Lost Man (Harper)

The Lost Man 
Jane Harper, 2019
Flatiron Books
352 pp.
ISBN-13: 9781250105684 


Summary
Two brothers meet in the remote Australian outback when the third brother is found dead, in this stunning new standalone novel from Jane Harper

Brothers Nathan and Bub Bright meet for the first time in months at the remote fence line separating their cattle ranches in the lonely outback.

Their third brother, Cameron, lies dead at their feet.

In an isolated belt of Australia, their homes a three-hour drive apart, the brothers were one another’s nearest neighbors. Cameron was the middle child, the one who ran the family homestead. But something made him head out alone under the unrelenting sun.

Nathan, Bub and Nathan’s son return to Cameron’s ranch and to those left behind by his passing: his wife, his daughters, and his mother, as well as their long-time employee and two recently hired seasonal workers.

While they grieve Cameron’s loss, suspicion starts to take hold, and Nathan is forced to examine secrets the family would rather leave in the past. Because if someone forced Cameron to his death, the isolation of the outback leaves few suspects.

A powerful and brutal story of suspense set against a formidable landscape, The Lost Man confirms Jane Harper, author of The Dry and Force of Nature, is one of the best new voices in writing today. (From the publisher.)

Author Bio
• Birth—1979-80
• Where—Manchester, England, UK
• Education—B.A., University of Kent (Canterbury, England)
• Currently—lives in St. Kilda, Victoria, Australia


Jane Harper is an Englisn-born, partially Australian-raised writer, now living in Australia. She is the author of The Dry (2016/2017), Force of Nature (2018), and The Lost Man (2019)—all crime novels set in Australia.

Jane was born in Manchester, England, but her family moved to a subrub of Melbourne, Australia, where she lived till she was six. The family then returned to England, and Jane attended the University of Kent where she earned her B.A., in History and English.

Her first job out of school was as a journalist (yes, she actually had to pass a qualifying exam). She first worked for the Darlington & Stockton Times and, later, as senior news editor for the Hull Daily Mail, both papers in Yorkshire, England.

But Australia beckoned, and in 2008 Jane returned to her early childhood stromping grounds, again working in journalism—first for the Geelong Advertiser, then in 2011 for the Herald Sun in Melbourne.

After she had a short story accepted for inclusion in the annual Fiction Edition of The Big Issue (Melbourne), Jane turned to fiction writing in a serious way. In 2014, she signed up for a 12-week online creative writing course. The story she submitted for acceptance into the program turned out to be the beginning of her novel, The Dry. By the end of the three months, Jane had her first draft of the novel.

Making this almost a fairytale come true, Jane felt confident enough to enter the novel's third draft in the Victorian Premier’s Literary Award for an Unpublished Manuscript. It won the $15,000 prize in May, 2015, and Pan Macmillan paid a non-specified “six-figure” sum for a three-book deal.

Jane and her husband live in St. Kilda, outside of Melbourne, with their daughter. Jane now writes fiction full time. (Adapted from the author's website and news.com.au.)

Book Reviews
Harper's books succeed in part because she conveys how even now, geography can be fate. Heat and empty space in her work defeat modernity, defeat logic, technology and even love, throwing us back upon our irreducible selves. By the time she reveals the (brilliantly awful) back story about Nathan's banishment from the few human comforts of Balamara—the pub, for example—the reader feels frantic for their restoration. The final pages of The Lost Man are somewhat predictable, but Harper is skillful enough, a prickly, smart, effective storyteller, that it doesn't matter. She's often cynical, but always humane. Book by book, she's creating her own vivid and complex account of the outback, and its people who live where people don't live.
Charles Finch - New York Times Book Review


If you liked The Dry, you'll love it. The Lost Man is an even better book, gripping right to the end. This terrific piece of outback noir opens with the discovery of a body.… Harper… paints the menacing landscape brilliantly. The book's title could easily relate to several of the male characters. This engrossing novel will have you thinking long after you've turned the last page.
Melbourne Herald Sun (Aus)


