A Reliable Wife
Robert Goolrick, 2009
Algonquin Books of Chapel Hill
Rural Wisconsin, 1909. In the bitter cold, Ralph Truitt, a successful businessman, stands alone on a train platform waiting for the woman who answered his newspaper advertisement for "a reliable wife." But when Catherine Land steps off the train from Chicago, she's not the "simple, honest woman" that Ralph is expecting. She is both complex and devious, haunted by a terrible past and motivated by greed.
Her plan is simple: she will win this man's devotion, and then, ever so slowly, she will poison him and leave Wisconsin a wealthy widow. What she has not counted on, though, is that Truitt — a passionate man with his own dark secrets —has plans of his own for his new wife. Isolated on a remote estate and imprisoned by relentless snow, the story of Ralph and Catherine unfolds in unimaginable ways.
With echoes of Wuthering Heights and Rebecca, Robert Goolrick's intoxicating debut novel delivers a classic tale of suspenseful seduction, set in a world that seems to have gone temporarily off its axis. (From the publisher.)
Robert Goolrick worked for many years in advertising and lives in New York City. He is the author of The End of the World as We Know It (2007), a memoir. A Reliable Wife is his first novel. (From the publisher.)
Reliable Wife isn't just hot, it's in heat: a gothic tale of such smoldering desire it should be read in a cold shower. This is a bodice ripper of a hundred thousand pearly buttons, ripped off one at a time with agonizing restraint. It works only because Goolrick never cracks a smile, never lets on that he thinks all this overwrought sexual frustration is anything but the most serious incantation of longing and despair ever uttered in the dead of night. ....The novel is deliciously wicked and tense, presented as a series of sepia tableaux, interrupted by flashes of bright red violence....Ultimately, this bizarre story is one of forgiveness. But the path to that salutary conclusion lies through a spectacularly orchestrated crescendo of violation and violence, a chapter you finish feeling surprised that everyone around you hasn't heard the screams, too.
Ron Charles - Washington Post
Robert Goolrick has managed a minor miracle....[A] detailed exploration of love, despair, and the distance people can travel to reach each other that is as surprising, and as suspenseful, as any beach read.
The unforeseen conclusion provides a big payoff for readers of this tension-laden debut from a promising new talent. —Margaret Flanagan
Set in 1907 Wisconsin, Goolrick's fiction debut (after a memoir, The End of the World as We Know It) gets off to a slow, stylized start, but eventually generates some real suspense. When Catherine Land, who's survived a traumatic early life by using her wits and sexuality as weapons, happens on a newspaper ad from a well-to-do businessman in need of a "reliable wife," she invents a plan to benefit from his riches and his need. Her new husband, Ralph Truitt, discovers she's deceived him the moment she arrives in his remote hometown. Driven by a complex mix of emotions and simple animal attraction, he marries her anyway. After the wedding, Catherine helps Ralph search for his estranged son and, despite growing misgivings, begins to poison him with small doses of arsenic. Ralph sickens but doesn't die, and their story unfolds in ways neither they nor the reader expect. This darkly nuanced psychological tale builds to a strong and satisfying close.
(Starred review.) After breaking through with a disquieting memoir... Goolrick applies his storytelling talents to a debut novel, set in 1907, about icy duplicity and heated vengeance.... A sublime murder ballad that doesn't turn out at all the way one might expect.
1. The novel’s setting and strong sense of place seem to echo its mood and themes. What role does the wintry Wisconsin landscape play? And the very different, opulent setting of St. Louis?
2. Ralph and Catherine’s story frequently pauses to give brief, often horrific glimpses into the lives of others. Ralph remarks on the violence that surrounds them in Wisconsin, saying, “They hate their lives. They start to hate each other. They lose their minds, wanting things they can’t have” (page 205). How do these vignettes of madness and violence contribute to the novel’s themes?
3. Catherine imagines herself as an actress playing a series of roles, the one of Ralph’s wife being the starring role of a lifetime. Where in the novel might you see a glimpse of the real Catherine Land? Do you feel that you ever get to know this woman, or is she always hidden behind a facade?
4. The encounter between Catherine and her sister, Alice, is one of the pivotal moments of the novel. How do you view these two women after reading the story of their origins? Why do the two sisters wind up on such different paths? Why does Catherine ultimately lose hope in Alice’s redemption?
5. The idea of escape runs throughout the novel. Ralph thinks, “Some things you escape.... You don’t escape the things, mostly bad, that just happen to you” (pages 5–6). What circumstances trap characters permanently? How do characters attempt to escape their circumstances? When, if ever, do they succeed? How does the bird imagery that runs through the book relate to the idea of imprisonment and escape?
6. “You can live with hopelessness for only so long before you are, in fact, hopeless,” reflects Ralph (page 8). Which characters here are truly hopeless? Alice? Antonio? Ralph himself? Do you see any glimmers of hope in the story?
7. Why, in your opinion, does Ralph allow himself to be gradually poisoned, even after he’s aware of what’s happening to him? What does this decision say about his character?
8. Why does Catherine become obsessed with nurturing and reviving the “secret garden” of Ralph’s mansion? What insights does this preoccupation reveal about Catherine’s character?
9. Does Catherine live up in any way to the advertisement Ralph places in the newspaper (page 20)? Why or why not?
10. Did you have sympathy for any of the characters? Did this change as time went on?
11. At the onset of A Reliable Wife the characters are not good people. They have done bad things and have lived thoughtlessly. In the end how do they find hope?
12. The author directly or indirectly references several classic novels—by the Brontë sisters, Daphne du Maurier, and Frances Hodgson Burnett, among others. How does A Reliable Wife play with the conventions of these classic Gothic novels? Does the book seem more shocking or provocative as a result?
(Questions issued by publisher.)
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