Next (Gangi)

The Next 
Stephanie Gangi, 2016
St. Martin's Press
320 pp.
ISBN-13: 9781250110565


Summary
Is there a right way to die? If so, Joanna DeAngelis has it all wrong.

She’s consumed by betrayal, spending her numbered days obsessing over Ned McGowan, her much younger ex, and watching him thrive in the spotlight with someone new, while she wastes away. She’s every woman scorned, fantasizing about revenge ... except she’s out of time.

Joanna falls from her life, from the love of her daughters and devoted dog, into an otherworldly landscape, a bleak infinity she can’t escape until she rises up and returns and sets it right—makes Ned pay—so she can truly move on.

From the other side into right this minute, Jo embarks on a sexy, spiritual odyssey. As she travels beyond memory, beyond desire, she is transformed into a fierce female force of life, determined to know how to die, happily ever after. (From the publisher.)

Author Bio
• Birth—?
• Where—Brooklyn, New York City, New York, USA
• Rasied—on Long Island, New York
• Education—State Universit of New York-Buffalo
• Currently—lives in New York City, New York


Stephanie Gangi is an American writer living in New York City. She was born in Brooklyn, New York, raised in Long Island, New York, and after a spell in the outer suburbs of Rockland County finds herself back living in New York, this time in Manhattan. Gangi received her B.A. from the State University of New York-Buffalo.

Gangi had her publishing debut years ago—a children's book titled Lumpy: A Baseball Fable, which she co-authored with New York Met pitcher, Tug McGraw. Her second book, a gossipy tell-all, was maddeningly lost, never to be found, and obviously never published. The Next, her debut novel (for adults), came out in 2016. Gangi is also a poet working on a compiling a chapbook. She is also at work on another novel. (Adapted from the author's webpage.)

Book Reviews
Gangi has come up with a very cunning variation on the revenge fable.
New York Times


Fast-paced and engrossing.
Booklist


(Starred review.) There's a lot going on in this modern literary ghost story—love, death, family, revenge, Instagram—but it's never hard to follow.... Gangi's ability to create compelling stories and humanize her supporting characters will make readers empathize with them, too. —Samantha Gust, Niagara Univ. Lib., NY
Library Journal


Gangi has a blast with her undead harpy character, who dive-bombs her own memorial service, trashes Dr. Trudi’s penthouse, and makes Ned into a social media pariah.... Good fun, good writing, and strong characters keep this high-wire plot aloft.
Kirkus Reviews

Discussion Questions
1. The Next is not simply a novel about the relationship between ex-lovers, but also one about the relationships between mothers and daughters, husbands and wives, siblings, and dogs and their human companions. Which characters and relationships did you connect with the most as you were reading? How do we see these various relationships develop and change as the novel progresses?

2. What are some instances where we see the important role that music has played in the lives and relationships of the characters in this novel? Does music play a similarly important role in your own life? What are some specific songs that come to mind as significant to you?

3. What role does social media play in this novel? How does it result in both the rise and fall of characters?

4. What are the differences and similarities in the ways that Anna and Jules express and process their grief? On page 137, Anna’s grief is described as "the wrong kind of grief." What does this mean? How do they both work through this to a different sort of grief?

5. On page 282, Anna’s behavior toward Jules is described with this observation: "She had acted out precisely the behaviors she felt most aggrieved by, as humans do." What is meant by this? Do we see other characters doing the same thing elsewhere in the novel? Why do you think it is that people often do this?

6. What does Ned get from his relationship with Trudi that he does not get from Joanna? What does he get from his relationship with Joanna that he does not get from Trudi? How do you think he should have handled the discovery of Trudi’s pregnancy?

7. On page 173, Ned’s relationship with women is described as a fear of being consumed:

Or maybe she would consume him, just like he had always secretly worried that she would—that any woman would, that all women would….

Where does this fear stem from? Why does Ned feel the need to establish the "Ned-zone of plausible deniability"? Do you think he has changed at all by the end of the novel?

8. What do you imagine the future to hold for Ned? What about for Anna and Laney?

9. What was your reaction to the depiction of the waiting room Joanna goes to after she dies, and the depiction of her as a ghostly presence (and the other ghostly presences around her)? Is this how you would imagine it, or would you envision the ghostly world in a different way?

10. On page 182, Joanna rejects the idea that her lesson and her path to a Beaches ending is to "Feel it all, feel it all, leave it all behind. Love it and let it go." What is it that ultimately brings her peace and enables her to move on?
(Questions issued by the publisher.)

top of page (summary)