cursive writingCursive Cramp
By Kathy Aspeden, Author
*

A few years ago
I took a creative writing class from Professor Patricia McGraw. It was a three-credit course designed for advanced writers.

Absolutely, I wanted to get the most out of the class.

But I also wanted to get an "A" (grade-seeker — a horrible trait leftover from not having achieved anything athletic in my childhood years). That meant doing all the homework, even the things I found redundant or repetitive. Everything.

Professor McGraw was a huge fan of cursive. She said it got our creative juices flowing to engage our hands in what is quickly becoming a medieval practice. Four handwritten lined-notebook pages a night. Ugh!

It was agony for me. I have terrible, scratchy handwriting. My hands do not form circles. I can’t get anything on my body to make a circle. Ankle rolls during yoga, hula hoop hips, all of it is difficult.

I’m not graceful, I’m purposeful. I can hand-draw a window opening without a level. I’m the chick that does all the cut-in for family painting project.

I don’t create circles or graceful arcs. Cursive is filled with pretty swirls of circles!

Can you imagine getting a mediocre grade because of a simple thing like cursive? It felt positively elementary-schoolish — until I got the hang of it. Yes, like most people my brain works faster than my hands. I had to relax my thoughts, which turned out to allow more time for different, additional thoughts. Who knew?

When I realized that Professor McGraw wasn’t looking at the content, I still felt an obligation to do the task justice. One day I wrote four entire pages of potential book titles that all flowed into one another. "The Life We Made – Making The Pie – A Pie in Your Eye – The Eyes Have It – It Happened in the Park – Park Plaza Promise - Promise You’re Not a Psycho – Psycho is Another Name for Different – A Different Desire…"

Once I wrote a grocery list from when I was a kid, "Chef-Boy-Ardee Raviolis, Captain Crunch Cereal, Frosted Pop Tarts, Tang – the choice of astronauts…" You get the picture.

Before class we’d compare notes about how ridiculous our journals were. One guy wrote everything the NHL Hockey commentator said. Another recorded all the commercials while she power-watched back-to-back episodes of Grey’s Anatomy. Still another student detailed every move her cat made — adding extremely funny dialogue in between actions.

We thought we were beating the system, but we had to admit that something was happening. Ideas were being triggered by the action of writing by hand.

Today, cursive is making a comeback.

I recently saw a news show about the Campaign for Cursive’s 2017 contest winners. It was filled with kids who were treating the learning of cursive like a language or an archeological dig. They were cursive powerhouses, proud to have mastered a language that many of their friends didn’t know existed.

I’ll leave you with a great link to Johanna Silver’s 9 Incredible Ways Writing by Hand Benefits Our Bodies and Brains, as well as a look back at all the hoopla New York Yankees star, Alex Rodriquez, generated with his handwritten apology to the fans of baseball.

Kathy Aspden, is the author of Baklava, Biscotti, and an Irishman, as well as a book reviewer for LitLovers.

cursive note



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FICTION IS A MAGIC TRICK of sorts. But at its best it doesn’t just conjure up an imaginary world; it makes the real one disappear, it makes the author disappear. Only a book can do this — let you lose yourself so completely. So, if you can, forget about everything else. Just be there with the book.

Jami Attenberg, Author of All Grown Up
Interview, NY Times Book Review, March 26, 2017

And in the other corner . . .

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A GREAT OBSTACLE to good education is the inordinate passion prevalent for novels, and the time lost in that reading which should be instructively employed. When this poison infects the mind, …[t]he result is a bloated imagination, sickly judgment and disgust towards all the real businesses of life.

Thomas Jefferson 
Letter to Nathaniel Burwell, March 14, 1818

 

 

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Have you noticed
the number of absent mothers at the heart of new novels lately? So far I count SEVEN—in the first quarter of 2017 alone—and surely there are more.

1/10  The Sleepwalker
1/31 I Liked My Life
1/ 7 Swimming Lessons
1/ 7 Universal Harvester
3/ 7 Rabbit Cake
3/ 7 Close Enough to Touch
3/28 Twelve Lives of Samuel Hawley

Then there are last year's books, as well as those over the past several years—most famously, Where'd You Go, Bernadette. We can even go back to the early-aughts.

The missing mothers in these stories take off…or wander off…or die…or are killed…or kill themselves. Sometimes it happens before the novel opens, sometimes within the pages.

Whenever or however they disappear, fictional moms leave heartbreak and loneliness in their wake—a grief so profound it shapes a character's motivations and actions throughout the novel.

It is an age-old literary trope, which authors use to set their protagonists on the path of the Hero's Journey—a quest for self-discovery, belonging, and self-acceptance.

One of the best missing mother novels? Dickens' David Copperfield—the mother of all missing mother stories.

By the way...I've written on a this subject a number of years ago. See Lost Mothers—Why authors bump off moms.

reinvent novelRachel Cusk, wants to reinvent the novel, at least according to the New York Times Book Review.* Just writing that makes me break into a sweat. Why do we have to reinvent the novel?

Okay, I get it. It's not unlike composers wondering where to take symphonic music after Beethoven. Ludwig pretty much said it all.

Poor Johannes Brahms: when folks heard his first symphony, they went, "OMG! It's Beethoven's 10th." Or so the story goes.

