When You Are Engulfed in Flames (Sedaris)

When You Are Engulfed in Flames
David Sedaris, 2008
Little, Brown & Co.
336 pp.
ISBN-13: 9780316154680

Summary
Trying to make coffee when the water is shut off, David considers using the water in a vase of flowers and his chain of associations takes him from the French countryside to a hilariously uncomfortable memory of buying drugs in a mobile home in rural North Carolina.

In essay after essay, Sedaris proceeds from bizarre conundrums of daily life—having a lozenge fall from your mouth into the lap of a fellow passenger on a plane or armoring the windows with LP covers to protect the house from neurotic songbirds—to the most deeply resonant human truths. Culminating in a brilliant account of his venture to Tokyo in order to quit smoking, David Sedaris's sixth essay collection is a new masterpiece of comic writing from "a writer worth treasuring" (Seattle Times). (From the publisher.)

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Author Bio
• Birth—December 26, 1956
• Where—Johnson City, New York, USA
• Education—B.F.A., Art Institute of Chicago
• Awards—Thurber Prize; Time Humorist of the Year;
   Advocate Lambda Award.
• Currently—lives in London, England, UK

According to Time Out New York, "David Sedaris may be the funniest man alive." He's the sort of writer critics tend to describe not in terms of literary influences and trends, but in terms of what they choked on while reading his latest book. "I spewed a mouthful of pastrami across my desk," admitted Craig Seligman in his New York Times review of Naked.

Sedaris first drew national attention in 1992 with a stint on National Public Radio, on which he recounted his experiences as a Christmas elf at Macy's. He discussed "the code names for various posts, such as 'The Vomit Corner,' a mirrored wall near the Magic Tree" and confided that his response to "I'm going to have you fired" was the desire to lean over and say, "I'm going to have you killed." The radio pieces were such a hit that Sedaris, then working as a house cleaner, started getting offers to write movies, soap operas and Seinfeld episodes.

In subsequent appearances on NPR, Sedaris proved he wasn't just a velvet-clad flash in the pan; he's also wickedly funny on the subjects of smoking, speed, shoplifting and nervous tics. His work began appearing in magazines like Harper's and Mirabella, and his first book Barrel Fever, which included "SantaLand Diaries," was a bestseller. "These hilarious, lively and breathtakingly irreverent stories...made me laugh out loud more than anything I've read in years," wrote Francine Prose in the Washington Post Book World.

Since then, each successive Sedaris volume has zoomed to the top of the bestseller lists. In Naked, he recounts odd jobs like volunteering at a mental hospital, picking apples as a seasonal laborer and stripping woodwork for a Nazi sympathizer. The stocking stuffer-sized Holidays on Ice collects Sedaris' Christmas-themed work, including a fictional holiday newsletter from the homicidal stepmother of a 22-year-old Vietnamese immigrant ("She arrived in this house six weeks ago speaking only the words 'Daddy,' 'Shiny' and 'Five dollar now'. Quite a vocabulary!!!!!").

But Sedaris' best pieces often revolve around his childhood in North Carolina and his family of six siblings, including the brother who talks like a redneck gangsta rapper and the sister who, in a hilarious passage far too dirty to quote here, introduces him to the joys of the Internet. Sedaris' recent book Me Talk Pretty One Day describes, among other things, his efforts to learn French while helping his boyfriend fix up a Normandy farmhouse; he progresses "from speaking like an evil baby to speaking like a hillbilly. 'Is thems the thoughts of cows?' I'd ask the butcher, pointing to the calves' brains displayed in the front window."

Sedaris has been compared to American humorists such as Mark Twain, James Thurber and Dorothy Parker; Publisher's Weekly called him "Garrison Keillor's evil twin." Pretty heady stuff for a man who claims there are cats that weigh more than his IQ score. But as This American Life producer Ira Glass once pointed out, it would be wrong to think of Sedaris as "just a working Joe who happens to put out these perfectly constructed pieces of prose." Measured by his ability to turn his experiences into a sharply satirical, sidesplittingly funny form of art, David Sedaris is no less than a genius.

Extras
• Sedaris got his start in radio after This American Life producer Ira Glass saw him perform at Club Lower Links in Chicago. In addition to his NPR commentaries, Sedaris now writes regularly for Esquire.

• Sedaris's younger sister Amy is also a writer and performer; the two have collaborated on plays under the moniker "The Talent Family." Amy Sedaris has appeared onstage as a member of the Second City improv troupe and on Comedy Central in the series Strangers with Candy.

• If I weren't a writer, I'd be a taxidermist," Sedaris said in a chat on Barnes and Noble.com. According to the Boston Phoenix, his collection of stuffed dead animals includes a squirrel, two fruit bats, four Boston terriers and a baby ostrich.

• When asked what book most influenced his career as a writer, he's what he said:

I guess it would be Cathedral by Raymond Carver. His sentences are very simple and straightforward, and he made writing seem deceptively easy—the kind of thing anyone could do if they put their mind to it. (From Barnes & Noble.)

