Let Me Be Frank with You (Ford)

Let Me Be Frank with You  (Frank Bascombe Series, 4)
Richard Ford, 2014
HarperCollins
256 pp.
ISBN-13: 9780061692062


Summary
A brilliant new work that returns Richard Ford to the celebrated fictional landscape that sealed his reputation as an American master: the world of Frank Bascombe

In his trio of critically acclaimed, bestselling novels—The Sportswriter, the Pulitzer Prize and PEN/ Faulkner-winning Independence Day, and The Lay of the Land—Richard Ford, in essence, illuminated the zeitgeist of an entire generation, through the divinings and wit of his now-famous literary chronicler, Frank Bascombe, who is certainly one of the most indelible, provocative, and anticipated characters in modern American literature.

Here, in Let Me Be Frank With You, Ford returns with four deftly linked stories narrated by the iconic Bascombe. Now sixty-eight, and again ensconced in the well-defended New Jersey suburb of Haddam, Bascombe has thrived—seemingly if not utterly—in the aftermath of Hurricane Sandy's devastation.

As in all of the Bascombe books, Ford's guiding spirit is the old comic's maxim that promises if nothing's funny, nothing's truly serious. The desolation of Sandy, which rendered houses, shorelines, and countless lives unmoored and flattened, could scarcely be more serious as the grist for fiction. Yet it is the perfect backdrop and touchstone for Ford—and Bascombe.

With a flawless comedic sensibility and unblinking intelligence, these stories range over the full complement of American subjects: aging, race, loss, faith, marriage, redemption, the real-estate crash—the tumult of the world we live in.

Through Bascombe—wry, profane, touching, wise, and often inappropriate—we engage in the aspirations and sorrows, longings, achievements, and failings of American life in the morning of the new century. With his trademark candor and brimming wit, Richard Ford brings Bascombe fully back, in all his imperfect glory, to say (often hilariously) what all of us are thinking but few will voice aloud.

Whether you've been a Bascombe insider since The Sportswriter or are encountering Ford's unforgettable inventions newly here, Let Me Be Frank With You is a moving, wondrous, extremely funny odyssey, showcasing the maturity and brilliance of a great writer working at the top of his talents. (From the publisher.)

Author Bio
• Birth—February 16, 1944
• Where—Jackson, Mississippi, USA
• Education—B.A., Michigan State University; M.F.A., University of California, Irvine
• Awards—PEN/Faulkner Award; Pulitzer Prize (more below)
• Currently—lives in Boothbay, Maine


Richard Ford is an American novelist and short story writer. His best-known works are the novels that form the Bascombe quartet: The Sportswriter (1986), Independence Day (1995), The Lay of the Land (2006), and Let Me Be Frank with You (2014). He has also published several short story collections, the stories of which have been widely anthologized.

Early years
Ford was born in Jackson, Mississippi, the only son of Edna and Parker Carrol Ford. Parker was a traveling salesman for Faultless Starch, a Kansas City company. Of his mother, Ford has said, "Her ambition was to be, first, in love with my father and, second, to be a full-time mother." When Ford was eight years old, his father had a major heart attack, and thereafter Ford spent as much time with his grandfather, a former prizefighter and hotel owner in Little Rock, Arkansas, as he did with his parents in Mississippi. Ford's father died of a second heart attack in 1960.

Ford's grandfather had worked for the railroad. At the age of 19, before deciding to attend college, Ford began work on the Missouri Pacific train line as a locomotive engineer's assistant, learning the work on the job.

Ford received a B.A. from Michigan State University. Having enrolled to study hotel management, he switched to English. After graduating he taught junior high school in Flint, Michigan, and enlisted in the US Marines but was discharged after contracting hepatitis. At university he met Kristina Hensley, his future wife; the two married in 1968.

Despite mild dyslexia, Ford developed a serious interest in literature. He has stated in interviews that his dyslexia may, in fact, have helped him as a reader, as it forced him to approach books at a slow and thoughtful pace.

Ford briefly attended law school but dropped out and entered the creative writing program at the University of California, Irvine, to pursue a Master of Fine Arts degree, which he received in 1970. Ford chose this course simply because "they admitted me, he confessed in a profile in Ploughshares (7/8/2010):

They admitted me. I remember getting the application for Iowa, and thinking they'd never have let me in. I'm sure I was right about that, too. But, typical of me, I didn't know who was teaching at Irvine. I didn't know it was important to know such things. I wasn't the most curious of young men, even though I give myself credit for not letting that deter me.

