Sleepwalker (Bohjalian)

The Sleepwalker 
Chris Bohjalian, 2017
Knopf Doubleday
304 pp.
ISBN-13:
9780804170994


Summary
A spine-tingling novel of lies, loss, and buried desire—the mesmerizing story of a wife and mother who vanishes from her bed late one night.

When Annalee Ahlberg goes missing, her children fear the worst.

Annalee is a sleepwalker whose affliction manifests in ways both bizarre and devastating. Once, she merely destroyed the hydrangeas in front of her Vermont home. More terrifying was the night her older daughter, Lianna, pulled her back from the precipice of the Gale River bridge.

The morning of Annalee's disappearance, a search party combs the nearby woods. Annalee's husband, Warren, flies home from a business trip. Lianna is questioned by a young, hazel-eyed detective. And her little sister, Paige, takes to swimming the Gale to look for clues.

When the police discover a small swatch of fabric, a nightshirt, ripped and hanging from a tree branch, it seems certain Annalee is dead, but Gavin Rikert, the hazel-eyed detective, continues to call, continues to stop by the Ahlbergs' Victorian home.

As Lianna peels back the layers of mystery surrounding Annalee's disappearance, she finds herself drawn to Gavin, but she must ask herself: Why does the detective know so much about her mother? Why did Annalee leave her bed only when her father was away? And if she really died while sleepwalking, where was the body?

Conjuring the strange and mysterious world of parasomnia, a place somewhere between dreaming and wakefulness, The Sleepwalker is a masterful novel from one of our most treasured storytellers. (From the publisher.)



Author Bio
Birth—1960
Where—White Plains, New York, USA
Education—Amherst College
Awards—Anahid Literary Award, 2000; New England Book Award, 2002
Currently—lives in Lincoln, Vermont


Christopher Aram Bohjalian, who goes by the pen name Chris Bohjalian, is an American novelist. Bohjalian is the author of nearly 20 novels, including New York Times bestsellers Midwives, Secrets of Eden, The Law of Similars, Before You Know Kindness, The Double Bind, Skeletons at the Feast, and The Night Strangers.

Bohjalian is the son of Aram Bohjalian, who was a senior vice president of the New York advertising agency Romann & Tannenholz. Chris Bohjalian graduated summa cum laude from Amherst College, where he was a member of the Phi Beta Kappa Society. In the mid-1980s, he worked as an account representative for J. Walter Thompson advertising agency in New York.

He and his wife lived in a co-op in Brooklyn until March 1986, when the two were riding in a taxicab in which the driver refused to let them out of the car for 45 minutes, ignoring all traffic lights and stop signs. Around midnight, the driver dropped them off at a near-deserted street in front of a crack house, where the police were conducting a raid and Bohjalian and his wife were forced to drop to the ground for their protection. The incident prompted the couple to move from Brooklyn; Bohjalian said, "After it was all over, we just thought, "Why do we live here?" A few days later, the couple read an ad in The New York Times referencing the "People's Republic of Vermont," and in 1987 the couple moved to Lincoln, Vermont.

Early career
After buying their house, Bohjalian began writing weekly columns for local newspaper and magazine about living in the small town, which had a population of about 975 residents. The Concord Monitor said of Bohjalian during this period, "his immersion in community life and family, Vermont-style, has allowed him to develop into a novelist with an ear and empathy for the common man." Bohjalian continued the column for about 12 years, writing about such topics as his own daily life, fatherhood and the transformation of America. The column has run in the Burlington Free Press since 1992. Bohjalian has also written for such magazines as Cosmopolitan, Reader's Digest and the Boston Globe Sunday Magazine.

Bohjalian's first novel, A Killing in the Real World, was released in 1988. Almost two decades after it was released, Bohjalian said of the book, "It was a train wreck. I hadn't figured things out yet." His third novel, Past the Bleachers, was released in 1992 and adapted as a Hallmark Channel television movie in 1995.

In 1998, Bohjalian wrote his fifth book, Midwives, a novel focusing on rural Vermont midwife Sibyl Danforth, who becomes embroiled in a legal battle after one of her patients died following an emergency Caesarean section.

The novel was critically acclaimed and was selected by Oprah Winfrey as the October 1998 selection of her Oprah's Book Club, which helped push the book to great financial success. It became a New York Times and USA Today bestseller. Victoria Blewer has often described her husband as having "a crush" on the Sybil Danforth character. In 2001, the novel was adapted into a Lifetime Movie Network television film starring Sissy Spacek in the lead role. Spacek said the Danforth character appealed to her because "the heart of the story is my character's inner struggle with self-doubt, the solo road you travel when you have a secret."

