Lost Memory of Skin (Banks)

Book Reviews
[A] major new work…destined to be a canonical novel of its time…it delivers another of Mr. Banks's wrenching, panoramic visions of American moral life…This book expresses the conviction that we live in perilous, creepy times. We toy recklessly with brand-new capacities for ruination. We bring the most human impulses to the least human means of expressing them, and we may not see the damage we do until it becomes irrevocable. Mr. Banks, whose great works resonate with such heart and soul, brings his full narrative powers to bear on illuminating this still largely unexplored new terrain.
Janet Maslin - New York Times


This is bleak stuff, with flashes of humor that land like sparks on dry grass, and also pretty fascinating. A two-time Pulitzer Prize finalist, Banks may be the most compassionate fiction writer working today, and the Kid is only his most recent lens into the souls of seemingly decent men who do terribly indecent things out of ignorance, thirst and desperation in a deeply uncaring world. Balancing impressively on a moral tightrope, Banks never absolves the Kid of his actions even as he sympathizes with him.
Helen Schulman - New York Times Book Review


[L]ike so much else Banks has written, this novel is ambitious and often compelling—a book that works with important ideas about the way we're reshaping our lives in the Internet age, while being reshaped ourselves, spiritually, sexually.
Sue Miller - Washington Post


Lost Memory of Skin...may be [Banks] boldest imaginative leap yet into the invisible margins of society...a haunting book, made so by the fraught, enigmatic relationship of the Professor and the Kid. The contradictions that seem to split the Kid—his obsession with sex but innocence of it, for instance—are never resolved. Mr. Banks in not an apologist, only an observer; he has brought the novelist's magnifying glass to bear on figures we otherwise try hard not to notice.
Sam Sacks - Wall Street Journal


For his latest novel, the acclaimed author of Cloudsplitter and The Sweet Hereafter again takes inspiration from a sanctuary of sorts. "The Kid," a young sex offender, lives with other registered offenders (including a disgraced state senator) in a makeshift camp beneath a Florida causeway based on a real colony that was shut down in 2010. After a police raid, the Kid meets "the Professor," a pompous, rotund man claiming to be researching homelessness. He wants to study—and cure—the Kid in order to prove his theories about society. But just as the study commences, the Professor, claiming that his life is in danger because of past work as a government spy, turns the tables, paying the Kid to interview him instead. Bloated and remarkably repetitive, this is more a collection of ideas and emblems than a novel. Though the Kid remains mostly opaque, he's a sympathetic character, but the nature of his crime, once revealed, lets Banks off the hook and simplifies rather than complicates matters. Banks continually refers to the Professor's weight and mental superiority, the latter a contrivance allowing for long rhetorical passages into the nature of man, sexual obsession, pornography, truth, and commerce that come as no surprise. Most frustrating is Banks's almost pathological restating of his characters' traits and motives, resulting in a highly frustrating novel in desperate need of an editor.
Publishers Weekly


From his makeshift tent in the shantytown under the causeway, the Kid can see the sun rise over the city of Calusa and feel the Atlantic breeze riffling the royal palm fronds. But the dichotomy between paradise and the squalor of the encampment is not lost on him. The only area within the city limits that is more than 2500 feet from a school, park, or library, the causeway bridge shelters homeless sex offenders on probation with nowhere else to go. Living in anonymity, the damaged group runs the gamut from a politician with a penchant for little girls to this lonely, asocial boy, whose only sexual relationship took place in an Internet chat room. When the Professor arrives to interview the Kid for a sociological study, the Kid wants to trust the man, and we hope he'll be saved through human interaction. But the Professor has his own demons. Verdict: Multiaward winner Banks (Affliction) has written a disturbing contemporary novel that feels biblical in its examination of good and evil, penance and salvation, while issuing a cri de coeur for penal reform. The graphic language may be off-putting for some but necessarily advances the theme of illusion vs. reality in the digital world. —Sally Bissell, Lee Cty. Lib. Syst., Ft. Myers, FL
Library Journal


(Starred review.) Banks is in top form in his seventeenth work of fiction, a cyclonic novel of arresting observations, muscular beauty, and disquieting concerns… a commanding, intrepidly inquisitive, magnificently compassionate, and darkly funny novel of private and societal illusions, maladies, and truths.
Booklist


Banks (The Reserve,2008, etc.) once again explores the plight of the dispossessed, taking a big risk this time by making his protagonist a convicted sex offender. He hedges his bets slightly: The Kid is a 22-year-old who got jailed for showing up at a 14-year-old girl's house,,,, Though there's plenty of plot, including a hurricane and a dead body fished out of a canal, the slow growth of the Kid's self-knowledge and his empathy for others is the real story, offering the only ray of hope in an otherwise bleak consideration of a broken society and the damaged people it breeds. Intelligent, passionate and powerful, but very stark indeed.
Kirkus Reviews