In this mesmerizing portrait of the Nazi capital, Larson plumbs a far more diabolical urban cauldron than in his bestselling The Devil in the White City. He surveys Berlin, circa 1933 1934, from the perspective of two American naïfs: Roosevelt's ambassador to Germany, William Dodd, an academic historian and Jeffersonian liberal who hoped Nazism would de-fang itself (he urged Hitler to adopt America's milder conventions of anti-Jewish discrimination), and Dodd's daughter Martha, a sexual free spirit who loved Nazism's vigor and ebullience. At first dazzled by the glamorous world of the Nazi ruling elite, they soon started noticing signs of its true nature: the beatings meted out to Americans who failed to salute passing storm troopers; the oppressive surveillance; the incessant propaganda; the intimidation and persecution of friends; the fanaticism lurking beneath the surface charm of its officialdom. Although the narrative sometimes bogs down in Dodd's wranglings with the State Department and Martha's soap opera, Larson offers a vivid, atmospheric panorama of the Third Reich and its leaders, including murderous Nazi factional infighting, through the accretion of small crimes and petty thuggery. Photos.
Best-selling author Larson (The Devil in the White City) turns his considerable literary nonfiction skills to the experiences of U.S. ambassador to Germany William E. Dodd and his family in Berlin in the early years of Hitler's rule. Dodd had been teaching history at the University of Chicago when he was summoned by FDR to the German ambassadorship. Larson, using lots of archival as well as secondary-source research, focuses on Dodd's first year in Berlin and, using Dodd's diary, chillingly portrays the terror and oppression that slowly settled over Germany in 1933. Dodd quickly realized the Nazis' evil intentions; his daughter Martha, in her mid-20s, was initially smitten by the courteous SS soldiers surrounding her family, but over time she, too, became disenchanted with the brutality of the regime. Along the way Larson provides portraits based on primary-source impressions of Hermann Göring, Joseph Goebbels, Heinrich Himmler, and Hitler himself. He also traces the Dodds' lives after their time in Germany. Verdict: Larson captures the nuances of this terrible period. This is a grim read but a necessary one for the present generation. Those who wish to study Dodd further can read Robert Dallek's Democrat & Diplomat. —Ed Goedeken, Iowa State Univ. Lib., Ames
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