Thirteen Moons (Frazier)

Thirteen Moons
Charles Frazier, 2006
Random House
422 pp.
ISBN-13: 9780375509322

Summary
This magnificent novel by one of America’s finest writers is the epic of one man’s remarkable journey, set in nineteenth-century America against the background of a vanishing people and a rich way of life.

At the age of twelve, under the Wind moon, Will is given a horse, a key, and a map, and sent alone into the Indian Nation to run a trading post as a bound boy. It is during this time that he grows into a man, learning, as he does, of the raw power it takes to create a life, to find a home. In a card game with a white Indian named Featherstone, Will wins—for a brief moment—a mysterious girl named Claire, and his passion and desire for her spans this novel. As Will’s destiny intertwines with the fate of the Cherokee Indians—including a Cherokee Chief named Bear—he learns how to fight and survive in the face of both nature and men, and eventually, under the Corn Tassel Moon, Will begins the fight against Washington City to preserve the Cherokee’s homeland and culture. And he will come to know the truth behind his belief that “only desire trumps time.”

Brilliantly imagined, written with great power and beauty by a master of American fiction, Thirteen Moons is a stunning novel about a man’s passion for a woman, and how loss, longing and love can shape a man’s destiny over the many moons of a life. (From the publisher.)

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Author Bio
• Birth—1950
• Where—Asheville, North Carolina, USA
• Education—B.A., University of North Carolina, Chapel Hill;
   M.A., Ph.D., Appalachian State University
• Awards—National Book Award for Fiction, 1997
• Currently—lives in Raleigh, North Carolina

Charles Frazier grew up in the mountains of North Carolina. Cold Mountain, his highly acclaimed first novel, was an international bestseller, and won the National Book Award in 1997. In 2006 Mr. Frazier published Thirteen Moons.

Frazier had been teaching University-level literature part-time when he first became spellbound by the story of his great-great uncle W. P. Inman. Inman was a confederate soldier during the Civil War who took a harrowing foot-journey from the ravaged battle fields back to his home in the mountains of North Carolina. The specifics of Inman's history were sketchy, indeed, but Frazier's father spun his tale with such enticing drama that Frazier began filling in the gaps, himself. Bits of the life of Frazier's grandfather, who also fought in the Civil War, helped flesh out the journey of William Pinkney Inman.

He also looked toward the legendary epic poem The Odyssey for inspiration. Slowly, a gripping tale of devotion, faith, redemption, and love coalesced in Frazier's mind. For six or seven years, he toiled away on the story that would ultimately become Cold Mountain, and with the novel's publication in 1997, the first-time author had a modern classic of American literature on his hands.

In Cold Mountain, Inman is a wounded confederate soldier who abandons the war to venture home to his beloved Ada. Along the way, he is confronted by various obstacles, but he journeys on valiantly, regardless. Frazier cleverly divides the narrative between Inman's trek and Ada's story as she struggles to make due in the wake of her father's death and the absence of her love.

When Frazier was only half finished with the book, he passed it along to friend and novelist Kaye Gibbons (Ellen Foster; A Virtuous Woman), who then got it into the hands of her agent. Much to his disbelief, Frazier's novel went on to become the smash sensation of the late-‘90s. Winning countless laudatory reviews from publications throughout the nation, Cold Mountain also became a must-read commercial smash. The novel ultimately won the coveted National Book Award for fiction and was adapted into an Oscar-winning motion picture starring Jude Law, Nicole Kidman and best supporting actress Renee Zellweger.

Nearly ten years after the publication of Cold Mountain, Frazier published Thirteen Moons. While Thirteen Moons returns to a 19th century setting, 12-year old Will is quite a different protagonist from Inman. With only a horse, a key, and a map, the boy is prodded into Indian country with the mission of running a trading post. In this dangerous environment, Will learns to empathize with the Cherokees, who open his mind to a much broader world than he had ever seen before.

In 2011 Frazier published Nightwoods, the story of a young woman living alone in the Appalachians who takes on the care of her murdered sisters young children, traumatized, violent and mute.

Extras
• Frazier grew up not far from the mountain he immortalized in Cold Mountain in the Blue Ridge of North Carolina. Although the actual Cold Mountain exists, the town after which it is named in the novel is entirely fictional.

• Reportedly, Frazier was offered a whopping $8 million advance for Thirteen Moons. Sadly, the book never reached the sales potential Random House had expected. (From Widkipedia.)

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Book Reviews
Mr. Frazier recounts Will’s melancholy adventures with plenty of narrative brio, giving the reader a succession of suspenseful—and in some cases touching —set pieces: the young Will venturing out into the wilderness for the first time, armed only with a sketchy map and a few provisions; Will facing off in a duel with Claire’s sadistic guardian, Featherstone; Will and Bear deciding to hunt down a group of their own people (who have killed some government soldiers) to win permission to stay on their land.
Michiko Kakutani - The New York Times

(Starred review.) When Frazier's debut Cold Mountain blossomed into a National Book Award-winning bestseller with four million copies in print, expectations for the follow-up rose almost immediately. A decade later, the good news is that Frazier's storytelling prowess doesn't falter in this sophomore effort, a bountiful literary panorama again set primarily in North Carolina's Great Smoky Mountains. The story takes place mostly before the Civil War this time, and it is epic in scope. With pristine prose that's often wry, Frazier brings a rough-and-tumble pioneer past magnificently to life, indicts America with painful bluntness for the betrayal of its native people and recounts a romance rife with sadness.

