Gone, Baby, Gone (Lehane)

Gone, Baby, Gone 
Dennis Lehane, 1998
HarperCollins
448 pp.
ISBN-13: 9780061336218



Summary
The neighborhood is no place for the innocent, the young, the defenseless or the pure. This is a territory of broken families, bitter cops, whacked out ex-cons, and a mother who watches herself on the nightly news as her missing child floats further and further into the unkown.

Boston private investigators, Patrick Kenzie and Angela Gennaro, don't want this case. But after pleas from the child's aunt, they embark upon an investigation and ultimately risk losing everything- their relationship, their sanity, and even their lives-to find this little-girl-lost.

Capturing the voices that echo within blue collar Boston, Dennis Lehane is a master storyteller, who weaves together embittered people, tattered emotions, and brutal crime to create relentless, heart-pounding novels of suspense. Gritty and evocative, the novels of Dennis Lehane are ones you will never forget. (From the publisher.)

The novel was adapted to film in 2007 by Ben Affleck and stars Morgan Freeman, Casey Affleck, Michelle Monaghan, and Ed Harris.

Moonlight Mile (2010) is the sequel to this novel, even though it comes 2 books later.



Author Bio
Birth—August 4, 1965
Where—Dorchester, Massachusetts, USA
Education—B.A., Eckerd College; M.F.A., Florida International University
Awards—Shamus Award, Best First Novel; Anthony Award; Dilys Award
Currently—lives in Boston, Massachusetts


Dennis Lehane is an American author. He has written several award-winning novels, including A Drink Before the War and the New York Times bestseller Mystic River, which was later made into an Academy Award-winning film.

Another novel, Gone, Baby, Gone, was also adapted into an Academy Award-nominated film. His novel Shutter Island was adapted into a film by Martin Scorsese in 2010. Lehane is a graduate of Florida International University in Miami, Florida.

Personal Life
Lehane was born and reared in the Dorchester neighborhood of Boston, Massachusetts, and continues to live in the Boston area, which provides the setting for most of his books. He spent summers on Fieldston Beach in Marshfield. Lehane is the youngest of five children. His father was a foreman for Sears & Roebuck, and his mother worked in a Boston public school cafeteria. Both of his parents emigrated from Ireland. His brother, Gerry Lehane, who is two and a half years older than Dennis, is a veteran actor who trained at the Trinity Repertory Company in Providence before heading to New York in 1990. Gerry is currently a member of the Invisible City Theatre Company.

He was previously married to Sheila Lawn, formerly an advocate for the elderly for the city of Boston but now working with the Suffolk County District Attorney's Office as an Assistant District Attorney. Currently, he is married to Dr. Angela Bernardo, with whom he has one daughter.

He is a graduate of Boston College High School (a Boston Jesuit prep school), Eckerd College (where he found his passion for writing), and the graduate program in creative writing at Florida International University in Miami, Florida. He occasionally makes guest appearances as himself in the ABC comedy/drama TV series Castle.

Literary Career
His first book, A Drink Before the War, which introduced the recurring characters Patrick Kenzie and Angela Gennaro, won the 1995 Shamus Award for Best First P.I. Novel. The fourth book in the series, Gone, Baby, Gone, was adapted to a film of the same title in 2007; it was directed by Ben Affleck and starred Casey Affleck and Michelle Monaghan as Kenzie and Gennaro. Reportedly, Lehane "has never wanted to write the screenplays for the films [based on his own books], because he says he has 'no desire to operate on my own child.'"

Lehane's Mystic River was made into a film in 2003; directed by Clint Eastwood, it starred Sean Penn, Tim Robbins, and Kevin Bacon. The novel itself was a finalist for the PEN/Winship Award and won the Anthony Award and the Barry Award for Best Novel, the Massachusetts Book Award in Fiction, and France's Prix Mystère de la Critique.

Lehane's first play, Coronado, debuted in New York in December 2005. Coronado is based on his acclaimed short story "Until Gwen," which was originally published in The Atlantic Monthly and was selected for both The Best American Short Stories and The Best Mystery Short Stories of 2005.

Lehane described working on his historical novel, The Given Day, as "a five- or six-year project" with the novel beginning in 1918 and encompassing the 1919 Boston Police Strike and its aftermath. The novel was published in October, 2008.

On October 22, 2007 Paramount Pictures announced that they had optioned Shutter Island with Martin Scorsese attached as director. The Laeta Kalogridis-scripted adaptation has Leonardo DiCaprio playing U.S. Marshal Teddy Daniels, "who is investigating the disappearance of a murderess who escaped from a hospital for the criminally insane and is presumed to be hiding on the remote Shutter Island." Mark Ruffalo played opposite DiCaprio as U.S. Marshal Chuck Aule. Shutter Island was released on February 19, 2010.

Teaching Career
Since becoming a literary success after the broad appeal of his Kenzie and Gennaro novels, as well as the success of Mystic River, Lehane has taught at several colleges. He taught fiction writing and serves as a member of the board of directors for a low-residency MFA program sponsored by Pine Manor College in Chestnut Hill, Massachusetts. He has also been involved with the Solstice Summer Writers' Conference at Boston's Pine Manor College and taught advanced fiction writing at Harvard University, where his classes quickly filled up.

In May 2005, Lehane was presented with an honorary Doctor of Humane Letters degree from Eckerd College and was appointed to Eckerd's Board of Trustees later that year. In Spring 2009, Lehane became a Joseph E. Connor Award recipient and honorary brother of Phi Alpha Tau professional fraternity at Emerson College in Boston, MA. Other brothers and Connor Award recipients include Robert Frost, Elia Kazan, Jack Lemmon, Red Skelton, Edward R. Murrow, Yul Brynner, and Walter Cronkite. Also in Spring 2009, Lehane presented the commencement speech at Emmanuel College in Boston, Massachusetts, and was awarded an honorary degree.

