Tuesdays with Morrie (Albom)

Tuedays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson
Mitch Albom, 1997
Crown Publishing
208 pp.
ISBN-13: 9780767905923


Summary
Maybe it was a grandparent, or a teacher. Someone older who understood you when you were young and searching, who helped you see the world as a more profound place, and gave you advice to help you make your way through it. For Mitch Albom, that person was Morrie Schwartz, his college professor from nearly twenty years ago.

Maybe, like Mitch, you lost track of your mentor as you made your way, and the insights faded, and the world seemed colder. Wouldn't you like to see that person again, ask the bigger questions that still haunt you?

Mitch Albom had that second chance. He rediscovered Morrie in the last months of the older man's life. Knowing he was dying, Morrie visited with Mitch in his study every Tuesday, just as they used to back in college.

Tuesdays With Morrie is a magical chronicle of their time together, through which Mitch shares Morrie's lasting gift to the world. (From the publisher.)

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Author Bio 
• Birth—May 23, 1958
• Where—Passaic, New Jersey
• Education—B.A., Brandeis University; M.J., Columbia
   University; M.B.A., Columbia University
• Currently—Franklin, Michigan

Mitch Albom is an internationally renowned and best-selling author, journalist, screenwriter, playwright, radio and television broadcaster and musician. His books have collectively sold over 28 million copies worldwide; have been published in forty-one territories and in forty-two languages around the world; and have been made into Emmy Award-winning and critically-acclaimed television movies.

Mitch was born on May 23, 1958 in Passaic, New Jersey, the middle of three children to Rhoda and Ira Albom. The family moved to the Buffalo, N.Y. area briefly before settling in Oaklyn, New Jersey, not far from Philadelphia. Mitch grew up wanting to be a cartoonist before switching to music. He taught himself to play piano, and played in bands, including The Lucky Tiger Grease Stick Band, throughout his adolescence. After attending high schools in New Jersey and Pennsylvania, he left for college after his junior year.

Education & early career
He earned a bachelor’s degree in 1979 at Brandeis University in Waltham, Massachusetts, majoring in sociology, but stayed true to his dream of a life in music, and upon graduation, he worked for several years as a performer, both in Europe and America. One of his engagements during this time included a taverna on the Greek island of Crete, in which he was a featured American performer who sang Elvis Presley and Ray Charles songs. He also wrote and produced the recording of several songs.

In his early 20’s, while living in New York, he took an interest in journalism and volunteered to work for a local weekly paper, the Queens Tribune. He eventually returned to graduate school, earning a Master’s degree from Columbia University’s Graduate School of Journalism, followed by an MBA from Columbia University’s Graduate School of Business. During this time, he paid his tuition partly through work as a piano player.

Mitch eventually turned full-time to his writing, working as a freelance sports journalist in New York for publications such as Sports Illustrated, GEO, and the Philadelphia Inquirer. His first full time newspaper job was as a feature writer and eventual sports columnist for the Fort Lauderdale News and Sun Sentinel in Florida. He moved to Detroit in 1985, where he became a nationally-acclaimed sports journalist at the Detroit Free Press and one of the best-known media figures in that city’s history, working in newspapers, radio and television. He currently hosts a daily talk show on WJR radio (airs Monday through Friday, 5-7 p.m. EST) and appears regularly on ESPN Sports Reporters and SportsCenter.

In 1995, he married Janine Sabino. That same year he re-encountered Morrie Schwartz, a former college professor who was dying of ALS, also known as Lou Gehrig’s disease. His visits with Schwartz would lead to the book Tuesdays with Morrie, which moved Mitch away from sports and began his career as an internationally recognized author.

Fame
Tuesdays with Morrie is the chronicle of Mitch’s time spent with his beloved professor. As a labor of love, Mitch wrote the book to help pay Morrie’s medical bills. It spent four years on the New York Times Bestseller list and is now the most successful memoir ever published. His first novel, The Five People You Meet in Heaven, is the most successful US hardcover first adult novel ever. For One More Day, his most recent, debuted at No.1 on the New York Times Bestseller List and spent nine months on the list. In October 2006, For One More Day was the first book chosen by Starbucks in the newly launched Book Break Program, which also helped fight illiteracy by donating one dollar from every book sold to Jumpstart.

