Gambler's Anatomy (Lethem)

A Gambler's Anatomy 
Jonathan Lethem, 2016
Knopf Doubleday
304 pp.
ISBN-13: 9780385539906


Summary
The author of Motherless Brooklyn and The Fortress of Solitude returns with a devilishly entertaining novel about an international backgammon hustler who thinks he's psychic. Too bad about the tumor in his face.

Handsome, impeccably tuxedoed Bruno Alexander travels the world winning large sums of money from amateur "whales" who think they can challenge his peerless acumen at backgammon.

Fronted by his pasty, vampiric manager, Edgar Falk, Bruno arrives in Berlin after a troubling run of bad luck in Singapore.

Perhaps it was the chance encounter with his crass childhood acquaintance Keith Stolarsky and his smoldering girlfriend Tira Harpaz. Or perhaps it was the emergence of a blot that distorts his vision so he has to look at the board sideways.

Things don't go much better in Berlin. Bruno's flirtation with Madchen, the striking blonde he meets on the ferry, is inconclusive; the game at the unsettling Herr Kohler's mansion goes awry as his blot grows worse; he passes out and is sent to the local hospital, where he is given an extremely depressing diagnosis.

Having run through Falk's money, Bruno turns to Stolarsky, who, for reasons of his own, agrees to fly Bruno to Berkeley, and to pay for the experimental surgery that might save his life.Berkeley, where Bruno discovered his psychic abilities, and to which he vowed never to return.

Amidst the patchouli flashbacks and Anarchist gambits of the local scene, between Tira's come-ons and Keith's machinations, Bruno confronts two existential questions: Is the gambler being played by life? And what if you're telepathic but it doesn't do you any good? (From the publisher.)

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Author Bio
• Birth—February 19, 1964
• Where—Brooklyn, New York, USA
• Education—Bennington College (no degree)
• Awards—National Book Critics Circle Award; World Fantasy
   Award; Macallan Gold Dagger Award
• Currently—lives in Los Angeles, California


Jonathan Allen Lethem is an American novelist, essayist and short story writer. His first novel, Gun, with Occasional Music, a genre work that mixed elements of science fiction and detective fiction, was published in 1994. It was followed by three more science fiction novels. In 1999, Lethem published Motherless Brooklyn, a National Book Critics Circle Award-winning novel that achieved mainstream success. In 2003, he published The Fortress of Solitude, which became a New York Times Best Seller. In 2005, he received a MacArthur Fellowship.

Early life
Lethem was born in Brooklyn, New York, to Judith Frank Lethem, a political activist, and Richard Brown Lethem, an avant-garde painter. He was the eldest of three children. His father was Protestant (with Scottish and English ancestry) and his mother was Jewish, from a family that originated in Germany, Poland, and Russia. His brother Blake became an artist, and his sister Mara became a photographer and writer.

The family lived in a commune in the pre-gentrified Brooklyn neighborhood of North Gowanus (now called Boerum Hill). Despite the racial tensions and conflicts, he later described his bohemian childhood as "thrilling" and culturally wide-reaching. He gained an encyclopedic knowledge of the music of Bob Dylan, saw Star Wars twenty-one times during its original theatrical release, and read the complete works of the science fiction writer Philip K. Dick. Lethem later said Dick’s work was "as formative an influence as marijuana or punk rock—as equally responsible for beautifully fucking up my life, for bending it irreversibly along a course I still travel."

His parents divorced when Lethem was young. When he was thirteen, his mother Judith died from a malignant brain tumor, an event which he has said haunted him and has strongly affected his writing. (Lethem discusses the direct relation between his mother and the Bob Dylan song "Like a Rolling Stone" in the 2003 Canadian documentary Complete Unknown.) In 2007, Lethem explained, "My books all have this giant, howling missing [center]—language has disappeared, or someone has vanished, or memory has gone."

Intending to become a visual artist like his father, Lethem attended the High School of Music & Art in New York, where he painted in a style he describes as "glib, show-offy, usually cartoonish." At Music & Art he produced his own zine, The Literary Exchange, which featured artwork and writing. He also created animated films and wrote a 125-page novel, Heroes, still unpublished.

