Gods of Gotham (Faye)

The Gods of Gotham
Lyndsay Faye, 2012
Penguin Group USA
480 pp.
ISBN-13: 9780425261255


Summary
1845. New York City forms its first police force. The great potato famine hits Ireland. These two seemingly disparate events will change New York City. Forever.

Timothy Wilde tends bar near the Exchange, fantasizing about the day he has enough money to win the girl of his dreams. But when his dreams literally incinerate in a fire devastating downtown Manhattan, he finds himself disfigured, unemployed, and homeless. His older brother obtains Timothy a job in the newly minted NYPD, but he is highly skeptical of this new "police force." And he is less than thrilled that his new beat is the notoriously down-and-out Sixth Ward-at the border of Five Points, the world's most notorious slum.

One night while making his rounds, Wilde literally runs into a little slip of a girl-a girl not more than ten years old-dashing through the dark in her nightshift, covered head to toe in blood.

Timothy knows he should take the girl to the House of Refuge, yet he can't bring himself to abandon her. Instead, he takes her home, where she spins wild stories, claiming that dozens of bodies are buried in the forest north of 23rd Street. Timothy isn't sure whether to believe her or not, but, as the truth unfolds, the reluctant copper star finds himself engaged in a battle for justice that nearly costs him his brother, his romantic obsession, and his own life. (From the publisher.)

Author Bio
• Birth—ca. 1980
• Raised—Pacific Northwest, USA
• Education—B.A., Notre Dame de Namur University
• Currently—lives in Ridgewood, Queens, New York City

Lyndsay Faye is the American author of several crime novels with an historical-fiction bent. She was born in Northern California, raised in the Pacific Northwest, and graduated from Notre Dame de Namur University in the San Francisco Bay Area with a dual degree in English and Performance.

Her early career kept her in the Bay Area working as a professional actress, "nearly always," she says, "in a corset, and if not a corset then… heels and lined stockings." In 2005 she made the move to Manhattan to audition for acting jobs, working in a restaurant as her day job...until it was bulldozed to the ground by developers.

Novels
Sans restaurant job, and with more time on her hands, an initial foray into writing payed off. In 2009 Faye published her first novel, Dust and Shadow: An Account of the Ripper Killings by Dr. John H. Watson. The book pays tribute to Sherlock Holmes and his sidekick Watson, the duo whose adventures first captivated Faye as a child.

Faye's innate curiosity next spurred her to delve into the history of the New York Police Department, by which she learned that the department's founding coincided with the Irish Potato Famine in 1845. That research inspired her three Timothy Wilde novels—The Gods of Gotham (2012), Seven for a Secret (2013), and The Fatal Flame (2015). The novels follow ex-bartender Timothy Wilde as he learns the perils of police work in a violent and racially divided city during the pre-Civil War era.

Her next novel Jane Steele, released in 2016, re-imagines Jane Eyre as a gutsy, heroic serial killer who battles for justice with methods inspired by Darkly Dreaming Dexter.

Faye has been nominated for an Edgar Award, a Dilys Winn Award, and is honored to have been selected by the American Library Association's RUSA Reader's List for Best Historical. She is an international bestseller and her Timothy Wilde Trilogy has been translated into 14 languages.

Lyndsay and her husband Gabriel live in Ridgewood, Queens, a borough of New York. They have two cats, Grendel and Prufrock. She is a member of Actor’s Equity Association, the Adventuresses of Sherlock Holmes, the Baker Street Babes, the Baker Street Irregulars, Mystery Writers of America, and Girls Write Now. And always, she is hard at work on her next novel. (Adapted from the author's website.)

