Shantaram (Roberts)

Book Reviews
Shantaram is an exuberant, swashbuckling story of derring-do, told with reckless gusto and obvious affection, and if Roberts is no sort of stylist (and he isn't), you'd have to be a snob not to admit to enjoying yourself.
Patrick Ness - Telegraph (UK)


A gentle giant on the scale of Shantaram can afford a few unintended giggles, but million-rupee questions remain: Why, given Roberts's wealth of material and penchant for soul-searching, didn't he write a memoir? And what of Linbaba's debt to society and, presumably, to his briefly mentioned young daughter back in Australia? What is he really after, anyway? But it seems unsporting to begrudge Roberts the license to thrill while having such a good time —and ''Shantaram,'' mangrove-scented prose and all, is nothing if not entertaining. Sometimes a big story is its own best reward.
Megan O'Grady - New York Times 


[A] sprawling, intelligent novel…full of vibrant characters…the exuberance of his prose is refreshing…Roberts brings us through Bombay's slums and opium houses, its prostitution dens and ex-pat bars, saying, You come now. And we follow.
Washington Post


"I was a revolutionary who lost his ideals in heroin, a philosopher who lost his integrity in crime, and a poet who lost his soul in a maximum-security prison," says Lin, Gregory David Roberts' hero, on the first page of Shantaram.... The sad truth is that there's little more to be gained by reading the remaining 935 pages. Lin's brutal trek through Afghanistan and its bloody ending turn out to be just another in a shapeless collection of action episodes, strung together by macho ruminations about the nature of love, trust, courage, and, of course, freedom.
Boston Globe


Part travelogue, part love letter, part autobiography, Shantaram is a vivid, entertaining but slightly grandiose tale of Lin, an ex-junkie and convicted robber who escapes from an Australian prison then hides in the most alien of places: the hot, filthy, decadent, seaside metropolis of Bombay.
Rita Bishnoi - USA Today


Shantaram had me hooked from the first sentence. [It] is thrilling, touching, frightening...a glorious wallow of a novel.
Detroit Free Press


Utterly unique, absolutely audacious, and wonderfully wild, Shantaram is sure to catch even the most fantastic of imaginations off guard.
Elle


At the start of this massive, thrillingly undomesticated potboiler, a young Australian man bearing a false New Zealand passport that gives his name as "Lindsay" flies to Bombay some time in the early '80s. On his first day there, Lindsay meets the two people who will largely influence his fate in the city. One is a young tour guide, Prabaker, whose gifts include a large smile and an unstoppably joyful heart. Through Prabaker, Lindsay learns Marathi (a language not often spoken by gora, or foreigners), gets to know village India and settles, for a time, in a vast shantytown, operating an illicit free clinic. The second person he meets is Karla, a beautiful Swiss-American woman with sea-green eyes and a circle of expatriate friends. Lin's love for Karla—and her mysterious inability to love in return—gives the book its central tension. "Linbaba's" life in the slum abruptly ends when he is arrested without charge and thrown into the hell of Arthur Road Prison. Upon his release, he moves from the slum and begins laundering money and forging passports for one of the heads of the Bombay mafia, guru/sage Abdel Khader Khan. Eventually, he follows Khader as an improbable guerrilla in the war against the Russians in Afghanistan. There he learns about Karla's connection to Khader and discovers who set him up for arrest. Roberts, who wrote the first drafts of the novel in prison, has poured everything he knows into this book and it shows. It has a heartfelt, cinemascope feel. If there are occasional passages that would make the very angels of purple prose weep, there are also images, plots, characters, philosophical dialogues and mysteries that more than compensate for the novel's flaws. A sensational read, it might well reproduce its bestselling success in Australia here.
Publishers Weekly


A thousand pages is like a thousand pounds—it sounds like too much to deal with. Nevertheless, Roberts' very long novel sails along at an amazingly fast clip. Readers in the author's native Australia apparently finished every page of it, for they handed it considerable praise. Now U.S. readers can enjoy this rich saga based on Roberts' own life: escape from a prison in Australia and a subsequent flight to Bombay. —Brad Hooper 
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