Film Career
Lehane wrote and directed an independent film called Neighborhoods in the mid 1990s. He joined the writing staff of the HBO drama series The Wire in 2004. Lehane returned as a writer for the fourth season in 2006 Lehane and the writing staff won the Writers Guild of America (WGA) Award for Best Dramatic Series at the February 2008 ceremony and the 2007 Edgar Award for Best Television Feature/Mini-Series Teleplay for their work on the fourth season. Lehane remained a writer for the fifth and final season in 2008. Lehane and the writing staff were nominated for the WGA Award award for Best Dramatic Series again at the February 2009 ceremony.He served as an executive producer for Shutter Island. (Adapted from Wikipedia.)

Bibliography
The Kenzie-Gennaro Novels
1994 - A Drink Before the War
1996 - Darkness, Take My Hand
1997 - Sacred
1998 - Gone, Baby, Gone
1999 - Prayers for Rain
2010 - Moonlight Mile

Joe Coughlin Novels
2008 - The Given Day
2012 - Live by Night
2015 - World Gone By

Stand-alones
2001 - Mystic River
2003 - Shutter Island
2006 - Coronado



Book Reviews
Vanished, in this complex and unsettling fourth case for PIs Patrick Kenzie and Angie Gennaro (after Sacred, 1997) is four-year-old Amanda McCready, taken one night from her apartment in Dorchester, a working-class section of Boston, where her mother had left her alone. Kenzie and Gennaro, hired by the child's aunt and uncle, join in an unlikely alliance with Remy Broussard and Nick Raftopoulos, known as Poole, the two cops with the department's Crimes Against Children squad who are assigned to the case. In tracing the history of Amanda's neglectful mother, whose past involved her with a drug lord and his minions, the foursome quickly find themselves tangling with Boston's crime underworld and involved in what appears to be a coup among criminals. Lehane develops plenty of tension between various pairs of parties: the good guys looking for Amanda and the bad guys who may know where she is; the two PIs and the two cops; various police and federal agencies; opposing camps in the underworld; and Patrick and Angie, who are lovers as well as business partners. All is delivered with abundant violence—e.g., bloated and mutilated corpses; gangland executions; shoot-outs with weapons of prodigious firepower; descriptions of sexual abuse of small children; threats of rape and murder—that serves to make Amanda's likely fate all the more chilling. Lehane tackles corruption in many forms as he brings his complicated plot to its satisfying resolution, at the same time leaving readers to ponder moral questions about social and individual responsibility long after the last page is turned.
Publishers Weekly


Four-year-old Amanda McCready has disappeared without a trace, and after several days, the police have no leads. Boston PIs Patrick Kenzie and Angela Gennaro reluctantly take the case, knowing that the odds are that Amanda is already dead. Their investigation is complicated by Amanda's mother, Helene, who seems more interested in drinking at the local bar than in finding her daughter. After a second child disappears, Kenzie and Gennaro are drawn into a dark nexus of pedophiles, drug dealers, and a shady police unit with a hidden agenda. Ultimately, the detectives must make a decision that could destroy both their personal and professional relationship. Lehane, a Shamus Award winner for A Drink Before the War, has written a tense, edge-of-your-seat story about a world that is astoundingly cruel and unbearably violent to its most innocent members. This fourth Kenzie-Gennaro pairing will appeal to readers who like their mysteries coated with a heavy dose of realism and their endings left untidied. Recommended for all public libraries. —Karen Anderson, Arizona State Univ. West Lib., Phoenix
Library Journal


Lehane combines the intensity of Andrew Vachss, who also writes unflinchingly about child-abuse and abandonment cases, with the charismatic appeal of his protagonists, a working-class Nick and Nora who walk the meanest of streets. The wrenching portrait of a bent cop whose instincts are admirable but whose actions are appalling only adds to the emotional impact of this grim, utterly unsentimental blue-collar tragedy. —Bill Ott
Booklist



Book Club Discussion Questions

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Also consider these LitLovers talking points to help get a discussion started for Gone, Baby, Gone:

1. Why are Kenzie and Gennaro initially reluctant to take the case? Why do they finally agree?

2.. Talk about Helene McCready, Amanda's mother. No need to ask "what kind of mother is she"; nonetheless...what makes her the way she is—is there any explanation? Why does the investigation team suspect she has something to do with her daughter's disappearance?

3. What clues begin to lead everyone to believe Amanda has been killed? Did you also believe she was dead?

4. Why is Cheese Olamon willing to cooperate with Kenzie and Gennaro?

5. What complications arise because of the fact that the investigation takes place in Dorchester? Given a similar starting point, what is it that determines the starkly different paths two people choose?

6. Why does Lionel decide to take matters into his own hands? Is he correct in his assessment? Is his decision morally just? Is there a difference between legality and morality?

7. Broussard remarks, "If society doesn’t work, how do we, as allegedly honorable men, live? On the fringes." He believes, in other words, that because society fails in its duty, that he and others are forced to take action, even if illegal. Do you agree with him?

8. Does Angie condone Broussard and Lionel's actions? Is she, ultimately, like Broussard?

9. In the stand-off between Angie and Patrick at the end...whom do you side with? What would your decision have been had it been up to you? What would you have done?

10. Were you surprised by the twists and turns of the plot? What about the conclusion—satisfying...or not?

(Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)

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