Done, 2011). Some of the conflicts are similar as well- man versus nature, government regulation versus private enterprise- but otherwise this reads more like a novel that is a century or more old.... The novel tenuously connects the stories of two families who move, 50 years apart, to the isolation of the title island, in order to tend to a sheep ranch. For Marantha Waters, the symbolically fraught pilgrimage with her husband and daughter in 1888...is one of disillusionment and determination.... The ravages of the natural world (and their own moral natures) take their toll on the family, who are belatedly succeeded in the 1930s by a similar one, as newlyweds anticipate their move west.... What may seem to some like paradise offers no happy endings in this fine novel.
Kirkus Reviews
Discussion Questions
1. Have you ever dreamed of living off the grid? If so, what about the idea appeals to you? If not, how long do you think you could endure the isolation? Did San Miguel change your mind one way or another?
2. What would you find most challenging about life on San Miguel: the limited human companionship, the rudimentary living conditions, the monotony of the landscape, or something else?
3. Marantha’s forgotten box of china plates represents the distant, civilized world. What would represent it for you?
4. Long before the Waterses or the Lesters, a tribe of Native Americans inhabited the island. How might their experiences on San Miguel have compared with those of the homesteaders?
5. After Marantha’s death, Waters withdraws Edith from school and takes her to San Miguel so he can keep an eye on her. Yet it’s on San Miguel that she explores her sexuality with Jimmie and then barters sexual favors in order to escape. Is Waters really concerned with preserving her chastity?
6. Were you surprised to learn that Edith would marry and divorce three times and put her own daughter up for adoption? How, if at all, are Edith’s later actions shaped by her experiences on San Miguel?
7. Both Marantha and Elise are brought to the island by their husbands. Neither woman has much say in the matter. Whether or not you’re married, would you make such a dramatic move at your spouse’s request?
8. During their time on the island, Marantha and Elise both receive unexpected foreign visitors. Chinese abalone collectors visit Marantha, and Japanese fishermen call upon Elise. The women welcome these visitors politely, but their husbands drive them away. Why did Boyle choose to include these incidents?
9. Marantha’s time on San Miguel is pure hardship, but Elise’s is tempered with happiness. If you were Elise, would you have regretted marrying Herbie and moving to San Miguel? Or are her joys sufficient compensation for the tragedy of his suicide?
10. After Herbie’s death, what do you think Marianne and Betsy will find most challenging about adjusting to life off San Miguel?
11. How might modern technology affect the experience of living somewhere like San Miguel Island? Would greater connectivity to the larger world make the isolation easier or more difficult?
12. Ultimately, the government revokes Bob Brooks’s lease on San Miguel, takes away all the sheep, and makes it so that “anyone who wanted to come here or dream here or walk the hills and breathe the air would need to have a permit in hand” (p. 366). Do you agree with the government’s decision? How does Boyle view it?
(Questions issued by publisher.)
The Sandcastle Girls
Chris Bohjalian, 2012
Knopf Doubleday
320 pp.
ISBN-13: 9780307743916
Summary
In his fifteenth book, The Sandcastle Girls, Chris Bohjalian takes us to a time and place—Syria, 1915—that left haunting legacies for his Armenian heritage, making this his most personal novel to date.
A sweeping historical love story, The Sandcastle Girls introduces us to Elizabeth Endicott, an adventure-seeking graduate of Mount Holyoke College who travels to Syria just as the Great War has begun to spread across Europe. With only a crash course in nursing, Elizabeth has volunteered on behalf of the Boston-based Friends of Armenia to deliver food and medical aid to refugees of the genocide.
She soon befriends a striking Armenian engineer. He is young, but he has already lost his wife and infant daughter to Turkish brutality. When Armen leaves Aleppo to join the British army in Egypt, he and Elizabeth begin a daring correspondence, bridging their very different worlds with words of love and hope.
Interwoven with their tale is the story of Laura Petrosian, a contemporary novelist living in suburban New York. Although her grandparents' ornate Pelham home was affectionately nicknamed “The Ottoman Annex,” Laura has never really given her Armenian heritage much thought.
But when an old friend calls, claiming to have seen a newspaper photo of Laura's grandmother promoting an exhibit at a Boston museum, Laura embarks on a journey back through her family's history that reveals love, loss—and a wrenching secret that has been buried for generations.
An epic story of love and war, The Sandcastle Girls will captivate your reading group. We hope this guide will enrich your discussion. (From the publisher.)
Author Bio
• Birth—1960
• Where—White Plains, New York, USA
• Education—Amherst College
• Awards—Anahid Literary Award, 2000; New England Book Award, 2002
• Currently—lives in Lincoln, Vermont
Christopher Aram Bohjalian, who goes by the pen name Chris Bohjalian, is an American novelist. Bohjalian is the author of 15 novels, including New York Times bestsellers Midwives, Secrets of Eden, The Law of Similars, Before You Know Kindness, The Double Bind, Skeletons at the Feast, and The Night Strangers.
Bohjalian is the son of Aram Bohjalian, who was a senior vice president of the New York advertising agency Romann & Tannenholz. Chris Bohjalian graduated summa cum laude from Amherst College, where he was a member of the Phi Beta Kappa Society. In the mid-1980s, he worked as an account representative for J. Walter Thompson advertising agency in New York.
He and his wife lived in a co-op in Brooklyn until March 1986, when the two were riding in a taxicab in which the driver refused to let them out of the car for 45 minutes, ignoring all traffic lights and stop signs. Around midnight, the driver dropped them off at a near-deserted street in front of a crack house, where the police were conducting a raid and Bohjalian and his wife were forced to drop to the ground for their protection. The incident prompted the couple to move from Brooklyn; Bohjalian said, "After it was all over, we just thought, "Why do we live here?" A few days later, the couple read an ad in The New York Times referencing the "People's Republic of Vermont," and in 1987 the couple moved to Lincoln, Vermont.
Early career
After buying their house, Bohjalian began writing weekly columns for local newspaper and magazine about living in the small town, which had a population of about 975 residents. The Concord Monitor said of Bohjalian during this period, "his immersion in community life and family, Vermont-style, has allowed him to develop into a novelist with an ear and empathy for the common man." Bohjalian continued the column for about 12 years, writing about such topics as his own daily life, fatherhood and the transformation of America. The column has run in the Burlington Free Press since 1992. Bohjalian has also written for such magazines as Cosmopolitan, Reader's Digest and the Boston Globe Sunday Magazine.
Bohjalian's first novel, A Killing in the Real World, was released in 1988. Almost two decades after it was released, Bohjalian said of the book, "It was a train wreck. I hadn't figured things out yet." His third novel, Past the Bleachers, was released in 1992 and adapted as a Hallmark Channel television movie in 1995.
In 1998, Bohjalian wrote his fifth book, Midwives, a novel focusing on rural Vermont midwife Sibyl Danforth, who becomes embroiled in a legal battle after one of her patients died following an emergency Caesarean section. The novel was critically acclaimed and was selected by Oprah Winfrey as the October 1998 selection of her Oprah's Book Club, which helped push the book to great financial success. It became a New York Times and USA Today bestseller. Victoria Blewer has often described her husband as having "a crush" on the Sybil Danforth character. In 2001, the novel was adapted into a Lifetime Movie Network television film starring Sissy Spacek in the lead role. Spacek said the Danforth character appealed to her because "the heart of the story is my character's inner struggle with self-doubt, the solo road you travel when you have a secret."
Later career
Bohjalian followed Midwives with the 1999 novel The Law of Similars, about a widower attorney suffering from nameless anxieties who starts dating a woman who practices alternative medicine. The novel was inspired by Bohjalian's real-life visit to a homeopath in an attempt to cure frequent colds he was catching from his daughter's day care center. Bohjalian said of the visit, "I don't think I imagined there was a novel in homeopathy, however, until I met the homeopath and she explained to me the protocols of healing. There was a poetry to the language that a patient doesn't hear when visiting a conventional doctor." The protagonist, a father, is based in part on Bohjalian himself, and his four-year-old daughter is based largely on Bohjalian's daughter, who was three when he was writing the book., Liz Rosenberg of The New York Times said the novel shared many similarities with Midwives but that it paled in comparison; Rosenberg said, "Unlike its predecessor, it fails to take advantage of Bohjalian's great gift for creating thoughtful fiction featuring characters in whom the reader sustains a lively interest." Megan Harlan of The Boston Phoenix described it as "formulaic fiction" and said Bohjalian focused too much on creating a complex plot and not enough of complex characterizations. The Law of Similars, like Midwives, made the New York Times bestsellers list.
He won the New England Book Award in 2002, and in 2007 released "The Double Bind," a novel based on Fitzgerald's The Great Gatsby.
In 2008, Bohjalian released Skeletons at the Feast, a love story set in the last six months of World War II in Poland and Germany. The novel was inspired by an unpublished diary written by German citizen Eva Henatsch from 1920 to 1945. The diary was given to Bohjalian in 1998 by Henatsch's grandson Gerd Krahn, a friend of Bohjalian, who had a daughter in the same kindergarten class as Bohjalian's daughter. Bohjalian was particularly fascinated by Henatsch's account of her family's trek west ahead of the Soviet Army, but he was not inspired to write a novel from it until 2006, when he read Armageddon: The Battle for Germany, Max Hastings' history of the final years of World War II. Bohjalian was struck not only by how often Henatsch's story mirrored real-life experiences, but also the common "moments of idiosyncratic human connection" found in both. Skeletons of the Feast was considered a departure for Bohjalian because it was not only set outside of Vermont, but set in a particular historical moment.
His 2010 novel, Secrets of Eden, was also a critical success, receiving starred reviews from three of the four trade journals (Booklist, Library Journal, and Publishers Weekly), as well as many newspapers and magazines. It debuted at # 6 on The New York Times bestseller list.
His next novel, The Night Strangers, published in 2011, represents yet another departure for Bohjalian. The is both a gothic ghost story and a taut psychological thriller.
He has written a weekly column for Gannett's Burlington Free Press since February 1992 called "Idyll Banter." His 1,000th column appeared in May 2011.
Personal comments
In a 2003 Barnes & Noble interview, Bohjalian offered up these personal comments:
I was the heaviest child, by far, in my second-grade class. My mother had to buy my pants for me at a store called the "Husky Boys Shop," and still she had to hem the cuffs up around my knees. I hope this experience, traumatizing as it was, made me at least marginally more sensitive to people around me.
I have a friend with Down syndrome, a teenage boy who is capable of remembering the librettos from entire musicals the first or second time he hears them. The two of us belt them out together whenever we're driving anywhere in a car.I am a pretty avid bicyclist. The other day I was biking alone on a thin path in the woods near Franconia Notch, New Hampshire, and suddenly before me I saw three bears. At first I saw only two, and initially I thought they were cats. Then I thought they were dogs. Finally, just as I was approaching them and they started to scurry off the path and into the thick brush, I understood they were bears. Bear cubs, to be precise. Which is exactly when their mother, no more than five or six feet to my left, reared up on her hind legs, her very furry paws and very sharp claws raised above her head in a gesture that an optimist might consider a wave and guy on a bike might consider something a tad more threatening. Because she was standing on a slight incline, I was eye level with her stomach—an eventual destination that seemed frighteningly plausible. I have never biked so fast in my life in the woods. I may never have biked so fast in my life on a paved road.
I do have hobbies—I garden and bike, for example—but there's nothing in the world that gives me even a fraction of the pleasure that I derive from hanging around with my wife and daughter.
He lives with his wife and daughter in Lincoln, Vermont, where he is active in the local church and the Vermont theater community—always off-stage, never on.
Writing style
Bohjalian novels often focus on a specific issue, such as homelessness, animal rights and environmentalism, and tend to be character-driven, revolving around complex and flawed protagonists and secondary characters. Bohjalian uses characteristics from his real life in his writings; in particular, many of his novels take place in fictional Vermont towns, and the names of real New Hampshire towns are often used throughout his stories. Bohjalian said, "Writers can talk with agonizing hubris about finding their voices, but for me, it was in Vermont that I discovered issues, things that matter to me." His novels also tend to center around ordinary people facing extraordinarily difficult situations resulting from unforeseen circumstances, often triggered by other parties. (From Wikipedia.)
Book Reviews
(Starred review.) Bohjalian's powerful novel...depicts the Armenian genocide and one contemporary novelist's quest to uncover her heritage.... His storytelling makes this a beautiful, frightening, and unforgettable read.
Publishers Weekly
Repeatedly (and embarrassingly accurately) referred to here as "The Slaughter You Know Next to Nothing About," the Armenian genocide of 1915-16 takes center stage in Bohjalian's intergenerational novel. Elizabeth Endicott, a recent Mount Holyoke graduate, accompanies her Bostonian banker father on his philanthropic mission to Aleppo, Syria, to aid Armenian refugees fleeing atrocities committed by the Ottoman government. Her friendship with Armenian engineer Armen, who has lost his wife and baby daughter, flourishes when they are apart and can only communicate in letters. Years later, Laura Petrosian, seeking out a photograph of a woman rumored to be her Armenian grandmother, uncovers these letters among a wealth of documents—a treasure trove for an Armenian American novelist searching for pieces of her family history. Verdict: Bohjalian powerfully narrates an intricately nuanced romance with a complicated historical event at the forefront. With the centennial of the Armenian genocide fast approaching, this is not to be missed. Simply astounding. —Julie Kane, Sweet Briar Coll. Lib., VA
Library Journal
(Starred review.) A powerful and moving story based on real events seldom discussed. It will leave you reeling. —Elizabeth Dickie
Booklist
(Starred review.) An unforgettable exposition of the still too-little-known facts of the Armenian genocide and its multigenerational consequences.
Kirkus Reviews
Discussion Questions
1. Though The Sandcastle Girls is a novel, author Chris Bohjalian (and fictional narrator Laura Petrosian) based their storytelling on meticulous research. What can a novel reveal about history that a memoir or history book cannot? Before reading The Sandcastle Girls, what did you know about the Armenian genocide? How does this history broaden your understanding of current events in the regions surrounding Armenia?
2. What lies at the heart of Armen and Elizabeth’s attraction to each other, despite their seemingly different backgrounds? What gives their love the strength to transcend distance and danger?
3. The novel includes characters such as Dr. Akcam, Helmut, and Orhan, who take great risks opposing the atrocities committed by their superiors; Bohjalian does not cast the “enemy” as uniformly evil. What do these characters tell us about the process of resistance? What separates them from the others, who become capable of horrific, dehumanizing acts?
4. Discuss the bond between Nevart and Hatoun. What do they demonstrate about the traits, and the trauma, of a survivor? How do they redefine motherhood and childhood?
5. Bohjalian is known for creating inventive, authentic narrators for his novels, ranging from a midwife to a foster child. Why was it important for The Sandcastle Girls to be told primarily from the point of view of a woman? How was your reading affected by the knowledge that the author is a man?
6. In chapter 9, Elizabeth courageously quotes the Qur’an to appeal to the conscience of the Turkish lieutenant. What diplomacy lessons are captured in that moment? For the novel’s characters—from aid workers to Armenians who tried to convert—what is the role of religion?
7. When Laura describes the music of her 1960s youth, her steamy relationship with Berk, her belly-dancing aunt, and other cultural memories, what is she saying about the American experience of immigration and assimilation? Culturally, what did her grandfather sacrifice in order to gain security and prosperity in America?
8. Discuss the various aid workers depicted in the novel. What motivated them to assist in this particular cause? Do Alicia, Sister Irmingard, and Elizabeth achieve similar outcomes despite their different approaches? What overseas populations would you be willing to support so courageously?
9. Does Ryan Martin use his power effectively? How does Elizabeth gain power in a time period and culture that was marked by the oppression of women?
10. The vivid scenes of Gallipoli bring to life the global nature of war over the past century. As Armen fights alongside Australians, what do we learn about the power and the vulnerabilities of multinational forces? What did it mean for his fellow soldiers to fight for a cause so far removed from their own homelands, and for his own countrymen to rely on the mercy of outsiders?
11. At the end of chapter 19, does Elizabeth make the right decision? How would you have reacted in the wake of a similar tragedy?
12. How do Laura’s discoveries enrich her sense of self? Discuss your own heritage and its impact on your identity. How much do you know about your parents’ and grandparents’ upbringing? What immigration stories are part of your own family’s collective memory?
13. As she tries to explain why so few people are aware of the Armenian genocide, Laura cites the fact that the victims perished in a remote desert. The novel also describes the problem of trying to document the atrocities using the cumbersome photography equipment of the day. Will the Information Age spell the end of such cover-ups? For future generations, will genocide be unimaginable?
14. Which aspects of The Sandcastle Girls remind you of previous Bohjalian novels you have enjoyed?
(Questions issued by publisher.)
Sara's Laughter
Tom Milton, 2011
Nepperhan Press
186 pp.
ISBN-13: 9780982990445
Summary
Despite warnings from her mother that if she waited too long to get married she wouldn't be able to find a husband, Sara waited until she found the right man.
But now Sara is thirty-five and she is having trouble getting pregnant. She has tried everything except technologies that are not approved by her religion. Under pressure from her widowed father to give him a grandson, she is tempted to try anything, but she keeps hoping for a miracle.
Her hope is kept alive by a dream in which God told her husband she would have a baby. When her sister Becky, who doesn’t want to have children, gets pregnant accidentally from an extramarital fling, Sara comes up with a solution that would finally make her dream come true. But when things don’t go according to plan she loses her way, and she discovers a side of her nature she never imagined. (From the publisher.)
Author Bio
• Birth—April 3, 1949
• Where—St. Paul, Minnesota, USA
• Education—B.A. Princeton University; M.A., University
of Iowa (Writers Workshop); Ph.D., Walden University
• Currently—lives in Hastings-on-Hudson, NY
Tom Milton was born and raised in St. Paul, Minnesota. After completing his undergraduate
degree at Princeton he worked for the Wall Street Journal, and then he was invited to the Writers Workshop in Iowa City, where he completed a novel and a master’s degree. He then served in the U.S. Army, and upon his discharge he joined a major international bank in New York. For the next twenty years he worked overseas, initially as an economic/political analyst and finally as a senior executive. He later became involved in economic development projects.
After retiring from his business career he joined the faculty of Mercy College, where he is a professor of international business. Five years ago he found a publisher for his novels, some of which are set in foreign cities where he lived (Buenos Aires, London, Madrid, and Santo Domingo). His novels are popular with reading groups because they deal with major issues, they have engaging characters, and they are good stories.
His first published novel, No Way to Peace, set in Argentina in the mid-1970s, is about the courage of five women during that country’s war of terror. His second novel, The Admiral’s Daughter, is about the conflict between a young woman and her father during the civil rights war in Mississippi in the early 1960s. His third novel, All the Flowers, set in New York in the late 1960s, is about a gifted young singer who gets involved in the antiwar movement because her twin brother joins the army to prove his manhood to his father. His fourth novel, Infamy, set in Madrid in 2007, is about the attempt of security agents to stop a terrorist attack on New York City that would use weapons of mass destruction. His next novel, A Shower of Roses, set in London in the early 1980s, is about a young nurse who is drawn by love into an intrigue of the Cold War. His next novel, Sara’s Laughter, set in Yonkers, NY in 1993, is about a woman in her mid-thirties who wants a child but is unable to get pregnant. And his latest novel, The Golden Door, is about a young Latina woman in Alabama whose future is threatened by a harsh anti-immigrant law that the state passed in 2011. (From the author.)
Book Reviews
On learning that, though elderly and barren, she’d finally have the child promised to her all those years ago, the Biblical matriarch, Sarah, laughs, surreptitiously. Whether read as a bitter or joyous, nervous or skeptical, it’s in Sarah’s laughter that many have searched for guidance when life fails to deliver on cherished dreams. Taking this Old Testament lesson as inspiration, Sara’s Laughter explores the compromises contemporary Catholics make in an attempt to reconcile the restrictions of their faith WITH the technological advances that make reproductive dreams a possibility. Although Sara, a good “Bronx Irish Catholic,” can’t escape the “voices” of her parents in her head, she resists the pressure to marry right after college and produce a grandson. Instead, she holds out for Mr. Right: Marcelo Solis, a Latino doctor who foregoes lucrative private practice to work at a clinic in the Bronx. However, after overcoming doubt and mistrust early in their relationship, and her father’s reservations about their mixed-race marriage, Sara and Marcelo find themselves facing a new challenge when Sara learns she’s all but infertile. Having already stepped outside the bounds of her faith as a single woman living in Manhattan (pre-marital sex, birth control), Sara must decide how far she’s willing to go “over the line” set by the doctrine of Humanae Vitae in order to have the family she so desperately wants. But when Sara’s troubled sister, Becky, calls, devastated, with news of her own unplanned pregnancy, Sara, misled by her own sense of entitlement (“Well, don’t you think we’d make better parents?”), accepts Becky’s promise to give her the child heedless of the repercussions: while Sara is “born with self-esteem,” Becky is not, and Sara knows Becky’s resentment won’t allow her to give her the one thing she wants. While Milton’s tour of Catholic reproduction issues— birth control, surrogacy, in vitro fertilization, abortion—is laudably balanced, the treatment is too cursory and the ending too pat to be of much philosophical interest. Similarly, the doctrine of Humanae Vitae is prodded far too gently to appeal to skeptics or those interested in serious philosophical challenges to the doctrine. Regardless, Milton, author of five novels, including Infamy and The Admiral’s Daughter, is a talented storyteller who has real sympathy for his characters, and the result is an honest tale about relationships—the vicissitudes, the frustrations, the solace—and the enduring power of familial love. .
