My Sunshine Away (Walsh)

My Sunshine Away 
M.O. Walsh, 2015
Penguin Group (USA)
320 pp.
ISBN-13: 9780399169526



Summary
It was the summer everything changed
 
My Sunshine Away unfolds in a Baton Rouge neighborhood best known for cookouts on sweltering summer afternoons, cauldrons of spicy crawfish, and passionate football fandom.

But in the summer of 1989, when fifteen-year-old Lindy Simpson—free spirit, track star, and belle of the block—experiences a horrible crime late one evening near her home, it becomes apparent that this idyllic stretch of Southern suburbia has a dark side, too.

In My Sunshine Away, M.O. Walsh brilliantly juxtaposes the enchantment of a charmed childhood with the gripping story of a violent crime, unraveling families, and consuming adolescent love. Acutely wise and deeply honest, it is an astonishing and page-turning debut about the meaning of family, the power of memory, and our ability to forgive. (From the publisher.)



Author Bio
Birth—N/A
Where—Baton Rouge, Louisiana, USA
Education—M.F.A., University of Mississippi
Currently—lives in New Orleans, Louisiana


M.O. Walsh was born and raised in Baton Rouge, Louisiana.  His stories and essays have appeared in publications such as the New York Times, Southern Review, American Short Fiction, Epoch, and Greensboro Review. His short stories have also been anthologized in Best New American Voices, Bar Stories, Best of the Net and Louisiana in Words.

He is a graduate of the Ole Miss MFA program and currently lives in New Orleans, LA, where he is the Director of the Creative Writing Workshop at The University of New Orleans. He also directs the The Yokshop Writers Conference in Oxford, Mississippi. (From the publisher.)



Book Reviews
"There are so many books out there," Walsh told Publishers Weekly. "I just got really lucky with this one." Lucky, yes. Talented, definitely. Walsh's choices of setting, plot, character development, narrative voice and structure make My Sunshine Away a rich, unexpected, exceptional book.
Chicago Tribune


My Sunshine Away is also simply, like [Harper] Lee’s novel, a great work of fiction. It’s a page-turning thriller with a heartbreaking crime and an intriguing cast of suspects. But it’s also a love story to Louisiana, with passages that force the reader to pause and contemplate the ‘wrong-ended telescoping’ that gives the state a bad reputation…. It’s a book about love and forgiveness and family and hope….Turning the pages with be a necessary treat.… [Walsh’s] haunting, lyrical novel will compel you to look back on your own life’s mysteries, your own childhood fog.
Fort Worth Star Telegram


Walsh’s novel is both tenderly nostalgic and a window into a unique and specific corner of America. The narration moves seamlessly.... Despite the dark subject matter, this book is often charming, and thoroughly immersive.
Publishers Weekly


Much more than a simple coming-of-age story; it is a rumination on how events in one’s life can appear differently depending on where and when they are experienced and recalled.... Rarely does a new author display the skill to develop a page-turner with such a literary tone. Readers of both popular and literary fiction will get their fixes from this novel.
Library Journal


(Starred review.) Suspenseful, compassionate, and absorbing, Walsh’s word-perfect rendering of the doubts, insecurities, bravado, and idealism of teens deserves to be placed in the hands of readers of Tom Franklin, Hannah Pittard, and Jeffrey Eugenides
Booklist


(Starred review.) Recalls the best of Pat Conroy: the rich Southern atmosphere, the interplay of darkness and light in adolescence, the combination of brisk narrative suspense with philosophical musings on memory, manhood, and truth.... Celebrate, fiction lovers: The gods of Southern gothic storytelling have inducted a junior member.
Kirkus Reviews



Discussion Questions
1. The narrator recounts the story out of chronological order. Why did the author choose to tell the story this way? How does this narrative structure allow him to explore the ways that events in our youth shape our lives as adults?

2. The book begins with the story of a rape. It also deals with child and animal abuse, as well as death and divorce. Yet the book does not feel bleak. Could My Sunshine Away be described as an optimistic book? If so, how?

3. The narrator feels that people have preconceived notions or stereotypes about both Baton Rouge, where he is from, and the South in general. In what ways does this book try to subvert those stereotypes? In what ways does it reinforce them? Is the place where you grew up stereotyped? How do you feel connected to that place? How do you feel separated from it?

4. Although this novel is intensely personal, it also touches on moments of national importance, such as the Challenger disaster and the serial killer Jeffrey Dahmer. How have world events affected you personally? At a time of constant news coverage, is there a difference between local and global?

6. At the end of the book, we realize the narrator is telling this story to his unborn son. Were you surprised? Did this discovery change your perception of the book and why he was telling the story? Do you think this “audience” affects the way it is told? Is it more honest, or less so?

7. The title of the book is the last line of the Louisiana state song, “You Are My Sunshine.” In what ways does it play into the themes of the book?

8. Chapter 28 is devoted entirely to the differences between Baton Rouge and New Orleans. How is this important to understanding the relationship between Lindy and the narrator?

9. Look back to the discussion of whiteflies on page 47. These insects reappear several times later in the book. How might they serve as a metaphor for memory in the novel?

10. Although the narrator spends years of his life thinking about Lindy Simpson, he comes to the realization that he never really knew her. What mistakes was he making in his attempts to understand her, both before and after the crime?

11. When the narrator begins the story of what he discovered in Jacques Landry’s private room, he has to stop himself and recount a good memory first. He says that doing this helps “keep darkness from winning.” Is it cowardly or perhaps dishonest for him to shuffle his memories around in this way, or is it wise? In what ways do you use your own memories to construct the type of person you want to be?

12. During one of the narrator’s lowest points, he gets great comfort from his uncle Barry. However, Uncle Barry is far from a typical role model. Why is he such a great help for the narrator? Can people to serve as role models or counselors even when they are deeply flawed?

13. The narrator is never named in the book. Why do you think the author decided to leave him unnamed? How does this affect the reading experience?

14. At one point, Julie tells the narrator that it would be up to her if she wanted to share painful moments in her past with him. Should partners share everything with each other, or are some secrets important to keep? Does anyone really know everything about someone else? How do we navigate our own secrets with the people we love?

15. At the end of the novel, the narrator tells his son that he wants the two of them to be “good men.” What does that mean to the narrator? Does the novel suggest a way of becoming a good man? Is the idea of being a “good” person wholly subjective, or are there moral touchstones to goodness that we all agree on?
(Questions issued by the publisher.)

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