Faith Club (Idilby, Oliver, Warner)

The Faith Club: A Muslim, a Christian, a Jew—
Three Women Searching for Understanding
Ranya Idliby, Suzanne Oliver, Priscilla Warner, 2007
Simon & Schuster
416 pp.
ISBN-13: 9780743290487


Summary
The Faith Club was started when Ranya Idliby, an American Muslim of Palestinian descent, recruited Suzanne Oliver, a Christian, and Priscilla Warner, a Jew, to write a children's book about their three religions. As the women's meetings began, it became clear that they had their own adult struggles with faith and religion, and they needed a safe haven where they could air their concerns, admit their ignorance, and explore their own faiths.

Ranya, Suzanne, and Priscilla began to meet regularly to discuss their religious backgrounds and beliefs and to ask each other tough questions. As the three women met and talked, there were no awkward silences — no stretches of time with nothing for them to say to each other. Honesty was the first rule of the Faith Club, and with that tenet as a foundation, no topic was off limits.

With courage, pain, and sometimes tears, Ranya, Suzanne, and Priscilla found themselves completely transformed by their experience inside the safe cocoon of the Faith Club, and they realized that they had learned things so powerful they wanted to share them with the rest of the world. This is their story. (From the publisher.)



Author Bio
Ranya Idliby was raised in Dubai and McLean, Virginia. She holds a bachelor of science from Georgetown University's School of Foreign Service, and earned her MS in international relations from the London School of Economics. She lives in New York City with her husband and two children.

Suzanne Oliver was raised in Kansas City, Missouri, and has worked as a writer and editor at Forbes and Financial World magazines. She graduated from Texas Christian University and lives in New York City and Jaffrey Center, New Hampshire, with her husband and three children.

Priscilla Warner grew up in Providence, Rhode Island, where she began her interfaith education at a Hebrew day school and then a Quaker high school. A graduate of the University of Pennsylvania, she worked as an art director at various advertising agencies in Boston and New York. She lives with her family in a suburb of New York City. (From the publisher.)



Book Reviews
The dialogue among the three friends comes across as genuine and thoughtful. They try valiantly to be frank with one another, which becomes easier as they learn to trust one another's motives and to respect each other's integrity…The conversations recorded in this book engage our attention as the women search out spiritual values common to all the three faiths and learn more about their own in the process.
Naomi Harris Rosenblatt - Washington Post


In the wake of 9/11, Idliby, an American Muslim of Palestinian descent, sought out fellow mothers of the Jewish and Christian faiths to write a children's book on the commonalities among their respective traditions. In their first meeting, however, the women realized they would have to address their differences first. Oliver, an Episcopalian who was raised Catholic, irked Warner, a Jewish woman and children's author, with her description of the Crucifixion story, which sounded too much like "Jews killed Jesus" for Warner's taste. Idliby's efforts to join in on the usual "Judeo-Christian" debate tap into a sense of alienation she already feels in the larger Muslim community, where she is unable to find a progressive mosque that reflects her non-veil-wearing, spiritual Islam. The ladies come to call their group a "faith club" and, over time, midwife each other into stronger belief in their own respective religions. More Fight Club than book club, the coauthors pull no punches; their outstanding honesty makes for a page-turning read, rare for a religion nonfiction book. From Idliby's graphic defense of the Palestinian cause, Oliver's vacillations between faith and doubt, and Warner's struggles to acknowledge God's existence, almost every taboo topic is explored on this engaging spiritual ride.
Publishers Weekly


In writing a children's book highlighting the commonalities among the Abrahamic religions, Idliby, an American Muslim of Palestinian descent, sought Christian and Jewish collaborators. She was joined by Episcopalian-turned-Catholic Suzanne Oliver and Jewish children's book writer Warner, who both came to realize they needed to deal with their own questions, stereotypes, and concerns before starting the book. After several meetings, the trio's relationship and project seemed in jeopardy, but they painstakingly worked through their differences, accompanying one another at significant times to each of their places of worship, reading one another's Scripture, and supporting one another's doubts and fears. In the process, the women developed a strong bond that strengthened the way each practiced her own religion and moved them all toward deeper commitment to interfaith dialog, to justice, and to one another. This book, which concludes with suggestions to readers for forming their own Faith Club and includes sample questions for thought, is a documentation of Idliby, Oliver, and Warner's discussions, debates, and reflections. The world needs this book or others very similar! Highly recommended for all libraries. —Carolyn M. Craft, formerly of Longwood Univ., Farmville, VA
Library Journal


