Critics Say . . .
T]he story of this ragged-tailed racehorse [is] an allegory for Depression-era America.... [Hillenbrand's book] is a flawless trip, with the detail of good history...and the charm of grand legend.
Jim Squires - The New York Times
Seabiscuit brings alive the drama, the beauty, the louche charm and the brutality of horse racing. Hillenbrand makes the reader understand why Americans, crushed by the Depression, found so much hope, inspiration and pleasure in the story of a small horse who rose from obscurity to become a champion.
Deirdre Donahue - USA Today
Hillenbrand, a contributing writer at Equus magazine, is a deft storyteller whose descriptions of such races are especially good, filled with images of pounding hooves and splattering mud.
Mark Hyman - Business Week
Gifted sportswriter Hillenbrand unearths the rarefied world of thoroughbred horse racing in this captivating account of one of the sport's legends. Though no longer a household name, Seabiscuit enjoyed great celebrity during the 1930s and 1940s, drawing record crowds to his races around the country. Not an overtly impressive physical specimen—"His stubby legs were a study in unsound construction, with huge, squarish, asymmetrical `baseball glove' knees that didn't quite straighten all the way"--the horse seemed to transcend his physicality as he won race after race. Hillenbrand, a contributor to Equus magazine, profiles the major players in Seabiscuit's fantastic and improbable career. In simple, elegant prose, she recounts how Charles Howard, a pioneer in automobile sales and Seabiscuit's eventual owner, became involved with horse racing, starting as a hobbyist and growing into a fanatic. She introduces esoteric recluse Tom Smith (Seabiscuit's trainer) and jockey Red Pollard, a down-on-his-luck rider whose specialty was taming unruly horses. In 1936, Howard united Smith, Pollard and "The Biscuit," whose performance had been spotty--and the horse's star career began. Smith, who recognized Seabiscuit's potential, felt an immediate rapport with him and eased him into shape. Once Seabiscuit started breaking records and outrunning lead horses, reporters thronged the Howard barn day and night. Smith's secret workouts became legendary and only heightened Seabiscuit's mystique. Hillenbrand deftly blends the story with explanations of the sport and its culture, including vivid descriptions of the Tijuana horse-racing scene in all its debauchery. She roots her narrative of the horse's breathtaking career and the wild devotion of his fans in its socioeconomic context: Seabiscuit embodied the underdog myth for a nation recovering from dire economic straits.
A veteran thoroughbred-racing writer whose stories have appeared in American Heritage, Talk, and other magazines, Hillenbrand here takes readers on a thrilling ride through 341 pages on the back of champion thoroughbred Seabiscuit. This is a Cinderella story in which four creatures, united for a brief period of time (1936-47), spark the imagination of an entire country. Hillenbrand combines the horse's biography with a social history of 1930s and 1940s America and incisive portraits of the team around Seabiscuit. Charlie Howard, a car dealer, bought the crooked-legged, scruffy little horse; Tom Smith, a man who rarely spoke to people but who communicated perfectly with horses, became its trainer; and Red Pollard, a half-blind jockey, rode Seabiscuit to fame. Hillenbrand's extensive research compares favorably with that of Alexander MacKay-Smith's in Speed and the Thoroughbred (Derrydale, 2000). This story of trust, optimism, and perseverance in overcoming obstacles will appeal to many readers. Highly recommended. —Patsy E. Gray, Huntsville P.L., AL
The former editor of Equus magazine retells the riveting story of an unlikely racehorse that became an American obsession during the Depression. Like all heroes of an epic, Seabiscuit had to endure setbacks, dispel doubts about his abilities, and contend with formidable rivals. Hillenbrand deftly mixes arcane horse lore with a narrative as compelling as any adventure yarn as she introduces first the men who would make Seabiscuit great and then the horse himself. Racing was a popular, often unregulated sport in the 1930s, and wealthy men like Bing Crosby and his friend Charles Howard, who became Seabiscuit's owner, fielded strings of horses all over the country. Howard, a sucker for lost causes, took on as his trainer Tom Smith, a taciturn westerner down on his luck who studied horses for days until he took their measure. Both men were well suited to invest emotionally and financially in Seabiscuit, as were the two jockeys who would be associated with him, Red Pollard and George Woolf. Howard first saw Seabiscuit racing in 1936. The colt was a descendant of the famous Man o' War, but his body was stunted, his legs stubby, and he walked with an odd gait. Smith believed he had potential, however, so Howard bought him and took him back to California. There Smith patiently worked on Seabiscuit's strengths, corrected his weaknesses, and encouraged his ability to run faster than any other horse. When Smith thought he was ready, Howard began racing the colt. Seabiscuit broke numerous track records, despite accidents, injuries, and even foul play. His fame was secured with a 1938 race against his rival, War Admiral; their contest divided the country into two camps and garnered more media coverage than President Roosevelt, who himself was so riveted by the race that he kept advisers waiting while he listened to the broadcast. A great ride.
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