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The Story of a New Name (Neapolitan Novels 2)
Elena Ferrante, 2012 (trans., 2013)
Europa Editions
480 pp.
ISBN-13: 9781609451349
Summary
The second book following My Brilliant Friend and featuring the two friends Lila and Elena.
The two protagonists are now in their twenties. Marriage appears to have imprisoned Lila. Meanwhile, Elena continues her journey of self-discovery.
The two young women share a complex and evolving bond that brings them close at times, and drives them apart at others. Each vacillates between hurtful disregard and profound love for the other.
With this complicated and meticulously portrayed friendship at the center of their emotional lives, the two girls mature into women, paying the cruel price that this passage exacts. (From the publisher.)
Books in the series
My Brilliant Friend (2011) is the first of Ferrante's four Neapolitan Novels. This book is the second, Those Who Leave and Those Who Stay (2013) is the third, and The Story of a Lost Child (2014) is the last.
Author Bio
Elena Ferrante is the pen-name of an Italian novelist whose true identity is not publicly known. Though heralded as the most important Italian novelist of her generation, she has kept her identity secret since the publication of her first novel in 1992.
Works
Ferrante is the author of a half dozen novels, the most well-known of which is Days of Abandonment. Her four "Neapolitan Novels" revolve around two perceptive and intelligent girls from Naples who try to create lives for themselves within a violent and stultifying culture. The series consists of four novels: My Brilliant Friend (2012), The Story of a New Name (2013), Those Who Leave And Those Who Stay (2014), and The Story of the Lost Child (2015), which was nominated for the Strega Prize, an Italian literary award.
Two of Ferrante's novels have been turned into films by Italian filmmakers. Troubling Love became the 1995 feature film Nasty Love, and The Days of Abandonment became a 2005 film of the same title.
Her nonfiction book Fragments (2003) discussion her experiences as a writer.
Identity
In a January 21, 2013, article in The New Yorker, James Woods wrote that Ferrante has said, "books, once they are written, have no need of their authors." Perhaps that is one reason for her pen-name.
Speculation about Ferrante's identity is rife. In the same New Yorker article, Woods also wrote:
In the past twenty years or so, though, she has provided written answers to journalists’ questions, and a number of her letters have been collected and published. From them, we learn that she grew up in Naples, and has lived for periods outside Italy. She has a classics degree; she has referred to being a mother. One could also infer from her fiction and from her interviews that she is not now married. (“Over the years, I’ve moved often, in general unwillingly, out of necessity. . . . I’m no longer dependent on the movements of others, only on my own” is her encryption.) In addition to writing, “I study, I translate, I teach. (Author bio adapted from Wikipedia. Retrieved 9/11/2015.)
Book Reviews
Every so often you encounter an author so unusual it takes a while to make sense of her voice. The challenge is greater still when this writer's freshness has nothing to do with fashion, when it's imbued with the most haunting music of all, the echoes of literary history. Elena Ferrante is this rare bird: so deliberate in building up her story that you almost give up on it, so gifted that by the end she has you in tears.... As a translator, Ann Goldstein does Ferrante a great service. Like the original Italian, the English here is disciplined, precise, never calling attention to itself.... Ferrante's gift for recreating real life stems as much from the quiet, unhurried rhythm of her writing as from the people and events she describes. The translation reproduces Ferrante's narrative ebb and flow while registering the distinct features of her voice.
Joseph Luzzi - New York Times Book Review
The through-line in all of Ferrante’s investigations, for me, is nothing less than one long, mind-and-heart-shredding howl for the history of women (not only Neapolitan women), and its implicit j’accuse.... Ferrante’s effect, critics agree, is inarguable. (From a 2013 review of The Story of a New Name.)
Joan Fran - San Francisco Chronicle
Elena Greco and her "brilliant friend" Lina Cerullo...enter the tumultuous world of young womanhood with all its accompanying love, loss, and confusion.... Ferrante masterfully combines Elena's recollections of events with Lila's point of view.... [P]oignant.
Publishers Weekly
[A] beautifully written portrait of a sometimes difficult friendship....[and] a study in the possibility of triumph over disappointment.... [T]his second book closes with [Elana] embarking on what promises to be a brilliant literary career and with the hint that true love may not be far behind. Admirers of Ferrante's work will eagerly await the third volume.
Kirkus Reviews
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