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LitPicks™ are written with Book Clubs in mind. Every month we we publish three reviews—one in each category—to satisfy different styles for reading and discussing: A Lighter Touch: books that can delight, offer hope, or inspire personal reflection. |
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LitPicks™ Book Reviews—Scroll down for this month's newest reviews . . . or scroll all the way down for previous reviews—back to 2007.
Browse by Theme—Books and Themes by Month
Browse by Category—A Lighter Touch | Wonderfully Written | Great Works
| Theme—Good Books, Tough Subjects Some books tackle difficult, painful subjects but do so with exceptional prose, wit and, most of all, compassion. They make for compelling reading. This month's works consider young people battling cancer, the brutal society in North Korea, and pedophilia. |
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The Fault in Our Stars
John Green, 2012
336 pp.
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The Orphan Master's Son
Adam Johnson, 2012
464 pp.
Book Review by Molly Lundquist
May, 2012
Life inside North Korea—despite satellite technology, defector memoirs, and occasional state visits—remains shrouded in mystery. This is the world Adam Johnson's brilliant novel seeks to penetrate: North Korea in its surreal brutality.
Pak Jun Do begins life in an orphanage where children are left not just parentless but nameless, remaining outcasts for the rest of their lives. Jun Do is convinced he is different, that he has special status as the son of the Orphan Master, though we are left to think differently.
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Lolita
Vladimir Nabokov, 1955
377 pp.
Book Review by Molly Lundquist
May 2012
Lolita has achieved iconic status as a literary masterpiece, albeit a disturbing one, highly disturbing because of its subject matter—pedophilia. What's worse is that you find yourself taking the side of—rooting for, and identifying with—a pedophile. And you even find yourself laughing because the pedophile is a wickedly funny, sophisticated narrator.
How does Nabokov do it? He uses point of view—and turns it on its head. Point of view (see our free LitCourse 7) is how authors get us to identify with certain characters—we see the book's events through their eyes, and usually they're the good guys.
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