White Teeth (Smith)

Book Reviews 
It's a novel that announces the debut of a preternaturally gifted new writer — a writer who at the age of 24 demonstrates both an instinctive storytelling talent and a fully fashioned voice that's street-smart and learned, sassy and philosophical all at the same time. This, White Teeth announces, is someone who can do comedy, drama and satire, and do them all with exceptional confidence and brio...In what will surely rank as one of her generation's most precocious debuts, Ms. Smith announces herself as a writer of remarkable powers, a writer whose talents prove commensurate with her ambitions.
Michiko Kakutani - The New York Times

Smith has much to say about threats to ethnic identity in the modern world, but her book's real strength lies in the way she says it. Her characters drawn with a commanding sense of detail, her writing style wonderfully sly and often downright funny, and her plot both rollicking and heartfelt, Smith makes a smashing debut on the literary scene. White Teeth just may be the first great novel of the new century.
David Wiegand - San Francisco Chronicle

This is a strikingly clever and funny book with a passion for ideas, for language, and for the rich tragicomedy of life.... [Smith's] characters always ring true; it is her ebullient, simple prose and her generous understanding of human nature that make Zadie Smith's novel outstanding. It is not only great fun to read, but full of hope.
Sunday Telegraph

The scrambled, heterogeneous sprawl of mixed-race and immigrant family life in gritty London nearly overflows the bounds of this stunning, polymathic debut novel by 23-year-old British writer Smith. Traversing a broad swath of cultural territory with a perfect ear for the nuances of identity and social class, Smith harnesses provocative themes of science, technology, history and religion to her narrative. Hapless Archibald Jones fights alongside Bengali Muslim Samad Iqbal in the English army during WWII, and the two develop an unlikely bond that intensifies when Samad relocates to Archie's native London. Smith traces the trajectory of their friendship through marriage, parenthood and the shared disappointments of poverty and deflated dreams, widening the scope of her novel to include a cast of vibrant characters: Archie's beautiful Jamaican bride, Clara; Archie and Clara's introspective daughter, Irie; Samad's embittered wife, Alsana; and Alsana and Samad's twin sons, Millat and Magid. Torn between the pressures of his new country and the old religious traditions of his homeland, Samad sends Magid back to Bangladesh while keeping Millat in England. But Millat falls into delinquency and then religious extremism, as earnest Magid becomes an Anglophile with an interest in genetic engineering, a science that Samad and Millat repudiate. Smith contrasts Samad's faith in providence with Magid's desire to seize control of the future, involving all of her characters in a debate concerning past and present, determinism and accident. The tooth—half root, half protrusion—makes a perfect trope for the two families at the center of the narrative. A remarkable examination of the immigrant's experience in a postcolonial world, Smith's novel recalls the hyper-contemporary yet history-infused work of Rushdie, sharp-edged, fluorescent and many-faceted.
Publishers Weekly

Smith has written an epic tale of two interconnected families. It begins with the suicide attempt of hapless, coin-flipping Archibald Jones on New Year's Day, 1975, and ends, after a 100-year ramble back and forth through time, on New Year's Eve, 1992, with his accidental (or preordained?) release of a poor mutant mouse programmed to do away with the randomness of creation. Smith evokes images of teeth throughout the novel. Do they symbolize some characteristic shared by all of humanity in this novel about ethnicity, class, belonging, homeland, family, adolescence, identity, blindness, and ignorance? Or are they meant to distract the reader from the all-encompassing theme of fate? Smith's characters are tossed about by decisions made deliberately, rashly, or by the flip of a coin. As Smith pieces together this story with bits of fabric from different times and places, the reader must contemplate whether our choices determine our future or whether fate leads us to an inevitable destiny. This fine first novel from Smith is most highly recommended for all libraries. —Rebecca A. Stuhr, Grinnell Coll. Libs., IA
Library Journal