The Tenderness of Wolves stood out from a very strong shortlist. We felt enveloped by the snowy landscape and gripped by the beautiful writing and effortless story-telling. It is a story of love, suspense and beauty. We couldn't put it down.
Costa Award Committee
An original and readable mixture of mystery and history, with a good dollop of old-fashioned adventure.
The Times (London)
In suitable Jack London style for a setting in Canada's snowy wastes, wolves wander in and out of this suspenseful 19th-century epic, offering a leitmotif of constant unease. So begins what masquerades as a traditional murder quiz but quickly broadens out to encompass other lines of inquiry—the mystery of two long-missing young sisters, the quest for a forgotten native American culture, the twists and turns of an unusual love story. Stef Penney is from Edinburgh and claims never to have visited Canada—impressive, then, that the land of her imagination convinces.
The Guardian (UK)
An entertaining, well-constructed mystery.... sexy, suspenseful, densely plotted storytelling...a novel with far greater ambitions than your average thriller, combining as it does the themes of Conrad's Heart of Darkness with Atwood's Survival, and lashing them to a story that morphs Ian Rankin with The Mad Trapper of Rat River.
Globe and Mail (Canada)
The frigid isolation of European immigrants living on the 19th-century Canadian frontier is the setting for British author Penney's haunting debut. Seventeen-year-old Francis Ross disappears the same day his mother discovers the scalped body of his friend, fur trader Laurent Jammet, in a neighboring cabin. The murder brings newcomers to the small settlement, from inexperienced Hudson Bay Company representative Donald Moody to elderly eccentric Thomas Sturrock, who arrives searching for a mysterious archeological fragment once in Jammet's possession. Other than Francis, no real suspects emerge until half-Indian trapper William Parker is caught searching the dead man's house. Parker escapes and joins with Francis's mother to track Francis north, a journey that produces a deep if unlikely bond between them. Only when the pair reaches a distant Scandinavian settlement do both characters and reader begin to understand Francis, who arrived there days before them. Penney's absorbing, quietly convincing narrative illuminates the characters, each a kind of outcast, through whose complex viewpoints this dense, many-layered story is told.
British filmmaker Penney sets her intriguing, well-wrought novel in a 19th-century Canadian farming community up-ended by the murder of a lone fur trapper. In the town of Dove River on the north shore of Georgian Bay, a middle-aged farmer's wife we know only as Mrs. Ross discovers the body of French trapper Laurent Jammet, scalped and with his throat cut. The leaders of the community and the all-important Hudson Bay Company men gather to make sense of the killing, which revives sore memories of teenage sisters Amy and Eve Seton, who set out on a picnic 15 years before and never returned. Mrs. Ross is particularly concerned about Jammet's murder because 17-year-old Francis, an Irish orphan she and her husband took in when he was five, has not come home from a fishing trip. Suspicion falls on the boy, who was known to frequent Jammet's cabin. Several other characters emerge with ties to the dead man, including Toronto lawyer Thomas Sturrock, who comes sniffing around for an ancient marked bone that might prove of invaluable archaeological consequence, and shady half-Indian intruder William Parker, who traded with Jammett. The first-person account of Mrs. Ross alternates with sections concerning Francis, who's being nursed by the kindly Norwegian inhabitants of Himmelvanger after collapsing with exhaustion while following the trail of Jammet's murderer. His determined mother has set out to find him; other search parties also track Francis, as well as Parker, runaways from Himmelvanger, people lost in the snow and the killer. Penney offers numerous strings to untangle, but moments of love amid the gelid wastes add some warmth to her teeming, multi-character tale. Winner of the U.K. Costa Bookof the Year award for 2006, a striking debut by a writer with tremendous command of language, setting and voice.
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