I Am Having So Much Fun Here Without You (Maum)

I Am Having So Much Fun Here Without You
Courtney Maum, 2014
Touchstone
352 pp.
ISBN-13: 9781476764580


Summary
A reverse love story set in Paris and London about a failed monogamist’s attempts to answer the question: Is it really possible to fall back in love?

Despite the success of his first solo show in Paris and the support of his brilliant French wife and young daughter, thirty-four-year-old British artist Richard Haddon is too busy mourning the loss of his American mistress to a famous cutlery designer to appreciate his fortune.

But after Richard discovers that a painting he originally made for his wife, Anne—when they were first married and deeply in love—has sold, it shocks him back to reality and he resolves to reinvest wholeheartedly in his family life . . . just in time for his wife to learn the extent of his affair. Rudderless and remorseful, Richard embarks on a series of misguided attempts to win Anne back while focusing his creative energy on a provocative art piece to prove that he’s still the man she once loved.

Skillfully balancing biting wit with a deep emotional undercurrent, debut novelist Courtney Maum has created the perfect portrait of an imperfect family—and a heartfelt exploration of marriage, love, and fidelity. (From the publisher.)

Author Bio
Courtney Maum graduated from Brown University with a degree in Comparative Literature. She then lived in France for five years where she worked as a party promoter for Corona Extra, which had everything to do with getting a Visa, and nothing to do with her degree. Today, Maum splits her time between the Berkshires, New York City, and Paris, working as a creative brand strategist, corporate namer, and humor columnist. (From the publisher.)

Book Reviews
A charming and engrossing portrait of one man's midlife mess.... Smart, fast-paced.... You come for the plot, but you stay for the characters—especially Maum's flawed but likable and basically well-intentioned hero. Ultimately, this is the story of a man who would do anything to be a better person, and you will avidly wish for him to succeed.
Elle


Courtney Maum bursts onto the scene with a hilarious and wise novel.... Richard Haddon is one of the more lovable male characters we've encountered this season.... You'll find yourself agog at Maum's masterful storytelling and dead-on descriptions.
Glamour


Courtney Maum kills it.
Vanity Fair


[An] affably comic take on husbandly comeuppance, Courtney Maum’s I Am Having So Much Fun Here Without You follows a once-sizzling British artist’s hilariously misguided efforts to win back the love of his wife.
Vogue


In Maum’s debut novel, it’s 2002, and as English artist Richard Haddon’s reputation swells...his marriage slowly crumbles.... These characters are complex, and their story reflects their confusion and desire. As her story bounces through time and across continents...Maum rarely loses focus. An impressive, smart novel.
Publishers Weekly


Richard Haddon should be celebrating.... Instead, he's feeling like a sellout. Anne has just discovered that Richard had been having an affair.... Maum carefully paints Richard and Anne's relationship, from its heady start, to Richard's infidelity, to his shaky attempts to repair the damage. A solid, well-written character-driven contemporary novel. —Christine Perkins, Whatcom County Lib. Syst., Bellingham, WA
Library Journal


Maum’s tale deftly captures a thirtysomething’s sense of grief for the lost passion of youth and the search for something of depth to take its place. Writing with an authentic and affecting vulnerability, Maum considers sentimentality from every possible angle—interpersonal relationships, lofty idealism, and art—and each receives an equally unflinching examination. An unapologetically thoughtful novel told without melodrama and with a lot of heart.
Booklist


Despite the clever title and intellectual-verging-on-pretentious characters—a sensitive British painter who wants his work to have meaning; his French lawyer wife who doesn't want him to sell out...—Maum's first novel is basically a romantic comedy for elitists.... The not-terribly-sharp humor is more enjoyable than the predictable plot shot through with sentimentality.
Kirkus Reviews

Discussion Questions
1. The novel begins with the statement, "Moments of great import are often tinged with darkness because perversely we yearn to be let down" (p. 1). Consider this in light of Anne-Laure and Richard’s marriage. In what ways is their marriage "tinged with darkness"? Do you agree that Richard wanted to be let down? Why or why not?

2. Early in the novel, Richard explains their financial situation: Richard, a struggling artist, and Anne-Laure, a law student, accept help from Anne’s parents to buy a house while expecting their daughter. While Anne "never felt guilty about accepting her parents’ cash" (p. 29), Richard did, feeling that he let "the shame of such a handout build inside...until it made me feel like less of a man, less of an artist, less than everything I had one day hoped to be" (p. 29). Discuss the theme of shame in the novel. How do Richard’s expectations for himself differ from the reality of his life? In what way(s) does shame drive Richard to do what he does? Do you think shame also drives Anne-Laure?

3. The Blue Bear is continually compared to Richard’s key paintings throughout the novel. While the former was painted during a particularly emotional time in Richard’s life, the latter series "was effortless...[m]editative" (p. 31), painted in a "nostalgic fugue state" (p. 31). How do the two paintings act as metaphors for Richard’s life? Do you think there is any meaning in Richard painting himself outside of the room, with a limited point of view, in the key paintings and in The Blue Bear?

4. Discuss the ways in which Richard and Anne-Laure’s marriage is portrayed in the novel. Are their marital problems unusual or ordinary? Can you determine what might have gone wrong in their marriage to cause Richard to stray?

5. So much of the novel centers on the power of the visual to transcend language. And it is Richard, the artist, who struggles the most with finding the words to say what he means. In a casual conversation with Anne, Richard refers to himself as a "traitor" for wanting to leave Julian’s gallery—a word loaded with meaning given Richard’s recent past. Richard laments his inability to express himself, claiming his "words were never right" (p. 66). What are other examples in the novel when words fail Richard? In what ways does he rely on his artwork to do the talking for him? Does Richard ultimately discover a way to express himself?

6. Revisit the scene where Anne-Laure discovers Lisa’s letters in Richard’s bag (pages 95-99). What makes this scene so heart-wrenching? Do you think Anne-Laure did the right thing by asking Richard to leave immediately? Would you have done the same? Imagine Richard had thrown away the letters as he planned—do you think their marriage would have healed sooner?

7. Revisit the scene on page 184 when Anne-Laure reveals to her parents that Richard was unfaithful. How does the their response to infidelity compare with the response from Richard’s parents? How does Lisa’s response differ from the responses of Richard’s and Anne-Laure’s parents? Discuss how these three responses—French, British, and American—might imply cultural differences regarding extramarital affairs.

8. The personal—Richard and Anne-Laure’s relationship—and the political—the increasing conflict in Iraq—intersect greatly in the novel. How do they relate? How do they evoke different kinds of uncertainty?

9. Why do you think Richard decides to move out of the house? Do you think he believes in the saying, If you love something, give it away? Do you? Turn to page 244 and discuss.

10. Do you think that Richard and Anne-Laure feel similarly about infidelity? Does one character seem more flexible about the rules of monogamy? If so, do these responses support or debunk cultural stereotypes?

11. Discuss Richard’s video project. What’s at stake for him in this project? How does it have a similar voice, so to speak, as The Blue Bear? In what ways do both projects explore absence?

12. "Because in the end, that’s why some of us stupid humans get married. Because we know that we can lose each other, and find each other again. Because we’re capable of forgiveness. Or at least, we think we are" (p. 326). Is this a true definition of what marriage means? Does Anne-Laure save the marriage in the end, when Richard could not? How so?

13. Explore the implications of the title. Who is having so much fun alone? Is the title meant to be ironic? What might you cite as the overall message of the novel?
(Questions issued by the publisher.)

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