Book Reviews
rollicking…juicy…Faye's canvas is a crowded one, with vibrant characters jumping out of the plot to contribute local color.
Marilyn Stasio - New York Times


[Faye's] newly minted investigators in 19th-century Gotham will bring to mind works such as Caleb Carr's The Alienist and E.L. Doctorow's The Waterworks. Faye thrillingly evokes the full range of megalopolitan horrors…She artfully weaves history and politics, particularly the age's ugly sectarianism, adding literary heft without weighing the novel down…there's enough excitement here to cause anyone's veins to quiver, and the plot hurtles along like…stampeding cattle
Ross King - Washington Post


It's been almost twenty years since Caleb Carr's bestselling Olde New York crime novel, The Alienist, was published, and I cant count the number of times since then that someone has asked me if I can recommend a suspense story anything "like it." Well, New York has inspired lots of terrific thrillers, but I've just stumbled on one of the worthiest successors yet—Lyndsay Faye's novel, The Gods of Gotham.
Maureen Corrigan - NPR's Fresh Air


Set in 1845 New York City, Faye’s knockout first in a new series improves on her impressive debut, Dust and Shadow (2009), which pitted Sherlock Holmes against Jack the Ripper. As Irish immigrants pour into the city, fleeing the potato famine in their homeland, Timothy Wilde, a 27-year-old former bartender, adjusts to life as a policeman in New York’s newly formed police force. As one of the first to wear the copper star, Wilde soon discovers more than one unwelcome surprise. In short order on his lower Manhattan beat, he runs across an infanticide and the body of a 12-year-old Irish boy whose spleen has been removed. The investigation the novice detective launches into the boy’s murder brings him deep into the heart of human darkness. Vivid period details, fully formed characters, and a blockbuster of a twisty plot put Faye in a class with Caleb Carr. Readers will look forward to the sequel.
Publishers Weekly


Faye's new novel, after the Sherlockian thriller Dust and Shadow, focuses on the growing distrust toward Irish Catholic immigrants in 1840s New York. Badly scarred and rendered destitute after a city fire, barman Timothy Wilde takes a job on the newly formed police force at the urging of his politically connected older brother, Valentine. As a "Copper Star," Tim is well suited to investigation, and he stumbles on a mystery involving murdered children and one of New York's most infamous brothels. Mercy Underhill, a devoted social worker and the object of Tim's unspoken affection, is drawn into the case as she tries to protect her wards. Tim searches for answers amid political scheming, nativist sentiments, and anti-Catholic riots. Verdict: The Wilde brothers are a valiantly flawed pair (commiting illegal acts for good reason) whose adventures dramatically light up this turbulent era. Faye's use of flash, an underground language akin to thieves' cant (British criminal jargon), further enriches this engrossing historical thriller, the first in a new series. —Catherine Lantz, Morton Coll. Lib., Cicero, IL
Library Journal


[A] top-notch historical thriller.... In July 1845, Timothy Wilde is a successful bartender who's accumulated $400 in silver—just about enough, he figures, to ask minister's daughter Mercy Underhill to marry him. But the conflagration that sweeps through Manhattan that night consumes Timothy's savings and disfigures his face.... Timothy [destitute, joins the police force and] stumbles across a young girl covered with blood, who leads him to the mass grave of 20 kinchin horribly disfigured.... No one is precisely what they seem in Faye's richly imagined, superbly plotted narrative, which delivers not one, not two, but three bravura twists as Timothy tracks the killer.... Faye's damaged but appealing hero seems likely to have more adventures ahead, and they'll be welcomed by anyone who appreciates strong, atmospheric storytelling.
Kirkus Reviews

Discussion Questions
1.Timothy Wilde’s understanding is deeply hampered by his own misconceptions about his loved ones—in particular, Mercy Underhill and his brother Valentine. How unreliable a narrator is Tim? In what ways is he careful to present the whole story, and in what ways does he fail to do so?

2. The city of New York itself is a significant character in The Gods of Gotham. How would you characterize Timothy’s uneasy relationship with New York? How is it affected by the fact that he was born there? How do you feel about New York City, either as a native, a transplant, a visitor, or a complete stranger, and did that feeling change your perception of the novel?

