Breaking Dawn (Meyer)

Breaking Dawn  (Twilight Series #4)
Stephenie Meyer, 2008
Little, Brown Books for Young Readers
768 pp.
ISBN-13: 9780316067935


Summary
When you loved the one who was killing you, it left you no options. How could you run, how could you fight, when doing so would hurt that beloved one? If your life was all you had to give, how could you not give it? If it was someone you truly loved?

To be irrevocably in love with a vampire is both fantasy and nightmare woven into a dangerously heightened reality for Bella Swan. Pulled in one direction by her intense passion for Edward Cullen, and in another by her profound connection to werewolf Jacob Black, a tumultuous year of temptation, loss, and strife have led her to the ultimate turning point. Her imminent choice to either join the dark but seductive world of immortals or to pursue a fully human life has become the thread from which the fates of two tribes hangs.

Now that Bella has made her decision, a startling chain of unprecedented events is about to unfold with potentially devastating, and unfathomable, consequences. Just when the frayed strands of Bella's life—first discovered in Twilight, then scattered and torn in New Moon and Eclipse—seem ready to heal and knit together, could they be destroyed...forever?

The astonishing, breathlessly anticipated conclusion to the Twilight Saga, Breaking Dawn illuminates the secrets and mysteries of this spellbinding romantic epic that has entranced millions. (From the publisher.)

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Author Bio
• Birth—December 24, 1973
• Where—Harford, Connecticut
• Education—B.A., Bringham Young University,
• Currently—lives in Phoenix, Arizona


Stephenie Meyer's life changed dramatically on June 2, 2003. The stay-at-home mother of three young sons woke up from a dream featuring seemingly real characters that she could not get out of her head.

"Though I had a million things to do, I stayed in bed, thinking about the dream. Unwillingly, I eventually got up and did the immediate necessities, and then put everything that I possibly could on the back burner and sat down at the computer to write—something I hadn't done in so long that I wondered why I was bothering."

Meyer invented the plot during the day through swim lessons and potty training, and wrote it out late at night when the house was quiet. Three months later she finished her first novel, Twilight. With encouragement from her older sister (the only other person who knew she had written a book), Meyer submitted her manuscript to various literary agencies. Twilight was picked out of a slush pile at Writer's House and eventually made its way to the publishing company Little, Brown where everyone fell immediately in love with the gripping, star-crossed lovers.

Twilight was one of 2005's most talked about novels and within weeks of its release the book debuted at #5 on the New York Times bestseller list. Among its many accolades, Twilight was named an "ALA Top Ten Books for Young Adults," an Amazon.com "Best Book of the Decade...So Far", and a Publishers Weekly Best Book of the Year.

The highly-anticipated sequel, New Moon, was released in September 2006, and spent more than 25 weeks at the #1 position on the New York Times bestseller list.

In 2007, Eclipse literally landed around the world and fans made the Twilight Saga a worldwide phenomenon! With midnight parties and vampire-themed proms the enthusiasm for the series continued to grow.

On May 6, 2008, Little, Brown and Company released The Host, Meyer's highly-anticipated novel for adults which debuted at #1 on the New York Times and Wall Street Journal bestseller lists. The Host still remains a staple on the bestseller lists more than a year after its debut.

On August 2, 2008, the final book in the Twilight Saga, Breaking Dawn was released at 12:01 midnight. Stephenie made another appearance on Good Morning America and was featured in many national media outlets, including Entertainment Weekly, Newsweek, People Magazine and Variety. Stephenie headlined the Breaking Dawn Concert Series with Justin Furstenfeld (lead singer of Blue October) to celebrate the release in four major markets across the US. Breaking Dawn sold 1.3 million copies in its first 24 hours.

The Twilight movie, directed by Catherine Hardwicke and starring Robert Pattinson and Kristen Stewart, was released on November 21, 2008. Twilight debuted at #1 at the box office with $70 million, making it the highest grossing opening weekend for a female director.

Stephenie lives in Arizona with her husband and three sons. (From the author's website.)

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Book Reviews
In the fourth and purportedly final novel from the best-selling "Twilight" saga, main character Bella Swan must finally choose between her vampire love and her human life. As in the previous three novels, Bella's shyness and passivity, along with the remnant memories of Edward's Victorian human life, keep the love scenes fairly unobjectionable, though the results of such scenes are far from tame; some parents may even object to the earliest of these descriptions. Also, the novel's split perspective, in which readers oscillate from Bella's perspective to her werewolf best friend Jacob's and finally back to her own, may annoy both diehard fans—because Jacob's perspective and internalizations at times mirror exactly what fans have come to expect of Bella—and any newcomers to the saga who start with this book—because they are not likely to be as invested in the character dynamics. Overall, the plot seems perhaps too convenient and often lacks the emotional tension and suspense of its predecessors in the series, but the ends are neatly tied in a way that should leaves fans of both Edward and Jacob satisfied. Especially in light of the forthcoming cinematic adaptation and film release of the saga's first book, which will likely only expand Meyer's popularity (and the number of discussions contrasting Meyer with J.K. Rowling), this may be one book that cannot be avoided or ignored.
Children's Literature

