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Serving of Vermont wit and wisdom, with a modicum of crime solving on the side. . . . though it's not the suspense but the sly, country-cousin charm of Freeman's storytelling that is the main attraction.
Boston Globe


An "absorbing yarn from a writer shrewd with the delayed reveal and deft with his lean, tidy sentences. The novel's 20 short chapters fit as snugly as Lincoln logs, and its dialogue zings with a sly Elmore Leonard lilt.
Cleveland Plain Dealer


The wit, humor and keen ear for dialogue Freeman's fans have come to relish...an absorbing, suspenseful gem of a novel.
Portsmouth Herald


An original voice... I had no idea what I was missing. Sean Duke, the Cossacks and the Sweetheart of Sigma Chi are just part of the pack barking at the end of the drive. Their voices, and Freeman's, illuminate a marvelous novel.
Oregonian


Sheriff Lucian Wing, the narrator of Freeman's wonderfully wry fourth novel, is a laconic, old-fashioned lawman who discovers an outpost of nefarious Russians in his sleepy Vermont county. Wing's Fargo-esque delivery is hysterical, but what makes this spare tale a standout is Freeman's keen ear for dialogue and his affection for the quietly complex characters of small-town life.
People


(Starred review.)Freeman's pleasantly wicked fourth novel (after Go with Me), set in smalltown rural Vermont, explores the moral choices of a good-hearted, meek sheriff. The laconic and gently self-deprecating sheriff, Lucian Wing, a middle-aged ex-navyman married to a prominent lawyer's daughter, has to decide whether to arrest a young ne'er do well who has broken into an opulent home owned by mysterious Russians and stolen a safe. The problem is that Wing feels for the young criminal, Sean Duke, who works as a laborer, has a winning way with the ladies and is known for his wild behavior. The childless sheriff regards the kid as a kind of bad-boy substitute son and knows that if he doesn't spirit Duke out of town, the Russians will get him first. Meanwhile, Sean makes inroads into the sheriff's chilly marriage, bringing Wing to a crisis of conscience. Freeman sets an intertwined network of provincial egos on a collision course and pulls it off through the wonderfully satisfying point of view of his deadpan sheriff.
Publishers Weekly