One True Thing (Quindlen) - Book Reviews

Book Reviews
Provocative...We leave One True Thing stimulated and challenged, more thoughtful than when we began.
Los Angeles Times

Fiercely compassionate and frank...conveys a world so out of kilter and so like ours that its readers are likely to feel both exhilarated and unnerved by its accuracy.
Elle

Quindlen gets in some good jabs at the media for its feverish appetite for easy scandal and its irrelevance to the truth manifest in genuine tragedies.
Booklist

The second novel by this Pulitzer Prize-winning columnist follows the psychological travails of Ellen Gulden, who against all personal inclinations returns home to care for her dying mother, Kate, and eventually finds herself accused of mercy-killing. Ellen, an intelligent though not particularly warm person, has spent her life earning her professor father's approval. After achieving high school valedictorian and Harvard honors, she aspires to advance her New York career. At her father's insistence, however, she leaves her job and takes on the role of nurse and homemaker. Through long hours as companion to Kate, she discovers the real value of her mother's life. As in Object Lessons, Quindlen's gifts for characterization and clear description provide insight into families and the human heart. Recommended for all fiction collections. —Sheila Riley, Smithsonian Inst. Libs., Washington, D.C.
Library Journal

If literature were judged solely by its ability to elicit strong emotions, columnist-cum-novelist Quindlen (Object Lessons, 1991) would win another Pulitzer for this wrenching, albeit flawed fiction. After a short prologue about the time she spent in jail, accused of having killed her mother, Katherine, Ellen Gulden quickly skips back to her story's beginning, when the 24-year-old's father guilts her into putting her high-powered New York writing career on hold and moving back to Langhorne, the small college town where she grew up, to care for her mother, who has cancer. Cerebral, high-achieving Ellen has always been more her father's daughter; he is the English department chairman, while Mom is a Martha Stewart-perfect homemaker, the type of woman who canes her own chairs. But she and Ellen begin to influence each other, and it becomes clear that Katherine is attempting to take care of unfinished business in her characteristically graceful way, even as her body rapidly deteriorates. With this relationship Quindlen shines, capturing perfectly the casual intimacy that mothers and daughters share, as well as the friction between women of two very different generations. Male characters are sometimes less successful. Ellen's father is so cold that it's hard to fathom how her gentle mother has stood him for so many years, and Ellen seems a little smart and a little old to still be reeling from the discovery that Dad isn't perfect. Even more unconvincing is Ellen's long-time boyfriend, ruthless and uncaring Jonathan Beltzer. These problems are generally surmounted by Quindlen's practiced storytelling. By the time Katherine's autopsy reveals that she died of a morphine overdose, the jailhouse prologue has almost been forgotten, so the clever mystery ending (complete with satisfying twist) is an added bonus. When Quindlen gets it right—which is often—she places herself in the league of Mary Gordon and Sue Miller.
Kirkus Reviews