Three mothers' engaging account of their interfaith dialogue. At first glance, the authors don't seem to have much in common. Idliby is a Muslim of Palestinian descent; Warner is a Reform Jew; Oliver grew up Catholic but was drawn to the more liberal Episcopal Church as an adult. Beneath those differences lie some important similarities: All three are mothers who want to teach their children religious tolerance, and each places great stock in her religious identity. In order to learn about the religious traditions of their neighbors, the authors came together to form a "faith club," meeting regularly to discuss prayer and ritual, their beliefs about God and the relationship between spirituality and social justice. They never shy away from potentially explosive topics, such as the way that Christian descriptions of Jesus' crucifixion have been used to provoke anti-Jewish violence, or the question of whether people can criticize Israeli policy without being accused of anti-Semitism. Over time, the women's religious commitments evolved: Idliby, who had felt spiritually homeless, found a community of like-minded progressive American Muslims; Oliver began to question some of her commitments to classic Christian doctrine; and Warner became more comfortable praying to and talking about God. The three charming narrators transform potentially dry theological discourses into personal, intimate heart-to-hearts. For readers who wish they could pull up a chair and join Idliby, Oliver and Warner in their chats, the concluding chapter explains how to form your own faith club. The only weakness here is that all three authors represent decidedly liberal expressions of their religions. The conversations would have been even more interesting, albeit considerably more fraught, had they included an evangelical Christian or an Orthodox Jew or a Muslim woman who wears hijab. An invitation to discussion that's hard to turn down—and a natural for book groups.
Kirkus Reviews



Discussion Questions
1. How did the book's format (a three-way memoir written in first person) contribute to the overall feel of the book? At what points did the women write different versions of the same event? (One specific example can be found when Ranya confronts Priscilla about the Israel/Palestinian conflict, pages 129-138.) How does each woman's individual prejudices and religion color her interpretations of the discussions?

2. How does each woman's role as amother influence the direction and tone of the Faith Club? Would the club have been different if it included both mothers and women with no children? How did the children play a role in the challenges to each woman's faith?

3. To which woman did you most relate, and why? Was it the one you expected to when you began the book? If you identified with one of the women because you share her religious beliefs, did you agree with her presentation of your faith? What did you disagree with, and why?

4. Much of the first half of the book deals with Suzanne's and Priscilla's struggles to define anti-Semitism and to confront their prejudices about the other's faith. Did you feel that Ranya was unfairly relegated to the role of "mediator" (p. 46), or did she welcome it? "For months, I had to bide my time patiently" (p. 126). Why do you think Ranya waited to bring up her own struggles with Suzanne's and Priscilla's faiths?

5. On page 106, Ranya says, "The more that science unravels about the wonders of life and the universe, the more I am in awe of it." Do you think this combination of science and faith is realistic, or must one ultimately take precedence over the other?

6. Suzanne's first sentence speaks of the "cozy, homogeneous community" at her Episcopal church. What is Priscilla's "comfort zone"? What is Ranya's? How does each woman step out of her individual cozy and homogeneous comfort zone, and in what ways does each of them remain there?

7. On page 147, Priscilla wonders if worrying is "a form of gratefulness." What do you think she means by this? Does Priscilla's worry ultimately strengthen her faith? How does each woman show gratitude in her life and in her faith?

8. On page 204, Craig Townsend tells Suzanne, "The opposite of faith is not doubt, it's certainty." What does he mean by this? Is doubt necessary for true faith?

9. In Chapter 12, "Intimations of Mortality," the women discuss their differing views about death and the afterlife. Which understanding of death was most comforting to you? Which image of the afterlife was most comforting? Are they from the same religion?

10. When Priscilla confronts Suzanne about her confession that she was uncomfortable being mistaken for a Jew, Ranya says, "She wouldn't want to be a Muslim either." Do you agree? Why or why not? Is Suzanne's discomfort an inevitable result of being a member of the majority, of "not [being] forced to accommodate [herself] to the culture, religion, or even friendship of minorities"?

11. Ranya provides a vivid description of her own method of prayer on page 175: "My prayer is essentially a form of meditation in which I singularly apply my limited human physical capacity to try to connect with that omnipresent universal unknown force: God." (Suzanne's description of her prayer is on page 162; Priscilla's is on page 175.) How is each woman's method of prayer different? How is it similar? How do Suzanne's, Ranya's, and Priscilla's prayer styles reflect the differences and similarities in their childhoods?
(Questions issued by publisher.)

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