Confessions of Young Nero (George)

The Confessions of Young Nero 
Margaret George, 2017
Penguin Publishing
528 pp.
ISBN-13:
9780451473387


Summary
New York Times bestselling author, Margaret George, turns her gaze on Emperor Nero, one of the most notorious and misunderstood figures in history.

Built on the backs of those who fell before it, Julius Caesar's imperial dynasty is only as strong as the next person who seeks to control it. No one is safe from the sting of betrayal: man, woman, or child.

While Nero idealizes the artistic and athletic principles of Greece, his very survival rests on his ability to navigate the sea of vipers that is Rome, including his own mother, a cold-blooded woman whose singular goal is to control the empire.

But as Agrippina's machinations earn her son a title he is both tempted and terrified to assume, Nero's determination to escape her thrall will shape him into the Emperor he was fated to become.

Filled with impeccable research and captivating prose, The Confessions of Young Nero is the story of a boy's ruthless ascension to the throne and the lengths to which man will go in the ultimate quest for power and survival. (From the publisher.)



Author Bio
Birth—1943
Where—Nashville, Tennessee, USA
Education—B.A., Tufts University; M.A., Stanford University
Currently—lives in Madison, Wisconsin


Margaret George is an American historian and historical novelist, specializing in epic fictional biographies. She is known for her meticulous research and the large scale of her books.

She is the author of the bestselling novels Elizabeth I (2011), The Autobiography of Henry VIII (1986), Mary, Queen of Scotland and the Isles (1992), and The Memoirs of Cleopatra (1997). The latter novel was adapted into an Emmy-nominated TV miniseries. Other bestselling novels include Mary Called Magdalene (2002) and Helen of Troy (2006). She co-authored a children's book about tortoises called Lucille Lost. George plans to write a novel about Boudicca, highlighting her conflict with Rome and Nero.

George, whose father joined the U.S. Foreign Service when she was four, lived all over the world—Taiwan, Israel, and Germany—before she was thirteen. Exposed early to historical sites, she learned that legends might have historical bases: she attended school in Jaffa, Israel, where Jonah set sail (en route to meeting the whale), and she lived on the Rhine in Germany across from the Drachenfels, where Siegfried of the Nibelungenlied killed the dragon.

She graduated from Tufts University with a B.A. and Stanford University with an M.A., co-majoring in biological science and English literature. She worked as a science writer for several years at the National Institutes of Health in Bethesda, Maryland. Since then she has lived in El Salvador and Sweden, and now calls Madison, Wisconsin, home.

Writing
She began writing at a very early age, composing on yellow lined tablets and illustrating them herself. By middle school, she had begun writing novels, but did not show them to anyone except a few close friends. Only when a book was completely finished did she try for publication. Although she is now known exclusively for historical tomes, she wrote in many genres—science fiction, teen, humor, chick lit (although it wasn’t called that then), action-adventure, before finding what suited her best.

Her first published novel, The Autobiography of Henry VIII, 1986, set the pattern. It successfully defended the notorious king’s honor and argued his case. Twenty-five years after its publication, it is still influential and was at the top of the fans’ recommended Henry VIII fiction list for “The Tudors” TV miniseries.

Her other books show the same key characteristics: careful research almost qualifying for non-fiction standards, enough length to give perspective to the subject’s life, and colorful imagery.

She has been interviewed on A & E’s Biography Series on Henry VIII (Henry VIII: Scandals of a King, 1996) and Elizabeth I (Elizabeth : The Virgin Queen, 1996), as well as a special about Cleopatra (Cleopatra’s World: Alexandria Revealed, 1999). She was also a consultant for the CNN special “The Two Marys” in 2004.

Her knowledge of ancient medicine, acquired through her research on Cleopatra, Mary Magdalene, and Helen of Troy, led to being an invited lecturer at The American Glaucoma Society (San Diego, 2009), The Glaucoma Foundation (New York City,1997) and the International Congress of Glaucoma Surgery (Luxor, Egypt, 2003).  (Adapted from Wikipedia.)



Book Reviews
George’s reconstruction of the man, in terms both of his public life and private character, is more than a revisiting of fact: It’s a subtle exploration of identity and the insidious effects of power…Confessions is all about identity: How is it made, lost, reinvented?… Margaret George occupies that blurry space between history and fiction. And between Tacitus and Margaret George, I rather think it’s George’s account that is not only most sympathetic but most truthful.
Diana Gabaldon - Washington Post


Highly acclaimed for the detail and personality she gives to epic subjects, George's heavily researched novel flows dynamically among multiple points of view. Verdict: Historical fiction devotees…will quickly devour this first volume of a duology. —Catherine Lantz, Univ. of Illinois at Chicago Lib.
Library Journal


George's revisionist novel makes hefty use of its research, yet the emperor himself, shorn of his bad-boy reputation, emerges as oddly pallid.… [T]his workmanlike saga redeems Nero while simultaneously rendering him rather less fascinating.
Kirkus Reviews



Discussion Questions
1. What if Nero had refused to compete for the crown? Could he have had a quiet life and pursued his art in peace? Later in life, he expressed the idea that he could support himself by his art if he were deposed. Was that at all realistic? Or just another of his romantic dreams?

2. Two living emperors (Caligula and Claudius) are in the book, and the earlier ones are a constant psychological presence. What effect does Nero’s awareness of his lineage and of the expectation that he live up to it have on him from an early age?

3. Nero’s descent from Augustus meant that he was always in a spotlight but at the same time obscure, as there were many other descendants of Augustus. In the book he says, "I was, as always, solitary and singled out." He was both watched and ignored. What did he do in response to this?

4. There were rumors that Nero and his mother had an incestuous relationship, instigated by her as a means of controlling him. Of all the forms of incest, mother-son is the rarest. But it is the easiest to conceal, because mothers normally lavish affection on their children, including physical affection. In what ways do you see Agrippina’s seductive behavior affecting him in the novel?

5. How would you sum up Nero’s feelings toward his mother? Was the matricide at all justified? At what level? Political or psychological?

6. Did Nero really have no choice but to go along with Agrippina’s plans to murder Claudius so he could become emperor? What if he had refused?

7. Murder abounded in Nero’s family, but in the novel he wants to think he is different. At the same time, he fears he isn’t. Is there such a thing as "the blood of murderers" that is inherited?

8. There were four important women in Nero’s life: his mother; his first love, Acte; his first wife, Octavia; and his second wife, Poppaea. With the exception of Octavia, who was his arranged-marriage wife, the others were all older than he was and very strong characters. Acte and Poppaea he was madly in love with. Was he seeking a mother figure/surrogate in the older, beautiful, and strong-willed women he loved?

9. Nero was a romantic about marriage and exotic adventure. In what ways was this his undoing?

10. Nero was only sixteen when he became emperor and held supreme power in many spheres. At an age when people now just become eligible to drive and are too young to serve in the military, he commanded the entire Roman army and empire. Considering this, how well did he perform?
(Questions issued by the publisher.)

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