Devon Shepherd - Foreword Reviews
Discussion Questions
1. To what extent is Sara influenced by the voice of her mother in her head?
2. What’s the difference between the messages Sara gets from her mother and her father about her inability to get pregnant?
3. What issues does Sara confront as she uses the technology available to women who have fertility problems?
4. Evaluate the advice that Sara gets from Dr. Vesely.
5. How would you describe Sara’s relationship with her mother?
6. Does Sara achieve separation from her mother?
7. Sara’s sister accuses her of being daddy’s little girl. Is this a valid accusation?
8. Why is Marcelo the right man for Sara?
9. Marcelo has two complications: he is married, and he isn’t white. Which complication is harder for Sara’s mother to deal with? What does that tell us about her mother?
10. How deep do you think her father’s racism is?
11. Would Becky have been a different person if she had been an only child?
12. Explain Becky’s behavior after she got pregnant.
13. What do you think of Sara’s solution to her sister’s problem?
14. What perspectives do we gain from Sara’s conversations at lunch with her friend Regina?
15. What perspectives do we gain from Sara’s conversations with Father Paul in front of St. Brigid?
16. How does Sara’s view of the local abortion clinic evolve during the story?
17. Would Sara have joined the protesters in front of the clinic solely as a matter of principle?
18. Why is Sara mesmerized by Brother Jeremiah?
19. What did Sara and Becky learn about themselves that changed their relationship?
(Questions issued by the author.)
Sarah Thornhill (Thornhill Trilogy 3)
Kate Grenville, 2012
Cannongate
352 pp.
ISBN-13: 9780802120243
Summary
In the final book of a trilogy that began with her bestselling novel, The Secret River, Commonwealth Prize–winner Kate Grenville returns to the youngest daughter of the Thornhills and her quest to uncover, at her peril, the family’s hidden legacy.
Sarah is the youngest child of William Thornhill, the pioneer at the center of The Secret River. Unknown to her, her father—an uneducated ex-convict from London—has built his fortune on the blood of Aboriginal people. With a fine stone house and plenty of money, Thornhill has re-invented himself. As he tells his daughter, he “never looks back,” and Sarah grows up learning not to ask about the past. Instead her eyes are on handsome Jack Langland, whom she’s loved since she was a child. Their romance seems destined, but the ugly secret in Sarah’s family is poised to ambush them both.
As she did with The Secret River, Grenville once again digs into her own family history to tell a story about the past that still resonates today. Driven by the captivating voice of the illiterate Sarah—at once headstrong, sympathetic, curious, and refreshingly honest—this is an unforgettable portrait of a passionate woman caught up in a historical moment of astonishing turmoil. (From the publisher.)
The first two books in the Thornhill Trilogy are (1) The Secret River ... and (2) The Lieutenant
Author Bio
• Birth—October 14, 1950
• Where—Sydney, Australia
• Education—B.A. University of Sydney; M.A. University of
Colorado
• Awards—Vogel Award (Australia); Orange Prize;
Commonwealth Writers Prize, Short-listed, Booker Prize
• Currently—lives in Sydney, Australia
Kate Grenville was born in Sydney, Australia. After completing an Arts degree at Sydney University she worked in the film industry (mainly as an editor) before living in the UK and Europe for several years and starting to write.
In 1980 she went to the USA and completed an MA in Creative Writing at the University of Colorado, where her teachers included Ron Sukenick, Robert Steiner and Steve Katz.
On her return to Australia in 1983 she worked at the Subtitling Unit for SBS Television. In 1984 her first book, a collection of stories—Bearded Ladies—was published.
Since then she's published six novels and four books about the writing process (one co-written with Sue Woolfe).
The Secret River (2005) has won many prizes, including the Commonwealth Prize for Literature and the Christina Stead Prize, and has been an international best-seller. (It also formed the basis for a Doctorate of Creative Arts from University of Technology, Sydney) The Idea of Perfection (2000) won the Orange Prize.
Her other works of fiction have been published to acclaim in Australia and overseas and have won state and national awards. Much-loved novels such as Lilian's Story (1985), Dark Places (1995), and Joan Makes History (1988) have become classics, admired by critics and general readers alike.
Lilian's Story was filmed starring Ruth Cracknell, Toni Collette and Barry Otto. Dream House was filmed under the title Traps, starring Jacqueline MacKenzie.
Kate Grenville's novels have been widely published in translation, and her books about the writing process are used in many writing courses in schools and universities.
She lives in Sydney with her family. (From the author's website.)
Book Reviews
It is with often marvelous vividness and clarity that Grenville evokes Sarah’s world.... Through the eyes of this young woman, the physical and cultural strangeness of a nation still clambering into existence spring richly to life.
Guardian (UK)
Sarah Thornhill displays [Grenville’s] gift for creating character full blaze.... A great work of truth.... What unfolds is a box of surprises, richly wrapped in language so colorful and lively, you can taste it.... You believe in [Sarah’s] honesty, her perceptiveness, her way of ‘reading’ others.... A wonderful novel.
Scotsman
Grenville’s extraordinary trilogy is a major achievement in Australian literature.
Australian Book Review
A moving piece of fiction.... Powerfully realized.... Sarah Thornhill is the book of a writer of the first rank.... A haunting performance.
Age (Australia)
A powerful saga of colliding histories [that] blends romance and honesty.
Independent (Ireland)
A beguiling love story.... The voice of illiterate Sarah is Grenville’s great triumph.... An imaginatively convincing recreation of history and a celebration of country tenderly and beautifully observed, but above all it is a powerful plea for due acknowledgement and remembrance of the veils of the past.
Adelaide Advertiser
Revisits the fascinating, trouble territory of the history wars.... Grenville’s vivid fiction performs as testimony, memory, and mourning within the collective post-colonial narrative.
Australian
This is a beautiful book, one that pulses with insight and compassion.... Grenville’s descriptions are a delicate fretwork of words.... Not only is Sarah Thornhill gorgeously written, but the love story at its heart is as real and true as it is unexpected. This is a novel that will be treasured by generations to come. It is that rare book that manages to wholly engage both head and heart. Grenville has done a splendid job.
Canberra Times
Grenville's great strength is her sensual fleshing-out of the past.... Her vision of our colonial history is at once compelling and fable-like, as she writes contemporary white self-knowledge back into it.
Monthly (Australia)
A captivating tale of a woman's fight to find an identity of her own in a "new" colony. [Grenville's] wonderful account shows how hard it can be simply to be yourself.... A deeply moving conclusion to a romantic but by no means sentimental story.
Telegraph (UK)
A wrenching conclusion to a tough-hearted trilogy about the colonizing of Australia…With characters whose pasts are as dark and broken as these, it's impossible to trust the local settlers' favorite claim: "Never looked back." In fact, the members of this crew are always looking over their shoulders, sometimes to their detriment. And because of that, Sarah Thornhill is a novel that can't be easily categorized—exuberant, cruel, surprising, a triumphant evocation of a period and a people filled with both courage and ugliness.
Susann Cokal - New York Times Book Review
Sarah Thornhill, the youngest daughter of a wealthy yet provincial British ex-convict, grows up in 19th-century Australia learning not to ask questions about her family's past. When Sarah falls in love with a local man whose mother was Aboriginal, her chance at happiness is shattered by the racial and class prejudice churning within her family and Australia's burgeoning white society.... Verdict: Grenville concludes the Thornhill family saga and her exploration of Australian history begun in The Secret River, winner of the Commonwealth Prize and shortlisted for the Man Booker, and continued in The Lieutenant. This is a more subdued but equally exceptional historical novel, with multilayered characters and a beautifully styled plot. Fans of literary fiction will clamor for this final volume. —Kelsy Peterson, Prairie Village, KS
Library Journal
The saga of the Thornhill clan in early-19th-century Australia concludes in the final volume of Commonwealth Writer's Prize winner Grenville's (The Secret River, 2006, etc.) trilogy. Sarah Thornhill is the youngest daughter of William Thornhill, a man "sent out" from England in 1806 to New South Wales. Years later, with Sarah on the cusp of womanhood, Thornhill has become a prosperous river freighter, landowner and landlord... While the story is fictional, the book instructs on Australia's early history: the land; the wealth to be made from sheep, seals and whales; the conflict between those who had "worn the broad arrow," arriving as convicts, and those who came from proper society; and the oppressive and often bloody relationship between white settlers and the aboriginal people, termed "blacks." .... Beautifully written, with sufficient backstory to be enjoyed without first reading the previous two installments, this novel can be read as a dissection of a cultural clash or an allegory for colonialism, but at heart, the novel uses fiction to search for reason within history.
Kirkus Reviews
Discussion Questions
1. “The Hawkesbury was a lovely river, wide and calm, the water dimply green, the cliffs golden in the sun, and white birds roosting in the trees like so much washing. It was a sweet thing of a still morning, the river-oaks whispering and the land standing upside down in the water” (p. 3). How does this sanctity of the land pervade the novel? For which characters is the land most important? When is it desecrated and why?
2. “Three Irish in a house together, can’t go long without some of the old songs.... Paddy...stood in the corner with his eyes closed and out of the fiddle came a wild keening voice.... After a time Maeve lifted up her voice and sang along with the fiddle, the words caressing the music as it went up and down.... And there was Daunt...the tears stand glittering in his eyes.... I was the only one dry-eyed. That was what it was to belong to a place. To be brought undone by the music of the land where you’d been born. Us currency lads and lasses had no feeling like that about the land we call ours. It had no voice that we could hear, no song we could sing. Nothing but a blank where the past was. Emptiness, like a closed room, at our backs” (pp. 196-197). How does this emptiness propel Sarah’s search for meaning in the book?
3. Have you ever read a novel whose characters are complex and subtle, yet totally illiterate? Is it surprising there is no culture of books or schools in the Thornhill family? How does living with Daunt and his books affect Sarah? “Gone away into reading like another country where I could never follow” (p. 197).
4. When there is no written history, how is knowledge of the past further complicated by secrets and tangled suppositions? What are some of these secrets and suppositions?
5. Will Sarah’s compulsion to tell her story and that of her family force her to learn her letters? “But of all the crimes done, the worst would be to let the story slip away. For what it’s worth, mine had best take its place, in with all the others” (p. 304).
6. William Thornhill was a man who “never looked back” (p. 3). He is who he is, someone who has to create his own story and legacy. “As far as some people went, ‘sent out’ meant tainted for all time” (p. 5). How do success and money have a way of blunting the hard shapes of the past? Consider the transformation of “emancipist” into “old colonist.”
7. What is one part of his past that Thornhill cannot ignore? “So what was that terrible twisting across his face? That thing that was like an animal eating away at him from the inside?” (p. 30).
8. What are the varying attitudes toward native people? Mrs. Thornhill? Mrs. Langland? Maeve? And how about Daunt? He says “These are folk too clever to break their backs heaving dirt. I’ve come round to the view that a man shouldn’t be in too much of a hurry to judge them. I’d say no more than this, that their ways are not the same as our ways” (p. 211). Is his tolerance shared by others? How has Anglo-Irish history shaped his views? (see p. 218).
9. What draws Sarah and Jack together? What do they have in common in their young childhood? What is Will’s role in their growing closeness?
10. Does Sarah ever grow to see a validation of her parents’ separating her from Jack? How did they accomplish this split?
11. When Sarah makes her extraordinary journey to New Zealand, what motivates her to abandon child and husband for the dangerous sea voyage? Is it expiation? For her? For her father? Sarah goes to give. What does she gain?
12. What is Jack’s role in Sarah’s quest to New Zealand? “Would there never be an end to it, the hole in my life where Jack should of been?” (p. 209).
13. How do the native New Zealand traditions incorporate and pass on events of the past? Consider both the songlines and the visible story lines of the tattoos.
14. What are the ways Jack reclaims his own maternal heritage? Has his own quest, one that required his rejecting the Langland family and the only world he can remember, resulted in peace and belonging for him? Do you think his seafaring years provided him fortitude?
15. Grenville speaks in her acknowledgments notes about “the possibility of a story that was not just about the past, but the present and its unfinished business” (p. 307). What is suggested about the larger world, not only Australia and New Zealand? Does Sarah herself grow to take comfort in feeling like part of a bigger world, one that existed before her and would exist long after?
16. Robert Hughes in The Fatal Shore wrote that Britain “had hoped that transportation would do four things: sublimate, deter, reform, and colonize.” From what you know about Australia, was the policy a success?
(Questions issued by publisher.)
Sarah's Key
Tatiana de Rosnay, 2007
St. Martin's Press
320 pp.
ISBN-13: 9780312370848
Summary
Paris, July 1942: Sarah, a ten year-old girl, is brutally arrested with her family by the French police in the Vel’ d’Hiv’ roundup, but not before she locks her younger brother in a cupboard in the family's apartment, thinking that she will be back within a few hours.
Paris, May 2002: On Vel’ d’Hiv’s 60th anniversary, journalist Julia Jarmond is asked to write an article about this black day in France's past. Through her contemporary investigation, she stumbles onto a trail of long-hidden family secrets that connect her to Sarah. Julia finds herself compelled to retrace the girl's ordeal, from that terrible term in the Vel d'Hiv', to the camps, and beyond. As she probes into Sarah's past, she begins to question her own place in France, and to reevaluate her marriage and her life.
Tatiana de Rosnay offers us a brilliantly subtle, compelling portrait of France under occupation and reveals the taboos and silence that surround this painful episode. (From the publisher.)
Author Bio
• Birth—September 28, 1961
• Where—Suburbs of Paris, France
• Education—B.A., University of East Anglia (UK)
• Currently—lives in Paris
Tatiana de Rosnay, born in the suburbs of Paris, is of English, French and Russian descent. Her father is French scientist Joël de Rosnay, her grandfather was painter Gaëtan de Rosnay. Tatiana's paternal great-grandmother was Russian actress Natalia Rachewskïa, director of the Leningrad Pushkin Theatre from 1925 to 1949.
Tatiana's mother is English, Stella Jebb, daughter of diplomat Gladwyn Jebb, and great-great-granddaughter of Isambard Kingdom Brunel, the British engineer. Tatiana is also the niece of historian Hugh Thomas.
Tatiana was raised in Paris and then in Boston, when her father taught at MIT in the 70's. She moved to England in the early 1980s and obtained a Bachelor's degree in English literature at the University of East Anglia, in Norwich. On her return to Paris in 1984, she was a press officer, then became a journalist and literary critic for Psychologies Magazine.
Since 1992, de Rosnay has published twelve novels in French and three in English. She has also worked on the series Family Affairs for which she has written two episodes with the screenwriter Pierre-Yves Lebert. The series was broadcasted on TF1 during the summer of 2000.
In 2006 de Rosnay published her most popular novel, Sarah's Key, selling over three million copies in French and almost two million in English. In 2009 the book was adapted into French cinema, under the same title by Serge Joncour, with Kristin Scott Thomas as Julia; the movie was converted to English in late 2011. She published A Secret Kept in 2009, Rose in 2011, and The House I Loved in 2012.
In January 2010, several French magazines issued a ranking of the top French novelists, placing de Rosnay at number eight. In January 2011, Le Figaro magazine published a ranking of the top ten most read French authors, positioning de Rosnay at fifth. (From Wikipedia.)
Book Reviews
Rich in mystery, intrigue and suspense, Sarah’s Key made me wonder and weep.
Roanoke Times
A powerful novel....Tatiana de Rosnay has captured the insane world of the Holocaust and the efforts of the few good people who stood up against it in this work of fiction more effectively than has been done in many scholarly studies. It is a book that makes us sensitive to how much evil occurred and also to how much willingness to do good also existed in that world..
Rabbi Jack Riemer - South Florida Jewish Journal
(Starred Review.) De Rosnay's U.S. debut fictionalizes the 1942 Paris roundups and deportations, in which thousands of Jewish families were arrested, held at the Vélodrome d'Hiver outside the city, then transported to Auschwitz. Forty-five-year-old Julia Jarmond, American by birth, moved to Paris when she was 20 and is married to the arrogant, unfaithful Bertrand Tézac, with whom she has an 11-year-old daughter. Julia writes for an American magazine and her editor assigns her to cover the 60th anniversary of the Vél' d'Hiv' roundups. Julia soon learns that the apartment she and Bertrand plan to move into was acquired by Bertrand's family when its Jewish occupants were dispossessed and deported 60 years before. She resolves to find out what happened to the former occupants: Wladyslaw and Rywka Starzynski, parents of 10-year-old Sarah and four-year-old Michel. The more Julia discovers—especially about Sarah, the only member of the Starzynski family to survive—the more she uncovers about Bertrand's family, about France and, finally, herself. Already translated into 15 languages, the novel is De Rosnay's 10th (but her first written in English, her first language). It beautifully conveys Julia's conflicting loyalties, and makes Sarah's trials so riveting, her innocence so absorbing, that the book is hard to put down.
Publishers Weekly
Discussion Questions
1. What did you know about France’s role in World War II—and the Vél d’Hiv round-up in particular—before reading Sarah’s Key? How did this book teach you about, or change your impression of, this important chapter in French history?
2. Sarah’s Key is composed of two interweaving story lines: Sarah’s, in the past, and Julia’s quest in the present day. Discuss the structure and prose-style of each narrative. Did you enjoy the alternating stories and time-frames? What are the strengths or drawbacks of this format?
3. Per above: Which “voice” did you prefer: Sarah’s or Julia’s? Why? Is one more or less authentic than the other? If you could meet either of the two characters, which one would you choose?
4. How does the apartment on la rue de Saintonge unite the past and present action—and all the characters—in Sarah’s Key? In what ways is the apartment a character all its own in?
5. What are the major themes of Sarah’s Key?
6. de Rosnay’s novel is built around several “key” secrets which Julia will unearth. Discuss the element of mystery in these pages. What types of narrative devices did the author use to keep the keep the reader guessing?
7. Were you surprised by what you learned about Sarah’s history? Take a moment to discuss your individual expectations in reading Sarah’s Key. You may wish to ask the group for a show of hands. Who was satisfied by the end of the book? Who still wants to know—or read—more?
8. How do you imagine what happens after the end of the novel? What do you think Julia’s life will be like now that she knows the truth about Sarah? What truths do you think she’ll learn about her self?
9. Among modern Jews, there is a familiar mantra about the Holocaust; they are taught, from a very young age, that they must “remember and never forget” (as the inscription on the Rafle du Vél d’Hiv) Discuss the events of Sarah’s Key in this context. Who are the characters doing the remembering? Who are the ones who choose to forget?
10. What does it take for a novelist to bring a “real” historical event to life? To what extent do you think de Rosnay took artistic liberties with this work?
11. Why do modern readers enjoy novels about the past? How and when can a powerful piece of fiction be a history lesson in itself ?
12. We are taught, as young readers, that every story has a “moral”. Is there a moral to Sarah’s Key? What can we learn about our world—and our selves—from Sarah’s story?
(Questions issued by publisher.)
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Sashenka
Simon Montefiore, 2008
Simon & Schuster
544 pp.
ISBN-13: 9781416595557
Summary
Winter 1916: St. Petersburg, Russia, is on the brink of revolution. Outside the Smolny Institute for Noble Girls, an English governess is waiting for her young charge to be released from school. But so are the Tsar's secret police.
Beautiful and headstrong, Sashenka Zeitlin is just sixteen. As her mother parties with Rasputin and their dissolute friends, Sashenka slips into the frozen night to play her part in a dangerous game of conspiracy and seduction.
Twenty years on, Sashenka is married to a powerful, rising Red leader with whom she has two children. Around her people are disappearing, while in the secret world of the elite her own family is safe. But she's about to embark on a forbidden love affair that will have devastating consequences.
Sashenka's story lies hidden for half a century, until a young historian goes deep into Stalin's private archives and uncovers a heartbreaking tale of betrayal and redemption, savage cruelty and unexpected heroism—and one woman forced to make an unbearable choice. (From the publisher.)
Author Bio
• Birth—June 27, 1965
• Where—London, England, UK
• Education—Cambridge University
• Awards—British Book Award, Costa Book
Award, Bruno Kreisky Award, Prix de la
Biographie Politque (all for Young Stalin).
