Take This Man (Skyhorse)

Take This Man:  A Memoir
Brando Skyhorse, 2014
Simon & Schuster
272 pp.
ISBN-13: 9781439170878



Summary
The true story of a boy’s turbulent childhood growing up with five stepfathers and the mother who was determined to give her son everything but the truth.

When he was three years old, Brando Kelly Ulloa was abandoned by his Mexican father. His mother, Maria, dreaming of a more exciting life, saw no reason for her son to live his life as a Mexican just because he started out as one. The life of “Brando Skyhorse,” the American Indian son of an incarcerated political activist, was about to begin.

Through a series of letters to Paul Skyhorse Johnson, a stranger in prison for armed robbery, Maria reinvents herself and her young son as American Indians in the colorful Mexican-American neighborhood of Echo Park, California. There Brando and his mother live with his acerbic grandmother and a rotating cast of surrogate fathers. It will be over thirty years before Brando begins to untangle the truth of his own past, when a surprise discovery online leads him to his biological father at last.

From an acclaimed, prize-winning novelist celebrated for his “indelible storytelling” (O, The Oprah Magazine), this extraordinary literary memoir captures a son’s single-minded search for a father wherever he can find one, and is destined to become a classic. (From the publisher.)



Author Bio
Birth—ca. 1973-74
Where—Los Angeles (Echo Park), California, USA
Education—B.A., Stanford University; M.F.A., University of
   California, Irvine
Awards—PEN/Hemingway Award; Sue Kaufman Prize (American
   Academy of Arts and Letters)
Currently—lives in Jersey City, New Jersey


Brando Skyhorse grew up in the 1970s and '80s mostly with Vietnamese and Mexican immigrants the Echo Park, section of Los Angeles, California. He channeled those memories into his 2010 novel, The Madonnas of Echo Park.

Skyhorse says he always felt like an outsider in the neighborhood.

I was definitely the nerdy kid with the book bag, with the glasses and the whole thing. I didn't hang out with gangs, or anything. I don't even think I even considered it an option because I wasn't cool enough for that. I wasn't even worthy enough to be hassled by them. I was just totally invisible.

When Skyhorse was three, his father left, and he had a revolving door of stepfathers, never realizing till much older that most of what his mother told him about himself was simply made up, including his name. His mother was so involved in the American Indian movement of the 1970s that she identified herself as Native American even though she was Mexican American.

Corresponding with an American Indian man jailed for armed robbery, she took his last name, Skyhorse, as her own and her son's. She then changed her first name to "Running Deer" and her son's to "Brando" in honor of Marlon Brando's 1970s involvement in Native American activities.

Skyhorse graduated from Stanford University and received his M.F.A. from the writers' program from the University of California at Irvine's writing program. He worked in publishing for ten years as an editor and writer of both fiction and non-fiction.

His first novel, The Madonnas of Echo Park, ws released in 2010. The novel follows the intersections of its characters and cultures in Los Angeles, giving voice to the Echo Park neighborhood with an astonishing—and unforgettable—lyrical power. The book received the 2011 PEN/Hemingway award and the Sue Kaufman Prize for First Fiction from the American Academy of Arts and Letters.

His second book, Take This Man, a memoir, recounts his childhood years with his mother and her five husbands. It came out in 2014.

Skyhorse currently lives in Jersey City, New Jersey. He has been appointed the 2014 Jenny McKean Moore Writer-In-Washington at George Washington University. (Author bio compiled with information from the publisher and other online sources.)