Fabulously atmospheric, the book starts slowly and gradually picks up pace towards a jaw-dropping denouement.
Guardian (UK)


Her best yet; it's certainly one of the finest novels of any sort, not only within the genre, that I've read in many moons.… Harper adroitly blends the tension and brisk pace of a thriller with the psychological acuity and stylish prose of literary fiction.
Irish Independent


Engrossing…Storytelling at its finest.
Associated Press


Nothing about this novel is predictable. The characters are compelling, the plot is thrilling and the ending is so very satisfying. There’s something special about getting to the end of a book and figuring out the mystery. You’ll be left feeling content, a little shocked and desperate for more.
Marie Claire (Aus)


[A] crime masterpiece. The landscape and culture of this remote Australian territory are magnificently evoked as a story of family secrets unfolds. Rarely does a puzzle so complicated fit together perfectly—you’ll be shaking your head in amazement.
People


A nuanced but pulse-pounding thriller set in the heart of the Australian Outback, where two brothers find their sibling dead.
Entertainment Weekly


Harper’s sinewy prose and flinty characters compel, but the dreary story line may cause some readers to give up before the jaw-dropping denouement.
Publishers Weekly


[T]he Australian landscape looms large, and it's difficult to imagine the events in this novel playing out the same way anywhere else. Verdict: Even if readers guess why Cam died, they're likely to be kept guessing the how and the who until the end. —Stephanie Klose
Library Journal


The atmosphere is so thick you can taste the red-clay dust, and the folklore… adds an additional edge to an already dark and intense narrative. [A] surprising ending… reveals how far someone will go to preserve a life worth living in a place at once loathed and loved.
Booklist


★ [A] masterful narrative… in the middle of a desolate landscape… where the effects of long-term isolation are always a concern. The mystery… will leave readers reeling, and the final reveal is a heartbreaker. A twisty slow burner by an author at the top of her game.
Kirkus Reviews

Discussion Questions
We'll add publisher questions if and when they're available; in the meantime, please use our GENERIC MYSTERY QUESTIONS to start a discussion for THE LOST MAN … then take off on your own:

GENERIC DISCUSSION QUESTIONS
Mystery / Crime / Suspense Thrillers

1. Talk about the characters, both good and bad. Describe their personalities and motivations. Are they fully developed and emotionally complex? Or are they flat, one-dimensional heroes and villains?

2. What do you know...and when do you know it? At what point in the book do you begin to piece together what happened?

3. Good crime writers embed hidden clues in plain sight, slipping them in casually, almost in passing. Did you pick them out, or were you...clueless? Once you've finished the book, go back to locate the clues hidden in plain sight. How skillful was the author in burying them?

4. Good crime writers also tease us with red-herrings—false clues—to purposely lead readers astray? Does your author try to throw you off track? If so, were you tripped up?

5. Talk about the twists & turns—those surprising plot developments that throw everything you think you've figured out into disarray.

1. Do they enhance the story, add complexity, and build suspense?
2. Are they plausible or implausible?
3. Do they feel forced and gratuitous—inserted merely to extend the story?

6. Does the author ratchet up the suspense? Did you find yourself anxious—quickly turning pages to learn what happened? A what point does the suspense start to build? Where does it climax...then perhaps start rising again?

7. A good ending is essential in any mystery or crime thriller: it should ease up on tension, answer questions, and tidy up loose ends. Does the ending accomplish those goals?

1. Is the conclusion probable or believable?
2. Is it organic, growing out of clues previously laid out by the author (see Question 3)?
3. Or does the ending come out of the blue, feeling forced or tacked-on?
4. Perhaps it's too predictable.
5. Can you envision a different or better ending?

8. Are there certain passages in the book—ideas, descriptions, or dialogue—that you found interesting or revealing...or that somehow struck you? What lines, if any, made you stop and think?

9. Overall, does the book satisfy? Does it live up to the standards of a good crime story or suspense thriller? Why or why not?

(Generic Mystery Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)

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