• Currently—lives in London, England
Simon Jonathan Sebag Montefiore is a British historian and writer.
Biography
Montefiore's father, a doctor, is descended from a famous line of wealthy Sephardic Jews who became diplomats and bankers all over Europe. At the start of the 19th century, by playing the markets based on intelligence about the Battle of Waterloo, Simon's great-great uncle, Sir Moses Montefiore, became a banking partner of N M Rothschild & Sons. By contrast, Simon’s mother, April, a novelist, comes from a Lithuanian Jewish family of poor scholars. Her parents fled the Russian Empire at the turn of the 20th century. They bought tickets for New York City but were cheated and dropped off at Cork, Ireland. During the Limerick boycott of 1904 they left Ireland, despite offers of hospitality in Irish homes, and moved to Newcastle, England.
Simon was educated at Ludgrove School, Harrow, and Gonville and Caius College, Cambridge, where he read history. He went on to work as a banker and foreign affairs journalist.
A Fellow of the Royal Society of Literature, he lives in London with his wife, the novelist Santa Montefiore, and their two children.
Writings
Montefiore’s books are world bestsellers, published in 33 languages. His first history book, Catherine the Great & Potemkin, was shortlisted for the Samuel Johnson, Duff Cooper, and Marsh Biography Prizes. Stalin: The Court of the Red Tsar won History Book of the Year at the 2004 British Book Awards. Young Stalin won the LA Times Book Prize for Best Biography, the Costa Book Award, the Bruno Kreisky Award for Political Literature, the Prix de la Biographie Politique and was shortlisted for the James Tait Black Memorial Prize.
Miramax Films and Ruby Films have bought the rights and are currently developing a movie of Young Stalin.
He also wrote a novel, Sashenka (2008), and his latest history book is Jerusalem: the Biography, a fresh history of the Middle East. (From Wikipedia.)
Book Reviews
Sashenka is an intriguing portrait of the people who brought down the czars and went on to serve the Soviet state during Stalinism…has some pleasures of the great Russian novels.
New York Times
Simon Montefiore's first novel, is a historical whodunit with the epic sweep of a Hollywood movie. The author of the bestselling biography Young Stalin, Montefiore is a natural storyteller who brings his encyclopedic knowledge of Russian history to life in language that glitters like the ice of St. Petersburg.... Here's hoping we get more spellbinding historical fiction from him.
Washington Post
Despite [some] overblown sex scenes and cartoonish dialogue...Sashenka is an intriguing portrait of the people who brought down the czars and went on to serve the Soviet state during Stalinism.... Much of the novel's interest is the result of the years of prodigious research that Montefiore, a British journalist and author of several widely praised books of nonfiction...has done in once-sealed Russian archives.
Denver Post
(Starred review.) Lauded historian Montefiore (Young Stalin) ventures successfully into fiction with the epic story of Sashenka Zeitlin, a privileged Russian Jew caught up in the romance of the Russian revolution and then destroyed by the Stalinist secret police. The novel's first section, set in 1916, describes how, under the tutelage of her Bolshevik uncle, Sashenka becomes a naive, idealistic revolutionary charmed by her role as a courier for the underground and rejecting her own bourgeois background. Skip forward to 1939, when Sashenka and her party apparatchik husband are at the zenith of success until Sashenka's affair with a disgraced writer leads to arrests and accusations; in vivid scenes of psychological and physical torture, Sashenka is forced to choose between her family, her lover and her cause. But as this section ends, many questions remain, and it is up to historian Katinka Vinsky in 1994 to find the answers to what really happened to Sashenka and her family. Montefiore's prose is unexciting, but the tale is thick and complex, and the characters' lives take on a palpable urgency against a wonderfully realized backdrop. Readers with an interest in Russian history will particularly delight in Sashenka's story.
Publishers Weekly
Despite [Sashenka's] unscathed Stalin’s purges of 1937 and 1938, the revolution’s need to devour its children eventually overtakes even true believers made especially vulnerable by indiscreet love affairs. In 1994 the Soviet Union has collapsed, but Sashenka’s legacy cannot so easily be put to rest. Montefiore’s command of Russian history makes the novel’s details especially vibrant. —Mark Knoblauch
Booklist
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
Also consider these LitLovers talking points to help get a discussion started for Sashenka:
1. Why is Sashenka arrested at the age of 16...and why is she released?
2. Why does Sashenka disapprove of her mother, Ariadna?
3. What do you think of Sashenka's uncle Mendel? Is it right that he has the amount of influence over his niece that he has? Is she too young to become involved in such a dangerous undertaking?
4. Talk about the ambiguous position of the Jews during the revolution. What is the Pale of Settlement? In what capacity were some Jews tolerated by the Czar...and in what way were some Jews useful to the Bolsheviks?
5. How does Montefiore portray Stalin in this work? How are other Bolsheviks portrayed? Are they as multilayered or complex in their characterizations as Stalin? Or are they more one-dimensional? Overall, how would you describe the author's attitude toward the Bolsheviks?
5. Why does Sashenka risk all to have an affair?
6. Why does Sashenka's world begin to fall apart after the May Day party at her Dacha?
7. What do you think of Sashenka's husband Vanya's response to the knowledge of her affair?
8. A number of reviewers have singled out the sexual episodes in the book as over-the-top. What do you think? Do you agree with the critics...or do you think the scenes are necessary to further the plot?
9. Were you surprised by the twists and turns of plot? What about the identity of Katinka?
10. Did you come away from this novel having learned something about the history of Russia, especially the Soviet Union and the monstrous cruelty of Stalin's regime? Did you gain an understanding of why the Bolshevik revolution occurred? What inspired it...what driving forces were behind it?
11. Do you feel the novel's three different sections are equal in their ability to engage readers? Do they merge well into a unifying story?
Saturday
Ian McEwan, 2005
Random House
289 pp.
ISBN-13: 9781400076192
Summary
From the pen of a master — the #1 bestselling, Booker Prize–winning author of Atonement — comes an astonishing novel that captures the fine balance of happiness and the unforeseen threats that can destroy it. A brilliant, thrilling page-turner that will keep readers on the edge of their seats.
Saturday is a masterful novel set within a single day in February 2003. Henry Perowne is a contented man — a successful neurosurgeon, happily married to a newspaper lawyer, and enjoying good relations with his children. Henry wakes to the comfort of his large home in central London on this, his day off. He is as at ease here as he is in the operating room. Outside the hospital, the world is not so easy or predictable.
There is an impending war against Iraq, and a general darkening and gathering pessimism since the New York and Washington attacks two years before.
On this particular Saturday morning, Perowne’s day moves through the ordinary to the extraordinary. After an unusual sighting in the early morning sky, he makes his way to his regular squash game with his anaesthetist, trying to avoid the hundreds of thousands of marchers filling the streets of London, protesting against the war. A minor accident in his car brings him into a confrontation with a small-time thug.
To Perowne’s professional eye, something appears to be profoundly wrong with this young man, who in turn believes the surgeon has humiliated him — with savage consequences that will lead Henry Perowne to deploy all his skills to keep his family alive. (From the publisher.)
Author Bio
• Birth—June 21, 1948
• Where—Aldershot, England, UK
• Education—B.A., University of Sussex; M.A. University of East Anglia
• Awards—(see blow)
• Currently—lives in Oxford, England
Ian Russell McEwan is an English novelist. He was born in Aldershot, Hampshire, the son of David McEwan and Rose Lilian Violet (nee Moore). His father was a working class Scotsman who had worked his way up through the army to the rank of major. As a result, McEwan spent much of his childhood in East Asia (including Singapore), Germany and North Africa (including Libya), where his father was posted. His family returned to England when he was twelve.
McEwan was educated at Woolverstone Hall School; the University of Sussex, receiving his degree in English literature in 1970; and the University of East Anglia, where he was one of the first graduates of Malcolm Bradbury and Angus Wilson's pioneering creative writing course.
Career
McEwan's first published work was a collection of short stories, First Love, Last Rites (1975), which won the Somerset Maugham Award in 1976. He achieved notoriety in 1979 when the BBC suspended production of his play Solid Geometry because of its alleged obscenity. His second collection of short stories, In Between the Sheets, was published in 1978.
The Cement Garden (1978) and The Comfort of Strangers (1981) were his two earliest novels, both of which were adapted into films. The nature of these works caused him to be nicknamed "Ian Macabre." These were followed by The Child in Time (1987), winner of the 1987 Whitbread Novel Award; The Innocent (1990); and Black Dogs (1992). McEwan has also written two children's books, Rose Blanche (1985) and The Daydreamer (1994). His 1997 novel, Enduring Love, about the relationship between a science writer and a stalker, was popular with critics and adapted into a film in 2004.
In 1998, he won the Man Booker Prize for Amsterdam. His next novel, Atonement (2001), received considerable acclaim; Time magazine named it the best novel of 2002, and it was shortlisted for the Booker Prize. In 2007, the critically acclaimed movie Atonement, directed by Joe Wright and starring Keira Knightley and James McAvoy, was released in cinemas worldwide. His next work, Saturday (2005), follows an especially eventful day in the life of a successful neurosurgeon. Saturday won the James Tait Black Memorial Prize for 2005, and his novel On Chesil Beach (2007) was shortlisted for the 2007 Booker Prize.
McEwan has also written a number of produced screenplays, a stage play, children's fiction, an oratorio and a libretto titled For You with music composed by Michael Berkeley.
In 2008 at the Hay Festival, McEwan gave a surprise reading of his then novel-in-progress, eventually published as Solar (2010). The novel includes a scientist hoping to save the planet from the threat of climate change and got its inspiration from a 2005 Cape Farewell expedition. McEwan along with fellow artists and scientists spent several weeks aboard a ship near the north pole.
McEwan's twelfth novel, Sweet Tooth (2012), is historical in nature and set in the 1970. In an interview with the Scotsman newspaper, McEwan revealed that the impetus for writing the novel was a way for him to write a "disguised autobiography." McEwan's 13th novel, The Children Act (2014), is about a high court judge.
Controversy
In 2006 McEwan was accused of plagiarism, specifically a passage in Atonement that closely echoed one from a 2012 memoir, No Time for Romance, by Lucilla Andrews. McEwan acknowledged using the book as a source for his work; in fact, he had included a brief note at the end of the book referring to Andrews's autobiography, among several other works. Writing in the Guardian in November 2006, a month after Andrews' death, McEwan professed innocence of plagiarism while acknowledging his debt to the author.
The incident recalled critical controversy over his debut novel The Cement Garden, key plot elements that closely mirrored some of those in Our Mother's House, a 1963 novel by Julian Gloag, which had also been made into a film. McEwan denied charges of plagiarism, claiming he was unaware of the earlier work.
In 2011 McEwan caused controversy when he accepted the Jerusalem Prize for the Freedom of the Individual in Society. In the face of pressure from groups and individuals opposed to the Israeli government, specifically British Writers in Support of Palestine (BWISP), McEwan wrote a letter to the Guardian in which he said...
There are ways in which art can have a longer reach than politics, and for me the emblem in this respect is Daniel Barenboim's West-Eastern Divan Orchestra—surely a beam of hope in a dark landscape, though denigrated by the Israeli religious right and Hamas. If BWISP is against this particular project, then clearly we have nothing more to say to each other.
He announced that he would donate the ten thousand dollar prize money to Combatants for Peace, an organization that brings together Israeli ex-soldiers and Palestinian ex-fighters.
Recognition
McEwan has been nominated for the Man Booker prize six times to date, winning the Prize for Amsterdam in 1998. His other nominations were for The Comfort of Strangers (1981, Shortlisted), Black Dogs (1992, Shortlisted), Atonement (2001, Shortlisted), Saturday (2005, Longlisted), and On Chesil Beach (2007, Shortlisted). McEwan also received nominations for the Man Booker International Prize in 2005 and 2007.
He is a Fellow of the Royal Society of Literature, a Fellow of the Royal Society of Arts, and a Fellow of the American Academy of Arts and Sciences. He was awarded the Shakespeare Prize by the Alfred Toepfer Foundation, Hamburg, in 1999. He is also a Distinguished Supporter of the British Humanist Association. He was awarded a CBE in 2000. In 2005, he was the first recipient of Dickinson College's Harold and Ethel L. Stellfox Visiting Scholar and Writers Program Award, in Carlisle, Pennsylvania, U.S. In 2008, McEwan received an honorary degree of Doctor of Literature by University College, London, where he used to teach English literature. In 2008, The Times (of London) featured him on their list of "The 50 greatest British writers since 1945".
Personal
McEwan has been married twice. His 13-year marriage to spiritual healer and therapist Penny Allen ended in 1995 and was followed by a bitter custody battle over their two sons. His second wife, Annalena McAfee, was formerly the editor of the Guardian's Review section.
In 2002, McEwan discovered that he had a brother who had been given up for adoption during World War II when his mother was married to a different man. After her first husband was killed in combat, McEwan's mother married her lover, and Ian was born a few years later. The brothers are in regular contact, and McEwan has written a foreword to Sharp's memoir. (Excerpted and adapted from Wikipedia. Retrieved 9/4/2014.)
Book Reviews
Though Saturday is too indebted to Mrs. Dalloway to resonate with the fierce originality of the author's last book, Atonement, it's clear that with this volume, Mr. McEwan has not only produced one of the most powerful pieces of post-9/11 fiction yet published, but also fulfilled that very primal mission of the novel: to show how we—a privileged few of us, anyway—live today.
Michiko Kakutani - The New York Times
There's little question that McEwan is supremely gifted and knows all the tricks and sleights of fiction. His latest novel, Saturday, might be a textbook example of how to generate a growing sense of disquiet with the tiniest finger-flicks of detail — a broken mirror, a flash of red, two figures on a park bench. Slowly, readers may start to guess what will happen, but not how or when or to whom. McEwan makes us wait, lulls us into thinking we might be mistaken, and then — just as we're feeling relaxed, bathed in well-being as after a big glass of wine — he springs.
Michael Dirda - The Washington Post
An increasingly mellowed but no less gripping McEwan (Atonement, 2002, etc.) portrays a single day in the life of a well-off upper-middle-class Londoner, blessed in every conceivable way. While crowds mass to protest the coming invasion of Iraq, Henry Perowne, a 48-year-old neurosurgeon at the top of his game, intelligent and self-aware, goes about a Saturday that's by turns mundane and marvelous. We follow his reflections on surgeries, so well detailed as to be med-porn; lazy lovemaking upon awakening, and restorative sex at the end of the day with smart, devoted, lawyer wife Rosalind (he notes his unusual luck in still wanting no one else); a sometimes savage squash game with friend and partner Jay; a sad visit to his senile mother; and shopping for dinner. A chance encounter with Baxter, an intelligent young thug, provides the small plot; Henry escapes a mugging when he recognizes early signs of Huntington's in the lad and takes control. That evening, at Henry's well-appointed townhouse, in the warm glow of gathered family-father-in-law John Grammaticus, towering poet turned to drink; son Theo, a gifted young blues guitarist; daughter Daisy, a poet visiting from Paris, newly published and newly pregnant-Baxter returns and holds Rosalind at knifepoint. Terrorized and terrified, the family, through their various strengths, overcome Baxter, who lands in the hospital requiring emergency surgery from the forgiving Henry. Comprised by an active awareness of his place in the world, of his love for family and work, and of the contingencies that make his life his own, and that make Baxter's life his own, Henry's thoughts—especially since they're informed also by a matter-of-fact understanding of the neurological processes that emerge as behavior and look like choice—envelop us in a total immersion experience. A sort of middle-class humanist manifesto: when you find yourself fortunate beyond all measure in a random universe, gratitude, generosity, and compassion are a decent response.
Kirkus Reviews
Discussion Questions
1. Saturday's epigraph comes from Nobel Prize winner Saul Bellow, whose novel Herzog features an academic facing the shortcomings of his life. The novel was published in 1964; how might the history of the early Sixties have influenced Bellow's perspective? Forty years later, how does Ian McEwan's protagonist embody current events?
2. At the end of the Saturday's first paragraph, as Henry wakes too early, McEwan writes, "And he's entirely himself, he is certain of it, and he knows that sleep is behind him: to know the difference between it and waking, to know the boundaries, is the essence of sanity." To what else does Henry awaken as the novel progresses? In the book and in the world, who remains asleep (and unaware of their slumber)?
3. When Henry hears about the cargo plane's safe landing, McEwan observes, "Schrödinger's cat was alive after all." How does Schrödinger's thought-experiment, allowing two outcomes to co-exist during a period of uncertainty, apply to Henry's daily life? How does it express the nature of human thought during times of anxiety?
4. Was the collision between Henry's car and Baxter's an accident? What visual cues (the type of car Henry associates with criminals, the "scarecrow" clothes that make him look like something other than a doctor) stoke the fire? What class conflicts are projected as the men argue? What determines who has more power in that situation?
5. Discuss the irony of the novel's title. Henry intended to spend the day relaxing; does the modern world allow for any true respite from worry?
6. In your opinion, what accounts for the bliss between Henry and his wife? When he met her, did her vulnerability (through illness) feed their attraction, or was it merely a means for them to find one another? What accounts for Henry's uneasy relationship with his father-in-law?
7. In researching Saturday, Ian McEwan spent months observing brain surgery. What parallels exist between a writer's craft and a surgeon's? What is the effect of McEwan's decision to cast Henry in the specialty of neurosurgery (as opposed to thoracic or orthopedic surgery, for example)? How does Henry's ease with medical terminology, but discomfort with the vocabulary of literature, influence your reading experience?
8. Jay Strauss moved to the U.K. in part because of his enthusiasm for socialized medicine. How would you describe the healthcare system presented in the novel?
9. Do you think Jay personifies most or few Americans? Is he more competitive than Henry?
10. As Henry watches his mother's dementia worsen, he labels the physiological reasons for her decline. Does his familiarity with science ease or aggravate the sadness of losing her?
11. One of Henry's last errands in the novel is to listen to attend a performance by Theo's band. What does blues music, along with its American flavor, mean to Theo? Does Henry experience this art differently from the way he hears Daisy's work?
12. Why was Baxter's invasion of Henry's house essential to this novel? In what way can this scene be explored as a metaphor for politics, war, even global economics? Why was it also necessary for Henry's security system to be proven ineffective that night?
13. Using an anthology or website, read Matthew Arnold's nineteenth-century masterwork "Dover Beach" in its entirety. What caused it to resonate with Baxter's memories? Can you think of any contemporary poems in free verse that would have served Daisy's purpose so well?
14. What saves Henry's family from Baxter and his cohorts: Poetry? Pregnancy? Bravery? Intelligence? Luck? Divine intervention? Baxter's illness? How would you have reacted in a similar situation?
15. As Henry returns to the hospital that night, he realizes this is where he feels most comfortable—even more so than when he's in the world of alleged leisure. Earlier in the novel, McEwan describes how orderly Henry's mother was; Henry wishes he had just once invited her to the operating theater. Is this sense of order and belonging innate to Henry's profession, or is it something Henry has ascribed to it? In what locale do you personally feel you're at the top of your game? Is this the same locale that puts you at ease?
16. Why is Henry willing to perform surgery on Baxter? What keeps Henry from craving the revenge Rosalind anticipated? Would you be able to drop the charges, as Henry hopes to do? How do you respond to McEwan's questions: "Is this forgiveness? Or is [Henry] the one seeking forgiveness?"
17. Can Henry's surgery on Baxter be called revenge? Is his probing of Baxter's brain a violation? Or, is Henry's magnanimous act a victory of enlightened liberalism over Baxter's primal power politics?
18. During Henry's reunion with Daisy, they waver between words of affection and a rapid-fire ideological debate about Iraq. How would such a debate have unfolded in your household?
19. Four generations are presented in Saturday, including Daisy's child. What does each generation bestow, or hope to bestow, upon the next? What spurred such an exceptional level of accomplishment among the members of the Perowne family?
20. Discuss the element of storytelling itself in Saturday. Do the stories disseminated within this novel-by the broadcasters, the protesters, the lawless, the keepers of family legacy-all describe the same reality? Who or what has the power to influence what we believe? What literary devices did Ian McEwan use to evoke realism in this novel?
21. Examining the works of Ian McEwan as a continuum, how does Saturday enrich the portrait of life he has been crafting throughout his career?
(Questions issued by publisher.)
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The Saturday Big Tent Wedding Party (No. 1 Ladies Detective Agency series #12)
Alexander McCall Smith, 2011
Knopf Doubleday
224 pp.
ISBN-13: 9780307378392
Summary
At a remote cattle post south of Gaborone two cows have been killed, and Precious Ramotswe, Botswana’s No. 1 Lady Detective, is asked to investigate by a rather frightened and furtive gentleman. It is an intriguing problem with plenty of suspects—including, surprisingly, her own client.
