Breath, Eyes, Memory (Danticat)

Book Reviews
Edwidge Danticat's slim yet densely packed first novel chronicles three generations of Haitian and Haitian-American women. Occasionally the matter-of-fact tone of the swift, simple prose in Breath, Eyes, Memory seems inappropriate for its subject matter—which includes rape and sexual abuse as well as third world political strife—but Ms. Danticat's calm clarity of vision takes on the resonance of folk art. In the end, her book achieves an emotional complexity that lifts it out of the realm of the potboiler and into that of poetry. Set in both Haiti and New York, where the narrator is sent to join her immigrant mother, the tale is lovingly dominated by powerful female characters who struggle to make better lives for themselves and their families.
New York Times Book Review

A novel that rewards the reader again and again with small but exquisite and unforgettable epiphanies.
Washington Post

Magic...Illuminates the beauty and family life of Haiti in a way no news report has done.
Boston Globe


A distinctive new voice with a sensitive insight into Haitian culture distinguishes this graceful debut novel about a young girl's coming of age under difficult circumstances. "I come from a place where breath, eyes and memory are one, a place where you carry your past like the hair on your head," says narrator Sophie Caco, ruminating on the chains of duty and love that bind the courageous women in her family. The burden of being a woman in Haiti, where purity and chastity are a matter of family honor, and where "nightmares are passed on through generations like heirlooms," is Danticat's theme. Born after her mother Martine was raped, Sophie is raised by her Tante Atie in a small town in Haiti. At 12 she joins Martine in New York, while Atie returns to her native village to care for indomitable Grandmother Ife. Neither Sophie nor Martine can escape the weight of the past, resulting in a pattern of insomnia, bulimia, sexual trauma and mental anguish that afflicts both of them and leads inexorably to tragedy. Though her tale is permeated with a haunting sadness, Danticat also imbues it with color and magic, beautifully evoking the pace and character of Creole life, the feel of both village and farm communities, where the omnipresent Tontons Macoute mean daily terror, where voudon rituals and superstitions still dominate even as illiterate inhabitants utilize such 20th-century conveniences as cassettes to correspond with emigres in America. In simple, lyrical prose enriched by an elegiac tone and piquant observations, she makes Sophie's confusion and guilt, her difficult assimilation into American culture and her eventual emotional liberation palpably clear
Publishers Weekly


Told from the viewpoint of a young Haitian American, this novel concentrates on relationships between generations of women, both in Haiti and in the United States. Sophie's mother leaves Haiti to find work in the States, and Sopie soon follows, growing up troubled in New York until she exorcises her demons in a Santeria ceremony. The book's strength lies in the rarity of its Haitian viewpoint, a voice seldom heard in American literature. However, the writing itself falls a bit flat. The characters and plot are interesting, but the narrative style doesn't evoke the emotional response that would seem appropriate to the action. Danticat is herself a 24-year-old Haitian American who, like the novel's narrator, came to the United States in her early teens to join her family. Her first novel shows promise of better works in the future. Recommended for larger fiction collections. —Marie F. Jones, Muskingum Coll. Lib., New Concord, Ohio
Library Journal