Other Queen (Gregory)

The Other Queen  (Tudor Court, 8)
Philippa Gregory, 2008
Simon & Schuster
438 pp.
ISBN-13: 9781416549147

Summary
Philippa Gregory presents a new and unique view of one of history's most intriguing, romantic, and maddening heroines. Biographers often neglect the captive years of Mary Queen of Scots, who trusted Queen Elizabeth's promise of sanctuary when she fled from rebels in Scotland and then found herself imprisoned as the "guest" of George Talbot, Earl of Shrewsbury and his indomitable wife, Bess of Hardwick.

The newly married couple welcome the doomed queen into their home, certain that serving as her hosts and jailors will bring them an advantage in the cutthroat world of the Elizabethan court.

To their horror, they find that the task will bankrupt them, and as their home becomes the epicenter of intrigue and rebellion against Elizabeth, their loyalty to each other and to their sovereign comes into question. If Mary succeeded in seducing the Earl, or if the great spy master William Cecil linked them to the growing conspiracy to free Mary from her illegal imprisonment, they will all face the headsman.

Heralded as "the queen of royal fiction" by USA Today, Philippa Gregory uses new research and her passion for historical accuracy to place a well-known heroine in a completely new story full of suspense, passion, and political intrigue. The Other Queen is the result of her determination to present a story worthy of this extraordinary heroine (From the publisher.)



Author Bio
Birth—January 9, 1954
Where—Nairobi, Kenya
Raised—Bristol, England, UK
Education—B.A., Sussex University; Ph.D., Edinburgh University
Currently—lives in the North York Moors, Yorkshire, England


Philippa Gregory is a British historical novelist, writing since 1987. The best known of her works is The Other Boleyn Girl (2001), which in 2002 won the Romantic Novel of the Year Award from the Romantic Novelists' Association.

Early life and academic career
Philippa Gregory was in Nairobi, Kenya, the second daughter of Elaine (Wedd) and Arthur Percy Gregory, a radio operator and navigator for East African Airways. When she was two years old, her family moved to Bristol, England.

She was a "rebel" at Colston's Girls' School where she obtained a B grade in English and two E grades in History and Geography at A-level. She then went to journalism college in Cardiff and spent a year as an apprentice with the Portsmouth News before she managed to gain a place on an English literature degree course at the University of Sussex, where she switched to a history course.

She worked in BBC radio for two years before attending the University of Edinburgh, where she earned her doctorate in 18th-century literature. Gregory has taught at the University of Durham, University of Teesside, and the Open University, and was made a Fellow of Kingston University in 1994.

Private life
Gregory wrote her first novel Wideacre while completing a PhD in 18th-century literature and living in a cottage on the Pennine Way with first husband Peter Chislett, editor of the Hartlepool Mail, and their baby daughter, Victoria. They divorced before the book was published.

Following the success of Wideacre and the publication of The Favoured Child, she moved south to near Midhurst, West Sussex, where the Wideacre trilogy was set. Here she married her second husband Paul Carter, with whom she has a son. She divorced for a second time and married Anthony Mason, whom she had first met during her time in Hartlepool.

Gregory now lives on a 100-acre (0.40 km2) farm in the North York Moors national park, with her husband, children and stepchildren (six in all). Her interests include riding, walking, skiing, and gardening.

Writing
She has written novels set in several different historical periods, though primarily the Tudor period and the 16th century. Reading a number of novels set in the 17th century led her to write the bestselling Lacey trilogy — Wideacre, which is a story about the love of land and incest, The Favoured Child and Meridon. This was followed by The Wise Woman. A Respectable Trade, a novel of the slave trade in England, set in 18th-century Bristol, was adapted by Gregory for a four-part drama series for BBC television. Gregory's script was nominated for a BAFTA, won an award from the Committee for Racial Equality, and the film was shown worldwide.

Two novels about a gardening family are set during the English Civil War: Earthly Joys and Virgin Earth. She has also written contemporary fiction—Perfectly Correct; Mrs Hartley And The Growth Centre; The Little House; and Zelda's Cut. She has also written for children.

Some of her novels have won awards and have been adapted into television dramas. The most successful of her novels has been The Other Boleyn Girl, published in 2002 and adapted for BBC television in 2003 with Natascha McElhone, Jodhi May and Jared Harris. In the year of its publication, The Other Boleyn Girl also won the Romantic Novel of the Year and has subsequently spawned sequels—The Queen's Fool, The Virgin's Lover, The Constant Princess, The Boleyn Inheritance, and The Other Queen. Miramax bought the film rights to The Other Boleyn Girl and produced a film of the same name starring Scarlett Johansson as Mary Boleyn and co-starring Natalie Portman as Anne Boleyn, Eric Bana as Henry Tudor, Juno Temple as Jane Parker, and Kristin Scott Thomas as Elizabeth Boleyn. It was filmed in England and generally released in 2008.