To complicate matters, Mma Ramotswe is haunted by a vision of her dear old white van, and Grace Makutsi witnesses it as well. Is it the ghost of her old friend, or has it risen from the junkyard? In the meantime, one of Mr. J.L.B. Matekoni’s apprentices may have gotten a girl pregnant and, under pressure to marry her, has run away. Naturally, it is up to Precious to help sort things out.
Add to the mix Violet Sephotho’s newly launched run for the Botswana Parliament and a pair of perfect wedding shoes—will wedding bells finally ring for Phuti Radiphuti and Grace Makutsi?—and we have a charming and delightful tale in the inimitable style of Alexander McCall Smith. (From the publisher.)
Author Bio
• Birth—August 24, 1948
• Where—Bulawayo, Rhodesia (now Zimbabwe)
• Education—Christian Brothers College; Ph.D., University
Edinburgh
• Honors—Commandre of the Order of the British Empire
(CBE); Fellow of the Royal Society of Edinburgh (FRSE)
• Currently—lives in Edinburgh, Scotland, UK
Alexander (R.A.A.) "Sandy" McCall Smith, CBE, FRSE, is a Rhodesian-born Scottish writer and Emeritus Professor of Medical Law at the University of Edinburgh. In the late 20th century, McCall Smith became a respected expert on medical law and bioethics and served on British and international committees concerned with these issues. He has since become internationally known as a writer of fiction. He is most widely known as the creator of the The No. 1 Ladies' Detective Agency series.
Alexander McCall Smith was born in Bulawayo, in what was then Southern Rhodesia and is now Zimbabwe. His father worked as a public prosecutor in what was then a British colony. He was educated at the Christian Brothers College before moving to Scotland to study law at the University of Edinburgh, where he received his Ph.D. in law.
He soon taught at Queen's University Belfast, and while teaching there he entered a literary competition: one a children's book and the other a novel for adults. He won in the children's category, and published thirty books in the 1980s and 1990s.
He returned to southern Africa in 1981 to help co-found and teach law at the University of Botswana. While there, he cowrote what remains the only book on the country's legal system, The Criminal Law of Botswana (1992).
He returned in 1984 to Edinburgh, Scotland, where he lives today with his wife, Elizabeth, a physician, and their two daughters Lucy and Emily. He was Professor of Medical Law at the University of Edinburgh at one time and is now Emeritus Professor at its School of Law. He retains a further involvement with the University in relation to the James Tait Black Memorial Prize.
He is the former chairman of the British Medical Journal Ethics Committee (until 2002), the former vice-chairman of the Human Genetics Commission of the United Kingdom, and a former member of the International Bioethics Commission of UNESCO. After achieving success as a writer, he gave up these commitments.
He was appointed a CBE in the December 2006 New Year's Honours List for services to literature. In June 2007, he was awarded the Honorary Degree of Doctor of Laws at a ceremony celebrating the tercentenary of the University of Edinburgh School of Law.
He is an amateur bassoonist, and co-founder of The Really Terrible Orchestra. He has helped to found Botswana's first centre for opera training, the Number 1 Ladies' Opera House, for whom he wrote the libretto of their first production, a version of Macbeth set among a troop of baboons in the Okavango Delta.
In 2009, he donated the short story "Still Life" to Oxfam's 'Ox-Tales' project—four collections of UK stories written by 38 authors. McCall Smith's story was published in the Air collection. (From Wikipedia.)
Book Reviews
Mma Ramotswe’s observations not only inevitably expose her suspects, but also reveal much about humanity as a whole.... [McCall Smith] is a master.... There’s beauty and revelation of one kind or another woven expertly into every line.
Christian Science Monitor
Charming and hilarious.... In its own way, McCall Smith’s world is as stylized and hermetic as those created by P.G. Wodehouse or Damon Runyon—a sweet and timeless bubble with its own morality, language and customs. Entering it can be a source of great comfort in these uncertain times.
Seattle Times
The best, most charming, honest, hilarious and life-affirming books to appear in years.
Cleveland Plain Dealer
(Starred review.) [McCall Smith] again makes the sublime look easy…. [He] has few peers in capturing the quiet moments of people’s lives, and his empathetic lead has one of the biggest hearts in modern literature. Even newcomers will quickly be drawn into Mma Ramotswe’s unconventional approach to investigations and rapidly feel that they are with old friends.
Publishers Weekly
Precious Ramotswe dreams that she is driving her dear, departed white van—and then she learns that the van is out there, just waiting for her to find it. Meanwhile, an apprentice has gotten a girl pregnant, cattle are being poisoned, and Violet Sephotho is running for Parliament. A no-brainer for mystery fans.
Library Journal
You’ll never get through the wedding with dry eyes.
Kirkus Reviews<
Discussion Questions
1. The New York Times Book Review has noted, "As always in Alexander McCall Smith s gentle celebrations of life in this arid patch of southern Africa, the best moments are the smallest." Discuss how this is true. Does your reading of these novels inspire you to appreciate the small, precious moments and things in your own life?
2. Why is Precious Ramotswe so attached to her little white van, even after it is long gone? What is it about certain physical objects for us? Do you have one particular object, large or small, that you are especially attached to? Why? Is it the object itself that you cling to or is it to the memories that you have associated with it?
3. Mr. J.L.B. Matekoni is always referred to as "that fine man" or "that excellent man," proprietor of Tloweng Road Speedy Motors. What makes him fine and excellent? And why is his job always attached to his name, even by his wife?
4. How much importance do you put on efficiency? Why does Mma Ramotswe think that, if efficiency were the only value in this life, then we would be content to eat bland, but nutritious food everyday. (p. 5) What other values are equally, if not more important in this life in work and in play?
5. It is very clear, over the course of the No. 1 Ladies Detective Agency series, that Charlie (Mr. J.L.B. Matekoni s apprentice) did not follow the old Botswana ways. (p. 19) What does this mean? What are the old Botswana ways ? Who does follow them?
6. In The Saturday Big Tent Wedding Party, Mma Ramotswe says, Each of us had something that made it easier to continue in a world that sometimes, just sometimes, was not as we might wish it to be. (p. 54) What is that you need to get your mind off anxieties or problems in your own life a drive in the country...a quiet cup of tea ? Why do we all need these small pleasures to release us from looming problems and issues?
7. Mma Ramotswe remembers witnessing with her father a group of birds being attacked by a snake, and he encouraged her not to do anything. Why? What lesson was he teaching young Precious?
8. Mma Ramotswe periodically quotes from Clovis Anderson's The Principles of Private Detection. One she particular believes in and repeats is "the more you listen, the more you learn" (p. 110). What is it about this book and the pithy sayings it offers that appeals to Mma Ramotswe in moments of indecision? Do you have a book you turn to when you need reassurance or pleasure?
9. There is much talk of beef stews and pumpkins and cake in these novels, and in one instance in The Saturday Big Tent Wedding Party, Mma Ramotswe thinks about dinner and says, Life was very full. Describe some of the dishes you remember in the novel.
10. Do you think Mma Ramotswe makes the right decision to turn to Mpho s mother when the little boy shares the secret of the crime he committed? What would you have done in this predicament?
11. Discussions about the differences between men and women come up quite a bit in the novels, and in this novel in particular. What are some of the stereotypes that various characters discuss? Do you agree with them?
12. Mma Ramotswe appreciates the people in her life: her husband, her assistant detective/friend, her father. That we have the people we have in this life, rather than others, is miraculous, she thought, a miraculous gift. Discuss the people in your life that you are most thankful for and why.
13. Discuss how Grace Makutsi and Mma Ramotswe react differently to Charlie and his problem. Why is Grace more judgmental that her boss? Why do you think Mma Ramotswe is more successful in dealing with Charlie?
14. Mma Ramotswe tells Charlie she likes him, and she reflects that all humans need to hear that others like them, need to have the pleasure of knowing and hearing that others care about them. Why is she so kind to Charlie after all he has done?
15. The Christian Science Monitor has written that in the No. 1 Ladies Detective Agency novels," Kindness is paramount." Do you agree with this? And what do you think Alexander McCall Smith is trying to promote by writing these kind novels?
16. Discuss the titles of each of the chapters and the title of the book. What do these offer to the experience of reading the novel? Do you think Alexander McCall Smith has fun coming up with these titles?
17. Mma Ramotswe walks around her garden every morning and evening, noticing the flowers, trees, and birds. She also revels in the beauty of the Botswana countryside. Discuss the importance of nature in this novel.
18. Alexander McCall Smith is clearly a master wordsmith. Why do you think he chooses to use relatively simple language and plot lines in his novels? How does the language and rhythm correspond to the message of the novels? Connect this to one of the final sentences of the novel, simple questions and simple answers were what we needed in life. What is Alexander McCall Smith saying about life?
(Questions issued by publisher.)
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Saturday Night Widows: The Adventures of Six Friends Remaking Their Lives
Becky Aikman, 2013
Crown Publishing
352 pp.
ISBN-13: 9780307590435
Summary
In her forties—a widow, too young, too modern to accept the role—Becky Aikman struggled to make sense of her place in an altered world.
In this transcendent and infectiously wise memoir, she explores surprising new discoveries about how people experience grief and transcend loss and, following her own remarriage, forms a group with five other young widows to test these unconventional ideas. Together, these friends summon the humor, resilience, and striving spirit essential for anyone overcoming adversity.
Meet the Saturday Night Widows: ringleader Becky, an unsentimental journalist who lost her husband to cancer; Tara, a polished mother of two, whose husband died in the throes of alcoholism after she filed for divorce; Denise, a widow of just five months, now struggling to get by; Marcia, a hard-driving corporate lawyer; Dawn, an alluring self-made entrepreneur whose husband was killed in a sporting accident, leaving two small children behind; and Lesley, a housewife who returned home one day to find that her husband had committed suicide.
The women meet once a month, and over the course of a year, they strike out on ever more far-flung adventures, learning to live past the worst thing they thought could happen. They share emotional peaks and valleys – dating, parenting, moving, finding meaningful work, and reinventing themselves – while turning traditional thinking about loss and recovery upside down.
Through it all runs the story of Aikman's own journey through grief and her love affair with a man who tempts her to marry again. In a transporting story of what friends can achieve when they hold each other up, Saturday Night Widows is a rare book that will make you laugh, think, and remind yourself that despite the utter unpredictability and occasional tragedy of life, it is also precious, fragile, and often more joyous than we recognize. (From the publisher.)
Author Bio
• Birth—ca. 1954-55
• Raised—Brookville, Pennsylvania, USA
• Education—B.A., Bucknell College;
M.A. Columbia University
• Currently—lives in New York City, New York
A graduate of the School of Journalism at Columbia University, former reporter for Newsday and writer and editor at Buisness Week. She formed the Saturday Night Widows with five other women who lost their husbands at a young age. They set out to reinvent themselves through friendship, laughter and shared adventure. Becky currently lives in New York City. (From the publisher.)
Book Reviews
Their stories of loss are touching, and the wisdom they gain is a testament to the durability of the human spirit.
People
[Aikman] and five other young widows reenter the world of the living, laughing, and – gulp – dating, all the while sharing frank talk, insight, and hope from the trenches.
Good Housekeeping
Often desperate, sometimes feisty, partly hilarious, and warm as a fleecy blanket, Saturday Night Widows is a surprisingly feel-good, girl-bonding, which-role-will-Meryl-Streep-play-in-the-movie kind of a book. And I loved it….It’s sad, it’s happy, and, in fact, once you start Saturday Night Widows, you won’t be able to part with it.
Terri Schlichenmeyer - Independent News
Hoping to shatter the myth of the widow as a black-clad elderly lady of perpetual sorrows, New York Newsday reporter Aikman resolved to organize her own group of “renegade widows” and record their spirited monthly meetings as an unscientific grief study framed within her cautious memoir of having lost her own husband.... All the women had complicated stories of their husbands’ death, feelings of guilt and insecurity, and more or less healthy libidos. Indeed, dating and finding new partners prove the leitmotif, especially for the author, who had remarried a year before she even organized the group. As a result, the work feels stifled and lacking emotional drive, resulting in a kind of detached, academic tome.
Publishers Weekly
Compelling…. Along with the stories of six remarkably resilient and admirable women (ranging from an entrepreneur to a housewife), the book offers an arresting analysis of the literature of grief…. A compassionate, inspirational and deeply personal read, Saturday Night Widows is relevant for a wider audience than the grieving. This book is for anyone who has faced adversity but refuses to let it define them.
BookPage
(Starred review.) Aikman tells this life-affirming tale with compassion and candor.
Booklist
How to cope with tragedy with the help of good friends.... In this debut memoir, Aikman brings together the sad yet optimistic stories of...women, who were widowed at far too early an age...and were ready to take new steps toward a different way of being.... Engaging and entertaining but not maudlin, Aikman shows a side of life that many readers probably don't think about. A compassionate narrative about how one group of friends helped each other thrive after the deaths of their spouses.
Kirkus Reviews
Discussion Questions
1. When Becky first convenes her group of “renegade widows,” she worries that they won’t feel a bond because their personalities are so different. Which is more important in forging friendships, similar personalities or shared experiences?
2. Becky and the other Saturday Night Widows hold preconceptions about how they would live after losing their husbands. How do they reconsider those assumptions over the course of the story?
3. How do you think you would proceed if you lost someone close to you? Did your own views change as the story progressed?
4. Becky’s visit to psychological researchers introduces her to the idea that there can be more to grief than sadness and pain. Grief can be a process of finding comfort, she is told. “The process can even bring new insight and new joy.” Are these ideas illustrated in Becky’s journey, and in the journeys of the others in her group?
5. Saturday Night Widows is a true story. What storytelling techniques does Becky use to integrate the narrative of the women’s lives and the material she learned from outside research?
6. “I had been half of a whole,” Becky says of her marriage, “and now, without that other half, I wasn’t certain what was left.” She and the others question their identities now that they are alone. To what extent are we defined by the people we know and love? How would we be different without them?
7. The people the group encounters during the course of the story hold varying views about how widows think, act, and feel. An official from the museum suggests that the group would want to view art that depicts death and dying, while the guide Becky hires presents beautiful images like lotus blossoms because they bloom in the mud. How do you think the various characters formed their attitudes?
8. The group tries to reach some “highly invalid and unscientific conclusions” about how widows and widowers differ by inviting a group of men for an evening. What can the men and women learn from each other?
9. The women in the group often talk about feeling guilty when they make choices to move ahead in their lives. “Should you feel liberated?” Tara asks the group. “That you got a second chance? Or should you feel guilty for the sense of liberation you feel?” What is the role of guilt in their progress? Does guilt serve a purpose in recovery from loss, or is it merely destructive, inhibiting any impulse toward growth or pleasure?
10. Becky’s dream, in which she is choking on a beautiful bee and then sees her departed husband, makes her aware of the value of memory, both painful and joyful. What is the value of finding this balance after someone has died?
11. Widowhood reminds Becky of adolescence, “a time of uncertainty, of transformation, of trying on new identities.” Is this concept frightening? Does it introduce enticing possibilities?
12. The women soon learn that complications—children, careers, habits—make it harder to reinvent themselves at midlife. How do these complications alter the course of each woman’s transformation?
13. “This has made me totally fearless,” says Lesley. “Because the worst thing that could happen has already happened.” Does an awareness of mortality affect the attitudes and decisions of the women in the group?
14. Dawn would like to remarry. “I want my life to be settled!” she says. “No more uncertainty!” Tara resists marriage, saying, “I’m trying to appreciate the lack of knowing.” This tension between seeking certainty and embracing the unknown is present for all the women, not only in matters of love. Which way would you lean?
15. When Becky meets a new man, she explains that she is afraid of involvement. “Maybe I am a coward,” she tells him. “But cowards are safe.” How does falling in love differ for someone experiencing it for the first time versus someone suffering from a devastating loss, whether through death or a broken relationship?
16. Becky takes two trips to places she has never visited before—one on her own, on the water to the Galapagos Islands, and one with the group, through a desert. What contributions do new experiences, including travel, make to her recovery?
17. Would you treat someone who has lost a spouse differently after reading Saturday Night Widows?
18. The book begins with a sad time in the characters’ lives. By the end, how did it make you feel?
(Questions issued by publisher.)
The Saturday Wife
Naomi Ragen, 2007
St. Martin's Press
320 pp.
ISBN-13: 9780312352394
Summary
With more than half a million copies of her novels sold, Naomi Ragen has connected with the hearts of readers as well as reviewers who have met her work with unanimous praise. In The Saturday Wife, Ragen utilizes her fluid writing style—rich with charm and detail—to break new ground as she harnesses satire to expose a world filled with contradiction.
Beautiful, blonde, materialistc Delilah Levy steps into a life she could have never imagined when in a moment of panic she decides to marry a sincere Rabbinical student. But the reality of becoming a paragon of virtue for a demanding and hypocritical congregation leads sexy Delilah into a vortex of shocking choices which spiral out of comtrol into a catastrophe which is as sadly believeable as it is wildly amusing.
Told with immense warmth, fascinating insight, and wicked humor, The Saturday Wife depicts the pitched and often losing battle of all of us as we struggle to hold on to our faith and our values amid the often delicious temptations of the modern world. (From the publisher.)
Author Bio
• Birth—July 10, 1949
• Where—New York, New York, USA
• Education—B.A., Brooklyn College; M.A., Hebrew University
of Jerusalem
• Currently—lives in Jerusalme, Israel
Naomi Ragen is the author of seven novels, including several international bestsellers, and her weekly email columns on life in the Middle East are read and distributed by thousands of subscribers worldwide. An American, she has lived in Jerusalem for the past thirty-nine years and was recently voted one of the three most popular authors in Israel. (From the publisher.)
More
Ragen’s first three novels, which described the lives of ultra-Orthodox Jewish women in Israel and the United States, dealt with themes that had not previously been addressed in that society's literature: wife-abuse (Jephte’s Daughter: 1989), adultery (Sotah: 1992) and rape (The Sacrifice of Tamar: 1995). Reaction to these novels in the Orthodox and ultra-Orthodox communities was mixed. Some hailed her as a pioneer who for the first time exposed and opened to public discussion problems which the communities had preferred to pretend did not exist, while others criticized her for “hanging out the dirty laundry” for everyone to see, thus embarrassing the rabbis who were believed by many to be effectively dealing with these problems “behind the scenes” and also putting “ammunition in the hands of the anti-Semites.”
Her next novel (The Ghost of Hannah Mendes: 1998) told the story of a Sephardic family brought back from the abyss of assimilation by the spirit of their ancestor Gracia Mendes (a true historical figure), a 16th century Portuguese crypto-Jew who risked her life and her considerable fortune to practice her religion in secret.
Chains Around the Grass (2002) is a semi-autobiographical novel of the author’s childhood which dealt with the failure of the American dream for her parents.
In The Covenant (2004) Ragen dealt with the contemporary theme of an ordinary family sucked into the horror of Islamic terrorism.
The Saturday Wife (2007), the story of a rabbi's wayward wife, is loosely based on Flaubert’s Madame Bovary, and is a satire of modern Jewish Orthodoxy.
Ragen is also known as a playwright. Her 2001 drama, Women’s Minyan, tells the story of an ultra-Orthodox woman who, upon fleeing from her adulterous and abusive husband, finds that he has manipulated the rabbinical courts to deprive her of the right to see or speak to her twelve children. The story is based on a true incident. Women’s Minyan ran for six years in Israel's National Theatre and has been staged in the United States, Canada and Argentina. (From Wikipedia.)
Book Review
Like Emma Bovary, Delilah Goldgrab longs for a better life. A Queens yeshiva girl, Delilah is prayerfully remorseful after fornicating with young, opportunistic Yitzie Polinsky, and quickly marries mediocre rabbinical student Chaim Levi, who is unable to provide her with a house, much less the glossy upper-middle-class life she longs for. When Chaim accepts a position as the rabbi of an affluent Connecticut congregation, Delilah has the opportunity to indulge her ideas about happiness as the congregation's rebbitzin, with deliciously disastrous consequences. It's hard to like selfish, clueless Delilah or anyone else here: the pleasure of this novel is in its mercilessness, with Ragen (The Covenant) raising the stakes until the very end.
