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girl with ladderScroll down to our previous post about the hundreds of Girl Titles in the publishing world. Book after book with "girl" in the title.

I griped about the use of the G-word as a throw-back to the bad old days when women were easily dismissed and occupied lower rungs on the cultural ladder.

But, hey! Girl titles sell books. The first "Girl" may have been Susanna Kaysen's 1993 Girl, Interrupted. But it wasn't until 2005, with Steig Larsson's The Girl with the Dragon Tattoo, et.al., that the trend seemed to take off. Next came Gone Girl and Girl on the Train.

Now it's a full blown trend. Publishers want in on it—so they're busy RENAMING OLD TITLES, hoping to breathe new life into older books. Take a look ...


New Girly Titles
For Old Books


Remarkable Creatures
by Tracy Chevalier
Girls Who Dug Rocks

Little Women
by Louisa May Alcott
Little Girls

The Age of Innocence
by Edith Wharton
Girls Wearing Corsets

My Beloved World
by Sonia Sotomayor
The Girl Who Made It All the Way to the Supreme Court

Where'd You Go Bernadette
by Maria Semple
The Girl Who Left Her Daughter (But Kept in Touch)

Hunger Games
by Suzanne Collins
The Girl Who Runs with Sharp Objects

Wild
by Cheryl Strayed
The Girl Who Went for a Walk and Then Felt a Lot Better

Lean In
by Sheryl Sandberg
The Girl Who Kicked Corporate Butt

Pride and Prejudice
by Jane Austen
The Girl with Prejudice & the Man with Pride, or Vice Versa

Obsessive Genius: The Inner Life of Marie Curie
by Barbara Goldsmith
Hey, Girl—You're the Bomb

I Am Malala
by Malala Yousafzai
The Girl Who Damn Well Better Win the Nobel Prize

The Invention of Wings
by Sue Monk Kid
The Girl Who Owned a Slave … Who Was Also a Girl

Flight Behavior
by Barbara Kingsolver
Climate Change Girl

The Signature of All Things
by Elizabeth Gilbert
The Girl Who Watched Fungus Grow and Became Famous

The Woman in Cabin 10
by Ruth Ware
The Girl in Cabin 10



boy-a-girl2Oops ... about to show my age. Remember A Woman of Substance by Barbara Taylor Bradford? Back in 1979 it was yuge, a bestselling book and later a TV movie.

Today it would be "A Girl of Substance." Talk about lost in translation.

What's the big deal? Well, if you have to ask, you're too young to have been around during the nascent Woman's Movement in the late-'60s and '70s.

You've seen Mad Men, right? It was like that, even into the 70s. I was there. To be called a "girl" was dismissive. "My girl can get you coffee." Or, "Nah. Don't bother. The girls can clean that up." Age didn't matter—21, 41, or 61—we were just girls, not women of substance.
boy-girl-man-woman1

Which is why
I get all dithered-up by the use of "GIRL" in the dozens and dozens of recent BOOK TITLES—some 200. I know because I made a LIST. (Click button for a laugh!)
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Next up? Publishers eager to cash in on this hot new trend are updating old titles with new, GIRLY-GIRL ones. CHECK OUT OUR NEXT POST to find out which of your favorite books have been given new titles. You'll howl.

 

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Ryan Gosling—Real Genius Behind LitLovers
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 Practically Twins 

Oct. 12, 2016: Hollywood, CA— Who really is LitLovers? The closely guarded secret that has kept the literary world guessing for years has finally been revealed.

The driving force behind LitLovers, according to Claudio Gatti, is film star RYAN GOSLING. Gatti recently achieved notoriety as the investigator who divulged the true identity of best-selling Italian author Elena Ferrante.

"Gosling is a SHAPE-SHIFTER; he's been posing as "Molly Lundquist" for years," Gatti said.

Hollywood stunned
The news set the bi-coastal worlds of Hollywood and New York atwitter..

"I'm gobsmacked," tweeted Steve Carell. But think about it— you never saw them in the same room together; it all makes sense."

Look alikes
Daily News asked Gatti how Gosling got away with it for so long. "Easy," he said; "the two are practically twins."

"They have an uncanny resemblance to one another—eye color, hair color, even body build."

Hefty woman
Gosling's sculpted abs may explain why many—Donald Trump included—have poked fun at Lundquist for being on the "hefty" side.