Gregory has also published a series of books about the Plantagenets, the ruling houses that preceded the Tudors, and the Wars of the Roses. Her first book The White Queen (2009), centres on the life of Elizabeth Woodville the wife of Edward IV. The Red Queen (2010) is about Margaret Beaufort the mother of Henry VII and grandmother to Henry VIII. The Lady of the Rivers (2011) is the life of Jacquetta of Luxembourg, mother of Elizabeth Woodville, first married to John of Lancaster, 1st Duke of Bedford, younger brother of Henry the Fifth. The Kingmaker's Daughter (2012) is the story of Anne Neville, the daughter of the Earl of Warwick, the wife of Richard III. The next book, The White Princess (2013), centres on the life of Elizabeth of York, wife of Henry VII and the mother of Henry VIII.

Controversy
In her novel The Other Boleyn Girl, her portrayal of Henry VIII's second wife Anne Boleyn drew criticism. The novel depicts Anne as cold and ruthless, as well as heavily implying that the accusations that she committed adultery and incest with her brother were true, despite it being widely accepted that she was innocent of the charges. Novelist Robin Maxwell refused on principle to write a blurb for this book, describing its characterisation of Anne as "vicious, unsupportable." Historian David Starkey, appearing alongside Gregory in a documentary about Anne Boleyn, described her work as "good Mills and Boon" (a publisher of romance novels), adding that: "We really should stop taking historical novelists seriously as historians. The idea that they have authority is ludicrous." Susan Bordo criticized Gregory's claims to historical accuracy as "self-deceptive and self-promoting chutzpah", and notes that it is not so much the many inaccuracies in her work as "Gregory’s insistence on her meticulous adherence to history that most aggravates the scholars."

Media
Gregory is a frequent contributor to magazines and newspapers, with short stories, features and reviews. She is also a frequent broadcaster and a regular contestant on Round Britain Quiz for BBC Radio 4 and the Tudor expert for Channel 4's Time Team. She won the 29 December 2008 edition of Celebrity Mastermind on BBC1, taking Elizabeth Woodville as her specialist subject.

Charity work
Gregory also runs a small charity building wells in school gardens in The Gambia. Gardens for The Gambia was established in 1993 when Gregory was in The Gambia, researching for her book A Respectable Trade.

Since then the charity has dug almost 200 low technology, low budget and therefore easily maintained wells, which are on-stream and providing water to irrigate school and community gardens to provide meals for the poorest children and harvest a cash crop to buy school equipment, seeds and tools.

In addition to wells, the charity has piloted a successful bee-keeping scheme, funded feeding programmes and educational workshops in batik and pottery and is working with larger donors to install mechanical boreholes in some remote areas of the country where the water table is not accessible by digging alone. (From Wikipedia. Retrieved 9/22/2013.)



Book Critics
A cynical observer might think the world could get along without another book about Mary Queen of Scots. The cynic would be missing a bet. Philippa Gregory's novel looks at Mary Stuart and her times from a fresh and engaging angle, while making an unusual point about history in general.... One of the most admirable things about The Other Queen is the delicate way in which Gregory drops bits of historical allusion into a very personal story. We're never distracted by information, but there's enough of it to make the past both factually comprehensible and emotionally accessible. In the author's view as well as Bess Shrewsbury's, questions of religion and political allegiance always come down in the end to money. That's true, but fiction rarely focuses primarily on the economic basis of history; this novel is a refreshing exception. Above all, the book is an examination of the nature of loyalty, as well: to a spouse, to a monarch, to a family or a family name, to a religion, to political ideals and especially to one's sense of self.
Diana Gabaldon - Washington Post


In her latest foray into the lives and minds of Elizabethan shakers and movers, Gregory (The Other Boleyn Girl) takes on Mary Queen of Scots during her 16-year house arrest. By the secret order of her cousin, Elizabeth I, Mary is held at the estate of George Talbot, earl of Shrewsbury, and his wife, Bess of Hardwick; the latter three share first-person narrative duties. The book centers on Mary's never-ending clandestine efforts to drum up enough support to take her cousin's throne, but the real story is in the clash of two women and the earl who stands between them. Shrewsbury's refusal to recognize superior intelligence and force of will in his wife, who runs the estate, and in Mary, who tries to make him her instrument at every turn, makes for one delicious conflict after another. The voices are strong throughout, but Gregory's ventriloquism is at its best with Bess of Hardwick, a woman who managed to throw off the restrictions of birth, class and sex in order to achieve things that proved beyond her titled husband.
Publishers Weekly