Publishers Weekly
The adventures of Delilah and Chaim provide a cautionary tale about the difficulties faced by those attempting to maintain traditional values while struggling with the temptations of the outside world. Ragen tells this story with insight and humor, vividly illustrating the consequences of lashon hara (gossip). This is Jewish chick lit with a message. —Barbara Bibe
Booklist
Conniving rebbitzin topples a wealthy Jewish community. Delilah Goldgrab is as acquisitive as they come. As a young girl, she sets her sights on living in a Woodmere Tudor mansion with a large household staff. When she fails to ensnare a wealthy husband from Bernstein Rabbinical College, Delilah settles for the noble dullard, Chaim Levi. Chaim's grandfather is a prominent Rabbi in the Bronx, and Chaim is heir to a tiny synagogue. When Delilah senses she's getting locked into a lower-class life, she tramples on Chaim's unsuspecting congregants and begins her mad grab at affluence. Doltish Chaim refuses to acknowledge Delilah's sins. Instead, he surrenders to her prodding and applies for a position at the notorious Swallow Lake temple. Swallow Lake's members are fabulously wealthy and famously divided in their faith. Chaim knows he's signing on for an impossible task when he accepts the Rabbi position, but he's helpless. Delilah, now pregnant, calls all the shots in this family. The community quickly sours on Delilah's lackadaisical piety. Delilah tries to distract her critics by luring a fabulously wealthy Russian Jew and his wife into the fold and succeeds in dismantling the congregation. Ragen (The Covenant, 2004, etc.) does an apt job illustrating the numerous demands upon a rabbi and his wife (the rebbitzin). But she fails to make the job appear to be an unbearable burden—these guys are the equivalent to middle management in a large corporation. The book would be far more entertaining if Delilah possessed admirable traits; alas, she is bland in her depravity. Endowed with blonde hair, a voluptuous figure, the first name of a "wicked whore" and a surname that is synonymous with money grubbing, she does not come across as a morally upstanding member of the shul. For the non-Orthodox crowd, the scandals will seem tame, but the culture exotic. For those enmeshed in Ragen's culture, this book may stir up some controversy: Have rabbis become too beholden to their benefactors? Revealing, if long-winded, examination of contemporary Orthodox Judaism.
Kirkus Reviews
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
Also consider these LitLovers talking points to help get a discussion started for The Saturday Wife:
1. What's to like about Delilah...anything? How would you describe her? If you can't identify with the heroine, is it possible to enjoy a book? If so, how? Or...do you actually like Delilah?
2. What about the good rabbi? Some find it difficult to sympathize with his passivity in the face of his wife. What do you think?
3. How do Delilah's high school experiences affect her ethical and spiritual development? Think about those experiences in light of the social pressures many teenage girls face.
4. Talk about how Orthodox Judaism views the role of women? Do those attitudes and practices explain, perhaps even excuse, Delilah's actions?
5. Why was the Swallow Lake synagogue blacklisted from the Orthodox community? What does that banishment say about the congregants...or about the tenets of Orthodox Judaism?
6. What is Ragen getting at in this book? What aspects of the Jewish faith is she satirizing? How, for instance, has the author used names in the novel to further her satire?
7. Talk about the Shammanovs and their over-the-top bar mitzvah. At what point did your sham-o-meter kick in...when did you become suspicious? Or did you?
8. Do you agree with this excerpt from the book's end?
Fences just gave certain people the urge to climb over or crawl under. FORBIDDEN, KEEP OUT! was like waving a red flag in front of a bull. If you thought you might get away with it... then fences simply become a welcome challenge.
9. Does Delilah learn anything by the end of the novel?
10. Did you learn anything—or gain insights into Orthodox Judaism? What did you find most interesting, surprising, or disturbing?
11. Talk about parts of the book you found funny.
(Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)
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Savage Girl
Jean Zimmerman, 2014
Penguin Group USA
416 pp.
ISBN-13: 9780670014859
Summary
A riveting tale from the author of The Orphanmaster about a wild girl from Nevada who lands in Manhattan’s Gilded Age society.
Jean Zimmerman’s new novel tells of the dramatic events that transpire when an alluring, blazingly smart eighteen-year-old girl named Bronwyn, reputedly raised by wolves in the wilds of Nevada, is adopted in 1875 by the Delegates, an outlandishly wealthy Manhattan couple, and taken back East to be civilized and introduced into high society.
Bronwyn hits the highly mannered world of Edith Whartonera Manhattan like a bomb. A series of suitors, both young and old, find her irresistible, but the willful girl’s illicit lovers begin to turn up murdered.
Zimmerman’s tale is narrated by the Delegate’s son, a Harvard anatomy student. The tormented, self-dramatizing Hugo Delegate speaks from a prison cell where he is prepared to take the fall for his beloved Savage Girl. This narrative—a love story and a mystery with a powerful sense of fable—is his confession. (From the publisher.)
Author Bio
• Birth—1957
• Raised—Hastings-on-Hudson, New York, USA
• Education—B.A., Barnard College; M.F.A., Columbia University
• Currently—lives in Ossining, New York
Jean Zimmerman is an American author, poet and historian. A graduate of Barnard College, Jean Zimmerman earned a Master of Fine Arts degree in poetry from the Columbia University School of the Arts, and was awarded a New York State Fine Arts grant in 1983.
Zimmerman's first book, Breaking With Tradition: Women and Work, the New Facts of Life (1992), was coauthored with Felice N. Schwartz. It was based on the Harvard Business Review article that ignited the "mommy track" debate. Her first solo work was Tailspin: Women at War in the Wake of Tailhook (1995) which focused on the Tailhook Association scandal and the crucial link between sexual harassment and the role of women as warriors.
With husband Gil Reavill as co-author, Zimmerman published Raising Our Athletic Daughters: How Sports Can Build Self-Esteem and Save Girls’ Lives (Doubleday, 1998), which was a Finalist for the 1999 Books for a Better Life Award sponsored by the National Multiple Sclerosis Society. Zimmerman's next book, Made from Scratch: Reclaiming the Pleasures of the American Hearth (2003), was an exploration of homemaking from a feminist perspective.
Another book, The Women of the House: How a Colonial She-Merchant Built a Mansion, a Fortune, and a Dynasty (2006), offers a historical portrait of women in pre-Revolutionary New York, with specific reference to Philipse Manor Hall and Philipsburg Manor House. Love, Fiercely: A Gilded Age Romance is a dual biography of Edith Minturn Stokes and Isaac Newton Phelps Stokes, a nineteenth-century couple known for philanthropy, architecture and documenting New York City history.
In 2012, Zimmerman published her first historical novel The Orphan Master, set in 17th century New Amsterdam. The book has been optioned for a film. Her 2014 novel, Savage Girl, is about a ferral girl, reputedly raised by wolves, who is adopted by a couple living in New York during the Gilded Age. (From Wikipedia. Retrieved 4/24/2014.)
Book Reviews
Sooner or later, a historical crime novel is bound to drag you down some dark alley and into the nastiest, most lawless precincts of the period. Jean Zimmerman followed this tradition in her first novel, The Orphanmaster, a descent into the hellish criminal haunts of 17th-century New Amsterdam. In Savage Girl, this canny author puts all that aside and turns to the Gilded Age for a sweeping narrative, set within the cloistered ranks of high society in 19th-century Manhattan, that raises touchy questions about what it means to be civilized.
New York Times Book Review
Zimmerman’s second novel takes us on an over-the-top romp through 1870s America...consider this the compulsively readable love child of Edith Wharton and Edgar Allen Poe.
Oprah.com
(Starred review.) The prologue of Zimmerman’s superior historical thriller will suck most readers in instantly.... Hugo, a Harvard student...becomes fascinated with...the so-called Savage Girl, allegedly raised by wolves. Hugo’s parents decide to civilize the girl, and introduce her into society on their return to New York. Zimmerman... combin[es] suspense with an unsettling look into a tormented mind.
Publishers Weekly
Wealthy socialite Hugo Delegate and his family rescue the "Savage Girl" from a carnival...[and she] instantly captivates Hugo with her boldness and energy.... Most of the novel is narrated by Hugo recounting events in an extended flashback, which feels jarring and out of place. More successful are the action-packed final chapters. —Laurel Bliss, San Diego State Univ. Lib.
Library Journal
Suffused with a gothic aura of dark suspense, this is a finely wrought psychological work, rich with historical detail. Zimmerman’s settings spring off the page.... Immensely readable, Savage Girl takes the reader by the throat and doesn’t let go.
Booklist
A formal, measured tempo only heightens the tension.... Is Bronwyn, with her animallike instincts, the killer? Or is it Hugo...? Neither Hugo nor the reader is sure right up to the satisfying if melodramatic end. Zimmerman's dark comedy of manners is an obvious homage to Edith Wharton, a rip-roaring murder mystery...and a wonderfully detailed portrait of the political, economic and philosophical issues driving post–Civil War America.
Kirkus Reviews
Discussion Questions
1. From the first moment he hears of her, Hugo is conflicted about the concept of a "savage girl." What draws him to her and what troubles him specifically?
2. How does Bronwyn benefit, if at all, from being adopted by the Delegates?
3. Hugo is an anatomy student at Harvard. What role does this knowledge play throughout the story?
4. Freddy Delegate is said to "collect" people. Who does he collect and for what purpose?
5. How does the Delegates’ wealth protect them? How does it hurt them?
6. There are overt references in Savage Girl to Mary Shelley’s Frankenstein. What other literary parallels could you draw between this story and others?
7. Delegate is not sure whether he committed the murder of Bev Willets because of his memory lapses, diagnosed as neurasthenia. What sort of diagnosis might he be given today?
8. Zmmerman finds contemporary themes in her historic story, such as the concentration of wealth among the select few and a tabloid celebrity culture. What are some other themes that might resonate with today’s readers?
9. One of the great moments of the Gilded Age was the emergence of Darwin’s theory and the question of nature versus nurture. How does the book explore this issue, and what is your own personal belief?
10. Hugo’s mental health issues make him something of an unreliable narrator at times. Where in the story did you most question his version of reality?
11. What does the future hold for Hugo and Bronwyn at the book’s end?
(Questions issued by the publisher.)
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Save Me
Lisa Scottoline, 2011
St. Martin's Press
416 pp.
ISBN-13: 9780312380793
Summary
Rose McKenna volunteers as a lunch mom in her daughter Melly’s school in order to keep an eye on Amanda, a mean girl who’s been bullying her daughter. Her fears come true when the bullying begins, sending Melly to the bathroom in tears.
Just as Rose is about to follow after her daughter, a massive explosion goes off in the kitchen, sending the room into chaos. Rose finds herself faced with the horrifying decision of whether or not to run to the bathroom to rescue her daughter or usher Amanda to safety. She believes she has accomplished both, only to discover that Amanda, for an unknown reason, ran back into the school once out of Rose's sight.
In an instance, Rose goes from hero to villain as the small community blames Amanda’s injuries on her. In the days that follow, Rose's life starts to fall to pieces, Amanda’s mother decides to sue, her marriage is put to the test, and worse, when her daughter returns to school, the bullying only intensifies. Rose must take matters into her own hands and get down to the truth of what really happened that fateful day in order to save herself, her marriage and her family.
In the way that Look Again had readers questioning everything they thought they knew about family, Save Me will have readers wondering just how far they would go to save the ones they love. Lisa Scottoline is writing about real issues that resonate with real women, and the results are emotional, heartbreaking and honest. (From the publisher.)
Read an excerpt
Author Bio
• Birth—July 1, 1955
• Where—Philadelphia, Pennsylvania, USA
• Education—B.A., J.D., University of Pennsylvania
• Awards—Edgar Award
• Currently—lives in Philadelphia, Pennsylvania
Lisa Scottoline is the New York Times bestselling author and Edgar award-winning author of some two dozen novels and several nonfiction books. She also writes a weekly column with her daughter Francesca Serritella for the Philadelphia Inquirer titled "Chick Wit" which is a witty and fun take on life from a woman's perspective.
These stories, along with many other never-before-published stories, have been collected in four books including their most recent, Have a Nice Guilt Trip, and the earlier, Meet Me at Emotional Baggage Claim, Best Friends, Occasional Enemies, Why My Third Husband Will Be a Dog, which has been optioned for TV, and My Nest Isn't Empty, It Just Has More Closet Space.
Lisa reviews popular fiction and non-fiction, and her reviews have appeared in the New York Times, Washington Post and Philadelphia Inquirer. Lisa has served as President of Mystery Writers of America and has taught a course she developed, "Justice and Fiction" at The University of Pennsylvania Law School, her alma mater.
Lisa is a regular and much sought after speaker at library and corporate events. Lisa has over 30 million copies of her books in print and is published in over 35 countries. She lives in the Philadelphia area with an array of disobedient pets, and she wouldn't have it any other way.
Lisa's books have landed on all the major bestseller lists including the New York Times, USA Today, Wall Street Journal, Publisher's Weekly, Washington Post, and Los Angeles Times, and Look Again was named "One of the Best Novels of the Year" by the Washington Post, and one of the best books in the world as part of World Book Night 2013.
Lisa's novels are known for their emotionality and their warm and down-to-earth characters, which resonate with readers and reviewers long after they have finished the books. When writing about Lisa’s Rosato & Associates series, Janet Maslin of the New York Times applauds Lisa's books as "punchy, wisecracking thrillers" whose "characters are earthy, fun and self-deprecating" and distinguishes her as having "one of the best-branded franchise styles in current crime writing."
Recognition
Lisa's contributions through her writing has been recognized by organizations throughout the country. She is the recipient of the Edgar Award, the Mystery Writer's of America most prestigious honor, the Fun, Fearless, Fiction Award by Cosmopolitan Magazine, and named a PW Innovator by Publisher's Weekly.
Lisa was honored with AudioFile's Earphones Award and named Voice of the Year for her recording of her non-fiction book, Why My Third Husband Will Be a Dog. The follow up collection, My Nest Isn't Empty, It Just Has More Closet Space has garnered both Lisa and her daughter, Francesca, an Earphones Award as well. In addition, she has been honored with a Distinguished Author Award from Scranton University, and a "Paving the Way" award from the University of Pennsylvania, Women in Business.
Personal
Lisa's accomplishments all pale in comparison to what she considers her greatest achievement, raising, as a single mom, her beautiful (a completely unbiased opinion) daughter, an honors graduate of Harvard, author, and columnist, who is currently working on her first novel.
Lisa believes in writing what you know, and she puts so much of herself into her books. What you may or may not learn about Lisa from her books is that...
♦ she is an incredibly generous person
♦ an engaging and entertaining speaker
♦ a die-hard Eagles fan
♦ a good cook.
♦ She loves the color pink, her Ipod has everything from U2 to Sinatra to 50 Cent, she is proud to be an American, and nothing makes her happier than spending time with her daughter.
Dogs
Lisa is also a softie when it comes to her furry family. Nothing can turn Lisa from a professional, career-minded author, to a mushy, sweet-talking, ball-throwing woman like her beloved dogs. Although she has owned and loves various dog breeds, including her amazing goldens, she has gone crazy for her collection of King Charles Spaniels.
Lisa first fell in love with the breed when Francesca added her Blehneim Cavalier, Pip, to the mix. This prompted Lisa to get her own, and she started with the adorable, if not anatomically correct (Lisa wrote a "Chick Wit" column about this), Little Tony, her first male dog. Little Tony is a black and tan Cavalier King Charles Spaniel.
But Lisa couldn't stop at just one and soon added her little Peach, a Blehneim King Charles Cavalier. Lisa is now beyond thrilled to be raising Peach’s puppies, Daniel Boone and Kit Carson, and for daily puppy pictures, be sure to follow Lisa on Facebook or Twitter. Herding together the entire pack is Lisa’s spunky spit-fire of a Corgi named Ruby. The solitude of writing isn't very quiet with her furry family, but she wouldn't have it any other way.
Cats
Not to be outshined by their canine counterparts, Lisa's cats, Vivi and Mimi, are the princesses of the house, and have no problem keeping the rest of the brood in line. Vivi is a grey and white beauty and is more aloof than her cuddly, black and white partner, Mimi.
When Lisa’s friend and neighbor passed, Lisa adopted his beloved cat, Spunky, a content and beautiful ball of fur.
Chickens
Lisa loves the coziness of her farmhouse, and no farm is complete without chickens. Lisa has recently added a chicken coop and has populated it with chicks of different types, and is overjoyed with each and every colorful egg they produce. Watching over Lisa's chicks are her horses, which gladly welcomed the chicks and all the new excitement they bring. (Author bio adapted from the author's website.)
Visit the author's website.
Follow Lisa on Facebook.
Book Reviews
Scottoline, so attentive to plot, is indifferent to character.... [C]haracters exist chiefly to present Rose with exactly the information she needs just when she needs it. But, in truth, who cares when there is one thrill after another, particularly when the plot moves into the legal and investigative realms where Scottoline excels?
Caroline Leavitt - New York Times Book Review
The Scottoline we love as a virtuoso of suspense, fast action and intricate plot is back in top form in Save Me, manipulating pulse rates and heartstrings with all the ruthlessness she showed in Look Again…Here, as elsewhere in her work, Scottoline is exceptionally good at depicting the feral, pack mentality of public opinion and the impotence of decency and dignity before it.
Katherine A. Powers - Washington Post
In Save Me Lisa Scottoline walks readers into this charged moral dilemma and then takes them on an intense, breathless ride. You won't be able to put this one down.
Jodi Picoult - Author (Sing You Home and House Rules)
An emotionally riveting novel that explores the depths of one mother's love for her daughter.... Powerful, provocative, and page-turning!
Emily Giffin - Author (Heart of the Matter and Something Borrowed)
Heart-pounding! Scottoline provides the perfect combination of explosive action, twisting turns, and genuine emotion in this exciting novel of an ordinary mom going to extraordinary lengths for her daughter. Open up SAVE ME, and save yourself with a great book.
Lisa Gardner - Author (Love You More)
At the start of this gut-wrenching stand-alone from bestseller Scottoline (Think Twice), an explosion rips through the nearly empty cafeteria of Reesburgh, Pa., Elementary School. Lunch mother Rose McKenna leads two girls to safety before racing to rescue her own daughter, Melly, but Rose soon learns that she may face both civil and criminal charges for her heroics because one of the girls she saved was seriously injured in the resulting fire that killed three school staff members. The tension rises as the united front presented by Rose and her lawyer husband, Leo Ingrassia, begins to disintegrate in the face of media demands, legal maneuverings, and social pressures. Rose must also deal with school bullying (Melly has a noticeable facial blemish), difficult legal problems, and her husband's reaction when a secret from her past is revealed. Scottoline melds it all into a satisfying nail-biting thriller sure to please her growing audience.
Publishers Weekly
What begins as an ordinary day for lunch mom volunteer Rose McKenna quickly morphs into a harrowing event that will spiral her life out of control. When a tragedy occurs at her daughter's elementary school, Rose transforms from heroine to villain in a matter of hours after she is forced to make a life-changing moral decision. As the media seeks to vilify her and her community shuns her, Rose continues on an intense weeklong search for the truth. Suspecting foul play led to the tragic event, she dedicates herself to unraveling the mystery. Rose's dogged determination exposes a high-profile scandal and threatens to endanger her life and her family. In another departure (after Look Again) from her Bernie Rosato courtroom thrillers (Think Twice), Scottoline crafts a heartfelt emotional novel with the intensity of a thriller. Verdict: This stand-alone work will mesmerize readers at the first page and hold them spellbound until the final word. Jodi Picoult fans may crown a new favorite author. —Mary Todd Chesnut, Northern Kentucky Univ. Lib., Highland Heights
Library Journal
At the quick pace of a thriller, Scottoline masterfully fits every detail into a tight plot chock-full of real characters, real issues, and real thrills. A story anchored by the impenetrable power of a mother's love, it begs the question, just how far would you go to save your child? —Annie McCormick
Booklist
The creator of Philadelphia lawyer Bennie Rosato (Think Twice, 2010, etc.) pens another white-hot crossover novel about the perils of mother love. One minute catalog model–turned–lunchroom mom Rose McKenna is keeping third-grade bully Amanda Gigot from leaving the Reesburgh Elementary cafeteria while she tells Amanda that she shouldn't make fun of Rose's daughter, Melinda Cadiz, because of the port wine birthmark on her cheek; the next, she's agonizing over which child to save first from an explosion that's ripped through the school cafeteria. Rose's reflexes make what she ends up deciding were the best decisions at the time: She led Amanda and her friends to the door to safety, then went back to look for Melly, who'd hidden in a rest room. But Eileen Gigot and her many friends in the school don't agree. They accuse Rose of detaining Amanda, now lying in a hospital in a coma, then leaving her in the care of another 8-year-old so that she could rescue her own daughter, who's making a full recovery. Rose is stung by shock, then guilt, and finally outrage when she realizes that Eileen may file both civil and criminal actions against her. Worse, she learns that her one ally in Reesburgh Elementary, gifted teacher Kristen Canton, is leaving. Worse still, the hardball litigator her understanding husband, attorney Leo Ingrassia, has dug up for her, is anticipating possible prosecution by taking an aggressive stand on his client's behalf, positioning Rose as exactly the sort of bully she's been trying to protect her daughter from. So when Kurt Rehgard, a carpenter who'd hinted that the explosion was an extremely suspicious accident, is killed together with the contractor friend he'd confided in, Rose parks Melly with some sympathetic neighbors for a few days and takes it upon herself to discover exactly what happened and why. Scottoline, who shifts gears at every curve with the cool efficiency of a NASCAR driver, expertly fuels her target audience's dearest fantasy: "Every mom is an action hero.
