Lost City Radio (Alarcon)

Book Reviews
This book ... lacks the dramatic punch of [his previous] stories.... He never establishes a solid relationship between the story and [the omniscient] narrator, who becomes increasingly intrusive. The first third of the book is evenhanded, allowing various characters to come forward. But the final parts capriciously switch point of view within chapters, sections, even paragraphs....This tactic diffuses the impact of the war...on which the plot hinges.... The final half of the book is marred by dull descriptions ... that lapse into sentimentality (“Norma smiled at him, and she looked like sunshine”), as well as stylistic tics in which fragments echo sentences. Still, there’s enough here to confirm that Alarcón is talented—and wise—beyond his years, that he remains intent on challenging himself and his readers.
Sarah Fay - New York Times Book Review

Daniel Alarcón's thoughtful, engaging first novel is set in a fictitious South American country where the reader will immediately recognize fragments of recent history in Argentina, Chile and...Peru. No name is ever given to the country: Alarcon means the novel to be a fable about civil wars and their repercussions, rather than an account of a specific war within a specific place.... Alarcon ... express[es], eloquently and exactly, the self-destructiveness of violent insurgency and official retaliation. The victims are the people whom the revolution ostensibly aims to serve. This has been true in just about every actual country in Latin America, as it is true in the fictional one that Alarcón has invented. Lost City Radio is a fable for an entire continent, and is no less pertinent in other parts of the world where different languages are spoken in different climates but where the same ruinous dance is played out.
Jonathan Yardley - Washington Post

Set in a fictional South American nation where guerrillas have long clashed with the government, Alarcon's ambitious first novel (after the story collection War by Candlelight) follows a trio of characters upended by civil strife. Norma, whose husband, Rey, disappeared 10 years ago after the end of a civil war, hosts popular radio show Lost City Radio, which reconnects callers with their missing loved ones. (She quietly entertains the notion that the job will also reunite her with her missing husband.) So when an 11-year-old orphan, Victor, shows up at the radio station with a list of his distant village's "lost people," the station plans a special show dedicated to his case and cranks up its promotional machine. Norma, meanwhile, notices a name on the list that's an alias her husband used to use, prompting her to resume her quest to find him. She and Victor travel to Victor's home village, where local teacher Manau reveals to Norma what she's long feared—and more. Though the mystery Alarcón makes of the identity of Victor's father isn't particularly mysterious, this misstep is overshadowed by Alarcon's successful and nimbly handled portrayal of war's lingering consequences.
Publishers Weekly

Often compared to the work of William Faulkner and Gabriel García Márquez, Alarcón's harrowing tale of the breakdown of a society and the emotional price paid by its survivors will undoubtedly haunt you long after you've turned the last page.
Bookmarks Magazine

(Starred review.) Writing rapturously and elegiacally of the wildness in both jungle and city, creating indelible images that concentrate the horrors of war, and unerringly articulating the complex feelings of individuals caught in barbaric and senseless predicaments, Alarcon reaches to the heart of our persistent if elusive dream of freedom and peace. —Donna Seaman
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