After graduating from high school, Lethem entered Bennington College in Vermont in 1982 as a prospective art student. At Bennington, Lethem experienced an "overwhelming....collision with the realities of class—my parents’ bohemian milieu had kept me from understanding, even a little, that we were poor.... [A]t Bennington that was all demolished by an encounter with the fact of real privilege." This, coupled with the realization that he was more interested in writing than art, led Lethem to drop out halfway through his sophomore year.

He hitchhiked from Denver, Colorado, to Berkeley, California, in 1984, across "a thousand miles of desert and mountains through Wyoming, Utah, and Nevada, with about 40 dollars in my pocket," describing it as "one of the stupidest and most memorable things I've ever done." He lived in California for twelve years, working as a clerk in used bookstores, including Moe's and Pegasus & Pendragon Books, and writing on his own time. Lethem published his first short story in 1989 and published several more in the early 1990s.

First novels
Lethem’s first novel, Gun, with Occasional Music, is a merging of science fiction and the Chandleresque detective story, which includes talking kangaroos, radical futuristic versions of the drug scene, and cryogenic prisons. The novel was published in 1994 to little initial fanfare, but an enthusiastic review in Newsweek, which declared Gun an "audaciously assured first novel," catapulted the book to wider commercial success. It became a finalist for the 1994 Nebula Award. In the mid-1990s, film producer-director Alan J. Pakula optioned the novel's movie rights, which allowed Lethem to quit working in bookstores and devote his time to writing.

His next several books include Amnesia Moon (1995), partially inspired by Lethem's experiences hitchhiking cross-country; The Wall of the Sky, the Wall of the Eye (1996), a collection of short stories; As She Climbed Across the Table (1997) about a physics researcher who falls in love with an artificially generated spatial anomaly called "Lack."

Lethem moved returned to Brooklyn in 1996, after which he published Girl in Landscape (1998) about a world populated by aliens but "very strongly influenced" by the 1956 John Wayne Western The Searchers, a movie with which Lethem is "obsessed."

In 1999, he released Motherless Brooklyn, a return to the detective theme, with a protagonist suffering from Tourette syndrome and obsessed with language. The book won the National Book Critics Circle Award for Fiction, The Macallan Gold Dagger for crime fiction, and the Salon Book Award, and was named book of the year by Esquire.

According to the New York Times, the mainstream success of Motherless Brooklyn made Lethem "something of a hipster celebrity," and he was referred to several times as a "genre bender." Lev Grossman of Time classed Lethem with a movement of authors similarly eager to blend literary and popular writing, including Michael Chabon (with whom Lethem is friends), Margaret Atwood, and Susanna Clarke.

In the early 2000s, Lethem published a story collection, edited two anthologies, wrote magazine pieces, and published the 55-page novella This Shape We're In (2000)—one of the first offerings from McSweeney's Books, the publishing imprint that developed from Dave Eggers' McSweeney's Quarterly Concern.

In November 2000, Lethem said that he was working on an uncharacteristically "big sprawling" novel, about a child who grows up to be a rock journalist. The novel was published in 2003 as The Fortress of Solitude. The semi-autobiographical bildungsroman features a tale of racial tensions and boyhood in Brooklyn during the late 1970s.

Lethem's second collection of short fiction, Men and Cartoons, was published in late 2004. In a 2009 interview with Armchair/Shotgun, Lethem said of short fiction:

I'm writing short stories right now, that's what I do between novels, and I love them. I'm very devoted to it.... [T]he story collections I've published are tremendously important to me. And many of the uncollected stories—or yet-to-be-collected stories—are among my proudest writings. They're very closely allied, obviously, to novel writing. But also very distinct..

In 2005 Lethem released The Disappointment Artist, his first collection of essays, and in the same year he received a MacArthur Fellowship.

Mid-career novels
After Motherless Brooklyn and The Fortress of Solitude, Lethem decided it "was time to leave Brooklyn in a literary sense anyway... I really needed to defy all that stuff about place and memory." In 2007, he returned—as a novelist—to California, where some of his earlier fiction had been set, with You Don't Love Me Yet, a novel about an upstart rock band. The novel received mixed reviews.

