Little Life (Yanagihara)

A Little Life 
Hanya Yanagihara, 2015
Knopf Doubleday
736 pp.
ISBN-13: 9780804172707


Summary
Brace yourself for the most astonishing, challenging, upsetting, and profoundly moving book in many a season. An epic about love and friendship in the twenty-first century that goes into some of the darkest places fiction has ever traveled and yet somehow improbably breaks through into the light.
 
When four classmates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition.

There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride.

Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome—but that will define his life forever.
 
In rich and resplendent prose, Yanagihara has fashioned a tragic and transcendent hymn to brotherly love, a masterful depiction of heartbreak, and a dark examination of the tyranny of memory and the limits of human endurance. (From the publisher.)

See our Reading Guide for Hanya Yanagihara's The People in the Trees.

Author Bio
• Birth—ca. 1974-75
• Where—Los Angeles, California, USA
• Raised—in New York City, Baltimore, states of Texas and Hawaii 
• Education—B.A., Smith College
• Awards—Man Booker Prize (long-list)
• Currently—lives in New York, New York


Hanya Yanagihara is an American novelist and travel writer of Hawaiian ancestry. Her first novel, The People in the Trees, based on the real-life case of the virologist Daniel Carleton Gajdusek, was widely praised as one of the best novels of 2013.

In 2015, her second novel, A Little Life was published, also to highly favorable reviews—and was long-listed for the Man Booker Prize. Yanagihara was also an editor-at-large at Conde Nast Traveler. She is now a deputy editor at T: The New York Times Style Magazine. (Adapted from Wikipedia. Retrieved 9/1/2015.)

Book Reviews
[A] stunning work of fiction.
Sherryl Connelly - New York Daily News


Yanagihara’s immense new book, A Little Life, announces her, as decisively as a second work can, as a major American novelist. Here is an epic study of trauma and friendship written with such intelligence and depth of perception that it will be one of the benchmarks against which all other novels that broach those subjects (and they are legion) will be measured.
Sam Sacks - Wall Street Journal


Yanagihara's most impressive trick is the way she glides from scenes filled with those terrifying hyenas to moments of epiphany. "Wasn't it a miracle to have survived the unsurvivable? Wasn't friendship its own miracle, the finding of another person who made the entire lonely world seem somehow less lonely? Wasn't this house, this beauty, this comfort, this life a miracle?" A Little Life devotes itself to answering those questions, and is, in its own dark way, a miracle.
Marion Winik - Long Island Newsday


Through insightful detail and her decade-by-decade examination of these people’s lives, Yanagihara has drawn a deeply realized character study that inspires as much as devastates. It’s a life, just like everyone else’s, but in Yanagihara’s hands, it’s also tender and large, affecting and transcendent; not a little life at all.
Nicole Lee - Washington Post


A Little Life floats all sorts of troubling questions about the responsibility of the individual to those nearest and dearest and the sometime futility of playing brother’s keeper. Those questions, accompanied by Yanagihara’s exquisitely imagined characters, will shadow your dreamscapes.
Jan Stuart - Boston Globe


There are truths here that are almost too much to bear—that hope is a qualified thing, that even love, no matter how pure and freely given, is not always enough. This book made me realize how merciful most fiction really is, even at its darkest, and it's a testament to Yanagihara's ability that she can take such ugly material and make it beautiful.
Steph Cha - Los Angeles Times


Astonishing... It’s not hyperbole to call this novel a masterwork—if anything that word is simply just too little for it.
Caroline Leavitt, San Francisco Chronicle


A Little Life is a harrowing novel with no happy ending, yet Yanagihara writes so well that it’s difficult to put it down, even in the midst of sobbing. Somehow, it’s an ordeal to read and a transformative experience, not soon forgotten.
Anna Andersen - Minneapolis Star-Tribune


With her sensitivity to everything from the emotional nuance to the play of light inside a subway car, Yanagihara is superb at capturing the radiant moments of beauty, warmth and kindness that help redeem the bad stuff. In A Little Life, it's life's evanescent blessings that maybe, but only maybe, can save you.
John Powers - NPR


A Little Life becomes a surprisingly subversive novel—one that uses the middle-class trappings of naturalistic fiction to deliver an unsettling meditation on sexual abuse, suffering, and the difficulties of recovery. And having upset our expectations once, Yanagihara does it again, by refusing us the consolations we have come to expect from stories that take such a dark turn…. Yanagihara’s novel can also drive you mad, consume you, and take over your life. Like the axiom of equality, A Little Life feels elemental, irreducible—and, dark and disturbing though it is, there is beauty in it.
Jon Michaud - The New Yorker


This exquisite, unsettling novel follows four male friends from their meeting as students at a prestigious Northeastern college through young adulthood and into middle age.... The book shifts from a generational portrait to something darker and more tender: an examination of the depths of human cruelty, counterbalanced by the restorative powers of friendship.
The New Yorker (in "Briefly Noted")


Spring's must-read novel.... If [Yanagihara's] assured 2013 debut, The People in the Trees, a dark allegory of Western hubris, put her on the literary map, her massive new novel...signals the arrival of a major new voice in fiction."
Megan O'Grady - Vogue


[The] book has so much richness in it—great big passages of beautiful prose, unforgettable characters, and shrewd insights into art and ambition and friendship and forgiveness.
Leah Greenblatt - Entertainment Weekly


[A] monument of empathy, and that alone makes this novel wondrous.
Claire Fallon - Huffington Post


[A]n epic American tragedy.... There is real pleasure in following characters over such a long period, as they react to setbacks and successes, and, in some cases, change. By the time the characters reach their 50s and the story arrives at its moving conclusion, readers will...find them very hard to forget.
Publishers Weekly


Yanagihara fearlessly broaches difficult topics while simultaneously creating... [a] carring and sensitive] environment.... [F]for those strong of stomach or bold enough to follow the characters' road of friendship, this heartbreaking story certainly won't be easily forgotten. —Shirley Quan, Orange Cty. P.L., Santa Ana, CA
Library Journal


(Starred review.) Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions...and struggling with demons in their intertwined personal lives.... The phrase "tour de force" could have been invented for this audacious novel.
Kirkus Reviews

Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:

• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)

Also, consider these LitLovers talking points to help start a discussion for A Little Life:

1. Why the title, A Little Life? Certainly Jude's life is hardly insignificant or small. Here's what Hanya Yanagihara said when asked by Newsweek if the title is ironic: "All life is small.... Life will end in death and unhappiness, but we do it anyway." The Newsweek interviewer referred to the author's view of life as tragic and futile. Does that make it small? What do you think?

2. An editor once advised Yanagihara to trim the amount of time spent on Jude's childhood, arguing that concentrating so heavily on his physical and psychological deprivations would repulse readers. Yanagihara refused to cut. What do you think? Should she have trimmed the sections? How difficult or painful were those passages for you?

3. Talk about the four main characters: Willem, JB, and Malcolm, as well as Jude. How are they similar, how are they different, and what is behind the strength of their long-lasting friendships? How would you compare their male friendship to those among women?

4. A Little Life focuses heavily on the inner lives of its characters, with very little attention paid to exterior surroundings. Do you feel the interiority slows the book down, makes it drag in parts? Or do you find the inward focus enriches the story, making it compelling, even enthralling?

5. Were you disappointed with the lack of central, well-developed female characters? Yanagihara, again in Newsweek, said that “men are offered a much, much smaller emotional vocabulary to work with,” which makes them more challenging to write about. Women, on the other hand, have a well-trod emotional landscape and are less interesting to her as a writer. What are your thoughts?

(Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)

top of page (summary)