Later career
Bohjalian followed Midwives with the 1999 novel The Law of Similars, about a widower attorney suffering from nameless anxieties who starts dating a woman who practices alternative medicine. The novel was inspired by Bohjalian's real-life visit to a homeopath in an attempt to cure frequent colds he was catching from his daughter's day care center. Bohjalian said of the visit, "I don't think I imagined there was a novel in homeopathy, however, until I met the homeopath and she explained to me the protocols of healing. There was a poetry to the language that a patient doesn't hear when visiting a conventional doctor."

The protagonist, a father, is based in part on Bohjalian himself, and his four-year-old daughter is based largely on Bohjalian's daughter, who was three when he was writing the book., Liz Rosenberg of The New York Times said the novel shared many similarities with Midwives but that it paled in comparison; Rosenberg said, "Unlike its predecessor, it fails to take advantage of Bohjalian's great gift for creating thoughtful fiction featuring characters in whom the reader sustains a lively interest." Megan Harlan of The Boston Phoenix described it as "formulaic fiction" and said Bohjalian focused too much on creating a complex plot and not enough of complex characterizations. The Law of Similars, like Midwives, made the New York Times bestsellers list.

He won the New England Book Award in 2002, and in 2007 released "The Double Bind," a novel based on Fitzgerald's The Great Gatsby.

In 2008, Bohjalian released Skeletons at the Feast, a love story set in the last six months of World War II in Poland and Germany. The novel was inspired by an unpublished diary written by German citizen Eva Henatsch from 1920 to 1945. The diary was given to Bohjalian in 1998 by Henatsch's grandson Gerd Krahn, a friend of Bohjalian, who had a daughter in the same kindergarten class as Bohjalian's daughter. Bohjalian was particularly fascinated by Henatsch's account of her family's trek west ahead of the Soviet Army, but he was not inspired to write a novel from it until 2006, when he read Armageddon: The Battle for Germany, Max Hastings' history of the final years of World War II. Bohjalian was struck not only by how often Henatsch's story mirrored real-life experiences, but also the common "moments of idiosyncratic human connection" found in both. Skeletons of the Feast was considered a departure for Bohjalian because it was not only set outside of Vermont, but set in a particular historical moment.

His 2010 novel, Secrets of Eden, was also a critical success, receiving starred reviews from three of the four trade journals (Booklist, Library Journal, and Publishers Weekly), as well as many newspapers and magazines. It debuted at # 6 on The New York Times bestseller list.

His next novel, The Night Strangers, published in 2011, represents yet another departure for Bohjalian. The is both a gothic ghost story and a taut psychological thriller.

He has written a weekly column for Gannett's Burlington Free Press since February 1992 called "Idyll Banter." His 1,000th column appeared in May 2011.

Personal comments
In a 2003 Barnes & Noble interview, Bohjalian offered up these personal comments:

I was the heaviest child, by far, in my second-grade class. My mother had to buy my pants for me at a store called the "Husky Boys Shop," and still she had to hem the cuffs up around my knees. I hope this experience, traumatizing as it was, made me at least marginally more sensitive to people around me.

I have a friend with Down syndrome, a teenage boy who is capable of remembering the librettos from entire musicals the first or second time he hears them. The two of us belt them out together whenever we're driving anywhere in a car.I am a pretty avid bicyclist. The other day I was biking alone on a thin path in the woods near Franconia Notch, New Hampshire, and suddenly before me I saw three bears. At first I saw only two, and initially I thought they were cats.

Then I thought they were dogs. Finally, just as I was approaching them and they started to scurry off the path and into the thick brush, I understood they were bears. Bear cubs, to be precise. Which is exactly when their mother, no more than five or six feet to my left, reared up on her hind legs, her very furry paws and very sharp claws raised above her head in a gesture that an optimist might consider a wave and guy on a bike might consider something a tad more threatening. Because she was standing on a slight incline, I was eye level with her stomach—an eventual destination that seemed frighteningly plausible. I have never biked so fast in my life in the woods. I may never have biked so fast in my life on a paved road.


I do have hobbies—I garden and bike, for example—but there's nothing in the world that gives me even a fraction of the pleasure that I derive from hanging around with my wife and daughter.

He lives with his wife and daughter in Lincoln, Vermont, where he is active in the local church and the Vermont theater community—always off-stage, never on.

Writing style
Bohjalian novels often focus on a specific issue, such as homelessness, animal rights and environmentalism, and tend to be character-driven, revolving around complex and flawed protagonists and secondary characters.

Bohjalian uses characteristics from his real life in his writings; in particular, many of his novels take place in fictional Vermont towns, and the names of real New Hampshire towns are often used throughout his stories. Bohjalian said, "Writers can talk with agonizing hubris about finding their voices, but for me, it was in Vermont that I discovered issues, things that matter to me."

His novels also tend to center around ordinary people facing extraordinarily difficult situations resulting from unforeseen circumstances, often triggered by other parties. (From Wikipedia.)



