The Lake Shore Limited
Sue Miller, 2010
Knopf Doubleday
287 pp.
ISBN-13: 9780307264213
Summary
Four unforgettable characters beckon you into this spellbinding new novel from the author of last year's explosive New York Times best seller The Senator's Wife. First among them is Wilhelmina (Billy) Gertz, small as a child, fiercely independent, powerfully committed to her work as a playwright. The novel centers around her play, The Lake Shore Limited, about the terrorist bombing of that train—and about a man waiting to hear the fate of his estranged wife who is traveling on it. How Billy comes to write the play out of her own painful conflicts and ambivalence, how it is then created anew by the actors and the director, how the performance itself touches and changes the other characters' lives—these form the vital core of a story that drives the novel compulsively forward.
There's not a wasted word in this tour de force about the dislocations wrought in our lives by accidents of fate and time, and about how we try to make peace with whom we make peace with. (From the publisher.)
Author Bio
• Birth—November 29, 1943
• Where—Chicago, Illinois, USA
• Education—B.A., Radcliffe College
• Currently—lives in Cambridge, Massachusetts
Since her iconic first novel, The Good Mother in 1986, Sue Miller has distinguished herself as one of our most elegant and widely celebrated chroniclers of family life, with a singular gift for laying bare the interior lives of her characters.
While not strictly speaking autobiographical, Miller's fiction is, nonetheless, shaped by her experiences. Born into an academic and ecclesiastical family, she grew up in Chicago's Hyde Park and went to college at Harvard. She was married at 20 and held down a series of odd jobs until her son Ben was born in 1968. She separated from her first husband in 1971, subsequently divorced, and for 13 years was a single parent in Cambridge, Massachusetts, working in day care, taking in roomers, and writing whenever she could.
In these early years, Miller's productivity was directly proportional to her ability to win grants and fellowships. An endowment in 1979 allowed her to enroll in the Creative Writing Program at Boston University. A few of her stories were accepted for publication, and she began teaching in the Boston area. Two additional grants in the 1980s enabled her to concentrate on writing fulltime. Published in 1986, her first novel became an international bestseller.
Since then, success has followed success. Two of Miller's books (The Good Mother and Inventing the Abbots) have been made into feature films; her 1990 novel Family Pictures was nominated for a National Book Critics Circle Award; Oprah Winfrey selected While I Was Gone for her popular Book Club; and in 2004, a first foray into nonfiction—the poignant, intensely personal memoir The Story of My Father—was widely praised for its narrative eloquence and character dramatization. The Senator's Wife was published in 2008, followed by The Lake Shore Limited in 2010 and The Arsonist in 2014.
Miller is a distinguished practitioner of "domestic fiction," a time-honored genre stretching back to Jane Austen, Henry James, and Leo Tolstoy and honed to perfection by such modern literary luminaries as John Updike, Flannery O'Connor, and Richard Ford.
A careful observer of quotidian detail, she stretches her novels across the canvas of home and hearth, creating extraordinary stories out of the quiet intimacies of marriage, family, and friendship. In an article written for the New York Times "Writers on Writing" series, she explains:
For me everyday life in the hands of a fine writer seems...charged with meaning. When I write, I want to bring a sense of that charge, that meaning, to what may fairly be called the domestic.
Extras
From a 2008 Barnes & Noble interview:
• I come from a long line of clergy. My father was an ordained minister in the Presbyterian church, though as I grew up, he was primarily an academic at several seminaries — the University of Chicago, and then Princeton. Both my grandfathers were also ministers, and their fathers too. It goes back farther than that in a more sporadic way.
• I spent a year working as a cocktail waitress in a seedy bar just outside New Haven, Connecticut. Think high heels, mesh tights, and the concentrated smell of nicotine. Think of the possible connections of this fact to the first fact, above.
• I like northern California, where we've had a second home we're selling—it's just too far away from Boston. I've had a garden there that has been a delight to create, as the plants are so different from those in New England, which is where I've done most of my gardening. I had to read up on them. I studied Italian gardens too—the weather is very Mediterranean. I like weeding—it's almost a form of meditation.
• I like little children. I loved working in daycare and talking to kids, learning how they form their ideas about the world's workings—always intriguing, often funny. I try to have little children in my life, always.
• I want to make time to take piano lessons again. I did it for a while as an adult and enjoyed it.
• I like to cook and to have people over. I love talking with people over good food and wine. Conversation — it's one of life's deepest pleasures.
• When asked what book most influenced her life, here is her response:
In terms of prose style or a particular way of telling a story or a story itself, there is no one book that I can select. At various times I've admired and been inspired by various books. But there is a book that made the notion of making a life in writing seem possible to me when I was about 22. It was called The Origin of the Brunists.
I opened the newspaper on a Sunday to the Book Review, and there it was, a rave, for this first novel, written by a man named Robert Coover—a man still writing, though he's more famous for later, more experimental works. The important thing about this to me, aside from the fact that the book turned out to be extraordinary and compelling (it's about a cult that springs up around the lone survivor of a coal mining disaster, Giovanni Bruno), was that I knew Robert Coover. He had rented a room in my family's house when I was growing up and while he was a graduate student at the University of Chicago, where my father taught.
