Book Club Reviews

LitPicks™ are written with Book Clubs in mind. Every month we we publish three reviews—one in each category—to satisfy different styles for reading and discussing:

A Lighter Touch: books that can delight, offer hope, or inspire personal reflection.

Wonderfully Written: books that engage on a deeper level for personal or literary discussions.

Great Works: books that have stood the test of time and offer a more complex vision of humanity.

LitPicks™ Book Reviews—Scroll down for this month's newest reviews . . . or scroll all the way down for previous reviews—back to 2007.

Browse by Theme—Books and Themes by Month

Browse by Category—A Lighter Touch | Wonderfully Written | Great Works

LitPicks Book Reviews—May 2013

Theme—Class Conscious . . . Class Conscience
We like to think we're a "classless" society, but our books this month indicate otherwise. Socio-economic divisions have been a part of our history...and remain with us today.

Labels: A Lighter Touch

Seating Arrangements
Maggie Shipstead, 2012
320 pp.

Book Review by Molly Lundquist
May, 2013
How someone as young as Maggie Shipstead has managed such sure-footed prose, mature insights, and sardonic humor is beyond me. For a writer in her then-late-20s, her debut novel Seating Arrangements is a remarkable feat. It would be so for a writer at any age.

Labels: Wonderfully Written

The Accursed
Joyce Carol Oates, 2013
688 pp.

Book Review by Molly Lundquist
May, 2013
Over the past number of years, I'd grown wary of Joyce Carol Oates—with her characters and plots bordering on the grotesque. So it was with some trepidation that I picked up The Accursed.

Well, here again are her usual grotesqueries, this time placed in a historical context, with a gothic setting, and fantasy-thriller plotline—and all of it so mesmerizing it was difficult to put the book down.

Labels: Great Works

The House of Mirth
Edith Wharton,
274 pp.

Book Review by Molly Lundquist
May 2013
Fifteen years before her Pulitzer-Prize-winning novel, The Age of Innocence, Edith Wharton already had her sights trained on New York's gilded-age society. The result is The House of Mirth, a devastating portrait, far crueler and more predatory than anything in her later book.

And with Lily Bart, Wharton has given us one of literature's enduring heroines. Lily, with her remarkable beauty and innate charm, captivates readers in the same way she captivates the characters within the novel.