After 200+ years of the novel as art form, it's understandable that authors might want to try something different.

Perhaps you've noticed the trend toward SHIFTING POINTS OF VIEW, different characters taking turns at the helm…

. . . surely you've noticed the frequent use of SHIFTING TIME FRAMES, the lack of straightforward chronology…

. . . or maybe you've noticed the use of ALTERNATIVE TEXTS: news clips, diary entries, handwritten letters, scholarly papers, emails, even PowerPoint…

. . . how about the use of ALTERNATE REALITIES?


Sometimes it's hard
to tell exactly where you are...or what character you're following—one of the criticisms leveled at Paul Auster's otherwise highly touted new book 4321. Other times, all this narrative disruption can make it hard to engage with the characters.

Yet we know people see and experience life differently. And that is precisely what the new fiction is trying to get at—to point out that human perception isn't cut in stone, that there is more than one way of seeing a particular event, and that memory is faulty.

Nonetheless, don't you miss the comfort of a single narrator? I do. I have a yen for that 19th-century style of writing in which someone steps onto your front porch, claims a seat, and tells you a grand story.

I hate being old-fashioned and curmudgeonly. But I'm weary of the fact that EVERY new book I pick up messes with point of view and chronology. Friends, I just had to get that off my chest.

* New York Times Book Review, January 29, 2017, cover review of Rachel Cusk's Transit.



criminal librarians3Ha! And you thought librarians were goody-two-shoes. Well, here's a TRUE CRIME story that'll make your toes curl.

The AP reported that the county library in Sorrento, Florida, was caught red-handed in a devilishly clever SCAM. Over the course of nine months some 2,000 books had been checked out by a fake card holder.

Now THAT, dear reader, is registration fraud. But get this: the books were always returned. Within an hour. Undamaged.

The Big Reader was Chuck Finley, except Chuck Finley doesn't exist (at least with an East Lake Library card). It turns out two librarians had dummied up an ID and used it to check out books, dozens at a time—everything from John Steinbeck's Cannery Row to Why Do My Ears Pop, a children's book by Ann Fullick.

It was all for a good cause—to save them from the chopping block because books that haven't been checked out for a period of time are removed from the county system. So the two librarians took it upon themselves to save as many as they could.

Until someone ratted them out. What a kill joy.

But who's the bad guy here—the fink or the perps? Bleed though our hearts may, it's hard to say. With some 300,000 titles published a year by major U.S. houses (50,000+ for fiction alone), libraries face a serious shortage of space. Budgets aren't the only thing being squeezed…so are books on shelves.

Still, how can we NOT relate to these two benighted—or beknighted—souls, so enamored of books that they can't bear to have them tossed in the dust bin of history? (Btw, I've no idea what's become of our librarians—to say nothing of all the BOOKS.)

A humorous yet sad tale.


moon-lib-book-bundles2So imagine: you're walking into one of your local library branches, as I was recently, and you find right in front of you a sumptuous table, positively laden with tote bags—each of them charmingly tagged by theme and filled with used books.

For $10 any Book Bundle could be yours. Patrons get the books (from 4 to 6), AND they get the tote bag. It's enchanting.


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girl with ladderScroll down to our previous post about the hundreds of Girl Titles in the publishing world. Book after book with "girl" in the title.

I griped about the use of the "g" word as a throw-back to the bad old days when women were easily dismissed and occupied lower rungs on the cultural ladder.

But, hey! Girl Titles sell books—The Girl in the Dragon Tattoo series started it all in 2005. Then came Gone Girl and Girl on the Train.

Now it's a trend, and publishers want in on it—so they're busy RENAMING OLD TITLES, hoping to breathe new life into older books. Take a look ...


New Girly Titles
For Old Books


Remarkable Creatures
by Tracy Chevalier
Girls Who Dug Rocks

Little Women
by Louisa May Alcott
Little Girls

The Age of Innocence
by Edith Wharton
Girls Wearing Corsets

My Beloved World
by Sonia Sotomayor
The Girl Who Made It All the Way to the Supreme Court

Where'd You Go Bernadette
by Maria Semple
The Girl Who Left Her Daughter (But Kept in Touch)

Hunger Games
by Suzanne Collins
The Girl Who Runs with Arrows and Other Sharp Objects

Wild
by Cheryl Strayed
The Girl Who Went for a Walk and Then Felt Better

Lean In
by Sheryl Sandberg
The Girl Who Kicked Corporate Butt

Pride and Prejudice
by Jane Austen
The Girl with Prejudice & the Man with Pride, or Vice Versa

Obsessive Genius: The Inner Life of Marie Curie
by Barbara Goldsmith
Hey, Girl—You're the Bomb

I Am Malala
by Malala Yousafzai
The Girl Who Damn Well Better Win the Nobel Prize

The Invention of Wings
by Sue Monk Kid
The Girl Who Owned a Slave … Who Was Also a Girl

Flight Behavior
by Barbara Kingsolver
Climate Change Girl

The Signature of All Things
by Elizabeth Gilbert
The Girl Who Watched Fungus Grow and Became Famous

The Woman in Cabin 10
by Ruth Ware
The Girl in Cabin 10



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