Hosseini succeeds in carrying readers along because he understands the power of emotion as few other popular writers do. As he did in The Kite Runner, he uses a melodramatic plot to convey vividly the many aspects of love and the ways people sacrifice themselves for those they hold dear. With A Thousand Splendid Suns, Hosseini has shown that he doesn’t intend to be a one-hit wonder. It will be interesting to see where he goes from here.
Lisa See - New York Times Book Review
[The book] going to be another bestseller no matter what's said about it in this and other reviews, so maybe there's no point in going further. But just in case you're curious, just in case you're wondering whether in yours truly's judgment it's as good as The Kite Runner, here's the answer: No. It's better.
Jonathan Yardley - Washington Post
Often, second novels pale in comparison to the first, but this long-awaited story pulls the reader completely into a world of cruelty, despair, pain and poverty and offers hope, redemption and love to offset the anguish. It brings to life a part of the world that the average American knows little about, and makes real for us the very human implications of our foreign policies, long after Afghanistan faded from the headlines.
So what is the point of reading this novel? The texture of these characters' journey around the craters of their country is no doubt well known to readers of international news. Rendered as fiction in A Thousand Splendid Suns, however, it devastates in a new way. It forces us to imagine what we would do had we been born to such grim fates.
The book holds the listener thanks to Hosseini's riveting story-an in-depth exploration of Afghan society in the three decades of anti-Soviet jihad, civil war and Taliban cruelty. He impels us to empathize with and admire those most victimized by Afghan history and culture-women. Mariam, a 15-year-old bastard whose mother commits suicide, is married off to 40-year-old Rasheed, who abuses her brutally, especially after she has several miscarriages. At 60, Rasheed takes in 14-year-old Laila, whose parents were blown up by stray bombs. He soon turns violent with her. Although Laila is united with her childhood beloved, the potential return of the Taliban always shadows their happiness.
(Starred review.) Unimaginably tragic, Hosseini's magnificent second novel is a sad and beautiful testament to both Afghani suffering and strength. Readers who lost themselves in The Kite Runner will not want to miss this unforgettable follow-up. —Kristine Huntley
Most critics agreed that Khaled Hosseini's second novel is as devastating, if not more powerful, than his first.... [T]he novel offers a chilling, all-too-real portrait Afghan life. "It is, for all its short-comings, a brave, honorable, big-hearted book" (Washington Post).
This Afghan-American author follows his debut (The Kite Runner, 2003) with a fine risk-taking novel about two victimized but courageous Afghan women. Mariam is a bastard. Her mother was a housekeeper for a rich businessman in Herat, Afghanistan, until he impregnated and banished her. Mariam's childhood ended abruptly when her mother hanged herself. Her father then married off the 15-year-old to Rasheed, a 40ish shoemaker in Kabul, hundreds of miles away. Rasheed is a deeply conventional man who insists that Mariam wear a burqa, though many women are going uncovered (it's 1974). Mariam lives in fear of him, especially after numerous miscarriages. In 1987, the story switches to a neighbor, nine-year-old Laila, her playmate Tariq and her parents. It's the eighth year of Soviet occupation-bad for the nation, but good for women, who are granted unprecedented freedoms. Kabul's true suffering begins in 1992. The Soviets have gone, and rival warlords are tearing the city apart. Before he leaves for Pakistan, Tariq and Laila make love; soon after, her parents are killed by a rocket. The two storylines merge when Rasheed and Mariam shelter the solitary Laila. Rasheed has his own agenda; the 14-year-old will become his second wife, over Mariam's objections, and give him an heir, but to his disgust Laila has a daughter, Aziza; in time, he'll realize Tariq is the father. The heart of the novel is the gradual bonding between the girl-mother and the much older woman. Rasheed grows increasingly hostile, even frenzied, after an escape by the women is foiled. Relief comes when Laila gives birth to a boy, but it's short-lived. The Taliban are in control; women must stay home; Rasheed loses his business; they have no food; Aziza is sent to an orphanage. The dramatic final section includes a murder and an execution. Despite all the pain and heartbreak, the novel is never depressing; Hosseini barrels through each grim development unflinchingly, seeking illumination. Another artistic triumph, and surefire bestseller, for this fearless writer.
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