All three of Albom’s best sellers have been turned into successful TV movies. Oprah Winfrey produced the film version of Tuesdays With Morrie in December 1999, starring Jack Lemmon and Hank Azaria. The film garnered four Emmy awards, including best TV film, director, actor and supporting actor. The critically acclaimed Five People You Meet in Heaven aired on ABC in winter, 2004. Directed by Lloyd Kramer, the film was the most watched TV movie of the year, with 19 million viewers. Most recently, Oprah Winfrey Presents Mitch Albom’s For One More Day aired on ABC in December 2007 and earned Ellen Burstyn a Screen Actors Guild nomination.

An award-winning journalist and radio host, Albom wrote the screenplay for both For One More Day and The Five People You Meet in Heaven, and is an established playwright, having authored numerous pieces for the theater, including the off-Broadway version of Tuesdays With Morrie (co-written with Jeffrey Hatcher) which has seen over one hundred productions across the US and Canada.

Extras
• Mitch is also an accomplished song writer and lyricist. Later in his life, when music had become a sideline, he would see several of his songs recorded, including the song “Hit Somebody (The Hockey Song)” which he wrote for rock singer Warren Zevon. Albom also wrote and performed songs for several TV movies, including “Cookin’ for Two” for Christmas in Connecticut, the 1992 remake directed by Arnold Schwarzenegger.

• He has founded three charities in the metropolitan Detroit area: The Dream Fund, established in 1989, allows disadvantaged children to become involved with the arts. A Time To Help, founded in 1998, brings volunteers together once a month to tackle various projects in Detroit, including staffing shelters, building homes with Habitat for Humanity, and operating meals on wheels programs for the elderly. S.A.Y Detroit, Mitch’s most recent effort, is an umbrella program to fund shelters and care for the homeless in his city. He also raises money for literacy projects through a variety of means including his performances with The Rock Bottom Remainders, a band made up of writers which includes Stephen King, Dave Barry, Scott Turow, Amy Tan and Ridley Pearson. Mitch serves on the boards of various charities and, in 1999, was named National Hospice Organization's Man of the Year. (From Wikipedia.)

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Book Reviews
What keeps this uplifting book from being maudlin is Albom's crisp writing and Schwartz's generous heart.
Jim Bencivenga - The Christian Science Monitor

As a student at Brandeis University in the late 1970s, Albom was especially drawn to his sociology professor, Morris Schwartz. On graduation he vowed to keep in touch with him, which he failed to do until 1994, when he saw a segment about Schwartz on the TV program Nightline, and learned that he had just been diagnosed with Lou Gehrig's disease. By then a sports columnist for the Detroit Free Press and author of six books, including Fab Five, Albom was idled by the newspaper strike in the Motor City and so had the opportunity to visit Schwartz in Boston every week until the older man died. Their dialogue is the subject of this moving book in which Schwartz discourses on life, self-pity, regrets, aging, love and death, offering aphorisms about each e.g., "After you have wept and grieved for your physical losses, cherish the functions and the life you have left." Far from being awash in sentiment, the dying man retains a firm grasp on reality. An emotionally rich book and a deeply affecting memorial to a wise mentor, who was 79 when he died in 1995.
Publishers Weekly

Award-winning sportswriter Albom was a student at Brandeis University, some two decades ago, of sociologist Morrie Schwartz. Here Albom recounts how, recently, as the old man was dying, he renewed his warm relationship with his revered mentor. This is the vivid record of the teacher's battle with muscle-wasting amyotrophic lateral sclerosis, or Lou Gehrig's disease. The dying man, largely because of his life-affirming attitude toward his death-dealing illness, became a sort of thanatopic guru, and was the subject of three Ted Koppel interviews on Nightline. That was how the author first learned of Morrie's condition. Albom well fulfilled the age-old obligation to visit the sick. He calls his weekly visits to his teacher his last class, and the present book a term paper. The subject: The Meaning of Life. Unfortunately, but surely not surprisingly, those relying on this text will not actually learn The Meaning of Life here. Albom does not present a full transcript of the regular Tuesday talks. Rather, he expands a little on the professor's aphorisms, which are, to be sure, unassailable. 'Love is the only rational act,' Morrie said. 'Love each other or perish,' he warned, quoting Auden. Albom learned well the teaching that 'death ends a life, not a relationship.' The love between the old man and the younger one is manifest. This book, small and easily digested, stopping just short of the maudlin and the mawkish, is on the whole sincere, sentimental, and skillful. (The substantial costs of Morrie's last illness, Albom tells us, were partly defrayed by the publisher's advance). Place it under the heading 'Inspirational.' Death,' said Morrie, 'is as natural as life. It's part of the deal we made.' If that is so (and it's not a notion quickly gainsaid), this book could well have been called 'The Art of the Deal.'
Kirkus Reviews

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Discussion Questions 
1. Did your opinion about Mitch change as book went on? In what way?

