Nightingale (Hannah)

The Nightingale 
Kristin Hannah, 2015
St. Martin's Press
448 pp.
ISBN-13: 9781250104687


Summary
In love we find out who we want to be.
In war we find out who we are.

FRANCE, 1939
In the quiet village of Carriveau, Vianne Mauriac says goodbye to her husband, Antoine, as he heads for the Front. She doesn’t believe that the Nazis will invade France...but invade they do, in droves of marching soldiers, in caravans of trucks and tanks, in planes that fill the skies and drop bombs upon the innocent.

When a German captain requisitions Vianne’s home, she and her daughter must live with the enemy or lose everything. Without food or money or hope, as danger escalates all around them, she is forced to make one impossible choice after another to keep her family alive.

Vianne’s sister, Isabelle, is a rebellious eighteen-year-old girl, searching for purpose with all the reckless passion of youth. While thousands of Parisians march into the unknown terrors of war, she meets Gäetan, a partisan who believes the French can fight the Nazis from within France, and she falls in love as only the young can...completely. But when he betrays her, Isabelle joins the Resistance and never looks back, risking her life time and again to save others.

With courage, grace and powerful insight, bestselling author Kristin Hannah captures the epic panorama of WWII and illuminates an intimate part of history seldom seen: the women’s war.

The Nightingale tells the stories of two sisters, separated by years and experience, by ideals, passion and circumstance, each embarking on her own dangerous path toward survival, love, and freedom in German-occupied, war-torn France—a heartbreakingly beautiful novel that celebrates the resilience of the human spirit and the durability of women. It is a novel for everyone, a novel for a lifetime. (From the publisher.)

Author Bio
• Birth—September, 1960
• Where—Southern California, USA
• Reared—Western Washington State
• Education—J.D., from a school in Washington (state)
• Awards—Awards—Golden Heart Award; Maggie Award; National Reader's Choice
• Currently—lives in Bainbridge Island, Washington


In her words
I was born in September 1960 in Southern California and grew up at the beach, making sand castles and playing in the surf. When I was eight years old, my father drove us to Western Washington where we called home.

After working in a trendy advertising agency, I decided to go to law school. "But you're going to be a writer" are the prophetic words I will never forget from my mother. I was in my third-and final-year of law school and my mom was in the hospital, facing the end of her long battle with cancer. I was shocked to discover that she believed I would become a writer. For the next few months, we collaborated on the worst, most cliched historical romance ever written.

After my mom's death, I packed up all those bits and pieces of paper we'd collected and put them in a box in the back of my closet. I got married and continued practicing law.

Then I found out I was pregnant, but was on bed rest for five months. By the time I'd read every book in the house and started asking my husband for cereal boxes to read, I knew I was a goner. That's when my darling husband reminded me of the book I'd started with my mom. I pulled out the boxes of research material, dusted them off and began writing. By the time my son was born, I'd finished a first draft and found an obsession.

The rejections came, of course, and they stung for a while, but each one really just spurred me to try harder, work more. In 1990, I got "the call," and in that moment, I went from a young mother with a cooler-than-average hobby to a professional writer, and I've never looked back. In all the years between then and now, I have never lost my love of, or my enthusiasm for, telling stories. I am truly blessed to be a wife, a mother, and a writer. (From the author's website .)

Book Reviews
The bestselling author hits her stride in this page-turning tale about two sisters, one in the French countryside, the other in Paris, who show remarkable courage in the German occupation during WWII.... The author ably depicts war’s horrors through the eyes of these two women, whose strength of character shines through no matter their differences.
Publishers Weekly


Character growth and development is a strength of this World War II-set novel, although the middle plods during some sections.... Readers who enjoy stories with ethical dilemmas and character-driven narratives will enjoy this novel full of emotion and heart. —Julia M. Reffner, Midlothian, VA
Library Journal


I read The Nightingale in one sitting, completely transported to wartime France, completely forgetting where I was. A historical novel—built on Kristin Hannah’s proven skill with story, complex and enduring family ties, and passion—one that will captivate readers. —Marilyn Dahl
Shelf Awareness


Hannah vividly demonstrates how the Nazis...demoralized the French, engineering...the deportations and deaths of more than 70,000 Jews. Hannah's proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale. Still, a respectful and absorbing page-turner.
Kirkus Reviews

Discussion Questions
1. The Nightingale opens with an intriguing statement that lays out one of the major themes of the book: “If I have learned anything in this long life of mine, it is this: In love we find out who we want to be; in war we find out who we are.” What do you think the narrator means by this? Is love the ideal and war the reality? How does war change the way these characters love? How does love influence their actions in the war? On a personal level, has love affected your life choices? Have those choices affected who and how you love?