Kirkus Reviews
Discussion Questions
1. Save Me explores the mother and child relationship, at its heart. What do you think defines a mother? How is a mother and child relationship different than any other relationship? Look at other forms of culture, like art, for example. How many depictions are there of mother and child? And how many of father and child? Are we discriminating against fathers, or diminishing them, by all this talk of the mother-child bond? And by doing so, do we create a self-fulfilling prophecy?
2. In Save Me, Melly is the victim of bullying because of a birthmark on her face. Do you think bullying is different today than years ago? Do you think that the bullying is getting worse, or are we just hearing more about it because of the Internet? What do you think parents and schools should do to help curb bullying? What kind of punishment do you think is appropriate for the child who is doing the bullying? What about those who watch and say nothing? Are they, or aren’t they, equally as culpable? Do you think that school programs and curricula that build up self-esteem and a sense of community will really make a difference?
3. Rose experienced her own bullying at the hands of the angry parents, which gave her new perspective on what Melly was going through. Do you have any experience with bullying between adults? In what ways are adults better equipped to deal with bullying than children? What impact can bullying have on adults, and what can an adult do if they are faced with a bully? What impact does being a bully, or being a bully as an adult, have on their children?
4. Rose steps in to defend Melly against her bully. Do you think it was a good idea? Why or why not? How do you think a parent's involvement hurts or helps the situation? At what point do you think a parent needs to involve themselves in the situation? What steps would you take to help your child if they were being bullied, and how far would you be willing to go?
5. What impact do you think a physical blemish has on a child, and how do you think it effects their identity, their relationship with their family, and their relationship with the outside world? Take it a step further – like how about physical differences, like a child in a wheelchair? Or learning challenges, that aren’t so visible? Or how about discriminations based on race, religion or sexual orientation? Melly's father reacted very badly to Melly's birthmark. What did his reaction make you feel about him?
6. Many of Lisa's books center on single mothers or blended families. Do you think the love of one great parent is enough to sustain a child through life? Does it take a husband, too? Or a village?
7. As Rose found out, volunteering comes with risks. The book makes clear that this is a problem in the law of many states, maybe even where you live. What do you think of the laws in terms of protecting those who volunteer their time? What changes, if any, would you make to the laws to protect volunteers? Should we expand the Good Samaritan statues to include volunteers and to encourage even more people to volunteer?
8. How did you feel about Rose keeping her secret past from Leo? Did you understand her reasoning? Did you agree or disagree with it? What impact do you think Rose's past will have on her marriage as she moves forward? Do you think she will ever really be able to escape what happened? Will he forgive her not telling him? How do secrets impact intimacy in our lives?
9. Rose was called a "helicopter" parent, a term often used in today's society with a negative connotation. What separates helicopter parenting from good parenting? What kind of parent do you think Rose was? What mistakes do you think she made? Do you think she was a good mother? Do you think she favors Melly, or the baby? Or treats them equally?
10. How did you feel about Amanda in the beginning of the book? How, if at all, did your opinion of her change by the end of the book? What do you think causes children to be bullies? Under what circumstances would you ever feel bad for the bully? In punishing a bully, do you think their personal circumstances should be taken into account?
11. What did you think of Rose's lawyers' strategy? Did you agree or disagree with it? Why or why not? Do you think they were just passing the blame, or do you think the school had a responsibility in what happened? Do you think that litigation is another form of bullying? Do you know anybody who is sue-happy?
(Questions issued by publisher.)
Saving CeeCee Honeycutt
Beth Hoffman, 2010
Penguin Group USA
320 pp.
ISBN-13: 9780143118572
Summary
Steel Magnolias meets The Help in this Southern debut novel sparkling with humor, heart, and feminine wisdom
Twelve-year-old CeeCee Honeycutt is in trouble. For years, she has been the caretaker of her psychotic mother, Camille-the tiara-toting, lipstick-smeared laughingstock of an entire town-a woman trapped in her long-ago moment of glory as the 1951 Vidalia Onion Queen.
But when Camille is hit by a truck and killed, CeeCee is left to fend for herself. To the rescue comes her previously unknown great-aunt, Tootie Caldwell. In her vintage Packard convertible, Tootie whisks CeeCee away to Savannah's perfumed world of prosperity and Southern eccentricity, a world that seems to be run entirely by women.
From the exotic Miz Thelma Rae Goodpepper, who bathes in her backyard bathtub and uses garden slugs as her secret weapons, to Tootie's all-knowing housekeeper, Oletta Jones, to Violene Hobbs, who entertains a local police officer in her canary-yellow peignoir, the women of Gaston Street keep CeeCee entertained and enthralled for an entire summer.
Laugh-out-loud funny and deeply touching, Beth Hoffman's sparkling debut is, as Kristin Hannah says, "packed full of Southern charm, strong women, wacky humor, and good old-fashioned heart." It is a novel that explores the indomitable strengths of female friendship and gives us the story of a young girl who loses one mother and finds many others. (From the publisher.)
Author Bio
• Birth—N/A
• Where—Ohio, USA
• Currently—lives in Newport, Kentucky
Beth Hoffman was president and co-owner of a major interior design studio in Cincinnati, Ohio, before selling her business to write full time. (From the publisher.)
More
In her own words:
I was born on an elevator during a snowstorm, a story my father often enjoyed telling whenever the opportunity arose. For the first five years of my life, I lived (along with my mom, dad, and older brother) on my grandparents’ farm in northern Ohio. It was a rural area, and other than a few tolerant garden toads, a highly social chicken, and Midnight, our family dog, there wasn’t anyone to play with. So I created imaginary friends. I’d draw pictures of them and build them homes out of shoeboxes—replete with interiors furnished by pictures I’d cut from a Sears & Roebuck catalog. Eventually I wrote stories about my friends, giving them interesting names and complex lives.
From earliest memory, there were two things I loved above all else: writing and painting. I wrote my first short story when I was eleven and sold my first painting at the age of fourteen. I believed the sale of the painting was a sign of what direction I should take in life. So I chose a career in art that eventually segued into interior design, but I still kept writing and dreaming of becoming a novelist. Life sent me on many creative journeys and I ultimately landed in Cincinnati, Ohio, becoming the president and co-owner of an interior design studio.
Years went by, long hours and hard work brought success, and with it came the inevitable stresses of business ownership. During the busiest year of my professional life, I nearly died from the same infection that took puppeteer Jim Henson’s life—group A streptococcal infection that resulted in septic shock. After finally being discharged from the hospital, I returned home to convalesce. I spent weeks reevaluating my life—the good, the bad, and the downright painful. As I struggled to regain my health and find spiritual ballast, my dream of writing a novel resurfaced. But no matter how I looked at it, there simply weren’t enough hours in the day to fulfill the demands of my career and write a novel. So I let the dream go.
Then, on a snowy morning in January of 2004, a complete stranger said something to me. And like an unexpected gust of fresh air, his words blew the door wide open. In an eye-blink I knew if I were to write a novel, it had to be now or never. I chose now. I sold my portion of the design business, and after a month of sleeping and meditating and realigning my energies, I plunked down at my computer. Day after day my fingers blazed over the keyboard, and I didn’t come up for air until I typed “The End” nearly four years later.
If there’s a moral to my story, it’s this: take a chance, embrace your dreams, forgive, let go, move on. And if life gives you a big smackdown, there’s a reason—and it just might lead toward your own little piece of the rainbow.
Oh, and there’s one more thing: be mindful of the words of strangers. (From the author's website.)
Book Reviews
Hoffman's debut, a by-the-numbers Southern charmer, recounts 12-year-old Cecelia Rose Honeycutt's recovery from a childhood with her crazy mother, Camille, and cantankerous father, Carl, in 1960s Willoughby, Ohio. After former Southern beauty queen Camille is struck and killed by an ice cream truck, Carl hands over Cecelia to her great-aunt Tootie. Whisked off to a life of privilege in Savannah, Ga., Cecelia makes fast friends with Tootie's cook, Oletta, and gets to know the cadre of eccentric women who flit in and out of Tootie's house, among them racist town gossip Violene Hobbs and worldly, duplicitous Thelma Rae Goodpepper. Aunt Tootie herself is the epitome of goodness, and Oletta is a sage black woman. Unfortunately, any hint of trouble is nipped in the bud before it can provide narrative tension, and Hoffman toys with, but doesn't develop, the idea that Cecelia could inherit her mother's mental problems. Madness, neglect, racism and snobbery slink in the background, but Hoffman remains locked on the sugary promise of a new day.
Publishers Weekly
In Hoffman's charming debut, Cecelia Rose (CeeCee) Honeycutt tells the story of her tragic life and the strong women who stepped in to save her. At age 12, CeeCee realizes her mother, flouncing around Willoughby, OH, in prom dresses and matching shoes, is crazy and the town's laughingstock. Her father is never home, and nothing is going to change so CeeCee buries herself in books as an escape. But her true liberation comes after her mother's tragic death when great-aunt Tootie sweeps CeeCee off to Savannah. There, a group of powerful, independent women offer the young girl love, laughter and a new chance at life. Readers who enjoy strong female characters will appreciate CeeCee, a survivor despite her heartbreaking childhood, and Aunt Tootie and her friends, all of them steel magnolias. Verdict: Exemplifying Southern storytelling at its best, this coming-of-age novel is sure to be a hit with the book clubs that adopted Sue Monk Kidd's The Secret Life of Bees. Interestingly enough, both novels share the same editor.
Library Journal
Sunshine enters an unhappy child's life in a Southern getting-of-wisdom novel as uncomplicatedly sweet as one of Oletta's famous cinnamon rolls. A fairy tale with streaks of psychology and social conscience, CeeCee Rose Honeycutt's odyssey unfolds mainly in Savannah, Ga. The 12-year-old moves there in the late 1960s to live with her kindly, wealthy Great-Aunt Tootie after the death of CeeCee's increasingly deranged mother and with the encouragement of her neglectful, distant father. Tootie's cook Oletta-big, black and stern, but with a heart of gold-exerts a growing influence on the girl, fattening her up with delicious food while offering life lessons, reassurance and companionship. The novel's society is almost exclusively female and generally quirky, ranging from Tootie's eccentric elderly friends to her feuding neighbors. Male characters are rare and generally flawed: layabouts, crooks and emotional black holes. Race issues supply the strongest story line (a robbery on the beach) in a narrative more episodic than linear. Mainly, CeeCee comes to terms with her feelings of shame, guilt and loss over her mother; hears about slavery, segregation and the KKK; encounters a wide range of human behavior, from generosity to mean-spiritedness; makes a friend; and above all finds a new, all-female family. Humor, wish-fulfillment and buckets of sentiment bulk out an innocent, innovation-free debut that would work well for teenage readers.
Kirkus Reviews
Discussion Questions
1. CeeCee tries to escape from the harsh reality of her life by turning to books. When did your own love of reading develop? Did a particular person or event inspire it? What were some books you loved as a child?
2. Camille’s illness left CeeCee filled with shame and despair. Do you think if she had told Mrs. Odell more of what went on inside the house that the elderly woman could have done something? If so, what? Were there any incidents in your youth that brought you shame or that you were afraid to discuss with an adult?
3. This book highlights comparisons between the North and South. What do you think accounts for the differences—perceived or otherwise—between people who live on either side of the Mason-Dixon Line?
4. As the story unfolds, a remarkable relationship develops between Oletta and CeeCee—Oletta becomes the stable and wise mother CeeCee never had, and CeeCee fills the place in Oletta’s heart left vacant by the untimely death of her daughter. Has anyone ever unexpectedly arrived in your life and filled a void? Have you ever filled a void in someone else?
5. After the attack at the beach, Oletta tells CeeCee she must “reclaim her power” to overcome her fears. What are some times in your life when you had to stand up to reclaim your own power? How did you go about it?
6. Forgiveness is an underlying theme in CeeCee’s story. By eventually forgiving her parents, she frees herself to begin a new life. What people have you forgiven, and how hard was it to do? What were the rewards?
7. Aunt Tootie and all her friends make an art out of making people feel welcome. How do the various women welcome CeeCee into their ranks? What about their welcome for Mrs. Odell? What are some particular times when you’ve received a warm welcome? What about the opposite?
8. The incident at the peach farm followed by the days CeeCee spends in recovery mark a poignant turning point in her life. Has there ever been a time when you faced your own turning point? Was there anyone who helped you? What gifts were waiting for you at the end of your journey?
9. When Aunt Tootie tells CeeCee that she’s “a very popular lady,” it has a profound effect on her. What are some other times in the book when CeeCee takes an adult’s words to heart—good and bad? What are some particularly memorable things that were said to you as a child—positive or negative?
10. At several key moments in the story, CeeCee finds that her Life Book is being revised. Are there any other words or terms for “Life Book” that you’ve heard? What are some moments in your life when you knew an indelible memory was being made? When was the last time you recall thinking, “I’ll remember this forever”?
(Questions issued by publisher.)
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Saving Fish from Drowning
Amy Tan, 2005
Penguin Group USA
528 pp.
ISBN-13: 9780345464019
Summary
A pious man explained to his followers: "It is evil to take lives and noble to save them. Each day I pledge to save a hundred lives. I drop my net in the lake and scoop out a hundred fishes. I place the fishes on the bank, where they flop and twirl. 'Don't be scared,' I tell those fishes. 'I am saving you from drowning.' Soon enough, the fishes grow calm and lie still. Yet, sad to say, I am always too late. The fishes expire. And because it is evil to waste anything, I take those dead fishes to market and I sell them for a good price. With the money I receive, I buy more nets so I can save more fishes." — Anonymous
Twelve American tourists join an art expedition that begins in the Himalayan foothills of China—dubbed the true Shangri-La—and heads south into the jungles of Burma. But after the mysterious death of their tour leader, the carefully laid plans fall apart, and disharmony breaks out among the pleasure-seekers as they come to discover that the Burma Road is paved with less-than-honorable intentions, questionable food, and tribal curses.
And then, on Christmas morning, eleven of the travelers boat across a misty lake for a sunrise cruise — and disappear.
Drawing from the current political reality in Burma and woven with pure confabulation, Amy Tan's picaresque novel poses the question: How can we discern what is real and what is fiction, in everything we see? How do we know what to believe? Saving Fish from Drowning finds sly truth in the absurd: a reality TV show called "Darwin's Fittest," a repressive regime known as SLORC, two cheroot-smoking twin children hailed as divinities, and a ragtag tribe hiding in the jungle—where the sprites of disaster known as Nats lurk, as do the specters of the fabled Younger White Brother and a British illusionist who was not who he was worshipped to be.
With her signature "idiosyncratic, sympathetic characters, haunting images, historical complexity, significant contemporary themes, and suspenseful mystery" (Los Angeles Times), Amy Tan spins a provocative and mesmerizing tale about the mind and the heart of the individual, the actions we choose, the moral questions we might ask ourselves, and above all, the deeply personal answers we seek when happy endings are seemingly impossible. (From the publisher.)
Author Bio
• Also named—En-Mai Tan
• Birth—February 15, 1952
• Where—Oakland, California, USA
• Education—B.A., M.A., San Jose State University
• Currently—San Francisco, California
Amy Tan is a Chinese-American writer, many of whose works explore mother-daughter relationships. Her first novel, The Joy Luck Club (1989) brought her fame and has remained one of her most popular works. It was adapted to film in 1993.
Early yeaars
Tan is the second of three children born to Chinese immigrants John and Daisy Tan. Her father was an electrical engineer and Baptist minister who traveled to the US to escape the Chinese Revolution. Although she was born in Oakland, California, her family moved a number of times throughout her childhood.
When she was fifteen, her father and older brother Peter both died of brain tumors within six months of each other. Tan subsequently moved with her mother and younger brother, John Jr., to Switzerland, where she finished high school at the Institut Monte Rosa in Montreux.
It was during this period that Tan learned about her mother's previous marriage in China, where she had four children (a son who died in toddlerhood and three daughters). Her mother had left her husband and children behind in Shanghai — an incident that became the basis for Tan's first novel, The Joy Luck Club. In 1987, she and her mother traveled to China to meet her three half-sisters for the first time.
Tan enrolled at Linfield College in Oregon, a Baptist college of her mother's choosing. After she dropped out to follow her boyfriend to San Jose City College in California, she and her mother stopped speaking for six months. Tan ended up marrying the young man in 1974 and subsequently earned both her B.A. and M.A. in English and linguistics from San Jose State University. She began her doctoral studies in linguistics at University of California-Santa Cruz and Berkeley, but abandoned them in 1976.
Career
While in school, Tan worked odd jobs — serving as a switchboard operator, carhop, bartender, and pizza maker. Eventually, she started writing freelance for businesses, working on projects for AT&T, IBM, Bank of America, and Pacific Bell, writing under non-Chinese-sounding pseudonyms.
In 1985, she turned to fiction, publishing her first story in 1986 in a small literary journal. It was later reprinted in Seventeen magazine and Grazia. On her return from the China trip with her mmother, where she had met her half-sisters, Tan learned her agent had signed a contract for a book of short stories, only three of which were written. That book eventually became The Joy Luck Club and launchd Tan's literary career.
Extras
In addition to her novels (see below), Tan has written two children's books: The Moon Lady (1992) and Sagwa, the Chinese Siamese Cat (1994), which was turned into an animated series airing on PBS. She has also appeared on PBS in a short spot encouraging children to write.
Tan is a member of the Rock Bottom Remainders, a rock band consisting of published writers, including Barbara Kingsolver, Matt Groening, Dave Barry and Stephen King, among others. In 1994 she co-wrote, with the other band members, Mid-Life Confidential: The Rock Bottom Remainders Tour America With Three Chords and an Attitude.
In 1998, Tan contracted Lyme disease, which went undiagnosed for a few years. As a result, she suffers from epileptic seizures due to brain lesions. Tan co-founded LymeAid 4 Kids, which helps uninsured children pay for treatment, and wrote about her life with Lyme disease in a 2013 op-ed piece in the New York Times.
Tan is still married to the guy she ran off with from Linfield College and married in 1974. He is Louis DeMattei, a lawyer, and the two live in San Francisco.
Books
1989 - The Joy Luck Club
1991 - The Kitchen God's Wife
1995 - The Hundred Secret Senses
2001 - The Bonesetter's Daughter
2003 - The Opposite of Fate: A Book of Musings (Essays)
2005 - Saving Fish from Drowning
2013 - The Valley of Amazement
2017 - Where the Past Begins: A Writer's Memoir
(Author bio adapted from Wikipedia and the author's website.)
Book Reviews
Amy Tan is among our great storytellers. In each of her previous novels, she has seduced readers with the intimate magic of her tale.... Her newest novel, Saving Fish from Drowning...is well paced, as one would expect from Tan. Her lovely and evocative images add charm to the ordinary observation of landscape, in passages that might be dull in lesser hands. The emphasis of Saving Fish from Drowning seems to be humor [and while] the book has clever moments and some good one-liners,...humor is not [Tan's] forte. She has a clunky way with irony, and the sprawling slapstick set pieces at the core of this effort are draggy and inept....The deliberately absurd plot, not moving enough for the kind of elegiac fiction that has made Tan famous and not meaningful enough to pass for allegory, appears to be satire.
Andrew Solomon - New York Times
A superbly executed, good-hearted farce that is part romance and part mystery....With Tan's many talents on display, it's her idiosyncratic wit and sly observations...that make this book pure pleasure.
San Francisco Chronicle
With humor, ruthlessness, and wild imagination, Tan has reaped [a] fantastic tale of human longings and (of course) their consequences.
Elle
(Starred review.) Tan delivers another highly entertaining novel, this one narrated from beyond the grave. San Francisco socialite and art-world doyenne Bibi Chen has planned the vacation of a lifetime along the notorious Burma Road for 12 of her dearest friends. Violently murdered days before takeoff, she's reduced to watching her friends bumble through their travels from the remove of the spirit world. Making the best of it, the 11 friends who aren't hung over depart their Myanmar resort on Christmas morning to boat across a misty lake—and vanish. The tourists find themselves trapped in jungle-covered mountains, held by a refugee tribe that believes Rupert, the group's surly teenager, is the reincarnation of their god Younger White Brother, come to save them from the unstable, militaristic Myanmar government. Tan's travelers, who range from a neurotic hypochondriac to the debonair, self-involved host of a show called The Fido Files, fight and flirt among themselves. While ensemble casting precludes the intimacy that characterizes Tan's mother-daughter stories, the book branches out with a broad plot and dynamic digressions. It's based on a true story, and Tan seems to be having fun with it, indulging in the wry, witty voice of Bibi while still exploring her signature questions of fate, connection, identity and family.