Book Reviews
Sex, secrets and the mysteries of sleep: These are the provocative ingredients in Chris Bohjalian’s spooky thriller The Sleepwalker. It’s a dark, Hitchcockian novel… Trust me, you will not be able to stop thinking about it days after you finish reading this book.
Carol Memmott - Washington Post


Great mystery writers, like great magicians, have the ability to hide the truth that’s right before your eyes. Best-selling novelist Chris Bohjalian is at the full power of his literary legerdemain in his newest book, The Sleepwalker…. Bohjalian teases and tantalizes the reader…. Masterful plotting evokes a magician who distracts his audience to look this way, not that way. The ending will have the reader rereading for missed clues. The Sleepwalker is Bohjalian at his best: a creepily compelling topic and an illusionist’s skill at tightening the tension. This is a novel worth losing sleep over.
Patty Rhule - USA Today
 

Literary and compelling, a combination so rare I’m tempted to apply for federal intervention.... I hesitate to say more, because to know too much may spoil the fun of discovery. Rest assured the denouement is perfect. This is Bohjalian at his very best.
Curt Shleier - Seattle Times


A perfectly crafted surprise ending…. Bohjalian succeeds in making us accomplices in a dark world we never knew existed.
Laura Patten - Milwaukee Journal Sentinel


After a chronic sleepwalker goes missing, the general consensus is accidental death. But nothing is what it seems in this gripping mystery.
Cosmopolitan


[A] stylish fusion of mystery and domestic thriller.... Powered by brilliantly rendered characters, an intriguing topic (parasomnia), and a darkly lyrical...this novel has only one weak point—its highly improbable conclusion, which may leave readers unsatisfied.
Publishers Weekly


It takes unexpected answers to solve this mystery. Bohjalian’s latest will captivate readers who crave an edge-of-your-seat page-turner they can’t put down.  —Susan Carr
Library Journal


Annalee Ahlberg…is never seen again…. Bohjalian raises essential questions of identity and heredity, sexuality and desire, bringing the Ahlberg family conundrum into focus with a didn’t-see-that-one-coming powerhouse ending. —Carol Haggas
Booklist


The problem with the novel is primarily one of shape. The first two-thirds of the book are spent wondering whether Annalee is missing or dead.... [T]he only reason the ending is a surprise is because...[of] red herrings. Sensational subject matter aside, this thriller is a sleeper.
Kirkus Reviews



Discussion Questions
1. What were your initial theories about Annalee’s disappearance? As the characters reacted to the evidence, what did they reveal about themselves?

2. When you read Annalee’s emails, along with reminiscences of her, what were your impressions? What was it like to get to know her through Lianna’s eyes?

3. Does Warren’s career as a literature professor (specializing in poetry, no less) enhance his ability to cope with his wife’s sleepwalking, or is science the only way to understand it?

4. How does the relationship between Lianna and Paige compare to the relationship between you and your siblings? What determines whether siblings will take care of each other or become rivals?

5. Spoiler alert! Lianna looks like her mother and takes on some of Annalee’s responsibilities even though she is only twenty-one years old. Is it ethical for thirty-three-year-old Gavin to date Lianna, or is he the key to her healing?

6. The author provides detailed images of how a missing person’s body might look after being ravaged by a river. How did this description affect you? Does the physical body or the psyche or the soul play the primary role in making us who we are?

7. The Sleepwalker takes place in the year 2000, just before the dawn of smart phones and the profusion of social media. How does this make for a better storyline?

8. Lianna has a talent for magic. Why is she drawn to creating illusions, and to being in control of the reality behind them?

9. As the Ahlbergs confront the role of genetics in their family tragedy, what issues are raised about the heart of our identities? Are the Ahlberg girls shaped more by nature or nurture?

10. Spoiler alert! How did you react as you read about the court cases of defendants who were sleepwalking (and the sexual assault accusations Gavin faced when he was younger, described on page 177)? Who is responsible for protecting society from the crimes of a sleepwalker?

11. How would you describe the portrait of a marriage that emerges in the novel? How was trust formed and tested between Annalee and Warren? Did secrecy strengthen or weaken their relationship?

12. In the end, when the meaning of the italicized passages became clear, what did you discover about the nature of guilt? Could anything have prevented Annalee’s disappearance?

13. Spoiler alert! What does sexsomnia tell us about the human sex drive? When Lianna has sleep sex with Gavin for the first time, is she having an encounter with his true self?

14. What surprising facts did you learn about sleepwalking, and sleep in general, as you read this novel? If you were a sleepwalker, what would your strongest impulses be?

15. In a review for Library Journal, Barbara Hoffert observed that Chris Bohjalian “never writes the same book twice. From the rural Vermont-set Midwives to the historical The Sandcastle Girls to the close-at-hand dystopia of Close Your Eyes, Hold Hands, he charts crucial moments in different settings and with different sensibilities.” Although he is a master of variety, what common strands appear in his depictions of humanity? How did The Sleepwalker enhance your experience of other Bohjalian novels?
(Questions issued by the publisher.)

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