Winter Garden (Hannah)
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Winter Garden
Kristin Hannah, 2010
St. Martin's Press
532 pp.
Meredith and Nina Whitson are as different as sisters can be. One stayed at home to raise her children and manage the family apple orchard; the other followed a dream and traveled the world to become a famous photojournalist.
But when their beloved father falls ill, Meredith and Nina find themselves together again, standing alongside their cold, disapproving mother, Anya, who even now, offers no comfort to her daughters. As children, the only connection between them was the Russian fairy tale Anya sometimes told the girls at night. On his deathbed, their father extracts a promise from the women in his life: the fairy tale will be told one last time—and all the way to the end.
Thus begins an unexpected journey into the truth of Anya’s life in war-torn Leningrad, more than five decades ago. Alternating between the past and present, Meredith and Nina will finally hear the singular, harrowing story of their mother’s life, and what they learn is a secret so terrible and terrifying that it will shake the very foundation of their family and change who they believe they are. (From the publisher.)
Author Bio
• Birth—September, 1960
• Where—Southern California, USA
• Reared—Western Washington State
• Education—J.D., from a school in Washington (state)
• Awards—Golden Heart Award; Maggie Award; National Reader's Choice
• Currently—lives on Bainbridge Island, Washington
I was born in September 1960 in Southern California and grew up at the beach, making sand castles and playing in the surf. When I was eight years old, my father drove us to Western Washington where we called home.
After working in a trendy advertising agency, I decided to go to law school. "But you're going to be a writer" are the prophetic words I will never forget from my mother. I was in my third-and final-year of law school and my mom was in the hospital, facing the end of her long battle with cancer. I was shocked to discover that she believed I would become a writer. For the next few months, we collaborated on the worst, most clichéd historical romance ever written.
After my mom's death, I packed up all those bits and pieces of paper we'd collected and put them in a box in the back of my closet. I got married and continued practicing law.
Then I found out I was pregnant, but was on bed rest for five months. By the time I'd read every book in the house and started asking my husband for cereal boxes to read, I knew I was a goner. That's when my darling husband reminded me of the book I'd started with my mom. I pulled out the boxes of research material, dusted them off and began writing. By the time my son was born, I'd finished a first draft and found an obsession.
The rejections came, of course, and they stung for a while, but each one really just spurred me to try harder, work more. In 1990, I got "the call," and in that moment, I went from a young mother with a cooler-than-average hobby to a professional writer, and I've never looked back. In all the years between then and now, I have never lost my love of, or my enthusiasm for, telling stories. I am truly blessed to be a wife, a mother, and a writer. (From the author's website .)
Book Reviews
Female bonding is always good for a good cry, as Hannah (True Colors ) proves in her latest. Pacific Northwest apple country provides a beautiful, chilly setting for this family drama ignited by the death of a loving father whose two daughters have grown apart from each other and from their acid-tongued, Russian-born mother. After assuming responsibility for the family business, 40-year-old empty-nester Meredith finds it difficult to carry out her father’s dying wish that she take care of her mother; Meredith’s troubled marriage, her troubled relationship with her mother and her mother’s increasingly troubled mind get in the way. Nina, Meredith’s younger sister, takes a break from her globe-trotting photojournalism career to return home to do her share for their mother. How these three women find each other and themselves with the help of vodka and a trip to Alaska competes for emotional attention with the story within a story of WWII Leningrad. Readers will find it hard not to laugh a little and cry a little more as mother and daughters reach out to each other just in the nick of time.
Publishers Weekly
Middle-aged sisters Meredith and Nina have always felt distanced from their Russian-born mother, Anya. But when their beloved father dies, he leaves them with a wish—for them to become closer to their mother and for Anya to reveal the truth about her past. Meredith's and Nina's troubled relationship with their mother is mirrored in their relationships with men. Meredith has grown apart from Jeff, her childhood sweetheart and longtime husband. And Nina travels the world as a freelance photographer, meeting up occasionally with lover Danny. Things have to fall apart before they get better, so after Jeff leaves Meredith and Nina's work begins to suffer, the sisters spend more time with Anya, who finally reveals more of the fairy tale she had told her daughters in their childhood. It doesn't take long for Meredith and Nina to figure out that this is really the true story of their mother's life in Leningrad during World War II. Verdict: This tearjerker weaves a convincing historical novel and contemporary family drama with elements of romance. It is sure to please fans of Danielle Steel, Luanne Rice, and Nicholas Sparks. —Karen Core, Detroit P.L.