"What's a great look for him may not be so great for her," Gatti conceded.

Gosling's speech
Gatti also noted a perfect match-up in Gosling's speech pattern with Lundquist's writing.

"Ryan makes liberal use of dashes and semicolons when he
talks—just like Molly when she writes," noted Gatti.


Fronta Loeb, special to The Daily News and LitLovers.

crimes-misdemeanors2As "crimes" go, the literary ones are of the lesser sort: plagiarism and phony memoirs don't injure, maim, or kill anyone.

Even so, a few misdemeanors on the docket have managed to show a depressing lapse in ethics or taste.

1. The money grab.
The "discovery" of Go Set a Watchman ranks at the top of the list. Harper Lee's lawyer Tonya Carter claimed to have discovered the original manuscript of To Kill a Mockingbird in February 2015. But others insist it had been discovered in 2011 by an agent from Southeby's—and that Carter had been present when it was found.

Only after Alice Lee, Harper's sister and long-time protector, died did Carter announce her "discovery" of the book. The entire episode reeks of an easy money scheme and, worse, the manipulation of an 89-year-old stroke-afflicted woman. You can find two good articles here: one in the New Republic and another in the New York Times.

2. The tattle tale.
Elena Ferrante's real name, a long-kept secret, was just revealed the other day. In the scheme of things, it's hardly serious—except perhaps for the author of My Brilliant Friend (plus two sequels).

So for what higher purpose did Italian journalist Claudio Gatti spill the beans? Sheer self-aggrandizement, most likely. As the owner of Ferrante's publishing house put it: If someone wants to be left alone, leave her alone.... She’s a writer and isn’t doing anyone any harm.” Amen to that.

3. The whitewash.
Although I haven't read it all the way through (God knows I tried), the new YA novel, My Lady Jane, shows a tone-deaf insensitivity toward one of history's more horrific events—the beheading of 16-year-old Lady Jane Grey. I'll let the book's opening speak for itself:

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[O]nce upon a time, there was a sixteen-year-old girl named Jane Grey, who was forced to marry a complete stranger (Lord Guildford or Gilford or Gifford-something-or-other), and shortly thereafter found herself ruler of a country. She was queen for nine days. Then she quite literally lost her head.

Yes, it's a tragedy, if you consider the disengagement of one's head from one's body tragic. (We are merely narrators, and would hate to make assumptions as to what the reader would find tragic.)

My Lady Jane
Cynthia Hand and Brodie Ashton

What the . . . ?!

Okay, I could be overly sensitive, but I recall reading an account of Lady Jane Gray in a grad school course on the English Renaissance. Her short life was depressingly sad and her end brutal.

Sugar-coating is one thing, but there's enough misappropriation, misreading, and misuse of history—why must we have "just plain fun" with this? (That quote comes from a Booklist review, which also suggests "joyfully punting" history "out of the way." Omg.)

More to the point, the world has been horrified by certain news from the Middle East—and, yes, we do consider those kinds of events tragic.

See? I'm sensitive AND cranky.


Lady Jane's beheading had a powerful effect on artists, even 300 years after the fact. Here are two renderings: The Execution of Lady Jane Gray (1833) by Paul Delaroche and Lady Jane Grey Preparing for Execution (1835) by George Whiting Flagg.


lisa-lucas5Lisa Lucas is the head of the National Book Foundation, and one of her goals is to make reading fun again.

Now, if you're reading this—which means you're on LitLovers and thus a devoted reader, you're going, "Wha...???" YOU think reading is already fun.

But some people don't, hard as it is to imagine—and we all KNOW people like that.

My husband, really bright guy (math-&-physics type bright), doesn't read much. While long rows of numbers are beautiful things to him, dense blocks of text are daunting.

Another reason—and you've heard this one—"I don't have time." Well, here's an idea from Lucas on that:

If you read for an hour every single day, you’re reading seven hours a week, which is enough to bang through a decent amount of material if you do that...for 52 weeks.

Other comments about why people don't enjoying reading:


Some people have trouble quieting their minds. They can't sit still; they're the doers & fixers.

I think I lack the imagination, am too impatient, and don't want to THINK about my entertainment.


TV, films, music, and the digital world provide easier methods of entertainment.


Reading takes too much work and takes too long.
We have to convert symbols into words and then process the result.

Reading fiction is a waste of useful time.