In a departure from Cold Mountain's Inman, Will Cooper narrates his own story in retrospect, beginning with his days as an orphaned, literate "bound boy" who is dispatched to run a musty trading post at the edge of the Cherokee Nation. Nearly nine mesmerizing decades later, Will is an eccentric elder of great accomplishments and gargantuan failures, perched cantankerously on his front porch taking potshots at passenger trains rumbling across his property (he owns "quite a few" shares of the railroad). Over the years, Will—modeled very loosely, Frazier acknowledges, on real-life frontiersman William Holland Thomas—becomes a prosperous merchant, a self-taught lawyer and a state senator; he's adopted by a Cherokee elder and later leads the clan as a white Indian chief; he bears terrible witness to the 1838-1839 Trail of Tears; a quarter-century later, he goes to battle for the Confederacy as a self-anointed colonel, leading a mostly Indian force with a "legion of lawyers and bookkeepers and shop clerks" as officers; as time passes, his life intersects with such figures as Davy Crockett, Sen. John C. Calhoun and President Andrew Jackson.

After the Civil War, Will fritters away a fortune through wanderlust, neglect and unquenched longing for his one true love, Claire, a girl he won in a card game when they were both 12, wooed for two erotic summers in his teen years and found again several decades later. In the novel's wistful coda, recalling Claire's voice inflicts "flesh wounds of memory, painful but inconclusive"-a voice that an uncertain old Will hears in the static hiss when he answers his newfangled phone in the book's opening pages. The history that Frazier hauntingly unwinds through Will is as melodic as it is melancholy, but the sublime love story is the narrative's true heart.
Publishers Weekly

If Frazier modeled Cold Mountain on The Odyssey, his template for Thirteen Moons could well be Little Big Man, as a very old man tells tall tales about his life with American Indians. Indentured at 12 and sent to Cherokee territory to run a trading post, Will Cooper gets more or less adopted by Bear, a Cherokee chief who maintains the old ways, and Featherstone, the owner of a slave-supported plantation. Will also falls hard and permanently for Claire, who drifts in and out of his life over the years. He takes to the law and tries to defend Cherokees from the land grabs that culminated in the Trail of Tears. His tales are mostly fascinating, and the insights into the period priceless. Reader Will Patton sounds too young to portray the ancient Cooper, but much of the book concerns his youthful adventures. If the novel gradually becomes less adventuresome and bogs down in mundane legal complications, well, so do many real lives. If not the home run that Cold Mountain was, Thirteen Moons is at least a stand-up double and one of the more entertaining novels of the year. Libraries will want to have it.
John Hiett - Library Journal

The recent resurgence in historical fiction arguably dates from the critical and popular success of North Carolinian Charles Frazier's memorable first novel, Cold Mountain. A romantic epic in the classic mold, this richly detailed sag of a Civil War deserter's homeward odyssey won the 1997 National Book Award and inspired a haunting 2003 feature film.

Classical precedent likewise informs and shapes Frazier's long-awaited second novel, in which a rootless an restless protagonist, like Cold Mountain's embattled hero, Inman, expends the energies of a long lifetime seeking permanent reunion with the only woman he'll ever love, who love shim in return yet moves in and out of his yearning orbit during the decades they are apart, but never entirely trusts him nor can bring herself to share his patchwork experience.

Like the beleaguered heroes of the books that are his lifelong sustenance, he's a visionary fixated on an ever-receding ideal: the noble knight Lancelot, cursed and burdened by his own divided and enervated loyalties.

She is Claire Featherstone, the ethereally beautiful young wife of a "white" (i.e. half-breed) Indian who prospers as a landowners and patriarch in the Cherokee Nation that stretches westward from the Carolinas to Oklahoma.

He is Will Cooper, an orphan and "bound boy" sold by his relatives to an "antique gentleman" who places adolescent Will in a moribund trading post on the edge of "the (Cherokee) Nation"—from which humble beginning he earns a vast fortune, bonds closely with his Cherokee neighbors and mentors (his conflicted friendship with the mercurial Featherstone overshadowed by his filial devotion to the equally prominent chief known as Bear), studies law and represents "his people" against the repressive policies of Indian-hating President Andrew Jackson, becomes a state senator and an itinerant buffer between the red men's and white men's worlds, all the while pursuing the memory, the dream and the promise of the elusive Claire.

Thirteen Moons brings this vanished world thrillingly to life, retelling the agonizing stories of "the Removal" (of Indians from their ancestral lands) and the lie of "Reconstruction"; creating literally dozens of heart-stopping word pictures (e.g. autumns display "a few stunted pumpkins still glowing in the fields an a few persistent apples hanging red in the skeletal orchards"); building unforgettable characterizations of the sorrow-laden everyman Will (whom we first, then finally, glimpse as a reclusive anachronism, weathered by "a near century of living"), unpredictable Featherstone and stoical Beat (a character Faulkner might have created), Claire who belongs to no man, ancient medicine woman Granny Squirrel, and all the uprooted and dispossessed souls enduring "the days and nights, the thirteen moons" of each accumulating year, while making their final journey "to the Nightland".

One of the great Native American—and American—stories, and a great gift to all of us, from one of our very best writers.
Kirkus Reviews

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