Meyer closes her epic love story of a human, a vampire, and a werewolf in this, the final installment of the saga. The story opens with Bella and Edward's wedding, and relations between Jacob and Bella remain uneasy. On honeymoon and unshackled from any further concerns about premarital sex, Edward fulfills his promise to consummate their marriage before he changes Bella into a vampire. An unexpected conception throws their idyllic world back into chaos as factions (both wolf and vampire) battle over whether or not to destroy the potential monster that is killing Bella from within. The captivating angst, passions, and problems manage to satisfyingly fill pages where surprisingly little action takes place, even after the powerful child's birth brings the Cullen family under the scrutiny of the Volturi. The international cadre of vampires who come to the Cullens' aid are fascinating, but distract from the development of prime characters at a pivotal moment. The novel begins and ends with Bella's voice, while Jacob narrates the middle third of the tale, much like the final pages of Eclipse (Little, Brown 2007). While darker and more mature than the previous titles, Meyer's twists and turns are not out of character. Fans may distress as the happy ending for everyone, including a girl for Jacob, lessens the importance and pain of tough decisions and difficult self-sacrifices that caused great grief in previous books, but they will flock to it and enjoy it nonetheless. —Cara von Wrangel Kinsey, New York Public Library
School Library Journal

Perpetually clumsy Bella is about to marry the very sexy and graceful vampire Edward Cullen. In exchange for Bella's hand in marriage, Edward agrees to turn her into a vampire shortly after the ceremony. Bella's shape-shifter, more-than-best friend, Jacob, is none too happy about her impending transformation, not only because she will become a nosferatu but also because it will violate the tenuous treaty between the vampires and werewolves of Forks. When her honeymoon takes a surprising turn, Bella decides to remain human a bit longer. Her decision threatens not only her life but also the lives of her new family and friends. Since Twilight's thrilling debut (Little, Brown, 2005), readers have been waiting to find out how this addicting supernatural love triangle will play out. The series finale offers closure but certainly not satisfaction. It contains the elements that made Meyer's first two novels intoxicating reads but wraps them in an overly long and noxiously sappy package. Meyer writes pervasive angst like few other authors can so fans may rejoice in that aspect. She sacrifices the opening novel's brisk pacing for tedious inner monologues. The single mildly comic, and thereby least cloying portion, portrays Jacob's point of view. Alas, it is also the shortest section of the book. By the time readers arrive at the ridiculous conclusion, they will likely have thrown the entire novel across the room several times. Team Edward and Team Jacob will have fun race-reading and then commiserating over the less-than-stellar conclusion.
VOYA

It might seem redundant to dismiss the fourth and final Twilight novel as escapist fantas—but how else could anyone look at a romance about an ordinary, even clumsy teenager torn between a vampire and a werewolf, both of whom are willing to sacrifice their happiness for hers? Flaws and all, however, Meyer's first three novels touched on something powerful in their weird refraction of our culture's paradoxical messages about sex and sexuality. The conclusion is much thinner, despite its interminable length. [...] But that's not the main problem. Essentially, everyone gets everything they want, even if their desires necessitate an about-face in characterization or the messy introduction of some back story. Nobody has to renounce anything or suffer more than temporarily—in other words, grandeur is out. This isn't about happy endings; it's about gratification. A sign of the times?
Publishers Weekly

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Discussion Questions
1. Breaking Dawn contained many more twists and turns than the previous titles in The Twilight Saga. Which of the plot lines did you predict? Was there foreshadowing that led you to your prediction? Where? What was the most surprising moment for you?

2. The anticipation was high for the last installment—what did you think would happen that didn’t? Could it have fit into the story? How? And would it have changed the outcome?

3. As Jacob tries to explain Bella’s situation to Charlie, Charlie cuts him off, asking just to know if she’s OK. Based on how much Jacob let slip, do you think Charlie knows the truth? If not, what other conclusions could he have come to about the Cullens, Bella, Jacob, and his La Push friends?

4. Throughout the series, the vampires have displayed a wide variety of special talents. However, until Renesmee’s arrival, we never saw talents passed from one generation to the next. If Alice and Jasper were able to have a child, what might their baby’s special talent be? How about Esmee and Carlisle? Rosalie and Emmett?

5. When Alice and Jasper disappeared, what were your initial thoughts? Did you believe that they were gone forever? What were some other possibilities for them going away? Would it have been possible for them to stay with the family and still protect them? How—and what impact could that have had on the ending?

6. Bella as a newborn vampire has changed in many ways. She has become nimble and confident, and also shows a level of self-control that is surprising to the Cullens. Do these changes seem natural? Did you find yourself getting reacquainted with Bella—and do you think she was doing the same with herself?

7. The scene in the meadow looked to be headed toward a fight-to-the-finish war between the Cullens and the Volturi. What did the Cullens do right to peacefully resolve the situation? What strategic mistakes did the Volturi make that ultimately led to an ending not of their choosing?

8. Since New Moon, we have all believed that Jacob and others in the Quiletes tribe were werewolves. However, in the field Edward refers to them as shape-shifters. Why did Edward use that term? What are the main differences between werewolves and shape-shifters? Why is this distinction important?

9. Renesmee’s talent allows her to communicate in a very unique way. Breaking Dawn presents innocent uses of her talent, however do you think her talent will mature as she does? For example, do you think she could someday be able to manipulate images to show people what she wants them to see? How could this give the Cullens an advantage if the Volturi were to reappear?

10. Stephenie Meyer has noted that each of the novels in The Twilight Saga pays homage to other literary classics. For Breaking Dawn, she has said Shakespeare’s A Midsummer Night’s Dream and The Merchant of Venice were the key inspirations. In what ways do you think Breaking Dawn’s structure and key plot points draw inspiration from A Midsummer Night’s Dream? In what ways do these elements differ? The Merchant of Venice, according to Shakespearean scholars is a “problem play”—setting out to explore specific moral dilemmas and current social problems through the central characters. Can you identify characters beyond Bella and Edward that struggled with moral dilemmas in Breaking Dawn? What characters set the stage for social parallels that we see today?
(Questions issued by publisher.)

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