As it turned out, Oakley Hall and E. L. Doctorow were teaching there, and Ford has been explicit about his debt to them. In 1971, he was selected for a three-year appointment in the University of Michigan Society of Fellows.

Early writing
Ford published his first novel, A Piece of My Heart, the story of two unlikely drifters whose paths cross on an island in the Mississippi River, in 1976; he followed it with The Ultimate Good Luck in 1981. In the interim he briefly taught at Williams College and Princeton. Despite good notices the books sold little, and Ford retired from fiction writing to become a writer for the New York magazine Inside Sports. Speaking for same the Ploughshares profile, he said:

I realized there was probably a wide gulf between what I could do and what would succeed with readers. I felt that I'd had a chance to write two novels, and neither of them had really created much stir, so maybe I should find real employment, and earn my keep.

In 1982, the magazine folded, and when Sports Illustrated did not hire Ford, he returned to fiction writing with The Sportswriter, a novel about a failed novelist turned sportswriter who undergoes an emotional crisis following the death of his son. The novel became Ford's "breakout book", named one of Time magazine's five best books of 1986 and a finalist for the PEN/Faulkner Award for Fiction.

Ford followed the success immediately with Rock Springs (1987), a story collection mostly set in Montana that includes some of his most popular stories, adding to his reputation as one of the finest writers of his generation.

Dirty realism
Reviewers and literary critics associated the stories in Rock Springs with the aesthetic movement known as dirty realism. This term referred to a group of writers in the 1970s and 1980s that included Raymond Carver and Tobias Wolff—two writers with whom Ford was closely acquainted—along with Ann Beattie, Frederick Barthelme, Larry Brown, and Jayne Anne Phillips, among others.

Those applying this label point to Carver's lower-middle-class subjects or the protagonists Ford portrays in Rock Springs. However, many of the characters in the "Frank Bascombe" books (The Sportswriter, Independence Day, The Lay of the Land, and Let Me Be Frank With You), notably the protagonist himself, enjoy degrees of material affluence and cultural capital not normally associated with the "dirty realist" style.

Mid-career and acclaim
Although his 1990 novel Wildlife, a story of a Montana golf pro turned firefighter, met with mixed reviews and middling sales, by the end of the 1980s Ford's reputation was solid. He was increasingly sought after as an editor and contributor to various projects. Ford edited the 1990 Best American Short Stories, the 1992 Granta Book of the American Short Story, and the 1998 Granta Book of the American Long Story, a designation he claimed in the introduction to prefer to the novella.

In 1995, Ford's career reached a high point with the release of Independence Day, a sequel to The Sportswriter, featuring the continued story of its protagonist, Frank Bascombe. Reviews were positive, and the novel became the first to win both the PEN/Faulkner Award and the Pulitzer Prize for Fiction. In the same year, Ford was chosen as winner of the Rea Award for the Short Story, for outstanding achievement in that genre. He ended this prodigiously creative and successful decade of the 1990s with a well-received story collection Women with Men published in 1997.

Later life and writings
Ford lived for many years on lower Bourbon Street in the French Quarter and then in the Garden District of New Orleans, Louisiana, where his wife Kristina was the executive director of the city planning commission. He now lives in East Boothbay, Maine.[12] In between these dwellings, Ford has lived in many other locations, usually in the U.S., though he's pursued an equally peripatetic teaching career.

He took up a teaching appointment at Bowdoin College in 2005, but remained in the post for only one semester. In 2008 Ford served as an Adjunct Professor at the Oscar Wilde Centre with the School of English at Trinity College, Dublin, Ireland, teaching on the Masters programme in creative writing. But at the end of 2010, Ford assumed the post of senior fiction professor at the University of Mississippi in the fall of 2011, replacing Barry Hannah, who died in March 2010.

Ford's intense creative pace (writing, teaching, editing, publishing) did not subside, either, as a new decade (and a new century) commenced. He published another story collection A Multitude of Sins (2002), followed by The Lay of the Land (2006), which continues (and, according to Ford's explicit statements made at this time, was to have ended) the Frank Bascombe series.