Gregory makes a return trip to Tudor England, focusing on the period when Mary, Queen of Scots, fleeing from rebel Scottish lords, found herself imprisoned in England by her cousin, Queen Elizabeth I. The story is narrated from multiple perspectives: that of Queen Mary as well as her two jailors, George Talbot, Earl of Shrewsbury, and his new wife, Bess of Hardwick, a much-married and canny financial administrator as well as a spy for the ruthless William Cecil, Queen Elizabeth's chief adviser. As the months, then years, pass, George's hopeless, forever unfulfilled love for the Queen of Scots wars with his desire to retain his honor and serve Queen Elizabeth, and also destroys the affectionate business relationship that united him and his wife in amiable marriage. Bess watches the substantial fortune she amassed through well-chosen husbands, good investments and careful accounting dwindle in support of Queen Mary's extravagant lifestyle. And, of course, Mary plots and plots again, to little avail. Reading the novel is a bit like witnessing a fixed tennis match: Queen Mary shuttles back and forth between various castles, her return to Scotland always imminent until each grand scheme fails. Meanwhile, the reader marks time waiting for the queen's inevitable walk to the scaffold. Gregory vividly evokes her three protagonists, but their personalities remain static to the point of tedium; however, it's fair to say that each one's inability to change is the very thing that leads to their joint tragedy. Mary believes that her beauty and royal status allow her to do whatever she likes with impunity; Bess, despite her wealth and title, can never surmount her humble origins; and George, in the face of obvious evidence that his way of life is dying, stubbornly insists that noble blood, not ambition, must determine rank. Not without interest, but this claustrophobic novel should be more intriguing than it is.
Kirkus Reviews



Discussion Questions
1. Bess describes George and herself as newlyweds happy and in love. On page 2, she says, "Only my newly wedded husband is so dotingly fond of me that he is safe under the same roof as such a temptress." What is it that first makes Bess uneasy about her husband's feelings towards Queen Mary?

2. Authors often challenge themselves by writing from the point of view of characters of the opposite sex. Do you think Gregory does a convincing job of creating her main male character, George Talbot? Do you think he is more or less realistic than the women in this novel, such as his wife, Bess, or Queens Mary and Elizabeth?

3. George and Bess marry for choice and admiration. Identify how they describe one another early in the novel, and discuss how their opinions change over the course of the story. Do you think they ever really knew one another, or do you think their affection is just another casualty of Mary and Elizabeth's treacherous conflict?

4. On page 55, George compares Elizabeth and Mary. He says, "My queen Elizabeth is a most solid being, as earthy as a man. But this is a queen who is all air and angels. She is a queen of fire and smoke." How else are the two queens compared throughout the novel by different characters? How do they describe themselves in comparison to each other?

5. George holds tightly to a noble, genteel way of life that has all but slipped away in England under Elizabeth's rule. How do you feel about his devotion to Queen Elizabeth given the circumstances of the times? Do you think Bess ultimately betrays her husband, or does she save him from himself? How might you deal with your own spouse if your fundamental beliefsand loyalties rested on opposite sides?

6. Examine both Mary's reasoning for her belief that her cousin Elizabeth must naturally support her as the heir to the English throne and restore her to the Scottish throne, and Elizabeth's reasoning for the actions she takes to keep Mary subordinated and under a watchful eye. With whom do you sympathize most, and why?

7. At the heart of the conflict between Queens Elizabeth and Mary is a power struggle between the "new ways" of Protestant England and the "old ways" of Catholicism. How has the transition to Protestantism changed England as portrayed in this novel? In what ways do George and Bess serve as representatives of these two Englands?

8. Set in a religious time period, God naturally played an important role in all aspects of these characters' lives. Compare and contrast the various characters' interpretation of religion and their relationship to God with respect to their Papist or Protestant sensibilities. How do the characters differ in their use of God as justification and enlightenment?

9. Bess thinks George is a great fool. Mary finds him entirely honorable, and yet she relates to her rapist and captor, Bothwell, more powerfully. What do you think of these men? How do these two men compare to other significant male characters in the novel such as Cecil, Hastings, the Duke of Norfolk, and Ralph Sadler?

10. Throughout the novel, George and Bess are constantly in opposition. George fears and detests the "new England" that he believes Cecil has created, while Bess sees Cecil's reforms as part of a golden dawn for England and for all Protestants. Who has the stronger character? Which side do you think you'd choose?

11. On page 225, Bothwell tells Mary, "The magic of royalty is an illusion that can be shattered by a man without a conscience." What significance does this observation have for the novel and for this time in history? Using examples from the novel to support your opinion, explain why you either agree or disagree. Similarly, discuss the parallels between the effects of lifting the mystery of royalty and lifting the mystery of religion as described in this novel.

12. What understanding do Bess and Mary finally come to about one another? Do you think either can truly understand the other's perspective, given such wildly different upbringings?

13. In the end, George is utterly heartbroken to learn that Mary has lied to him and to most everyone else. In her defense, Mary explains that she cannot possibly give her "true word" while under duress and imprisoned. Do you think this is just an excuse? Why or why not?

14.. The Shrewsburys and Queen Mary trek back and forth across the English countryside multiple times throughout the novel. Make a map tracing their journeys complete with a timeline of dates to get a visual representation of how unsettling this time period must have been for the entire household.

15. The Other Queen presents a darker Elizabeth than has currently been popularized in movies such as Elizabeth (1998) and Elizabeth: The Golden Age (2007). Watch these films with your book club and compare their portrayal of various historic figures to their counterparts in Gregory's novel.

16. Get a better sense of the time period in which this novel takes place by doing a little research on Tudor England. You can start with local histories.org/tudor.html. You can also read more about some of the estates that served as settings for this novel, including Chatsworth, Tutbury Castle, and Bess's own home of Hardwick Hall.
(Questions issued by publishers.)

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