O'Farrell is a very visual writer, creating dead-on images like the "arched pink rafters" of a dog's mouth and a chandelier's "points of light kaleidoscoping" above a dance floor. This talent serves her well at the novel's startling and darkly rewarding finale.
Julia Scheeres - New York Times
Maggie O'Farrell's three previous novels have been respectfully reviewed, but her new one radiates the kind of energy that marks a classic. Think Kate Chopin's The Awakening, Charlotte Gilman's "The Yellow Wallpaper" or Jean Rhys's Wide Sargasso Sea: stories that illuminate the suffering quietly endured by women in polite society. To that list of insightful feminist tales add The Vanishing Act of Esme Lennox. At the heart of this fantastic new novel is a mystery you want to solve until you start to suspect the truth, and then you read on in a panic, horrified that you may be right.
Ron Charles - Washington Post
O'Farrell's fourth novel brilliantly illustrates her talent for gradually revealing her characters'' inner lives by jumping back and forth in time and juxtaposing different narrative points of view.... A gripping read with superbly crafted scenes that will blaze in the reader's memory long after the novel is returned to the shelf.
Iris Lockhart leads a solitary if spicy life, managing her clothing shop in Edinburgh and dallying with her married lover. But when Iris learns that she has a great-aunt Esme waiting to be released from Cauldstone Hospital, where she has been locked away for 60 years, it is as if a bomb has dropped. The hospital is closing, and someone must collect Esme, who upon inspection seems frail, quiet, and a little quirky but hardly mentally ill. As far as Iris knew, her grandmother Kitty had no siblings; Kitty is still alive but suffering from Alzheimer's. The secret of Esme's existence is only the first of many family secrets revealed in a tale told through shifting viewpoints, among them Kitty's fragmented recollections. A sudden ending to this finely wrought family expose may leave some readers in the lurch, but the psychological suspense along the way should satisfy those looking for both strong plot and characterization. Recommended for literary fiction collections
Keddy Ann Outlaw - Library Journal
When the willfully unattached Iris Lockhart receives a call about a great aunt she never met, her loner lifestyle gets woven into a much larger family drama. Iris may harbor a secret forbidden passion, but in her real-life affairs she prefers a detached approach. Therefore, when a call comes from the soon-to-close Cauldstone Hospital, asking what she would like to do with an elderly relative she didn't know existed, she is faced with more intimacy than she's comfortable with. Her great-aunt Esme, mistakenly called "Euphemia" by the staff, has been hospitalized for more than 60 years for various vague psychiatric disorders, at one point it seems for simply not wanting her hair to be cut. After Iris tries to place her, and recoils from the horrors of the recommended halfway house, she takes her into her own flat, carved out of the Scottish family's original grand home, on a trial basis. Over the course of one long weekend, that trial reveals truths about why Esme was hospitalized and why Iris never heard of her, and also delves into Iris's fear of intimacy as her married lover, Luke, teeters on the edge of leaving his wife. Relying on a complex structure that recalls O'Farrell's earlier work, most of the book's present action is focused on Iris's day-to-day functioning. But this contemporary action is merely the finale of a drama that's been going on since Esme's youth in India. That story unfolds primarily through a series of inner monologues. Esme enjoys rediscovering some memories but avoids others, while her sister Kitty, now institutionalized with Alzheimer's, runs through old mistakes and excuses that still haunt her in her dementia. At times, these competing voices, each with a different take on exactly what happened, can be confusing, but by the novel's surprising ending, each has become clear. Despite occasional opacity, this slow-building, impressionistic work amply rewards dedicated readers with a moving human drama.
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