Widow (Barton)

The Widow 
Fiona Barton, 2016
Penguin Publishing
336 pp.
ISBN-13: 9781101990261


Summary
An electrifying thriller that will take you into the dark spaces that exist between a husband and a wife.

When the police started asking questions, Jean Taylor turned into a different woman. One who enabled her and her husband to carry on, when more bad things began to happen...
 
But that woman’s husband died last week. And Jean doesn’t have to be her anymore.
 
There’s a lot Jean hasn’t said over the years about the crime her husband was suspected of committing. She was too busy being the perfect wife, standing by her man while living with the accusing glares and the anonymous harassment.
 
Now there’s no reason to stay quiet. There are people who want to hear her story. They want to know what it was like living with that man. She can tell them that there were secrets. There always are in a marriage.
 
The truth—that’s all anyone wants. But the one lesson Jean has learned in the last few years is that she can make people believe anything (From the publisher.)

Author Bio
• Birth—1957
• Where—Cambridge, England, UK
• Education—N/A
• Awards—National Press Awards-Reporter of the Year
• Currently—lives in southwest France


Fiona Barton is a British journalist and novelist, born in Cambridge and now living in the southwest of France. She built a career in journalism: as senior writer at the Daily Mail, news editor at the Daily Telegraph, and chief reporter at the Mail on Sunday. It was while working for that paper that she won Britain's National Press Award for Reporter of the Year.

Then, toward the end of 2004, in a "light bulb moment" over bad Chinese food, Barton and her husband, Gary, wondered what it would take to change the direction of their lives. As she told the Daily Mail:

I was 48 and a journalist, a job I’d loved and succeeded in for 25 years—Gary, 52, was a builder with his own business. We had two adult children, mortgages and all the paraphernalia of a full working life. Yet the idea of volunteering was so powerful that I remember it made our teeth chatter with excitement. We did lots of research talked to our family and, three years later, applied to Voluntary Services Overseas (VSO). It was both exhilarating and terrifying—we lived on £140 a month in a small flat, washing our clothes under a cold outside tap and coping with the occasional rat and cockroach. A year later [in 2008], we boarded a plane to Colombo in Sri Lanka to begin a two-year placement.

In Sri Lanka, Barton trained journalists facing exile and sometimes physical danger because of their work. Since then, she has worked with journalists from around the globe.

It was Barton's familiarity with news stories, however, that gave her ideas for novels she'd always hoped to write. Once liberated from the daily grind of deadlines, she was was able to turn to fiction. Her 2016 debut, The Widow, a story about a wife who suspects her husband of murder, became a bestseller and sold in 36 countries.

Next, in 2017, came The Child, which also grew out of a news story—the skeleton of a child discovered in a building site. Barton continues her writing, in the early morning, in bed, as she says on her website. Her only distraction is her noisy cockerel, Twitch. (Adapted from the author's website.)

Book Reviews
Jean is full of contradictions. She’s a fascinating puzzle.... Barton knows how to ramp up tension, but when she leaves Jean to focus on the detective and the reporter, the story loses some steam. All three have secrets, and they all lie, but Jean is lying to herself, which makes her far more interesting.
Chelsea Cain - New York Times Book Review


Motives and methodology are well set out, and the journalistic scenes ring very true—Barton has decades of experience in this field. She cleverly details how each individual copes with a long investigation without ever lessening the tension. The Widow is a tribute to those professionals who never let go of a story, or a case, however cold.
Independent (UK)


[Barton] delivers the goods...Richly character-driven in a way that is both satisfying and engrossing.
Washington Post


The Widow never loses sight of the dark secrets that define ordinary lives, the gray areas where deception gives way to the truth. This is one book in which such subtleties matter as much as the plot.
Chicago Tribune


A twisted psychological thriller you’ll have trouble putting down.
People


Both a taut reconstruction of a crime and a ruthless examination of marriage…A smartly crafted, compulsively readable tale about the lies people tell each other, and themselves, when the truth is the last thing they really want to know.
Entertainment Weekly


