Pearl (Steinbeck)

The Pearl
John Steinbeck, 1947
Penguin Group USA
96 pp.
ISBN-13: 9780140177374

Summary
First published in 1947, John Steinbeck's parable is a literary jewel.

Kino is a Mexican pearl-fisher in the Gulf of California. When he and his wife, Juana, have a baby, their joy is complete.... Until the infant is bitten by a scorpion. Kino finds a great pearl worth a fortune, far more than enough to pay the doctor needed to save the baby's life, but it brings only tragedy and evil to his family. A masterpiece of American literature. (From the publisher.)

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Author Bio
• Birth—February 27, 1902
• Where—Salinas, California USA
• Death—December 20, 1968
• Where—New York, NY
• Education—Studied marine biology at Stanford University,
   1919-25
• Awards—Pulitzer Prize and National Book Award, 1940;
   Nobel Prize, 1962.

John Ernst Steinbeck, Nobel and Pulitzer Prize winner, was born in Salinas, California February 27, 1902. His father, John Steinbeck, served as Monterey County Treasurer for many years. His mother, Olive Hamilton, was a former schoolteacher who developed in him a love of literature. Young Steinbeck came to know the Salinas Valley well, working as a hired hand on nearby ranches in Monterey County.

In 1919, he graduated from Salinas High School as president of his class and entered Stanford University majoring in English. Stanford did not claim his undivided attention. During this time he attended only sporadically while working at a variety jobs including on with the Big Sur highway project, and one at Spreckels Sugar Company near Salinas.

Steinbeck left Stanford permanently in 1925 to pursue a career in writing in New York City. He was unsuccessful and returned, disappointed, to California the following year. Though his first novel, Cup of Gold, was published in 1929, it attracted little literary attention. Two subsequent novels, The Pastures of Heaven and To A God Unknown, met the same fate.

After moving to the Monterey Peninsula in 1930, Steinbeck and his new wife, Carol Henning, made their home in Pacific Grove. Here, not far from famed Cannery Row, heart of the California sardine industry, Steinbeck found material he would later use for two more works, Tortilla Flat and Cannery Row.

With Tortilla Flat (1935), Steinbeck's career took a decidedly positive turn, receiving the California Commonwealth Club's Gold Medal. He felt encouraged to continue writing, relying on extensive research and personal observation of the human drama for his stories. In 1937, Of Mice and Men was published. Two years later, the novel was produced on Broadway and made into a movie. In 1940, Steinbeck won the Pulitzer Prize for fiction for Grapes of Wrath, bringing to public attention the plight of dispossessed farmers.

After Steinbeck and Henning divorced in 1942, he married Gwyndolyn Conger. The couple moved to New York City and had two sons, Thomas and two years later, John. During the war years, Steinbeck served as a war correspondent for the New York Herald Tribune. Some of his dispatches reappeared in Once There Was A War. In 1945, Steinbeck published Cannery Row and continued to write prolifically, producing plays, short stories and film scripts. In 1950, he married Elaine Anderson Scott and they remained together until his death.

Steinbeck received the Nobel Prize for Literature in 1962 "for his realistic as well as imaginative writings, distinguished by a sympathetic humor and keen social perception." In his acceptance speech, Steinbeck summarized what he sought to achieve through his works:

Literature is as old as speech. It grew out of human need for it and it has not changed except to become more needed. The skalds, the bards, the writers are not separate and exclusive. From the beginning, their functions, their duties, their responsibilities have been decreed by our species.... Furthermore, the writer is delegated to declare and to celebrate man's proven capacity of greatness of heart and spirit—gallantry in defeat, for courage, compassion and love. In the endless war against weakness and despair, these are the bright rally flags of hope and emulation. I hold that a writer who does not passionately believe in the perfectibility of man has no dedication nor any membership in literature..."

Steinbeck remained a private person, shunning publicity and moving frequently in his search for privacy. He died on December 20, 1968 in New York City, where he and his family made a home. But his final resting place was the valley he had written about with such passion. At his request, his ashes were interred in the Garden of Memories cemetery in Salinas. He is survived by his son, Thomas. (Author bio from Barnes & Noble, courtesy of the National Steinbeck Center.)

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Book Reviews
(Older works have few, if any, mainstream press reviews online. See Amazon and Barnes & Noble for helpful customer reviews.)

Kino, a poor Mexican pearl fisher, finds a valuable pearl. Yet instead of bringing blessings, the pearl acts as a harbinger of misfortune to Kino and his wife, Juana. Ultimately, it is returned from whence it came. Steinbeck's parable, originally published in 1947, is a well-written retelling of an old Mexican folktale. Hector Elizondo, with his fine voice and great diction, reads with sincerity, keeping this simple, tragic tale moving toward its inevitable conclusion. Highly recommended for all collections. —Denise A. Garofalo, Mid-Hudson Lib. System, Poughkeepsie, N.Y.
Library Journal

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Discussion Questions
1. Why can neither Kino nor Juana protect their baby from the scorpion?

2. Why could Kino kill the doctor more easily than talk to him?

3. Why is it important to Juana that Kino be the one to throw the pearl back into the sea?

4. Why does Kino think the killing of a man is not as evil as the killing of a boat?

5. What does the narrator mean when he says, "A town is a thing like a colonial animal" (p. 21)?

6. Why does the music of the pearl change?

7. Why does Kino come to feel that he will lose his soul if he gives up the pearl?

8. Why does Tomás help Kino?

9. Why does Juana feel the events following the pearl's discovery may all have been an illusion?

10. What is the significance of Juana and Kino's walking side by side when they return to the town?

For Further Reflection

1. Did Kino do the right thing in demanding a fair price for the pearl, even if it meant leaving his community?

2. Why does Steinbeck choose the parable as the form for this story?
(Questions issued by publisher.)

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