Girl Who Played with Fire (Larsson)

Book Reviews 
Lisbeth Salander was one of the most original and memorable heroines to surface in a recent thriller: picture Angelina Jolie’s Lara Croft endowed with Mr. Spock’s intense braininess and Scarlett O’Hara’s spunky instinct for survival.... Now Salander is back in an even more central role.... The reason it works is the same reason that The Girl with the Dragon Tattoo worked: Salander and Blomkvist transcend their genre and insinuate themselves in the reader’s mind through their oddball individuality, their professional competence and, surprisingly, their emotional vulnerability.”
Michiko Kakutani - The New York Times

The Girl Who Played with Fire confirms the impression left by The Girl with the Dragon Tattoo. Here is a writer with two skills useful in entertaining readers royally: creating characters who are complex, believable, and appealing even when they act against their own best interest; and parceling out information in a consistently enthralling way.”
Washington Post

These books grabbed me and kept me reading with eyes wide open with the same force as the best of the series on the TV monitor.... Move over, Tony Soprano.... Blomkvist is a wonderfully appealing character. And the girl of the title is one of the most fascinating characters in modern genre fiction.
Alan Cheuse - San Francisco Chronicle

Lisbeth Salander [is] one of the most startling, engaging heroines in recent memory . . . Some of the books’ appeal comes from the Swedish setting, but most of it is a result of the author writing from the heart, not from a formula. Larsson clearly loved his brave misfit Lisbeth. And so will you
USA Today

Fans of intelligent page-turners will be more than satisfied by Larsson's second thriller, even though it falls short of the high standard set by its predecessor, The Girl with the Dragon Tattoo, which introduced crusading journalist Mikael Blomkvist and punk hacker savant Lisbeth Salander. A few weeks before Dag Svensson, a freelance journalist, plans to publish a story that exposes important people involved in Sweden's sex trafficking business based on research conducted by his girlfriend, Mia Johansson, a criminologist and gender studies scholar, the couple are shot to death in their Stockholm apartment. Salander, who has a history of violent tendencies, becomes the prime suspect after the police find her fingerprints on the murder weapon. While Blomkvist strives to clear Salander of the crime, some far-fetched twists help ensure her survival. Powerful prose and intriguing lead characters will carry most readers along.
Publishers Weekly

Lisbeth Salander, the antisocial but brilliant computer hacker who helped journalist Mikael Blomkvist uncover a serial killer on a remote Swedish island in Larsson's acclaimed The Girl with the Dragon Tattoo, takes center stage in this second volume of his "Millenium" trilogy. Opening 18 months after the events of the first book, the novel finds our heroine lounging by the pool at a Caribbean hotel, reading a math textbook, and watching a woman who may be a victim of domestic abuse, while in Sweden, Blomkvist, bewildered by Salander's abrupt disappearance from his life, is set to publish a magazine exposé on the sex trade. Impatient readers may chafe at this seemingly irrelevant prolog, but like the mathematical puzzles Salander enjoys solving, there is a logic to the clues that Larsson carefully drops—integral to understanding his protagonist as we gradually learn her back story. The main plot takes off with the murders of Salander's legal guardian and the two writers of the article, and her fingerprints are found on the gun used in the killings. Verdict: Although the pace slows when the police investigation takes precedence and Salander briefly disappears from the action, we are well-rewarded in the exciting final section when she finally confronts her dark past. This is complex and compelling storytelling at its best, propelled by one of the most fascinating characters in recent crime fiction.
Wilda Williams - Library Journal

A suspenseful, remarkably moving novel.... This is the best Scandinavian novel to be published in the U.S. since Smilla’s Sense of Snow.... Salander is one of those characters who come along only rarely in fiction: a complete original, larger than life yet firmly grounded in realistic detail, utterly independent yet at her core a wounded and frightened child.... One of the most compelling characters to strut the crime-fiction stage in years.
Booklist

Tangled but worthy follow-up to The Girl with the Dragon Tattoo (2008), also starring journo extraordinaire Mikael Blomkvist and Lisbeth Salander, the Lara Crofts of the land of the midnight sun. That's not quite right: Lisbeth is really a Baltic MacGyver with a highly developed sense of outrage, a sociopathic bent and brand-new breast implants, to say nothing of a well-stuffed bankbook. The late Larsson's sequel does not absolutely require knowledge of its predecessor, but it helps, given the convoluted back story and the allusive, sometimes loopy structure of the present book. In all events, Lisbeth bears her trademark dragon tattoo still, but her wasp is gone, for a curious reason: "The wasp was too conspicuous and it made her too easy remember and identify. Salander did not want to be remembered or identified." She cuts a fine figure all the same on the beach at Grenada, where she falls into a sticky skein of intrigue involving the usual suspects: self-righteous crusaders, bored Club Med types and some very nasty characters on both sides of what used to be called the Iron Curtain. So sticky is the plot, in fact, that Lisbeth finds herself accused of committing murder. It's a predicament that the utterly self-reliant but unworldly hacker (when we catch up with her, she's reading a mathematics treatise picked up during one of her frequent visits to university bookshops) needs Blomkvist's help to get out of. Some of the traditional elements of the espionage thriller turn up in Larsson's pages, while others are turned on their head-sometimes literally, at least where the romantic bits come in. Still, while endlessly complex, the plot has the requisite chases, cliffhangers and bloodshed. Not to mention Fermat's theorem. Fans of postmodern mystery will revel in Larsson's latest.
Kirkus Reviews