2. Who do you think got more out of their Tuesday meetings, Mitch or Morrie? In what ways? How do you think each would answer this question?

3. Do you think Mitch would have come back to Morrie's house the second time if he hadn't been semi-idled by the newspaper strike?

4. Discuss Morrie's criticisms of Mitch throughout the book. Do you think Morrie should have been tougher on him? Easier?

5. Do you think Mitch would have listened if Morrie hadn't been dying? Does impending death automatically make one's voice able to penetrate where it couldn't before?

Let's Talk About Death
6. Does this book make Morrie's death a public event? If so, how is it similar to other public deaths we've experienced as a society? How is it different?

7. Morrie referred to himself as a bridge, a person who is in between life and death, which makes him useful to others as a tool to understand both. Talk about other literary, historical, political, or religious figures who have also served this purpose.

8. Most of us have read of people discussing the way they'd like to die, or, perhaps, have been a part of that conversation. One common thought is that it would be best to live a long, healthy life and then die suddenly in one's sleep. After reading this book, what do you think about that? Given a choice, would Morrie have taken that route instead of the path he traveled?

9. On Nightline, Morrie spoke to Ted Koppel of the pain he still felt about his mother's death seventy years prior to the interview. Is your experience with loss similar or different? Does what you've read in this book help ease any of that pain?

10. Morrie was seventy-eight years old when diagnosed with ALS. How might he have reacted if he'd contracted the disease when he was Mitch's age? Would Morrie have come to the same conclusions? The same peace and acceptance? Or is his experience also a function of his age?

Let's Talk About Meaning
11. Try the "effect of silence" exercise that Mitch described in your class or in your group. What do you learn from it?

12. Talk about the role of meaningful coincidence, synchronicity, in the book and in Mitch and Morrie's friendship.

13. Morrie told Mitch about the "tension of opposites" (p. 40). Talk about this as a metaphor for the book and for society.

14. Mitch made a list of topics about which he wanted Morrie's insight and clarity. In what ways would your list be the same or different?

15. Discuss the book in terms of structure, voice, and tone, paying attention to Mitch's use of flashbacks and other literary devices. How do his choices add to the meaning?

16. Are college students today missing out because they don't have the meaningful experiences that students in the 1960s had? Do you think Morrie thought they were?. Morrie said, "If you've found meaning in your life, you don't want to go back. You want to go forward" (p. 118). Is this true in your experience?

Let's Talk About Religion, Culture, and Ritual
18. Morrie believed, "You have to be strong enough to say if the culture doesn't work, don't buy it. Create your own" (pp. 35-36). How can people do this? How can this book help?

19. As his visits with Morrie continued, Mitch explored some other cultures and religions and how each views death. Discuss these and others that you've studied.

20. To the very end, Mitch arrived at Morrie's house with food. Discuss the importance of this ritual.

Let's Talk About Relationships
21. Was Morrie making a judgment on people who choose not to have kids with his statement: "If you want the experience of having complete responsibility for another human being, and to learn how to love and bond in the deepest way, then you should have children" (p. 93)? Whether or not he was, do you agree?

22. Mitch wrote, "Perhaps this is one reason I was drawn to Morrie. He let me be where my brother would not" (p. 97). Discuss Mitch's relationship with Peter.

23. Discuss the practical side of Morrie's advice: "Only an open heart will allow you to float equally between everyone" (p. 128). How could this advice be useful the next time you're in a social or other situation where you feel out of place or uncomfortable?

24. Morrie said that in marriage, "Your values must be alike" (p. 149). In what ways do you agree or disagree?

25. Would Morrie's lessons have carried less weight if Mitch and Peter hadn't resumed contact by book's end?
(Questions issued by publisher.)

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