However, in April 2013, Ford read from a new Frank Bascombe story without revealing to the audience whether or not it was part of a longer work. But by 2014, it was confirmed that the story would indeed appear as part of a longer work to be published in November of that year. Titled Let Me Be Frank With You, it is a work consisting of four interconnected novellas (or "ong stories"), all narrated by Frank Bascombe.

Also, as he did in the preceding decade, Ford continued to assist with various editing projects. In 2007, he edited the New Granta Book of the American Short Story, followed by the Library of America's two-volume edition of the selected works of fellow Mississippi writer Eudora Welty. Ford's latest novel, Canada, was published in 2012. That same year, he became the Emmanuel Roman and Barrie Sardoff Professor of the Humanities and Professor of Writing at the Columbia University School of the Arts.

Critical opinion
Richard Ford's writings demonstrate "a meticulous concern for the nuances of language ... [and] the rhythms of phrases and sentences." Ford has described his sense of language as "a source of pleasure in itself—all of its corporeal qualities, its syncopations, moods, sounds, the way things look on the page."

This "devotion to language" is closely linked to what he calls "the fabric of affection that holds people close enough together to survive." Comparisons have been drawn between Ford's work and the writings of John Updike, William Faulkner, Ernest Hemingway and Walker Percy.

Ford's works of fiction "dramatize the breakdown of such cultural institutions as marriage, family, and community." His...

marginalized protagonists often typify the rootlessness and nameless longing... pervasive in a highly mobile, present-oriented society in which individuals, having lost a sense of the past, relentlessly pursue their own elusive identities in the here and now.*

Ford "looks to art, rather than religion, to provide consolation and redemption in a chaotic time."

Awards and honors
2013 - Prix Femina Etranger for Canada
2013 - Andrew Carnegie Medal for Excellence in Fiction for Canada
2001 - PEN/Malamud Award for excellence in short fiction
1995 - PEN/Faulkner Award[9] for Independence Day
1995 - Pulitzer Prize for Fiction for Independence Day
1995 - Rea Award for the Short Story for outstanding achievement in that genre. (Author bio adapted from Wikipedia. Retrieved 11/20/2014.)

*Huey Guagliardo, Perspectives on Richard Ford: Redeemed by Affection, University Press of Mississippi, 2000.

Book Reviews
Frank has become [Ford's] Everyman, as much a representative of middle-class American life and its discontents as John Updike's Harry Angstrom was for another generation in the Rabbit novels…[Let Me Be Frank With You] serves as an apt vitrine for Mr. Ford's talents: his journalistic eye for the revealing detail, his knack for tracing the connections between the public and the personal, his gift for capturing the precariousness of daily life…the fact that Let Me works as well as it does is a testament to Mr. Ford's strengths as a writer and his ability to turn his hero's contradictions and discontinuities into something more like the genuine complexities of a real human being.
Michiko Kakutani - New York Times


Ford's prose retains its controlled tang, and despite its room-temperature tone can chill or warm a reader with startling immediacy…However wounded, the New Jersey we've come to know, from riding shotgun with Bascombe on interstates and back roads all these years, remains profoundly present and vibrantly distinct, no more an Anywhere, as the state's reputation mistakenly suggests, than Bascombe is an Everyman.
Jonathan Miles - New York Times Book Review


Of all the serial heroes bustling through postwar American fiction, Frank Bascombe makes the strongest claim on our affection… It is Mr. Ford’s achievement to have made the musings of this suburban everyman captivating.
Wall Street Journal


Now Frank has returned, ushering us through the four linked novellas in Let Me Be Frank With You—which arrives, like an early Christmas gift, to soothe fans who assumed they’d never again have the pleasure of wading through his stream of consciousness.
Washington Post


Let Me Be Frank With You marks the fourth book that Frank [Bascombe] has taken center-stage, and the four stories offered between its covers find the character now deep into his waning years—the age that Frank refers to as his "Default Period of life."
NPR, The Two-Way


Incredibly, Ford maintains, over 30 years, Frank’s voice-he sounds much as he did when he was 38, except he is a little more prone to pontificating… This is what gripped readers on the first page of The Sportswriter…and what continues in Let Me Be Frank With You.
Chicago Tribune


