Breakdown (Paris)

The Breakdown 
B.A. Paris, 2017
St. Martin's Press
336 pp.
ISBN-13: 9781250122469


Summary
If you can’t trust yourself, who can you trust?

Cass is having a hard time since the night she saw the car in the woods, on the winding rural road, in the middle of a downpour, with the woman sitting inside — the woman who was killed.

She’s been trying to put the crime out of her mind; what could she have done, really? It’s a dangerous road to be on in the middle of a storm. Her husband would be furious if he knew she’d broken her promise not to take that shortcut home.

And she probably would only have been hurt herself if she’d stopped.

But since then, she’s been forgetting every little thing: where she left the car, if she took her pills, the alarm code, why she ordered a pram when she doesn’t have a baby.

The only thing she can’t forget is that woman, the woman she might have saved, and the terrible nagging guilt. Or the silent calls she’s receiving, or the feeling that someone’s watching her… (From the publisher.)

Author Bio
B. A. Paris grew up in England but has spent most of her adult life in France. She has worked both in finance and as a teacher and has five daughters. Behind Closed Doors is her first novel. Like her first, her second, The Breakdown, is also a thriller and came out in 2017.

In an online interview, Paris said her life-long love of books began when she was bedridden as a child with chicken pox. She was given The Mountain of Adventure by Enid Blyton and, after finishing it, "got [her] hands on every book that [Blyton] had written and then went on to C.S. Lewis, Agatha Christie, Jane Austen...and Leon Uris."

When asked about how she developed her characters from Behind Closed Doors, Paris admitted that she was "proud of having created Grace and Millie" but was "a little appalled" that she could create "someone as horrible as Jack." She didn't set out to make him such a villain, but "he just seemed to take over." (Adapted from the publisher and from Books, Chocolate and Wine.)

Book Reviews
[A] first-rate psychological thriller.… Tension quickly builds to a crescendo as Cass’s fears about her mental state—and those mysterious phone calls that may be from the killer — become palpable.
Publishers Weekly


(Starred review) Would you stop to help the driver of a stalled vehicle on an isolated wooded road during a major storm?… This riveting psychological thriller pulls readers into an engrossing narrative in which every character is suspect. With its well-formed protagonists, snappy, authentic dialog, and clever and twisty plot, this is one not to miss. —Marianne Fitzgerald, Severna Park H.S., MD
Library Journal


A murder committed on a rainy night on a spooky backwoods road opens Paris' second thriller.… The childish antics of a couple of bumbling, utterly cold villains are more exasperating than compelling. Paranoid and claustrophobic but tries too many tricks for its own good.
Kirkus Reviews

Discussion Questions
(We'll add specific questions if and when they're made available by the publisher. In the meantime, use our generic mystery questions.)

GENERIC DISCUSSION QUESTIONS
Mystery / Crime / Suspense Thrillers

1. Talk about the characters, both good and bad. Describe their personalities and motivations. Are they fully developed and emotionally complex? Or are they flat, one-dimensional heroes and villains?

2. What do you know...and when do you know it? At what point in the book do you begin to piece together what happened?

3. Good crime writers embed hidden clues in plain sight, slipping them in casually, almost in passing. Did you pick them out, or were you...clueless? Once you've finished the book, go back to locate the clues hidden in plain sight. How skillful was the author in burying them?

4. Good crime writers also tease us with red-herrings—false clues—to purposely lead readers astray? Does your author try to throw you off track? If so, were you tripped up?

5. Talk about the twists & turns—those surprising plot developments that throw everything you think you've figured out into disarray.

1. Do they enhance the story, add complexity, and build suspense?
2. Are they plausible or implausible?
3. Do they feel forced and gratuitous—inserted merely to extend the story?

6. Does the author ratchet up the suspense? Did you find yourself anxious—quickly turning pages to learn what happened? A what point does the suspense start to build? Where does it climax...then perhaps start rising again?

7. A good ending is essential in any mystery or crime thriller: it should ease up on tension, answer questions, and tidy up loose ends. Does the ending accomplish those goals?

1. Is the conclusion probable or believable?
2. Is it organic, growing out of clues previously laid out by the author (see Question 3)?
3. Or does the ending come out of the blue, feeling forced or tacked-on?
4. Perhaps it's too predictable.
5. Can you envision a different or better ending?

8. Are there certain passages in the book—ideas, descriptions, or dialogue—that you found interesting or revealing...or that somehow struck you? What lines, if any, made you stop and think?

9. Overall, does the book satisfy? Does it live up to the standards of a good crime story or suspense thriller? Why or why not?

(Generic Mystery Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)

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