2. Take a moment to talk about the narrative structure of The Nightingale. Why do you think Kristin Hannah chose to keep the narrator’s identity a secret in the beginning and end of the novel? Were you surprised by who it turned out to be? Did you go back and reread the beginning of the novel once you finished? Were you satisfied when you discovered who was narrating the novel?

3. Many characters chose to construct a secret identity in The Nightingale. How did pretending to be someone else determine each character’s fate, for better or worse? And what about those who had no choice, like Ari and Julien?

4. The sisters Isabelle and Vianne respond to the war in very different ways. Isabelle reacts with anger and defiance, risking her life to join the resistance against Nazi occupation. Vianne proceeds with caution and fear, avoiding conflicts for the sake of her children. Who do you admire—or relate to, or sympathize  with—more, Vianne or Isabelle? Discuss your reasons. You may choose to share your own stories and experiences as well.

5. The book captures many of the era’s attitudes about men and women. Isabelle, for example, is told that women do not go to war. Vianne is confused by her new wartime role as provider. Their father, Julien, is cold and distant, unwilling to fulfill his parental duties after his wife dies. Have gender roles changed much since World War II? Have women always been strong in the face of adversity, but not recognized for their efforts? Vianne says that “men tell stories . . .women get on with it.” Do you agree with her?

6. Isabelle’s niece, Sophie, admires her aunt’s courage: “Tante Isabelle says it’s better to be bold than meek. She says if you jump off a cliff at least you’ll fly before you fall.” Do you agree? Is it better to take a risk and fail than never try at all? Do you think you could have acted as heroically as Isabelle under such horrifying circumstances? Who is more heroic in your mind—Isabelle or Vianne?

7. Perhaps one of the most chilling moments in the book is when Vianne provides Captain Beck with a list:  Jews. Communists. Homosexuals. Freemasons. Jehovah’s Witnesses. We know now how wrong it was to provide this list, but can you understand why Vianne did it? What do you think you would have done?

8. Each of the sisters experiences love in a different way. Vianne’s love is that of a mature woman, a wife and a mother devoted to her family; Isabelle’s love is youthful and impulsive, more of a girlish dream than a reality. How did Isabelle’s feelings of abandonment shape her personality and her life? How did Vianne’s maternal love lead to acts of heroism, saving the lives of Jewish children? How did love—and war—bring these two sisters closer together?

9. Take a moment to talk about Beck. Is he a sympathetic character? Did you believe he was a good man, or was he just trying to seduce Vianne. Did he deserve his fate?

10. When Isabelle works with Anouk and other women of the French resistance, she notices “the wordless bond of women.” What does she mean? Do you agree that women who come from different backgrounds but share a common path can create a silent bond with other women? Why do you think this is so?

11. Vianne recalls her husband, Antoine, telling her that “we choose to see miracles.” What does he mean by this? Is it his way of telling his wife he knows the truth about their son’s biological father? Or is it his way of looking at life, of coping with the terrible events they’ve lived through? Is seeing the beauty in the world an active choice?

Is it possible to find miracles in our lives, if we look for them?

12. Discuss the scene in which Ari is taken away. What do you believe is the right answer in his situation—if there is one? What would you have done in Vianne’s position?

13. Do you think Julien had a right to know who his real father was? Would you have made the same decision Vianne did?

14. Finally, a show of hands: Who cried—or at least got a little choked up—while reading this book? Which scenes moved you the most? Which character’s fate would you say was the most tragic? The most poignant? The most harrowing? Did the book give you a better understanding of life under Nazi occupation during World War II? Did it move you, inspire you, haunt you? And finally, what will you remember most about The Nightingale?
(Questions issued by the publisher.)

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