Drowning Ruth (Schwarz)

Drowning Ruth 
Christina Schwarz, 2000
Random House
352 pp.
ISBN-13: 9780345460356


Summary
Oprah Book Club Selection (2000)

Deftly written and emotionally powerful, Drowning Ruth is a stunning portrait of the ties that bind sisters together and the forces that tear them apart, of the dangers of keeping secrets and the explosive repercussions when they are exposed. A mesmerizing and achingly beautiful debut.

Winter, 1919. Amanda Starkey spends her days nursing soldiers wounded in the Great War. Finding herself suddenly overwhelmed, she flees Milwaukee and retreats to her family's farm on Nagawaukee Lake, seeking comfort with her younger sister, Mathilda, and three-year-old niece, Ruth. But very soon, Amanda comes to see that her old home is no refuge—she has carried her troubles with her.

On one terrible night almost a year later, Amanda loses nearly everything that is dearest to her when her sister mysteriously disappears and is later found drowned beneath the ice that covers the lake. When Mathilda's husband comes home from the war, wounded and troubled himself, he finds that Amanda has taken charge of Ruth and the farm, assuming her responsibility with a frightening intensity. Wry and guarded, Amanda tells the story of her family in careful doses, as anxious to hide from herself as from us the secrets of her own past and of that night.

Ruth, haunted by her own memory of that fateful night, grows up under the watchful eye of her prickly and possessive aunt and gradually becomes aware of the odd events of her childhood. As she tells her own story with increasing clarity, she reveals the mounting toll that her aunt's secrets exact from her family and everyone around her, until the heartrending truth is uncovered.

Guiding us through the lives of the Starkey women, Christina Schwarz's first novel shows her compassion and a unique understanding of the American landscape and the people who live on it. (From the publisher.)

Author Bio
• Birth—N/A
• Where—the state of Wisconsin, USA
• Education—B.A., M.A., Yale University
• Currently—Southern California


Christina Schwarz is an American novelist, best known for her Oprah Book Club pick Drowning Ruth (2000). Other works include The Edge of Earth (2013), So Long at the Fair (2009), and All is Vanity (2003). Born and raised in rural Wisconsin, Schwarz now lives in Southern California.  (From the publisher .)

Book Reviews
[A] suspenseful, unusually well-crafted first novel . . . a richly textured book with an enveloping sense of the sisters' Wisconsin farm life . . . [S]he fuses this suspense with such strong period detail that Drowning Ruth creates a visceral sense of the forces that constrain its women's lives.
Janet Maslin - New York Times


The vivid realism of the novel's setting adds depth to an already gripping plot. . . . Schwarz maintains her mystery with an expert hand . . . Drowning Ruth is a remarkable debut: surprising, unsettling and sure.
Maile Meloy - New York Times Book Review


[T]his unusually deft and assured first novel conveys a good deal more than thrills and chills.
Paul Gray - Time


"Ruth remembered drowning." The first sentence of this brilliantly understated psychological thriller leaps off the page and captures the reader's imagination. In Schwarz's debut novel, brutal Wisconsin weather and WWI drama color a tale of family rivalry, madness, secrets and obsessive love.... Schwarz deftly uses first-person narration to heighten the drama. Her prose is spare but bewitching, and she juggles the speakers and time periods with the surety of a seasoned novelist.
Publishers Weekly


A wonderfully constructed gothic suspense novel set on a stark Wisconsin farm in 1919. The story goes backward and forward in time and is told by Amanda, her niece Ruth, and an omniscient narrator.... Mattie's mysterious drowning during a winter blizzard and guilty lies soon engulf Amanda and threaten to change the lives of several others in the small rural community. A compelling complex tale of psychological mystery and maddeningly destructive provincial attitudes. —Jackie Gropman, Kings Park Library, Fairfax, VA
School Library Journal


Schwarz keeps the focus on the choices, interactions, and all-too-frequent misunderstandings of her people, all of whom react to the effects of tragedy with surprising complexity. The narrative jumps from viewpoint to viewpoint a bit too jerkily at times, but the charm of its detail and the generous insight into even small, imperfect lives more than compensate for minor technical lapses. An engrossing debut from a writer to watch.
Kirkus Reviews

Discussion Questions
1. Throughout the story, Amanda seems to be alternately portrayed as either sinister and mentally unbalanced or as a sad woman who is a victim of circumstance. What are your feelings about her? Were you mostly sympathetic to her or turned off by her controlling spirit?

2. Did you find most of the main players in Drowning Ruth to be complicated and not easily categorized? Who intrigued you the most?

3. Do you think the author skillfully built up the suspense of the fateful night on the lake? Did you guess what would happen?

4. Ruth and Amanda’s relationship is one of the most compelling elements of the novel. At times they are presented in a mother/daughter dynamic, but at other moments they seem poised as siblings almost, or even as foils to each other—especially when Amanda speaks to us about her own childhood. How do you think Amanda regarded Ruth? What, in your mind, was the real significance of their relationship? Did Amanda truly love Ruth?

5. The lake is a striking backdrop throughout the novel, and most of the traumatic or profound moments occur there: Mathilde and Clement die there, Amanda forces Ruth to swim in it, Imogene and Ruth both fall in love upon it. Do you think the author intended for it to be symbolic of something? If so, what?

6. The complicated and varied relationships between women—friends, sisters, mothers and daughters, aunts and nieces—lie at the heart of this novel. Did any of these relationships, in particular, strike a chord with you?

7. Do you feel that Amanda’s jealousy of her sister was abnormal or just common sibling rivalry? Why do you think the author juxtaposed their relationship with Ruth and Imogene’s?

8. Men hover at the edges of the novel. The three main male characters—Carl, Clement, Arthur—though different, are all ultimately ineffectual in some sense. Carl leaves, Clement womanizes, Arthur cannot determine whom he truly loves. Even Amanda’s father is barely realized. Why do you think the author created these male characters this way?

9. The island seems to be a very important metaphor. Both Mathilde and Amanda become pregnant there, and it is where they retreat to during Amanda’s term. She, especially, is preoccupied throughout the novel with this locale. What does the island represent?

10. Did you like the continuously shifting narration? What was the overall effect of this plot device?

11. Ruth and Imogene’s intense friendship commences with the voluntary loss of Ruth’s dead, black tooth. Why do you think the author chose such an unusual, visually graphic scene to mark the unfolding of their intertwined lives?

12. In the end, does Ruth follow her heart, or is she still under Amanda’s control? Does Ruth return home truly of her own volition?

13. Were the book to continue, do you think the author would have chosen for Ruth and Arthur to unite? Why or why not? What type of man do you envision Ruth with?

14. Drowning Ruth was an Oprah Book Club selection. Have you read any other Oprah picks? If so, how did this compare?
(Questions issued by publisher.)

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