Library Journal
A Russian refugee's terrible secret overshadows her family life. Meredith, heir apparent to her family's thriving Washington State apple enterprises, and Nina, a globetrotting photojournalist, grew up feeling marginalized by their mother. Anya saw her daughters as merely incidental to her grateful love for their father Evan, who rescued her from a German prison camp. The girls know neither their mother's true age, nor the answers to several other mysteries: her color-blindness, her habit of hoarding food despite the family's prosperity and the significance of her "winter garden" with its odd Cyrillic-inscribed columns. The only thawing in Anya's mien occurs when she relates a fairy tale about a peasant girl who meets a prince and their struggles to live happily ever after during the reign of a tyrannical Black Knight. After Evan dies, the family comes unraveled: Anya shows signs of dementia; Nina and Meredith feud over whether to move Mom from her beloved dacha-style home, named Belye Nochi after the summer "white nights" of her native Leningrad (St. Petersburg). Anya, now elderly but of preternaturally youthful appearance—her white hair has been that way as long as the girls can remember—keeps babbling about leather belts boiled for soup, furniture broken up for firewood and other oddities. Prompted by her daughters' snooping and a few vodka-driven dinners, she grudgingly divulges her story. She is not Anya, but Vera, sole survivor of a Russian family; her father, grandmother, mother, sister, husband and two children were all lost either to Stalin's terror or during the German army's siege of Leningrad. Anya's chronicle of the 900-day siege, during which more than half a million civilians perished from hunger and cold, imparts new gravitas to the novel, easily overwhelming her daughters' more conventional "issues." The effect, however, is all but vitiated by a manipulative and contrived ending. Bestselling Hannah sabotages a worthy effort with an overly neat resolution.
Kirkus Reviews
Discussion Questions
1. This novel explores a complicated and strained relationship between two sisters. Do you think Meredith is justified in being so angry with Nina? In what ways are the sisters different and in what ways are they alike?
2. Meredith and Nina are both reluctant to let the men in their lives help them through a difficult time, yet both are suffering from the grief caused by the death of their father. Do you think this is something they’ve inherited from their mother? In what other ways are they similar to their mother? Do you think it’s impossible to avoid becoming like the people who raised you?
3. Anya Whitson is color blind and cannot see the colors in her winter garden. Why do you think the author gave the character this particular trait? In what ways is it a metaphor for what Anya has gone through in her life? Do you believe it is a physiological blindness or a psychological one?
4. One of the themes in this book is female solidarity and strength during hard times. Nina witnesses women in Namibia, Africa holding hands and laughing, even though their country has been ravaged by famine and warfare. Their bond impenetrable. Why do you think she’s so interested in this theme How else does this theme play out throughout the novel? How does understanding her mother’s life inform Nina’s view of her work?
5. Memory is an important theme in Winter Garden. Meredith often regrets—when looking at old family photos taken without her—that she was often off organizing or obsessing over details, while everyone else was living in the moment, creating memories. How common is this for women and mothers? What memories keep your family together?
6. As a child in Leningrad, Anya learned that it was dangerous to express emotions. That in doing so she would be putting what was left of her family at risk with the secret police. But now, with Meredith and Nina, her inability to express emotion is driving them apart, destroying the family she has now. How has Anya passed down this legacy to her daughters? How has it harmed their own relationships?
7. Food is an important element in this novel. Obviously, Anya loves to cook. Why doesn’t she teach this to her daughters?
8. Jeff tells Meredith that “words matter.” What are some examples of this throughout the story? How have words saved and harmed each of these characters’ lives? How has silence saved and harmed each of these characters’ lives? How do words—the telling of the fairy tale—change their individual and collective perceptions of who they are?
9. When Anya, Meredith and Nina watch the man carving the totem pole in Alaska in memory of his deceased son, Meredith realizes that Anya’s fairytale has served the same function as this man’s sculpture. It is a symbol of loss, a way to sublimate the pain of grief, to heal. In what other ways did Anya heal by telling her daughters the fairy tale? In what ways did Meredith and Anya heal?
10. Anya is an unsympathetic character throughout much of the book. How did your perception of her change as the fairy tale unfolded? Did you end up sympathizing with her, or even liking her? Or do you feel that her treatment of her daughters was inexcusable, regardless of the hardships she had faced in her life? How do you think you would have fared in Leningrad under the siege? Was Anya heroic in Leningrad, or a failure?
11. It isn’t until Nina and Meredith discover who their mother is that they are able to discover who they are. What do they find out about themselves? How do you think their perception of their own childhoods will change now that they know the truth behind their mother’s story?
12. Winter Garden teaches us that it is never too late to say “I love you.” Meredith and Nina waited all of their lives to hear it from their mother. Sasha waited until his death for Anya to return. What has this novel taught us about the bonds of family and the strength of love?
13. How did you feel about the ending?
(Questions issued by publisher.)
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