Piano Teacher (Lee)

Book Review
The Piano Teacher is laced with intrigue concerning a hoard of Chinese artifacts called the Crown Collection that went missing during the war (like the artworks owned by the real-life Hong Kong businessman Paul Chater). But while the inevitable "who did what and when and why" that dominates the last third of the novel is satisfying because it answers all those questions, readers will be more enthralled by Lee's depiction of Will's relationships with his two lovers—"Claire, with her blond and familiar femininity, English rose to Trudy's exotic scorpion"—and the unsparing way Lee unravels them.
Lisa Fugard - New York Times

There is something altogether haunting here. Perhaps it's the way the story advances, peeling its way from layer to layer until the truth of each character lies bare. Perhaps it's the way Lee shows us that war can make monsters of us all. Most memorably, however, it's her portrait of Hong Kong, which having witnessed so much cupidity, moves on with splendid indifference. Like a piano under different fingers. Or a siren with another song.
Marie Arana - Washington Post

Evocative, poignant and skillfully crafted, The Piano Teacher is more than an epic tale of war and a tangled, tortured love story. It is the kind of novel one consumes in great, greedy gulps, pausing (grudgingly) only when absolutely necessary.... If we measure the skill of a fiction writer by her ability to create characters and atmosphere so effortlessly real, so alive on the page, that the reader feels a sense of participatory anxiety—as if the act of reading gives one the power to somehow influence the outcome of purely imaginary events—then Lee should be counted among the very best in recent memory.
Chicago Tribune

The novel is sustained by elegant prose and a terrific sense of place. As Graham Greene evoked Vietnam in The Quiet American, Lee, born and raised in Hong Kong long after the war, captures the city as it was during World War II, its glittering veneer barely masking the panic and corruption beneath.
Miami Herald

This cinematic tale of two love affairs in mid-century Hong Kong shows colonial pretensions tainted by wartime truths. Will Truesdale, a rootless, handsome Briton, arrives in the colony in 1941, and is swept up by Trudy Liang, the blithe and glamorous daughter of a Shanghai millionaire and a Portuguese beauty. They quickly become inseparable, their days spent in a whirl of parties and champagne, but when the Japanese invade, Will is interned and Trudy resorts to increasingly Faustian methods to survive. After the war, Claire Pendleton, the naive wife of a British civil servant, arrives. She begins giving piano lessons to the daughter of a rich Chinese couple, and falls in love with their wounded and inscrutable driver: Will. Lee unfolds each story, and flits between them, with the brisk grace and discretion of the society she describes a world in which horrors are adumbrated but seldom told.
The New Yorker

Lee has created the sort of interesting, complex characters, especially in Trudy, that drive a rich and intimate look at what happens to people under extraordinary circumstances. —Carolyn Kubisz
Booklist 

(Starred review) Former Elle editor Lee delivers a standout debut dealing with the rigors of love and survival during a time of war, and the consequences of choices made under duress. Claire Pendleton, newly married and arrived in Hong Kong in 1952, finds work giving piano lessons to the daughter of Melody and Victor Chen, a wealthy Chinese couple. While the girl is less than interested in music, the Chens' flinty British expat driver, Will Truesdale, is certainly interested in Claire, and vice versa. Their fast-blossoming affair is juxtaposed against a plot line beginning in 1941 when Will gets swept up by the beautiful and tempestuous Trudy Liang, and then follows through his life during the Japanese occupation. As Claire and Will's affair becomes common knowledge, so do the specifics of Will's murky past, Trudy's motivations and Victor's role in past events. The rippling of past actions through to the present lends the narrative layers of intrigue and more than a few unexpected twists. Lee covers a little-known time in Chinese history without melodrama, and deconstructs without judgment the choices people make in order to live one more day under torturous circumstances.
Publishers Weekly

In 1952 Hong Kong, Claire Pendleton, newly married to a bland postwar British government official, lucks into a job as piano teacher to the untalented young daughter of the powerful and wealthy Victor and Melody Chen. It's not long before she enters into a passionate, albeit emotionally thwarted affair with the Chens' driver, Will Truesdale. Lee then takes her readers back to 1941 Hong Kong, where Will's fiery love affair with the mysterious, fearless, provocative Trudy Liang (her mother was Portuguese, her father from Shanghai) dominates the run-up to disaster. In her fiction debut, Lee uses the snobbish insulation of British high society in Hong Kong to show the unraveling of a way of life that implodes with the invasion of the Japanese during World War II. Thrust from privilege into imprisonment virtually overnight, Lee's characters are caught up in the intrigue and collusion that were part of wartime survival. Her adept pacing slowly exposes the inevitability of tragedy that engulfs her characters. Highly recommended.
Beth E. Andersen - Library Journal