Inveterate non-readers probably had to read Moby-Dick in the 7th grade and never got over it.

From Quora

That last one—suffering through Moby-Dickin 7th grade—oh, boy! I remember that. And this is where Lisa Lucas believes she might make a difference.

The way we TALK ABOUT LITERATURE CAN STOP CONVERSATION even before it starts. If we can reframe how we talk about connecting readers with literature, and how we want to market that concept of NOT MAKING IT FEEL IT'S SOME KIND OF CHORE, I think we’ll find change.

From New York Times

Well said, Lisa Lucas. Changing minds, and habits, is hard work but a laudable goal. Best of luck to all of you at the National Book Foundation.


little-free-library1Sometimes little things have big payoffs—which is exactly what's been happening in Detroit, Michigan, a city that's found itself in dire straits over the past several years. And those payoffs? They're something YOUR BOOK CLUB can help generate.

Here's the story. It started with one Little Free Library that Kim Kozlowski installed in her front yard. A returned native, Kim watched the mini-library become a gathering spot for her Detroit neighbors as they stopped to chat while taking a book or returning one. Her Little Library was pulling the neighborhood together. Is there a way, she wondered to take Little Free Libraries citywide?

So Kim made a call to Cindy Dyson, a close friend and a web-designer living Montana. The two did some brainstorming—and Crash! Bang! out popped an idea. Why not start a grassroots movement to turn Detroit into the "Little Free Library Capital of the World"?

kim-kozlowski1The game was afoot. Kim launched Detroit Little Libraries project in September, 2014, Cindy designed the website, and over the next two years mini-libraries sprung up all over Detroit. In mid-2016, the national Little Free Libraries group, whom Kim collaborated with, honored her by declaring Detroit the FASTEST GROWING LITTLE FREE LIBRARY CITY IN THE COUNTRY. (Btw, Kim accomplished all this while working full-time as a reporter for the Detroit News.)

Then things got serious. Alycia Meriweather, Detroit's acting superintendent of schools, could hardly miss the tiny libraries popping up on lawns and sidewalks all over the city. They gave Alycia had an idea, so she reached out to Kim Kozlowski.

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Like Kim, Alycia believed that literacy is one of the fundamentals needed to turn any city around. Yet the book shortage in Detroit's school system is abysmal. The idea: a project to install a Little Library in each of DETROIT'S 97 SCHOOLS—in 97 DAYS!

How are they doing? Well, the project was just launched, and it's already receiving tremendous community support, to say nothing of press attention, local and regional.

This is where YOU come in. Detroit's project is a terrific opportunity for any book club looking for a way TO GIVE BACK. It's the ideal project for anyone who believes in the power of reading to change lives.

detroit-little-libraries-girlsCindy Dyson, the web designer, contacted us at LitLovers to tell us the story and to say that HER book club—all the way out in MONTANA—has pitched in for a Detroit Little Library. Even her mother's book club in ALASKA has joined in...and a visitor at her mother's club that day—from NEVADA—took the concept back home to her book club.

So click on 97 Days / 97 Schools image (above left)...and learn how YOUR BOOK CLUB can help. You can make a simple donation, or you can purchase a ready-made library model to be installed and filled with books on your behalf. A small act ON YOUR PART can make a big difference—in a city that's working hard to make a difference.

detroit-little-libraries

legosI've said this before, but it bears repeating—we readers are a lucky bunch to have OTHER people willing to write novels for us. I certainly can't do it.

Here's what author Amos Oz has to say on wriitng:




It is like reconstructing the whole of Paris from Lego bricks.
It’s about three-quarters-of-a-million small decisions. It’s not about who will live and who will die and who will go to bed with whom. Those are the easy ones.

It’s about choosing adjectives and adverbs and punctuation. These are molecular decisions that you have to take and nobody will appreciate.... That is the business of three-quarters-of-a-million decisions.



Wait...that's the hard part? PUNCTUATION? Nah, that's nowhere near the hard part. When someone says to me (and people have surely said it to you), "You should write a book," MY JAW DROPS in dumb wonderment. Just how smart do people think I am? (I'm not.) Even more to the point, just HOW EASY do they think writing novels is? (It isn't.)