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Book Reviews
Sedaris tallies up the last 25 years, the prime of his life, and isn't impressed by the sum: "How had 9,125 relatively uneventful days passed so quickly," he writes, "and how can I keep it from happening again?" As usual, Sedaris has lots of answers to the first question but not many to the second in this delightful compilation of essays circling the theme of death and dying, with nods to the French countryside, art collecting and feces.
Vanessa Grigoriadis - New York Times

David Sedaris's ability to transform the mortification of everyday life into wildly entertaining art.
Christian Science Monitor

The Sedaris genius is to be incredibly particular, not to mention peculiar, and yet take fantastic and rapid leaps to the universal.... He'll be telling some weird story, and all of a sudden, just at the end, it turns out not only to be about him, but also about you. He's a master at evoking fellow feeling.
Nancy Dalva - New York Observer

(Audio version.) Sedaris's sparkling essays always shimmer more brightly when read aloud by the author. And his expert timing, mimicry and droll asides are never more polished than during live performances in front of an audience. Happily, four of the 22 pieces are live recordings, and listeners can hear Sedaris's energy increase from the roaring, rolling laughter of the appreciative audience. Sedaris's studio recording of his 10-page "Of Mice and Men" runs 16 minutes, while the live recording of "Town and Country," which runs the same length in print, expands to 22 minutes thanks to an audience that often doesn't let him finish a sentence without making him pause for laughter to subside. The studio recordings usually begin with an acoustic bass and brief sound effect (a buzzing fly, the lighting of a cigarette, the clinking of ice in a drink, etc.). Sedaris's brilliant magnum opus, "The Smoking Section" (about his successful trip to Tokyo to quit smoking) stretches across the final two CDs.
Publishers Weekly

(Audio version.) Sedaris once again enchants and amuses with his observations about the absurdity of ordinary life situations in this, his sixth collection of essays. As wonderful as it is reading Sedaris's work, it's an even greater pleasure listening to him read it himself, as he provides just the right delivery and cadence to maximize the humor (four of the recordings are live). Track listings with titles are printed on each CD, allowing listeners to find their favorites easily. Highly recommended for all collections.
Library Journal

This latest collection of 22 essays proves that not only does Sedaris still have it, but he’s also getting better. True, the terrain is familiar.... Nevertheless, Sedaris’ best stuff will still—after all this time—move, surprise, and entertain. —Jerry Eberle
Booklist

Older, wiser, smarter and meaner, Sedaris defies the odds once again by delivering an intelligent take on the banalities of an absurd life. The author's faithful fans probably won't be turned off by his copyright-page admission that these pieces, most seen before in the New Yorker, are only "realish." They feel real, whether Sedaris is revealing his troubling obsession with a certain species of spider or describing a lift from a tow-truck driver who kept saying things like, "yes, indeedy, a little oral give-and-take would feel pretty good right about now"—the ring of truth adds to the book's horrified-laughter factor. The author still draws from the well of familial tragicomedy in pieces that dissect his parents' taste in modern art ("Adult Figures Charging Toward a Concrete Toadstool") and their reactions to what he wrote about them in his first book ("fifty pages later, they were boarding up the door and looking for ways to disguise themselves"). Most of the essays, however, chronicle expatriate life in England, France and Japan with his long-suffering and improbably talented boyfriend Hugh. Sedaris positions himself as a hapless Bertie Wooster to Hugh's Jeeves, lazily allowing his partner's mother to clean their apartment ("I just sit in a rocker, raising my feet every now and then so she can pass the vacuum") and marveling at Hugh's interest in, well, doing things. A highpoint is "All the Beauty You Will Ever Need," which starts as a rant about his boyfriend's ludicrous self-sufficiency ("Hugh beats underpants against river rocks or decides that it might be fun to grind his own flour") but twists into a sharp declaration of love that's all the more touching for its lack of sentimentality. Just when Sedaris seems to have disappeared down the rabbit hole of ironic introspection, he delivers a cracking blow of insight that leaves you reeling.
Kirkus Reviews

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Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:

• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)

Also consider these LitLovers talking points to help get a discussion started for When You Are Engulfed in Flames:

1. Of course, the best place to start with Sedaris is to recount the funniest, LOL moments in his books. At which parts did you find yourself laughing out loud? Any favorites?

2. Sedaris tallies up the days over the past 25 years, feeling he hasn't accomplished much...and he'd like to prevent the same number of "uneventful" days from occurring again. Of course, this is a little precious given that Sedaris has a fabulous writing and performance career. But nonetheless, it is a cry of angst in a typical midlife crisis. Ever feel that way yourself? At any time, at any age? What's the antidote—does Sedaris suggest one? Can you?

3. Sedaris says of his relationship with his partner Hugh, that they are "two decent people trapped in a rather dull play." How does he then parlay what at first seems like a typical litany of complaints about a loved one into a profession of love? What does Sedaris come to realize about the nature of love, at least his love for Hugh?

4. In "The Monster Mash," Sedaris recounts his time spent researching a story in the medical examiner's office. He says the experience was a matter of "seeing too much and understanding the horrible truth: no one is safe." The realization hit him that soon or later he is going to die. Did you find that chapter funny or poignant or upsetting or .... what?

5. Talk about how Sedaris finally decides to quit smoking after 30 years. He writes about it in three phases. For any non-smokers, does it ring true? Did you find his account funny or realistic?

6. As always, Sedaris gets good mileage out of his eccentric but loving family. This time he talks about his parents' reaction to his first book. How would it feel to have a writer/humorist/ social critic in your family? How fair is it of a writer to use family members as fodder?

7. If you have read or heard any of Sedaris's other works, how does this one compare? Which was your favorite Sedaris book/recording?

8. For a book club meeting, it would be fun to listen to a number of selections from the audio version of When You Are Engulfed.

(Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)

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