In early 2009, Lethem published Chronic City, set on the Upper East Side of Manhattan. The author claimed it was strongly influenced by Saul Bellow, Philip K. Dick, Charles G. Finney. and Hitchcock’s Vertigo and referred to it as "long and strange."

Lethem's next novel, Dissident Gardens, was in 2013. According to Lethem in an interview with the Los Angeles Times, the novel concerns "American leftists," very specifically "a red-diaper baby generation trying to figure out what it all means, this legacy of American Communism." He considers it "another New York neighborhood book, very much about the life of the city.... [W]riting about Greenwich Village in 1958 was really a jump for me...as much of an imaginative leap as any of the more fantastical things I've done."

Personal life
In 1987, Lethem married the writer and artist Shelley Jackson; they were divorced by 1997. In 2000, he married Julia Rosenberg, a Canadian film executive; they divorced two years later.

Lethem's current wife is filmmaker Amy Barrett; the couple has a son. Lethem has relocated to Los Angeles, California, where he is the Disney Professor of Writing at Pomona College in Claremont. (Adapted from Wikipedia. Retrieved 9/17/2013.)

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Book Reviews
Mr. Lethem's backgammon writing has a satisfying crunch. It's witty and sexy, too. I'm not sure I've ever before read a love scene that begins with a woman crying out, "Double me, gammon me"…. This novel is a tragicomedy; it plays at its best like a Twilight Zone episode filmed by the Coen brothers…. Mr. Lethem has a touching sense of the lives of obsessive misfits. They're his tribe. In Bruno he has given us a knight errant, a casually chivalrous wanderer in search of his place on earth.
Dwight Garner - New York Times


There are probably a dozen novelists whose new books, every one, I'm predisposed to read. Jonathan Lethem is one of them. I like his fundamental literary ratios—plot-to-pensées, comedy-to-tragedy—and the prose is a pleasure, lucid sentences that swerve and surprise without being show-offy…. Unlike The Fortress of Solitude and Chronic City, both sprawling books that plainly aspired to be Great American Novels, [A Gambler's Anatomy] is middle-aged in the best sense: relaxed, happy to be its impeccable, focused, antic but Weltschmerz-y self, slightly old-fashioned but in no way "postmodern." Lethem has said that after ending his youthful sci-fi phase and becoming a certified big deal, he felt pressure to "'stay major!'…to only write books as long, sorrowful and wide-screen as The Fortress of Solitude," but that he chose instead to write "other kinds of books." A Gambler's Anatomy is the best so far of those other kinds of books.
Kurt Andersen - New York Times Book Review


In his new novel, he seems to be channeling (and, as usual, transforming) both Thomas Pynchon and Ian Fleming...in short, just another day in Lethemland, as strange and wondrous in its way as anyplace imagined by L. Frank Baum.
Chicago Tribune


A Gambler’s Anatomy will lead more than one reader to rummage around in the back of their closet (or local toy store) for a backgammon set…mesmerizing, twisty, fearless.
San Francisco Chronicle


[T]he zaniness in Lethem’s new novel is tangential rather than central, highlighting episodes, not imbuing the whole proceedings.... [The] outlandishness can be extremely funny.... [T]he most successful part of the novel [in Berkeley] is an effortless blend of comic hijinks and madcap tragedy...propelled by sharp description and slick dialogue.... Lethem serves up a punchy, stylish, relentlessly entertaining novel which, during quieter moments, asks us to consider whether we make our own luck and how best to deal with what life throws at us
Malcolm Forbes - Minneapolis Star Tribune


[P]leasantly bizarre.... Though inventive and well crafted, the novel neither fully endears its characters to the reader nor establishes narrative momentum, playing at themes and romantic entanglements that are expertly introduced but often under-explored and discarded.
Publishers Weekly


International backgammon hustler Bruno Alexander is down on his luck, perhaps owing to a blot distorting his vision.... Once more, National Book Critics Circle award winner Lethem makes the weird real, normal, and entertaining.
Library Journal


(Starred review.) [A] romp in which history, both personal and collective, can't help but assert itself..... Lethem takes real pleasure in the language and writes with a sense of the absurd that illuminates his situations and his characters.... In this tragicomic novel, nothing is ever exactly as it seems.
Kirkus Reviews

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