Publishers Weekly
With each successive novel, Tan gets further away from the autobiographical element of her early work. Unfortunately, the characters with whom she replaces friends and ancestors end up shallow and unbelievable. That's especially true in this exasperating saga, where 12 fictional American tourists missing in Burma spar, bond, and have exhibitionist love affairs with all the delicacy of characters in a soap opera. The first-person narration, by the ghost of a Chinese American socialite who planned to lead this art and culture expedition, adds to the listener's frustration, as does the ghost's constant reference to "my friends." While Tan's seriocomic look at American tourists interacting with primitive culture rings true and has one laughing out loud at times, the same effect could have been achieved in a much tighter novel. Even elements that might have heightened awareness and suspense end up suffocated by the idiosyncrasies of characters we'd just as soon forget. Everything has to be neatly ordered, including nearly an hour of tying things up, telling what every character goes on to do with his or her life.
Library Journal
(Adult/High School) Saving Fish from Drowning is based on the real-life disappearance of 12 American tourists in Myanmar. The narrator is Bibi Chen, dealer in Chinese antiquities, who had arranged an art-oriented tour for her friends. When she dies under mysterious circumstances, the others decide to proceed, saying that Bibi will join them "in spirit" —an invitation she accepts. Mostly well-meaning, but ignorant and naive, the group lands in one hilarious situation after another due to cultural misunderstandings. On a lake outing, they are kidnapped and taken to a hidden village where a rebel tribe waits for the Younger White Brother, who will make them invisible and bullet-proof and enable them to recover their land. They believe that they've found him in 15-year-old Rupert, an amateur magician. The tour group consists of 10 adults and 2 adolescents, some pillars of the community and some decidedly not, but all rich, intelligent, and spoiled. Bibi, feisty and opinionated, uncovers their fears, desires, and motives, and the shades of truth in their words. As the novel progresses, they become more human and less stereotypical, changing as a result of their experiences. Although Tan also satirizes the tourist industry, American Buddhism, and reality TV, her focus is on the American belief that everyone everywhere plays by the same rules. An extremely funny novel with serious undercurrents. —Sandy Freund, Richard Byrd Library, Fairfax County, VA
School Library Journal
Tan's ambitious fifth novel is a ghost's story (though not a ghost story), about an American tourist party's ordeal in the Southeast Asian jungles of Myanmar (formerly Burma). Its narrator is Bibi Chen (whose relation to the story's complex provenance is discussed in a brief prefatory note): a 60-ish California art collector/dealer and sometime travel guide, whose unexplained violent death limits her to joining the members of an American art tour "in spirit" only. She's a major presence, however, among such varied traveling companions as Chinese-American matron Marlena Chu and her preadolescent daughter Esme; biologist Roxanne Scarangello and her younger husband Dwight Massey (a behavioral psychologist); a florist who produces specially bred tropical plants and his teenaged son, an ardently liberal rich girl and her sexy lover, a gay designer pressed into service as de facto tour master, and several others-the most interesting of whom is TV celebrity dog-trainer Harry Bailley (who has eyes for Marlena, and whose name slyly alludes to that earlier portrayal of motley travelers who discover one another's unbuttoned humanity: Chaucer's Canterbury Tales). The strength here is Tan's clever plot, which takes off when 11 of the dozen tourists (sans Harry, who's ill) enter the jungle, cross a rope bridge that subsequently collapses and find themselves stranded among a "renegade ethnic tribe" who mistake 15-year-old Rupert Moffett for a "god" capable of rendering them invisible to Myanmar's brutal military government. Their disappearance becomes an international cause celebre, cultural misunderstandings entangle and multiply, and some fancy narrative footwork brings the tale to a richly ironic conclusion. Alas, Tan (The Bonesetter's Daughter, 2001, etc.) offers much more-ongoing discursive commentary from Bibi's post-mortem perspective, and scads of historical and ethnographic detail about Burma's storied past and Myanmar's savage present. The author's research ultimately smothers her story and characters. A pity, because this vividly imagined tale might very well have been her best yet.
Kirkus Reviews
Discussion Questions
1. Saving Fish from Drowning begins, "It was not my fault."How is the concept of personal responsibility important in the novel?
2. How does Vera's experience in the jungle influence her book on self-reliance?
3. In what sense do the tourists feel culpable for the suffering they see in Burma? Does Amy Tan offer a solution to their feelings of guilt?
4. Bibi is not necessarily always a reliable or likable narrator. Can we always take her observations at face value?
5. Tan prefaces Saving Fish from Drowning with "A Note to the Reader" that is mostly fictitious, and also invents the accompanying newspaper article. Why do you think she made this choice? How did it shape your impression of the story?
6. The novel takes its title from a euphemism for fishing. In what ways are names and "brands" important to the story? How are words used to conceal truth in Burma and among the travelers?
7. What are Bibi's attitudes toward sex and the human body? How do her observations reflect her own psychology and background?
8. The first time in her adult life that Bibi feels "unmindful" passionate love results in her accidental death. Is her demise tragic? Comic? Ironic? Why does Tan leave us to assume for most of the novel that Bibi was murdered?
9. How does the tour group's behavior reinforce or rebut stereotypes of the "ugly American"?
10. If you are familiar with Tan's other novels, what parallels can you draw between the mother-daughter relations in her previous stories and Bibi's impressions of her mother and stepmother?
11. Is this an optimistic story?
12. Have you ever been in a situation in which you came to have mixed feelings about the volunteer or charitable work that you were doing? If so, how did this experience affect your beliefs about charity?
(Questions issued by publishers.)
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Saving Grace
Jane Green, 2014
St. Martin's Press
352 pp.
ISBN-13: 9781250047335
Summary
Grace and Ted Chapman are widely regarded as the perfect literary power couple. Ted is a successful novelist and Grace, his wife of twenty years, is beautiful, stylish, carefree, and a wonderful homemaker.
But what no one sees, what is churning under the surface, is Ted’s rages. His mood swings. And the precarious house of cards that their lifestyle is built upon. When Ted’s longtime assistant and mainstay leaves, the house of cards begins to crumble and Grace, with dark secrets in her past, is most vulnerable. She finds herself in need of help but with no one to turn to…until the perfect new assistant shows up out of the blue.
To the rescue comes Beth, a competent young woman who can handle Ted and has the calm efficiency to weather the storms that threaten to engulf the Chapman household. Soon, though, it’s clear to Grace that Beth might be too good to be true. This new interloper might be the biggest threat of all, one that could cost Grace her marriage, her reputation, and even her sanity. With everything at stake and no one to confide in, Grace must find a way to save herself before it is too late.
Powerful and riveting, Jane Green's Saving Grace will have you on the edge of your seat as you follow Grace on her harrowing journey to rock bottom and back. (From the publisher.)
Author Bio
• Birth—May 31, 1968
• Where—London, England, UK
• Education—University of Wales
• Currently—lives in Westport, Connecticut, USA
Jane Green is the pen name of Jane Green Warburg, an English author of women's novels. Together with Helen Fielding she is considered a founder of the genre known as chick lit.
Green was born in London, England. She attended the University of Wales, Aberystwyth and worked as a journalist throughout her twenties, writing women's features for the Daily Express, Daily Mail, Cosmopolitan and others. At 27 she published her first book, Straight Talking, which went straight on to the Bestseller lists, and launched her career as "the queen of chick lit".
Frequent themes in her most recent books, include cooking, class wars, children, infidelity, and female friendships. She says she does not write about her life, but is inspired by the themes of her life.
She is the author of more than 15 novels, several (The Beach House, Second Chance, and Dune Road) having been listed on the New York Times bestseller list. Her other novels Another Piece of My Heart (2012), Family Pictures (2013), and Tempting Fate (2014) received wide acclaim.
In addition to novels, she has taught at writers conferences, and writes for various publications including the Sunday Times, Parade magazine, Wowowow.com, and Huffington Post.
Green now lives in Connecticut with her second husband, Ian Warburg, six children, two dogs and three cats. Actively philanthropic, her foremost charities are The Hole in the Wall Gang Camp (Paul Newman's camp for children with life-threatening illnesses), Bethel Recovery Center, and various breast cancer charities. She is also a supporter of the Westport Public Library, and the Westport Country Playhouse. (Adapted from Wikipedia. Retrieved 4/20/2014.)
Book Reviews
(Starred review.) [A] memorable novel probing the flimsy facade of one woman's seemingly perfect life.... Green has imbued her story with realistic, imperfect characters. The lure of the novel lies in Green's ability to create a consistently evolving story that entices from the very first page.
Publishers Weekly
Grace Chapman knows better than most how a perfect-looking life can be anything but.... Fans of Green get everything they have come to expect and love in this psychological domestic drama: it's fast paced and emotionally satisfying if a little rushed and downbeat in the conclusion. —Amy Brozio-Andrews, Albany P.L., NY
Library Journal
The perfect personal assistant can make even the most accomplished wife dispensable.... Grace must devise a plan to save herself and snare the culprit. A rather uncertain resolution suggests a sequel may be in the works. Green spins a dark romance, recalling All About Eve, where intimacy masks betrayal.
Kirkus Reviews
Discussion Questions
1. Grace’s complex relationship with her mother has a profound influence on the relationships she goes on to cultivate throughout her life. How is Grace’s relationship with and reaction to Ted influenced by that which she had with her mother? In what was are her relationships with Ted and her mother similar? In addition, how has Grace’s guilt over the circumstances of her mother’s death influenced her relationships, including those she has with Beth as well as the women at Harmont House?
2. Did you find anything about Beth to be suspicious at first? If you were Grace, at what point would you begin to suspect that something was not quite right about Beth and/or her motives?
3. Grace has lived her life propelled by the belief that, "If she just keeps running and running, keeps being the perfect wife, mother, cook, the past will surely disappear." Why does this ultimately not work? What does Grace come to realize about her goal of perfecting the illusion so that "her secrets will recede"?
4. Where in the story do we see examples of how cooking has served as a sort of sanctuary for Grace throughout her life? Do you have something in your own life that plays a similar role?
5. What manipulative tactics does Beth use to reel in Ted and Grace? How does she take advantage of their weaknesses?
6. Women are known for our intuition, that little voice that tells you when something is wrong, and we like to think that as we grow older, we learn to listen to it. Do you think intuition increases or decreases as we get older? Do you find that you are relying on your intuition more or less? In what circumstances have you let your head overrule those feelings, and then been proven right?
7. Grace repeatedly has a feeling or an instinct that things are off—for example with Beth and later with Dr. Ellery’s diagnosis. Where do we see examples of this? What factors in both Grace’s present and past have caused her to mistrust, question, or ignore her instincts?
8. As it relates to heath, should you trust your intuition or the facts as presented by doctors? Should you research your own health issues and inform yourself as much as possible or is too much information a dangerous thing?
9. Grace notes the differences in the treatment and view of medicine by society in the United States versus in England. How does the position of power and authority associated with a medical degree affect Grace’s experience with Dr. Frank Ellery?
10. When Lydia asks Grace what it is that she wants, Grace tells her that she wants her life back the way it was before, including Ted. What was your reaction to this? If you were in Grace’s shoes would you have said the same thing? If not, how would you have responded?
11. How did you react to the scene at Ted’s reading when Grace first encounters Beth after returning from England? What would you have said to Beth?
12. How did you react to the ending of the novel? What do you imagine the future holds for Beth? What about for Grace and also for Ted?
(Questions issued by the publisher.)
Saving Sophie
Ronald H. Balson, 2015
St. Martin's Press
448 pp.
ISBN-13: 9781250065858
Summary
A powerful story of the lengths a father will go through to protect his daughter and an action-packed thriller that will take you on an unforgettable journey of murder and deception, testing the bonds of family and love.
Jack Sommers was just an ordinary attorney from Chicago. That is, until his wife passed away, his young daughter was kidnapped, and he became the main suspect in an $88 million dollar embezzlement case.
Now, Jack is on the run, hoping to avoid the feds long enough to rescue his daughter, Sophie, from her maternal grandfather, a suspected terrorist in Palestine.
With the help of the investigative team who first appeared in Once We Were Brothers, Liam and Catherine, and a new CIA operative, a secret mission is launched to not only rescue Sophie, but also to thwart a major terrorist attack in Hebron.
But will being caught in the crossfires of the Palestine-Israeli conflict keep their team from accomplishing the task at hand, or can they overcome the odds and save countless lives, including their own?(From the publisher.)
Once we Were Brothers (2009) is the prequel to Saving Sophie.
Author Bio
Ronald H. Balson is an attorney practicing with the firm of Stone, Pogrund and Korey in Chicago. The demands of his trial practice have taken him into courts across the United States and into international venues.
An adjunct professor of business law at the University of Chicago for twenty-five years, he now lectures on trial advocacy in federal trial bar courses.
Travels to Warsaw and southern Poland in connection with a complex telecommunications case inspired his first novel, Once We Were Brothers. His second novel, a sequel, Saving Sophie, was published in 2015. (From the publisher.)
Book Reviews
Chicago PI Liam Taggart and his fiancee, lawyer Catherine Lockhart, investigate an act of embezzlement complicated by links to a child kidnapping and terrorist activity in Hebron, Israel.... Balson succeeds in illuminating the personal side of the Middle Eastern conflict through his deeply human, psychologically credible characters.
Publishers Weekly
A Chicago lawyer resorts to embezzlement and negotiation with terrorists after his daughter is kidnapped.... After wading through lengthy chunks of superfluous background exposition, including trial and deposition transcripts, readers may not care how the puzzle is ultimately resolved. Complex where it should be simple and vice versa.
Kirkus Reviews
Discussion Questions
1. How did Jack confront the conflict between his legal and moral principles and his desperate need to rescue his daughter? Was Jack too quick to trust people? Was that his character flaw?
2. Having washed his hands of Aline, why was al-Zahani so possessive of Sophie, the child of the union he despised?
3. Do you fault Jack for overruling the judge and giving the al-Zahanis liberal visitation? Would you have done the same?
4. What do you think would have become of Sophie had she not been rescued?
5. How did Arif al-Zahani perceive and process Sophie's exclusion from Jamila's playgroup?
6. What do you think drove Liam and Catherine to suspect a lack of commitment? Do you think there was a moment of indecisiveness?
7. Given the history of the region and how many times the land has changed hands, what is your feeling about al-Zahani and his group's claims for exclusive possession of the country as "Sons of Canaan"?
8. When it came time, at the critical moment, do you think al-Zahani was prepared to sacrifice Sophie?
9. Does the prospect of fame and wealth of a professional basketball career create a surreal world of impossible expectations for young athletes? Are you critical of Violet McCord?
10. What would you do with a child who shows gifted talents? Does the lure of success encourage parental exploitation?
(Questions issued by publisher.)
The Sawkill Girls
Claire Legrand, 2018
HarperCollins
464 pp.
ISBN-13: 9780062696601
Summary
A breathtaking and spine-tingling novel about three teenage girls who face off against an insidious monster that preys upon young women.
Who are the Sawkill Girls?
Marion: The newbie. Awkward and plain, steady and dependable. Weighed down by tragedy and hungry for love she’s sure she’ll never find.
Zoey: The pariah. Luckless and lonely, hurting but hiding it. Aching with grief and dreaming of vanished girls. Maybe she’s broken—or maybe everyone else is.
Val: The queen bee. Gorgeous and privileged, ruthless and regal. Words like silk and eyes like knives; a heart made of secrets and a mouth full of lies.
Their stories come together on the island of Sawkill Rock, where gleaming horses graze in rolling pastures and cold waves crash against black cliffs. Where kids whisper the legend of an insidious monster at parties and around campfires. Where girls have been disappearing for decades, stolen away by a ravenous evil no one has dared to fight… until now. (From the publisher.)
Author Bio
• Birth—May 2, 1986
• Where—Irving, Texas, USA
• Education—B.A., M.L.S, North Texas University
• Currently—lives in Princeton, New Jersey
Claire Legrand is a librarian and the author of fantasy novels, as well as short stories, for young readers. She was raised in Texas, received her B.A. in English Literature followed by a Master's in Library Science, both from North Texas University. She now lives in Princeton, N.J., where she both writes and works as a librarian. (Adapted from various sources online.)
Book Reviews
(Starred review) An idyllic island hides a deadly secret in this atmospheric, Gothic-flavored chiller, which mingles elements of dark fairy tales and outright horror.… [I]ncludes an asexual character and a beautifully wrought queer romance, focuses on the power of female friendship (Ages 14-up).
Publishers Weekly
(Starred review) Girls have gone missing on Sawkill Island for so long that the wealthy residents have learned to carry on with a stiff upper lip when it happens.… Rich and earthy horror (Grade 9-up). —Beth McIntyre, Madison Public Library, WI
Library Journal
(Starred review) Through this dank, atmospheric, and genuinely frightening narrative, Legrand weaves powerful threads about the dangerous journey of growing up female.… [A]n intensely character-driven story about girls who support… betray… [and] love each other…. [U]nforgettable.
Booklist
[A] fast-paced… and creepy feel… part spine-chilling horror story and part coming-of-age lesbian romance. There is a feminist message in the way the girls refuse to be manipulated by those with ulterior motives, banding together to fight the monster (Age14-adult).
Kirkus Reviews
Discussion Questions
We'll add publisher questions if and when they're available; in the meantime, use our LitLovers talking points to help start a discussion for THE SAWKILL GIRLS … then take off on your own:
1. How would you describe the island of Sawkill Rock? How well does the author do in terms of creating an immersive atmosphere? Does the island seem to change during the course of the novel?
2. What are your thoughts about giving the Rock, an inanimate object, its own perspective? Why might the author have done so? What does the following passage mean? "It did not relish tying an innocent to the burden of its ancient might. But the Rock required an infantry"
3. Talk about your experience reading The Sawkill Girls. How did you get through it: did you read with bated breath, with relish … or did you just want it to be over? Reviewers use descriptions like creepy, gory, genuinely frightening, spine-tingling, horrifying. Care to add an adjective or two of your own?
4. Each of the three girls, Zoey, Marion, and Val, is dealing with her own set of problems. Discuss those the girls and the way their separate stories intertwine.
5. How would you describe each of the girls. Is there one whose story you find more sympathetic than the others? Or does one of the girls appeal to you more than the others?
6. One of the concerns of the book is competition: the way society pits girls against one another, manipulating them into butting heads. Talk about how that operates in The Sawkill Girls and how Zoe, Marion, and Val manage to overcome this competitiveness.
7. What are your thoughts about the Collector when you finally meet him? Did he meet the expectations of mystery surrounding him at the beginning of the novel?
8. What is your take on the fact that the three girls each represented some aspect of LGBTQIA?
(Questions by LitLovers. Please feel free to use them, online and off, with attribution. Thanks.)
Say Goodbye for Now
Catherine Ryan Hyde, 2016
Lake Union Publishing
358 pp.
ISBN-13: 9781503939448
Summary
On an isolated Texas ranch, Dr. Lucy cares for abandoned animals. The solitude allows her to avoid the people and places that remind her of the past. Not that any of the townsfolk care.
In 1959, no one is interested in a woman doctor. Nor are they welcoming Calvin and Justin Bell, a newly arrived African American father and son.
When Pete Solomon, a neglected twelve-year-old boy, and Justin bring a wounded wolf-dog hybrid to Dr. Lucy, the outcasts soon find refuge in one another.
Lucy never thought she’d make connections again, never mind fall in love. Pete never imagined he’d find friends as loyal as Justin and the dog. But these four people aren’t allowed to be friends, much less a family, when the whole town turns violently against them.
With heavy hearts, Dr. Lucy and Pete say goodbye to Calvin and Justin. But through the years they keep hope alive…waiting for the world to catch up with them. (From the publisher.)
Author Bio
• Birth—1955
• Where—Buffalo, New York, USA
• Education—High School
• Currently—lives in Cambria, California
Catherine was born into a family of writers, and lived during her early life in the Buffalo, New York. (She points to a favorite teacher, Lenny Horowitz, for helping her change from being "the last kid picked" for a team to finally becoming a writer.) After an accelerated graduation from high school at 17, she headed to New York City planning to do something other than writing—anything that might provide a steadier paycheck. Over the years, she worked as a baker, pastry chef, auto mechanic, dog trainer, and tour guide.
Then, in the early 1980s Hyde decided to dedicate herself to becoming a full-time writer. By the mid-'80s, she had moved to a small town on California’s Central Coast, where she decided to come to terms with her alcohol and drug addiction. Twenty-five years on, Hyde is clean and sober—and now the author of nearly 25 novels, as well as numerous short stories.
She has won literary accolades throughout the world. Her bestselling novel Pay it Forward was adapted into a major motion picture starring Kevin Spacey and Helen Hunt, and translated into 23 languages for distribution in over 30 countries.