Book Reviews
This isn’t a predictable tale of irresponsible parenting.... For most of the book, the subject seems to be a fatherless young man on the proverbial quest for identity.... Then Skyhorse pulls a neat switch.... Thirty years later, Skyhorse does indeed track down the biological father who abandoned him, but in the intervening years he understands that the absent Father is unrecoverable.... So this memoir isn’t about absence. It’s about presence. Skyhorse’s subject isn’t what he’ll never have. It’s what he’ll always have, what he can’t get rid of.
Rhoda Janzen - New York Times Book Review


(Starred review.) [A] vivid and idiosyncratic family memoir .... Skyhorse's upbringing has had lasting effects on his romantic relationships and mental health, but he manages to write about his experiences and those who shaped them with grace. By turns darkly comical and moving, this powerful memoir of a family in flux will stick with readers well after they’ve put it down.
Publishers Weekly


[A]n account of [Skyhorse's] own Los Angeles childhood in the Echo Park neighborhood in a family so dysfunctional it seems to be fictional.... At 33, he finally searches for [his father] and gradually becomes part of a new, blessedly normal family. A harrowing, compulsively readable story of one man’s remarkable search for identity. —Deborah Donovan
Booklist


(Starred review.) [A] wickedly compelling account of a dysfunctional childhood growing up "a full blooded American Indian brave" with five different fathers.... As he gathered up the shards of his life...Skyhorse realized the one truth that his storytelling mother and grandmother had known instinctively: that "stories [could] help you survive"…. By turns funny and wrenching, the narrative is an unforgettable tour de force of memory, love and imagination.
Kirkus Reviews



Discussion Questions

1. Share your thoughts about Maria as a person and as a mother. Were you sympathetic toward her at all? Why or why not? What were her maternal strengths and weaknesses?

2. What motivated Maria to fabricate a Native American identity for herself and Brando? How did the phrase she repeated (“At least it’s never boring”) shed light on her extreme, often outrageous behavior? Why was Maria able to get away with the lies and stories she told?

3. Discuss the cultural identity issues that Maria’s charade caused Brando. Why did he defy his mother and “come out” as a Mexican when he was in his teens? Was Sofie right or wrong to accuse Brando of lying to her?

4. Grandma June was supportive of Brando—encouraging his love of reading, for example—and at other times was cruel to him. How would you describe their relationship? Was she more of a positive or a negative influence in her grandson’s life?

5. Discuss the atmosphere inside the Echo Park house. How did June and Maria’s relationship impact Brando? What conclusions are there to be drawn from the fact that being on the road, away from the house, “stripped away [Maria’s] characteristic fear and disappointment” (page 58)?

6. How did Brando’s view of his mother, and his relationship with her, change as he got older? How about after he went away to Stanford? Why does he wish he could go back and warn his younger self after arriving on campus? What advice would he give him?

7. Discuss Brando’s relationships with each of his stepfathers—Robert, Paul, Pat, and Rudy—and the impact they had on him. What did he most want from a father figure? How did this shift over time?

8. Discuss the role Frank has played in Brando’s life. What has kept the two of them connected for decades? Why was it Frank, never married to Maria, who became most like a father to Brando?

9. Brando admits that by the time he contacted Candido he’d “had so many fathers that even the idea of a father—the very word father—seemed absurd” (page 3). Why then did he finally decide to reach out to him? Did he get what he had hoped to from Candido?

10. Candido cited the circumstances of his tempestuous parting with Maria and her threats to have him deported as the reasons why he never contacted Brando. Did he give up too easily on trying to be involved in his son’s life? Were his actions justifiable in any way? Why or why not?

11. In what ways are Candido’s daughters “so unlike” the women Brando grew up with, and why is this glaringly apparent to him (page 230)? Why is he able to connect more with his sisters than with Candido?

12. Why didn’t Brando return home for Maria’s funeral? Is his decision understandable? When he was finally able to cry after his mother’s death, what was he really mourning?

13. The book’s title, Take This Man, draws attention to the men in Brando’s life. Why do you suppose this title was selected? Do you think it’s an accurate reflection of the book? Overall, how are men presented in the memoir?

14. What lasting effects has Brando’s upbringing had on him as an adult? In what ways has it impacted his romantic relationships, his emotional well-being, and other aspects of his life?

15. What is your overall opinion of Take This Man, including your thoughts on Brando as a narrator? Which aspects of the book particularly resonated with you? How does it compare to other memoirs your group has read?
(Questions issued by the publisher.)

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