A BAZILLION Legos—not a million—go into novel writing. Here's just some of the stuff authors have to think about—stuff we take for granted but then get ALL TETCHY over if authors get it wrong:

  1. WHO will tell the story, whose voice (or voices) will be used? (It better be a convincing.)

  2. WHAT information will be withheld? When will it be revealed? Who will reveal it, and how?

  3. IS the dialog believable—is it the way people really speak? (Not so easy.)

  4. HOW much research is needed to establish setting—location and era.

  5. HOW will the characters be shaped; how much depth will they be given; what will make them life-like and compelling?

  6. HOW will the plot be structured—what's the arc of the story?

  7. WHAT underlying concerns, themes, or ideas will suffuse the book? What big questions does the author want to explore?

  8. WHAT about all the literary stuff—imagery, symbolism / metaphor, irony, and allusions—which gives the story richness and resonance?


Writing is a hard-knock life
. Too hard for the likes of me. AND YET, it's remarkable, isn't it, that with the rise of web-based self-publishing, lots and lots of people are heading to the key board to try their hand(s) at writing books.

Bless them one and all. They are BRAVE SOULS, brave souls indeed!

bookshelves-by-color350Cool photo...could be right out of Anne Fadiman's Ex Libris: Confessions of a Common Reader—a terrific collection of essays about a lifetime spent in the pursuit of books: reading, writing, and collecting them. (The author is best known for The Spirit Catches You, You Fall Down, 1997.)

Here's what happened: Having sublet her apartment, Fadiman returns home from a lengthy trip. It turns out her subleasers are two design-oriented guys who thought they'd do her a favor and spiff the place up a bit.

So what did they do? They rearranged her bookshelves. Nothing practical mind you, like genre, subject, or author name...no-no-no. That would be PROSE-AY-ICK. They reorganized the books by—you guessed it—COLOR. And Fadiman? Amused...and horrified.

Well, I've got some pretty spiffy bookshelves myself, built by Victorians 120 years ago. Here's what mine look like.

bookshelves-my350A beautiful mess. Books are crammed in topsy-turvy and arranged willy-nilly, with no claim to the niceties of decor or organization. It's all DVDs, old Disney videos, kids crayons, cookbooks and wine glasses (off to the left), along side Shakespeare (my grandfather's 1920s set).

Bookshelves are deeply personal things. This lovely mess has meaning: it reflects a sort of "what-you-see-is what-you-get" approach to our lives. More importantly, the mess contains a good bit of family history, giving us pleasure just to look at it.

So how personal are your bookshelves—what do they say about you? Finally (and we've talked about this before), how much longer will bookshelves grace our homes? What will we lose when everything is digitalized. And, yes, I my Kindle.


girl gone badBoy! Girls are taking a hit these days—in the myriad books written and millions of readers propelling them to the top of the charts.

The girls I'm referring to are those fictional sociopaths, Amy (Gone Girl), Jodi (Silent Wife), Rachel (Girl on the Train), and most recently Lacey and Dex (Girls on Fire). *

Then there's Peggy Orenstein's nonfiction Girls & Sex about the troubling state of affairs as young women negotiate their way in the brave new world of hook-up sex.

Do notice, btw, the frequent use of "girl" in the titles. A "girl" is a young female lacking the stature—and substance—of a mature woman. Like what's up with that? (See later post on Girly Girl Titles.)

Marketers are surely taking a title cue from Steig Larsson's spectacularly successful "Girl with the Dragon Tattoo" series. But Larsson's heroine, Lisbeth Salander, while outlandish, is a cut above the new "girls." Amy, Jodi, Rachel, and friends are downright ... frighteningly ... pathological.

Yet these books are cresting the bestseller charts...because we readers are scooping them up.

So what wave are these books riding? Something's up—some anxiety or unease within women, or about women, which these hugely popular books are playing into. What an interesting topic for book clubs to take up!

My 20-something daughter says it's about time: Males have long been cast as psychopaths, and women are just catching up—a sign of equity in her eyes. Well, maybe.

Except that these books are coming out fast and furiously—one after another—and hitting the charts in a HUGE way. It's puzzling. For some reason, we can't get enough of GIRLS GONE BAD. Why is that? (Also take a look at a previous post: Gone Girl Marriages—Creeping Us Out.)

* JUST RELEASED . . .
Add to our list the newest girls-gone-bad novel, The Girls by Emma Cline, based on the Charles Manson cult murders. These bad girls got the publishing world so worked up that author Cline walked away with a cool $2 MILLION. And this is her first book!



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