Gone Girl fans will relish this taut, psychological thriller.
US Weekly


[The Widow] will keep you in suspense late into the night.
Good Housekeeping


(Starred review.) What would you do if your spouse suddenly became the prime suspect in the kidnapping of a two-year-old girl?... Though Barton stumbles slightly down the homestretch, tipping what should be her biggest bombshell, she tells her tale with a realism and restraint that add to its shattering impact.
Publishers Weekly


Though the characters are flatly drawn, the mystery of what actually happened...will draw in readers until the final page. Verdict: Barton's first novel is one of suspense and intrigue that keeps the pages turning. —Kristen Calvert Nelson, Marion Cty. P.L. Syst., Ocala, FL
Library Journal


[The idea of a] woman whose recently deceased husband was the prime suspect in a horrific crime...[and] who stands beside an alleged monster is an intriguing one, and very nearly well-executed here, if it weren't bogged down with other too-familiar plotlines.
Kirkus Reviews

Discussion Questions
1. Discuss the structure of the book and why the author chose to write the story in this way. What is the effect of alternating between the perspectives of the Widow, the Reporter, the Detective and the Mother? How did this narrative structure impact your reading of the novel and your opinions about the various characters and events?

2. Discuss the character of Jean. What were your initial impressions of her? Do you think the image she presented was sincere? Why or why not? Did your opinions about her change as the novel unfolded. If so, how?

3. What do you think finally pushed Jean into telling her story? Do you think she wanted to tell her story all along? If so, what held her back?

4. What did you think of Kate’s investigative methods? How does her presence in the story affect how it unfolds? Do you think the media help or hinder the police during crime investigations? Give some examples from the book to illustrate your points.

5. Discuss Jean and Glen—separately and together as a couple. How would you describe the quality of their relationship? Did your feelings about Jean change as you learned more about her and her marriage to Glen?

6. Bella’s disappearance captivated the public’s attention. Why do you think people were so interested in this crime and the people involved? Do you think society’s morbid fascination with this crime helped or hurt the investigation? How do you think our fascination with these types of crimes affects real-life investigations?

7. Jean harbors a lot of anger toward Bella’s mother, Dawn Elliott, and repeatedly accuses her of being a “bad mother” throughout the book. It’s one of the rare instances where Jean gets worked up and outwardly emotional. Why do you think her reaction to Dawn is so strong? After learning about more about Dawn, do you agree with Jean?

8. Do you think Jean was as ignorant about her husband’s actions as she claimed to be? Why do you think that she stood by him through the investigation and trial? If you were in her shoes, what would you have done? What might you have done differently?

9. Discuss the role that addiction and obsession play in the novel. How are the characters defined by their addictions and obsessions, and how do they drive their actions?

10. Do you think the unorthodox method of investigation—posing undercover in an Internet chat room to befriend and expose their suspect—employed by Detective Sparkes and his team was justified? Do you think they should have tried to find a link in another way? Or do you think that the ends justify the means in some cases?

11. This novel poses some difficult questions about moral choices, as the lines between guilt and innocence are repeatedly blurred. Do you think Jean is justified in doing any of the things she does throughout the book? If so, which ones?

12. Jean is not always completely truthful. How reliable is she as a narrator? Identify moments where you trusted her and moments where you doubted her. What techniques does the author use to make Jean seem both reliable and unreliable at various points in the novel?

13. Discuss the story’s ending. Were you surprised by Jean’s revelations? Did you think that the ending would turn out the way that it did? If not, what didn’t you see coming?

14. What do you think will happen to the Widow, the Reporter, the Detective and the Mother? How do you think the revelations at the end will impact each of their lives?

15. What was your emotional reaction to The Widow? Would you call it a page-turner, and, if so, how does the author ratchet up the suspense? Discuss specific moments that were jarring for you as a reader and how the author kept you on edge.
(Questions issued by the publisher.)

top of page (summary)