Little Bee (Cleave)

Book Reviews 
Immensely readable and moving.... While the pretext of Little Bee initially seems contrived—two strangers, a British woman and a Nigerian girl, meet on a lonely African beach and become inextricably bound through the horror imprinted on their encounter—its impact is hardly shallow. Rather than focusing on postcolonial guilt or African angst, Cleave uses his emotionally charged narrative to challenge his readers' conceptions of civility, of ethical choice.
Caroline Elkins - New York Times

Little Bee will blow you away.... [Cleave] has carved two indelible characters whose choices in even the most straitened circumstances permit them dignity—if they are willing to sacrifice for it. Little Bee is the best kind of political novel: You're almost entirely unaware of its politics because the book doesn't deal in abstractions but in human beings.
Sarah L. Courteau - Washington Post

Utterly enthralling page-turner...... Novelist Cleave does a brilliant job of making both characters not only believable but memorable.... These compelling voices grip the reader's heart and do not let go even after the book's hyper-tense final page. Little Bee is a harrowing and heartening marvel of a novel
Seattle Post-Intelligencer

Every now and then, you come across a character in a book whose personality is so salient and whose story carries such devastating emotional force it's as if she becomes a fixed part of your consciousness. So it is with the charmingly named title character in Chris Cleave's brilliant and unforgettable Little Bee.
Oregonian

The voice that speaks from the first page of Chris Cleave's Little Bee is one you might never have heard—the voice of a smart, wary, heartsick immigrant scarred by the terrors of her past.... Read this urgent and wryly funny novel for its insights into simple humanity, the force that can disarm fear
O Magazine

A violent incident on a Nigerian beach has tragic echoes in posh London in Cleave's beautifully staged if haphazardly plotted second novel. British couple Andrew O'Rourke and his wife, Sarah, are on vacation when they come across two sisters, Little Bee and Nkiruka, on the run from the killers who have massacred everyone else in their village—and what happens there with this unlikely encounter, is the mystery that propels the novel. Two years later, Little Bee, in possession of Andrew's license, shows up at Sarah's house to learn that it is the day of Andrew's funeral. He's committed suicide. Sarah is determined to help Little Bee get refugee status despite Little Bee's later revelation concerning Andrew's death. Cleave (Incendiary) has a sharp cinematic eye, and humanizes disturbing issues around refugees and the situation in Africa, but the story is undermined by weak motivations and coincidences.
Publishers Weekly

Book clubs in search of the next Kite Runner need look no further than this astonishing, flawless novel about what happens when ordinary, mundane Western lives are thrown into stark contrast against the terrifying realities of war-torn Africa. Their marriage in crisis, Andrew and Sarah O'Rourke impulsively accept a junket to a Nigerian beach resort as a last-ditch attempt to reconcile. When machete-wielding soldiers appear out of the jungle and force them to determine the fate of two African girls, everyone's lives are irrevocably shattered. Two years later in a London suburb, one of the girls, now a refugee, reconnects with Sarah. Together they face wrenching tests of a friendship forged under extreme duress. Best-selling author Cleave (Incendiary) effortlessly moves between alternating viewpoints with lucid, poignant prose and the occasional lighter note. A tension-filled dramatic ending and plenty of moral dilemmas add up to a satisfying, emotional read. Highly recommended for all libraries and book clubs.
Library Journal

(Starred review.) Little Bee, smart and stoic, knows two people in England, Andrew and Sarah, journalists she chanced upon on a Nigerian beach after fleeing a massacre in her village.... After sneaking into England...she arrives at Andrew and Sarah’s London suburb home only to find that the violence that haunts her has also poisoned them. Cleave is a nerves-of-steel storyteller of stealthy power, and this is a novel as resplendent and menacing as life itself. — Donna Seaman
Booklist

Cleave follows up his outstanding debut (Incendiary, 2005) with a psychologically charged story of grief, globalization and an unlikely friendship. The story opens in a refugee detention center outside of London. As the Nigerian narrator-who got her nickname "Little Bee" as a child-prepares to leave the center, she thinks of her homeland and recalls a horrific memory. "In the immigration detention center, they told us we must be disciplined," she says. "This is the discipline I learned: whenever I go into a new place, I work out how I would kill myself there. In case the men come suddenly, I make sure I am ready." After Little Bee's release, the first-person narration switches to Sarah, a magazine editor in London struggling to come to terms with her husband Andrew's recent suicide, as well as the stubborn behavior of her four-year-old son, Charlie, who refuses to take off his Batman costume. While negotiating her family troubles, Sarah reflects on "the long summer when Little Bee came to live with us." Cleave alternates the viewpoints of the two women, patiently revealing the connection between them. A few years prior, Sarah and Andrew took a vacation to the Nigerian coast, not realizing the full extent to which the oil craze had torn the country apart. One night they stumble upon Little Bee and her sister, who are fleeing a group of rapacious soldiers prowling the beach. The frightening confrontation proves life-changing for everyone involved, though in ways they couldn't have imagined. A few years later Sarah and Little Bee come together again in the suburbs of London, and their friendship—in addition to that between Little Bee and Charlie—provides some salvation for each woman. Thoughless piercing and urgent than his debut, Cleave's narrative pulses with portentous, nearly spectral energy, and the author maintains a well-modulated balance between the two narrators. A solid sophomore effort, and hopefully a sign of even better things to come.
Kirkus Reviews