When not writing, Hyde hikes, kayaks, and visits national parks. The research for Take Me With You was all done from her own little twenty-two-foot motorhome. (Adapted from the publisher and Wikipedia. Retrieved 4/10/2016.)
Book Reviews
Catherine Ryan Hyde delivers once again with this feel-good story guaranteed to be a hit.
Redbook
Catherine Ryan Hyde is a most discerning and gifted writer. She writes quietly yet powerfully, with words chosen and placed carefully, words that enfold and pull the reader deeply into her story.
Bookreporter
A moving story about patience, trust, the families we choose, and the love it takes to let somebody go.
Booklist
[A] moving family story that tackles broad themes of racism, compassion, abuse, and love. Readers will be hoping that the characters find true love and justice. Includes book group questions. —Jan Marry, Williamsburg Regional Lib., VA
Library Journal
Hyde captures the determination of Justin and Pete's friendship as well as the wistfulness of Pete's love for the injured dog. Yet the love between Lucy and Calvin is rushed, underdeveloped, and difficult to believe.... A sentimental yet heartwarming tale of transgression and redemption.
Kirkus Reviews
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
(We'll add specific questions if and when they're made available by the publisher.)
Say You're One of Them
Uwem Akpan, 2008
Little, Brown & Company
384 pp.
ISBN-13: 9780316086370
Summary
Uwem Akpan's first published short story, "An Ex-mas Feast," appeared in The New Yorker's Debut Fiction issue in 2005. The story's portrait of a family living together in a makeshift shanty in urban Kenya, and their attempts to find gifts of any kind for the impending Christmas holiday, gives a matter-of-fact reality to the most extreme circumstances—and signaled the arrival of a breathtakingly talented writer.
"My Parents' Bedroom" is a Rwandan girl's account of her family's struggles to maintain a facade of normalcy amid unspeakable acts. In "Fattening for Gabon," a brother and sister cope with their uncle's attempt to sell them into slavery. "Luxurious Hearses" creates a microcosm of Africa within a busload of refugees and introduces us to a Muslim boy who summons his faith to bear a treacherous ride through Nigeria. "What Language Is That?" reveals the emotional toll of the Christian-Muslim conflict in Ethiopia through the eyes of childhood friends. Every story is a testament to the wisdom and resilience of children, even in the face of the most agonizing situations our planet can offer. (From the publisher.)
Author Bio
• Birth—ca. 1970-71
• Where—Ikot Akpan Eda, Nigeria
• Education—Creighton and Gonzaga Universities; Catholic
University of Eastern Africa; M.F.A., University of Michigan
• Currently—lives in Harare, Zimbabwe
Uwem Akpan was born in southern Nigeria. He was ordained as a Jesuit priest in 2003 and received his MFA in creative writing from the University of Michigan in 2006. In 2007, he began a teaching assignment at a seminary in Harare, Zimbabwe. (From the publisher.)
More
In his own worrds:
I was born under a palm-wine tree in Ikot Akpan Eda in Ikot Ekpene Diocese in Nigeria. I studied philosophy and English at Creighton and Gonzaga universities and theology at the Catholic University of Eastern Africa. I have taught English and Literature in English in Nigerian high schools.
Also, I have lived and worked with lepers, played the banjo, and served as a DJ of classical music. I have worked with street kids in Tanzania and volunteered in Chicago's Cabrini Green.
I was inspired to write by the people who sit around my village church to share palm wine after Sunday Mass, by the Bible, and by the humour and endurance of the poor. My grandfather was one of those who brought the Catholic Church to our village. I was ordained as a Jesuit priest in 2003 and I like to celebrate the sacraments for my fellow villagers. Some of them have no problem stopping me in the road and asking for confession! I received my MFA in creative writing from the University of Michigan in 2006.
I have very fond memories of my childhood in my village, where everybody knows everybody, and all my paternal uncles still live together in one big compound. Growing up, my mother told me folktales and got me and my three brothers to read a lot.
I became a fiction writer during my seminary days. I wrote at night, when the community computers were free. Computer viruses ate much of my work.
Finally, my friend Wes Harris believed in me enough to get me a laptop. This saved me from the despair of losing my stories and made me begin to see God again in the seminary. The stories I saved on that first laptop are the core of Say You're One of Them.
I always look forward to visiting my village. No matter how high the bird flies, its legs still face the earth. When I get back to Ikot Akpan Eda, my people will celebrate this book in our own way—with lots of tall tales, spontaneous prayers, and palm wine! (From the book's website.)
Book Reviews
A startling debut collection…[Akpan] fuses a knowledge of African poverty and strife with a conspicuously literary approach to storytelling, filtering tales of horror through the wide eyes of the young. In each of the tales in Say You're One of Them a protagonist's childlike innocence is ultimately savaged by the facts of African life.
Janet Maslin - New York Times
It is not merely the subject that makes Akpan's...writing so astonishing, translucent, and horrifying all at once; it is his talent with metaphor and imagery, his immersion into character and place....Uwem Akpan has given these children their voices, and for the compassion and art in his stories I am grateful and changed.
Susan Straight - Washington Post Book World
Nigerian-born Jesuit priest Akpan transports the reader into gritty scenes of chaos and fear in his rich debut collection of five long stories set in war-torn Africa. "An Ex-mas Feast" tells the heartbreaking story of eight-year-old Jigana, a Kenyan boy whose 12-year-old sister, Maisha, works as a prostitute to support her family. Jigana's mother quells the children's hunger by having them sniff glue while they wait for Maisha to earn enough to bring home a holiday meal. In "Luxurious Hearses," Jubril, a teenage Muslim, flees the violence in northern Nigeria. Attacked by his own Muslim neighbors, his only way out is on a bus transporting Christians to the south. In "Fattening for Gabon," 10-year-old Kotchikpa and his younger sister are sent by their sick parents to live with their uncle, Fofo Kpee, who in turn explains to the children that they are going to live with their prosperous "godparents," who, as Kotchikpa pieces together, are actually human traffickers. Akpan's prose is beautiful and his stories are insightful and revealing, made even more harrowing because all the horror—and there is much—is seen through the eyes of children.
Publishers Weekly
With the intensity of Chinua Achebe's Things Fall Apart, Say You're One of Them tells of the horrors faced by young people throughout Africa. Akpan uses five short stories (though at well over 100 pages, both "Luxurious Hearses" and "Fattening for Gabon" are nearly stand-alone novels in their own right) to bring to light topics ranging from selling children in Gabon to the Muslim vs. Christian battles in Ethiopia. The characters face choices that most American high school students will never have to-whether or not to prostitute oneself to provide money for one's homeless family, whether to save oneself, even if it means sacrificing a beloved sibling in the process. The selections are peppered with a mix of English, French, and a variety of African tongues, and some teens may find themselves reading at a slower pace than usual, but the impact of the stories is well worth the effort. The collection offers a multitude of learning opportunities and would be well suited for "Authors not born in the United States" reading and writing assignments. Teens looking for a more upbeat, but still powerful, story may prefer Bryce Courtenay's The Power of One (1989). —Sarah Krygier, Solano County Library, Fairfield, CA
School Library Journal
Redemption is in short supply in these five stories by a Nigerian priest about children caught in the crossfire of various African countries' upheavals. The opener of this debut collection, "An Ex-mas Feast," is one of the more upbeat entries-which isn't saying much, since its eight-year-old narrator describes sniffing shoe glue to ward off hunger in a Nairobi shanty town while his 12-year-old sister proudly moves from street prostitution to a brothel. In "Fattening for Gabon," a morbid variation on Hansel and Gretel, an uncle literally fattens up his nephew and niece to sell them into slavery. Although he genuinely loves them, his repentance comes too late and with not-unexpected tragic results. The least arresting story is the slight and familiar "What Language Is That?" Their families profess liberal, inclusive attitudes, but a Christian child and her Muslim best friend are prohibited from communicating when rioting breaks out in Addis Ababa, although the girls do find, perhaps briefly, "a new language." That miniscule glimmer of hope for humanity disappears in "Luxurious Hearses," an emotionally exhausting encapsulation of the devastation caused by religion. Baptized as an infant by his Catholic father, raised in a strict Muslim community by his mother, adolescent Jubril is targeted by extremists who happen to be his former playmates. Fleeing religious riots in northern Nigeria on a luxury bus full of Christians, he keeps his right wrist in his pocket; if they see that his hand has been amputated (for stealing, under Sharia law), they will know he is Muslim. Jubril comes close to finding acceptance among his fellow passengers, which only makes their ultimate violence against him that much more disturbing. The final story, "My Parents' Bedroom," goes beyond disturbing toward unbearable as the children of a Tutsi mother and Hutu father in Rwanda witness the unspeakable acts their decent parents are forced to commit. Haunting prose. Unrelenting horror. An almost unreadable must-read.
Kirkus Reviews
Discussion Questions
1. Each of the stories in Say You’re One of Them is told from the perspective of a child. Do you think this affected your reaction? If the narrators had been adults, might you have felt differently about the stories? Why do you think Akpan chose to depict these events through children’s eyes? How do Akpan’s young characters maintain innocence in the face of corruption and pain?
2. In “An Ex-mas Feast,” Maisha leaves her family to become a full- time prostitute. Do you think she chose to depart, or did her family’s poverty force her to flee? Is it possible to have complete freedom of will in such a situation? Is it reasonable to judge a person for her actions if her choice is not entirely her own?
3. In “Fattening for Gabon” the children’s uncle and caretaker,Fofo Kpee, sells them into slavery. How does Fofo’s poverty and vanity contribute to his unthinkable actions? Do his pangs of conscience redeem him for you? Why or why not?
4. In “What Language is That?” Hadiya and Selam are kept apart by their parents after the escalation of religious conflict. Have you ever experienced a situation in which friends and family have objected to someone in your life for reasons you didn’t understand? What did you do? How did you feel?
5. The bus in “Luxurious Hearses” is a microcosm not only of African hierarchies and religions but also of the continent’s numerous languages and dialects. Discuss how speech is related to class, culture, religion, and heritage. How does dialogue function in the other stories? Do we hold similar attitudes about language in our own culture? What are some examples?
6. This book takes its title from instructions given to a Rwandan girl by her mother in “My Parents’ Bedroom.” Did the familiar domestic detail in this story — Maman’s perfume, little Jean’s flannel pajamas, toys like Mickey Mouse in the children’s room — intensify for you the horror of what ensued? Is there comparable detail in any of the other stories that helped you to identify with Uwem Akpan’s characters?
7. Although the stories in Say You’re One of Them are fictitious, the situations they depict have a basis in reality. How do the emotions you feel when reading these stories compare to your emotions when reading accounts in the news media of similar atrocities? Has reading Say You’re One of Them changed the way you think about these issues?
8. Uwem Akpan addressed his other vocation in an interview, saying, “A key Vatican II document makes it very clear that the joys and anguish of the world are the joys and anguish of the Church.” While reading these stories, were you ever reminded that this writer is also a Jesuit priest? Does Akpan’s subject matter seem to you to be imbued with religious values? In what ways? Do the drama and power of Akpan’s fiction call forth any biblical stories for you? If so, which ones?
9. Some of the children in Say You’re One of Them are not poor. What are the particular obstacles these children face that are not issues in your own country? Are there challenges other than poverty with which you can identify? Do the family dynamics feel familiar to you?
10. The poet and memoirist Mary Karr wrote that Uwem Akpan “has invented a new language — both for horror and for the relentless persistence of light in war-torn countries.” Did you find any beauty or goodness in these tragic tales? If so, offer some examples.
(Questions issued by publisher.)
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Saying Grace
Beth Gutcheon, 1995
HarperCollins
320 pp.
ISBN-13: 9780060927271
Summary
Rue Shaw has everything—a much loved child, a solid marriage, and a job she loves. Saying Grace takes place in Rue's mid-life, when her daughter is leaving home, her parents are failing, her husband is restless and the school she has built is being buffeted by changes in society that affect us all. Funny, rich in detail and finally stunning, this novel presents a portrait of a tight-knit community in jeopardy, and of a charming woman whose most human failing is that she wants things to stay the same.
Saying Grace is about the fragility of human happiness and the strength of convictions, about keeping faith as a couple whether it keeps one safe or not. Beth Gutcheon has a gift for creating a world in microcosm and capturing the grace in the rhythms of everyday life. (From the publisher.)
Author Bio
• Birth—March 18, 1945
• Where—Sewickley, Pennsylvania, USA
• Education—B.A., Harvard University
• Currently—New York, NY
Beth Gutcheon grew up in western Pennsylvania. She attended the Sewickley Academy, Miss Porter's School in Farmington, Connecticut, and Harvard College, where she took an honors B.A. in English literature. She has spent most of her adult life in New York City, except for sojourns in San Francisco and on the coast of Maine.
In 1978, she wrote the narration for a feature-length documentary on the Kirov ballet school, The Children of Theatre Street, which was nominated for an Academy Award, and she has made her living as a full-time storyteller (novels and occasional screenplays) since then. Gutcheon's novels have been translated into 14 languages (if you count the pirated Chinese edition of Still Missing), plus large-print and audio formats. Still Missing was made into a feature film called Without a Trace and was also published in a Reader's Digest Condensed version, which particularly pleased the author's mother. (From the author's website.)
More
From a 2005 Barnes and Noble interview:
"When my second novel was in manuscript, a subsidiary rights guy at my publisher secretly sent a copy of it to a friend who was working in Hollywood with the producer Stanley Jaffe, who had made Goodbye Columbus, The Bad News Bears, and Kramer v. Kramer, run Paramount Pictures before he was 30, and met the queen of England. My agent had an auction set up for the film rights of Still Missing for the following Friday, with some very heavy-hitter producers and such, which was exciting enough. Two days before the auction, Stanley Jaffe walked into my agent's office in New York and said,
"I want to make a pre-emptive bid for Beth Gutcheon's novel."
"But you haven't read it," says Wendy.
"Nevertheless," says Stanley.
"There's an auction set up. It'll cost a lot to call it off," says Wendy.
"I understand that," says Stanley.
Wendy named a number.
Stanley said, "Done," or words to that effect.
To this day, remembering Wendy's next phone call to me causes me something resembling a heart attack. When, several weeks later, Stanley called and asked me if I had an interest in writing the screenplay of the movie that became Without a Trace, I said, ‘No.' He quite rightly hung up on me.
I then spent twenty minutes in a quiet room wondering what I had done. A man with a shelf full of Oscars, on cozy terms with Lizzie Windsor, had just offered me film school for one, all expenses paid by Twentieth Century Fox. He knew I didn't know how to write screenplays. He wasn't offering to hire me because he wanted to see me fail. Who cares that all I ever wanted to see on my tombstone was ‘She Wrote a Good Book?' The chance to learn something new that was both hard and really interesting was not resistible. I spent the rest of the weekend tracking him from airport to airport until I could get him back on the phone. (This was before we all had cell phones.)
I was sitting in my bleak office on a wet gray day, on which my newly teenaged son had shaved his head and I had just realized I'd lost my American Express card, when the phone rang. "Is this Beth Gutcheon?" asked a voice that made my hair stand on end. I said it was. ‘This is Paul Newman,' said the voice.
It was, too. The fine Italian hand of Stanley Jaffe again, he'd recommended me to work on a script Paul was developing. Paul invited me to dinner to talk about it. My son said, "For heaven's sake, Mother, don't be early and don't be tall." I was both. We did end up writing a script together; it was eventually made for television with Christine Lahti, and fabulous Terry O'Quinn in the Paul Newman part, called The Good Fight."
Extras
• I read all the time. My husband claims I take baths instead of showers because I can't figure out how to read in the shower, and he's right.
• I started buying poetry for the first time since college after 9/11, but wasn't reading it until a friend mentioned that she and her husband read poetry in the morning before they have breakfast. She is right — a pot of tea and a quiet table in morning sunlight is exactly the right time for poetry. I read the New York Times Book Review in the bath and on subways because it is light and foldable. I listen to audiobooks through earphones while I take my constitutionals or do housework. I read physical books for a couple of hours every night after everyone else is in bed—usually two books alternately, one novel and one biography or book of letters.
• I have a dog named Daisy Buchanan. She ran for president last fall; her slogan was ‘No Wavering, No Flip-flopping, No pants.' She doesn't know yet that she didn't win, so if you meet her, please don't tell her.
• When I was in high school I invented, by knitting one, a double-wide sweater with two turtlenecks for my brother and his girlfriend. It was called a Tweter and was even manufactured in college colors for a year or two. There was a double-paged color spread in Life magazine of models wearing Tweters and posing with the Jets football team. My proudest moment was the Charles Addams cartoon that ran in The New Yorker that year. It showed a Tweter in a store window, while outside, gazing at it in wonder, was a man with two heads.
• When asked what book most influenced her life as a writer, here is her answer:
Great Expectations by Charles Dickens. Dickens often manages to be both dramatic and funny, while telling a thundering great story, but in Great Expectations, in spite of the unforgettable gargoyles like Miss Havisham and charming Wemmick with his Aged P, it's a very human story about the difference between how things look and how they really are. When Pip recognizes how he has fooled himself, and what he must accept about reality, you see that while Dickens has been amusing you with any number of major and minor melody lines that all seemed to be tripping along by themselves, he has in fact been in perfect control, building up to a major chord, every note right and every instrument contributing at just the right moment. I understood that to make a novel pay off like that, you have to know from the get-go what story you are telling, how it ends, what it means, and exactly what you want the reader to feel and know when it's over. It was the book that made me start thinking like a writer, not just as a passionate reader, about how stories are made. (From Barnes and Noble.)
Book Reviews
I was more surprised to see the extent of Gutcheon's work (7 novels)...and even more surprised, now that I've read some of her books...that she isn't more widely talked about in book club circles. She's an extremely intelligent, gifted writer. Where's Oprah?
A LitLovers LitPick (May '08)
In her lively and engaging fourth novel, Saying Grace, Beth Gutcheon takes a look at the day-to-day workings of a small private day school in California. Under the direction of Rue Shaw, the school has thrived, but a disruptive new board president lessens Rue's delight in her job, as well as her support from the faculty. Both at home and at school, she experiences a series of disturbing events that test her character and resilience. As it follows Rue's trials, Saying Grace provides a realistic portrait of both a good school and its gifted leader. Ms. Gutcheon knows private schools, and she knows her craft — and that's a winning combination.
Constance Decker Thompson - New York Times
In her mid-40s, Rue Shaw, the head of a country day school in a small California town, has much to be thankful for: satisfying and meaningful work; a warm and loving marriage; a talented 19-year-old daughter who has never caused her a moment's worry. Yet in Gutcheon's elegiac fourth novel (after Domestic Pleasures), even a life as well composed and stable as this is vulnerable to unexpected changes. Rue is depicted as a warm, wise woman able to navigate school politics and to accept bravely the changes for her family when her daughter leaves home to attend Julliard. But when an unthinkable disaster occurs, even Rue cannot cope. After an absorbing if slow-paced setup, Gutcheon errs in focusing the denouement too closely on Rue, abandoning the points of view of crucial minor characters (such as the secretary who plays an important role in Rue's marriage) who added dimension to the first half of the story. By relying too heavily on the perspective of a character who responds to heartbreak primarily with dignified composure, this quiet novel fails to deliver sufficient emotional impact.
Publishers Weekly
Discussion Questions
1. When Bonnie describes to Rue the Zoroastrian system for recognizing personality types, she defines a "helper" as a person so focused on being Good that she doesn't see the big picture. Is this true of Rue? If so, how?
2. One of the most prominent conflicts in this novel involves the clash of values represented by Rue Shaw and Chandler Kip. What are those values and do you believe that they are irreconcilable? Do you think that Rue was politically savvy in dealing with Chandler?
3. In Saying Grace, the purpose of education is a subject of continuous debate. For Chandler, the mission of education is to equip a person to compete and win. How would you define Rue's beliefs? Whose arguments do you feel are more compelling? How does the world of this school resemble current political thinking in the world at large?
4. Catherine Trainer is a perpetually vulnerable character and important catalyst to the major events in this story. Is she a comic figure or a tragic one? If she had behaved differently, would the story have had a different ending?
5. Hints about Henry's relationship with Emily percolate in the course of this story. Do you think Rue's reaction to it shows strength or weakness? Do you feel Henry deserves blame or sympathy?
6. At Chandler Kip's Christmas party Rue talks about the "spiritual gestation" each person undergoes. Why did Chandler's mother find Rue's statement so offensive?
7. Henry and Rue have different views about the meaning and purpose of work in their individual lives. While Henry had chosen a traditional high-stress high-income career path, Rue chose to be an educator, an altruistic occupation compared to one of the more highly paid professions that the Chandler Kips of the world find impressive. Do you feel that Henry is disillusioned, at mid-life, about the beliefs and expectations he had when he was younger? What about Rue? How does it make you feel about the career choices you've made and where they have brought you?
(Questions issued by publisher.)
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