3. In reference to an Irish laborer being taunted by an American in Chapter Seven, Tim says, “It’s always someone in these parts, being made small, being made to wear that look.” Does this idea reflect you or your family’s immigration experience? In what ways were the hardships endured by the Irish immigrants comparable to or different from later groups like Hispanics, Asians, and Middle Easterners? Have we overcome xenophobia, or does it still plague immigrant Americans?

4. Timothy watches the unfolding battle between the Catholic and the Protestant Gods with a certain detachment, but he is constantly making moral judgment calls. How spiritual a man is Timothy? What role do you think religion plays in his life? How has it affected him to grow up in two worlds, one Protestant and one highly secular?

5. Mercy Underhill and Silkie Marsh are very different women, but each is immensely affected by the narrow role relegated to females in the 19th century. How does each make her own bid for independence? How closely are economics tied to autonomy for Mercy and for Silkie, and in what ways?

6. Valentine Wilde’s list of “dubious pastimes,” according to Timothy, includes narcotics, alcohol, bribery, violence, whoring, gambling, theft, cheating, extortion, and sodomy. Despite this, Timothy often defines himself in direct comparison to Valentine’s attributes. Do you find Val a sympathetic character? What is the true north of Valentine’s moral compass, and how does he adhere to it? Which of his “dubious pastimes” are ethically defensible?

7. Did the ambitious and semi–lawless world of the thuggish Democratic Party seem foreign to you, or familiar? How do religion and politics intersect in The Gods of Gotham, and how do they intersect in our current political system?

8. In what ways is flash language a dialect? A code? A lifestyle? A community? Are people defined by their language in The Gods of Gotham, and are they still defined by language today?

9. In the 19th century, children were often required to earn their own livelihoods, both on the streets and in other settings. In what ways do characters like Bird, Neill, Ninepin, and the other newsboys and child prostitutes act like adults? Would their behavior seem strange to the modern observer? Many types of class warfare are delineated in The Gods of Gotham; is the struggle of children vs. adult predators another example?

10. During the 1830’s into the 1840’s, child prostitution was considered a vice that strongly weighed upon the public face of New York City. Upwards of 380 “juvenile harlots,” according to historian Timothy Gilfoyle in City of Eros, could be found plying their wares in a single police district. He also reports that reformer and ex-mayor Stephen Allen, when addressing the Society for the Reformation of Juvenile Delinquents, argued that most children had entered prostitution by way of “poverty, neglect, ignorance, and bad company, rather than because of individual or moral depravity.” What do you make of Allen’s opinion? Does it surprise you that many imagined children entered prostitution willingly?

11. The Reverend Underhill is a mentor of sorts to Timothy, and yet he proves to be Tim’s adversary. To what extent are Tim’s feelings about Mercy mixed up with his final treatment of the Reverend? Is the Reverend ever a positive force? To what extent are Thomas Underhill’s actions motivated by love? To what extent are Timothy’s, and how do his actions differ from the Reverend’s?

12. George Washington Matsell was a very divisive figure during his era. Were you surprised to find that so many were against the formation of a police force? Matsell was also a student of popular civics and family planning, which were both scandalous reading material at the time. How do you feel about the first NYC Chief of Police endorsing birth control? Do you think Matsell was socially or politically ahead of his time?

13. In the 19th century, people looked upon the possibility of being dissected after death with the greatest aversion, setting guards over new graves until the body had begun decomposition and inventing unbreakable locks for coffins. Dr. Palsgrave wants more than anything to cure children, and thus buys corpses from an utterly ruthless woman. Do his ends justify his means? Do you think Timothy’s idealism caused him to let Dr. Palsgrave off too easily? Dr. Palsgrave is unaware that Silkie’s children know about him, and equally unaware that she speeds their deaths. Do you find the doctor an intelligent character, or a naïve one? Were you surprised to learn that alchemy and science were once closely tied?
(Questions issued by publisher.)

top of page (summary)