[Frank Bascombe is] as ruminative as ever, continually brooding over past and present; as ironic as ever, flippantly naming his retirement status  "The Next Level"... And this Mississippi-born gentleman also remains as charming and gracious as ever… [A] substantial work of fiction… [a] sharp-eyed collection.
Newsday (Long Island, NY)


Four novellas featuring Frank Bascombe, the main character from three of Ford’s most highly acclaimed novels. Bascombe is older, and though he may not think he’s any wiser, readers will disagree.
San Francisco Chronicle


Ford steers clear of autobiography in his fiction, but his ability to tease out the psychological nuances of his heroes has made him a legend.
New Orleans Times-Picayune


The stories…serve as vehicles for Frank’s witty, sad, poignant and incisive ruminations on life in America in the early 21st century... Readers of the Bascombe trilogy… are sure to be delighted at this unexpected opportunity to renew their acquaintance with Frank and see how he’s coping with life’s changes.
Associated Press


The American master returns with another dispatch from Frank Bascombe.
San Antonio Express-News


Funny, touching and profound… Threading its way through all four tales is Frank’s (Ford’s) sometimes chilling, always wry take on mortality… The ability of slight things to forestall reflection on the weightiest of issues is Ford’s rich theme here, and no one mines it more eloquently.
Financial Times


The beauty of this book lies in its encompassing humanity, its juxtaposition of gravity and wit, and the flawed duality of our protagonist… Ford illuminates parts of us all.
Portland Press Herald


The Pulizer Prize-winner ricochets off his "Frank Bascombe Trilogy" of novels (The Sportswriter, Independence Day, The Lay of the Land) with four themed stories told by Bascombe, his insightful, funny and irreverent main character now living in New Jersey
Sacramento Bee


In four richly luminous narratives, Bascombe (and Ford) attempts to reconcile, interpret and console a world undone by calamity. It is a moving and wondrous and extremely funny odyssey through the America we live in at this moment.
Jackson Free Press


[Subtle] stories told with wit and grace… Ford has established himself as one of contemporary America’s most interesting storytellers. Let Me Be Frank With You does nothing to diminish this well-deserved reputation.
New York Journal of Books


Ford is celebrated for his Frank Bascombe novels—stories swirling around the life of a middle-aged real estate agent. His profession lends itself to Ford’s rich descriptions of natural land. Here, Ford places Bascombe in the wake of Hurricane Sandy (Best Books for Fall 2014).
Huffington Post


A quartet of stories set around Christmas 2012 (each Bascombe volume co-opts a holiday), amid the physical and emotional debris of Hurricane Sandy, it’s an estimable book-wise, funny and superbly attentive to the world. If this is the last of Bascombe, it’s an honorable end.
Time


Bascombe is a little grumpier than before but no less introspective...As in the previous books, his fast-running internal commentary on those neighbors...is the book’s engine, streaming along, carrying us from one scene to the next and binding them all together.
Town & Country


Frank has reached his twilight years with his trademark wit and ruminative self-awareness intact, even if his body is starting to slide into geriatric betrayal...There’s no doubt that this is the same old Frank
Entertainment Weekly


[F]our absorbing, funny, and often profound novellas.... Frank’s cranky comments and free-flowing meditations about current social and political events are slyly juxtaposed with references to Tolstoy, Shakespeare, Trollope, Emerson, Milton, and others. Despite Frank’s dyspeptic outlook, Ford packs in a surprising amount of affirmation and redemption.
Publishers Weekly


(Starred review.) [A]after an eight-year hiatus, Frank is back, once again summing up an important American moment by wrestling with the displacement caused by Hurricane Sandy.
Library Journal


(Starred review.) [C]austically hilarious, warmly philosophical, and emotionally lush… In each neatly linked tale, Frank ruminates misanthropically, wittily, and wisely about love, family, friendship, race, politics, and the mystery of the self…Like Frank, Ford, certainly is incisively frank, forensically observant, and covertly tender.
Booklist


The novelist returns with his favorite protagonist for a coda that is both fitting and timely.... [T]here are a couple of revelations that might disturb a man who felt more, but plot is secondary here to Frank's voice, which remains at a reflective remove from whatever others are experiencing. Another Bascombe novel would be a surprise, but so is this—a welcome one
Kirkus Reviews

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