Bob Coover, whose conversations with friends drifted up through the heating ducts from his basement room to mine. Bob Coover, a seemingly normal person, a person whose life I'd observed from my peculiar adolescent vantage for perhaps three years or so as he came and went. It was thrilling to me to understand that such a person, a person not unlike myself, a person not somehow marked as "special" as far as I could tell, could become a writer. If he could, well then, maybe I could. (Author bio from Barnes & Noble.)
Book Reviews
The Lake Shore Limited is perhaps best appreciated as an extended character study. In places the prose drags, and there’s too much filler detail, as if Miller weren’t sure how to move the story forward without a proper plot. Still, the novel is worth reading for the ruthlessness of its revelations. .
Ligaya Mishan - New York Times
Miller's exquisite new novel, The Lake Shore Limited, is so sophisticated and thoughtful that it should either help redeem the term "women's literature" or free her from it once and for all. Several times in these pages someone refers to the relentless psychological analysis found in Henry James's novels.... In fact, The Lake Shore Limited may be the closest thing we'll get to a James response to 9/11: no drama, no crisis, barely any action at all—just a deeply affecting examination of the thoughts and feelings of four people still moving in the shadow of that tragedy.
Ron Charles - Washington Post
Four people are bound together by the 9/11 death of a man in Miller's insightful latest. Leslie, older sister and stand-in mother to the late Gus, clings to the notion that Gus had found true love with his girlfriend, Billy, before he was killed. But the truth is more complicated: Billy, a playwright, has written a new play that explores the agonizing hours when a family gathers, not knowing the fate of their mother and wife who was aboard a train that has been bombed. The ambivalent reaction of the woman's husband has shades of Billy and Gus's relationship, particularly the limbo she's been in since he died. Rafe, the actor playing the ambivalent husband, processes his own grief and guilt about his terminally ill wife as he steps more and more into his character. Finally, there's Sam, an old friend Leslie now hopes to set up with Billy. While the plot doesn't have the suspense and zip of The Senator's Wife, Miller's take on post-9/11 America is fascinating and perfectly balanced with her writerly meditations on the destructiveness of trauma and loss, and the creation and experience of art.
Publishers Weekly
An ambitious exploration of the interaction between choice and random chance in human relationships, from Miller (The Senator's Wife, 2008, etc.). The book centers on four characters' reactions to the play that one of them has scripted about the aftermath of a terrorist attack. Leslie attends the play of the title with her doctor husband and their architect friend Sam, with whom she once shared vague romantic longings. Playwright Billy was Leslie's younger brother's live-in girlfriend when he died six years earlier on one of the 9/11 planes. Still grieving for Gus, Leslie assumes Billy feels the same sense of loss and is disturbed by Billy's play, which describes the ambivalence of the survivor. The play's hero is a man who learns that a bomb has gone off on the train on which his wife was traveling. Horrified to feel relief that his wife's death would free him to marry his lover, he sends the lover away, and the play ends with his ambiguous greeting to his wife when she returns. As Leslie struggles to understand what the play means about Billy and Gus's relationship, the actor Rafe, who is playing the lead, also finds the play hitting close to home. His wife is dying of ALS, and he is committed to her care. After he sleeps with Billy one night, he brings the loss and guilt he feels about his wife to his performance, the brilliance of which resuscitates his flagging career. Billy has written the play to clear the air. She had decided to leave Gus before he died, but Leslie sucked her into the role of grieving lover. Now Leslie throws Billy together with Sam. He is immediately smitten, but Billy resists. An architect whose first wife died of breast cancer and whose second marriage ended in divorce, Sam allows chance to take its course. Miller raises tantalizing questions about the ethics of love, but the actual drama involving her decent, troubled characters never rises above a simmer.
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
Also consider these LitLovers talking points to help get a discussion started for The Lake Shore Limited:
1. How does Billy's play reveal her feelings toward Gus and her response to his death on 9/11? Is the play disrespectful to Gus's memory? What is she exploring in her play?
2. What is Leslie's response to her brother's death...and to Billy's play? What has she led herself to believe about Billy and Gus's relationship? What does she want for Billy...or what does she think she wants?
3. How does the play change Rafe? Was he wrong to have relations with Billy?
4. Why does Sam decide he wants nothing more to do with love?
5. Miller's novel explores the ways in which people respond to tragedy. The central characters of this novel have all experienced (or, in Rafe's case, are experiencing) the loss someone dear. How has each responded to personal loss? How should one respond to loss and grief? Is there a correct way—or does it differ according to person or circumstance?
5. In what way does this novel explore, as Ligaya Mishan in the New York Times puts it, "the failure of men and women to understand each other; the hunger for a different life."
6. Miller tells her story through four different characters' points of view. Do you enjoy this structural technique...or find it difficult?
6. Were you satisfied with the way the novel ended?
(Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)
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