Moriarty (Horowitz)

Moriarty 
Anthony Horowitz, 2014
HarperCollins
304 pp.
ISBN-13: 9780062377180


Summary
Internationally bestselling author Anthony Horowitz's nail-biting new novel plunges us back into the dark and complex world of Detective Sherlock Holmes and Professor James Moriarty—dubbed "the Napoleon of crime"—in the aftermath of their fateful struggle at the Reichenbach Falls.

Days after Holmes and Moriarty disappear into the waterfall's churning depths, Frederick Chase, a senior investigator at New York's infamous Pinkerton Detective Agency, arrives in Switzerland. Chase brings with him a dire warning: Moriarty's death has left a convenient vacancy in London's criminal underworld. There is no shortage of candidates to take his place—including one particularly fiendish criminal mastermind.

Chase is assisted by Inspector Athelney Jones, a Scotland Yard detective and devoted student of Holmes's methods of deduction, whom Conan Doyle introduced in The Sign of Four. The two men join forces and fight their way through the sinuous streets of Victorian London—from the elegant squares of Mayfair to the shadowy wharfs and alleyways of the Docks—in pursuit of this sinister figure, a man much feared but seldom seen, who is determined to stake his claim as Moriarty's successor.

Riveting and deeply atmospheric, Moriarty is the first Sherlock Holmes novel sanctioned by the author's estate since Horowitz's House of Silk. This tale of murder and menace breathes life into Holmes's fascinating world, again proving that once you have eliminated the impossible, whatever remains, however im- probable, must be the truth. (From the publisher.)

Author Bio
• Birth—April 5, 1955
• Where—Stanmore, Middlesex, UK
• Education—University of York
• Awards—Lancashire Children's Book of the Year Award
• Currently—lives in London, England


Anthony Horowitz, OBE is a prolific English novelist and screenwriter specialising in mystery and suspense. His work for children and teenagers includes The Diamond Brothers series, the Alex Rider series, and The Power of Five series (aka The Gatekeepers). His work for adults includes the novel and play Mindgame (2001) and two Sherlock Holmes novels, The House of Silk (2011) and Moriarty (2014). He has also written extensively for television, contributing numerous scripts to ITV's Agatha Christie's Poirot and Midsomer Murders. He was the creator and principal writer of the three ITV series—Foyle's War, Collision and Injustice.

Personal life
Horowitz was born in Stanmore, Middlesex, into a wealthy Jewish family, and in his early years lived an upper-middle class lifestyle. As an overweight and unhappy child, Horowitz enjoyed reading books from his father's library. At the age of eight, Horowitz was sent to the boarding school Orley Farm in Harrow, Middlesex. There, he entertained his peers by telling them the stories he had read. Overall, however, Horowitz described his time in the school as "a brutal experience," recalling that he was often beaten by the headmaster. At age 13 he went on to Rugby School and discovered a love for writing.

Horowitz adored his mother, who introduced him to Frankenstein and Dracula. She also gave him a human skull for his 13th birthday. Horowitz said in an interview that it reminds him to get to the end of each story since he will soon look like the skull. From the age of eight, he knew he wanted to be a writer, realizing "the only time when I'm totally happy is when I'm writing."  He graduated from the University of York with a lower second class degree in English literature and art history in 1977.

Horowitz's father was associated with some of the politicians in the "circle" of prime minister Harold Wilson, including Eric Miller. Facing bankruptcy, he moved his assets into Swiss numbered bank accounts. He died from cancer when his son Anthony was 22, and the family was never able to track down the missing money despite years of trying.

Horowitz now lives in Central London with his wife Jill Green. They have two sons whom he credits with much of his success in writing. They help him, he says, with ideas and research. He is a patron of child protection charity Kidscape.

Early writing
Horowitz published his first children's book, The Sinister Secret of Frederick K Bower in 1979 and, in 1981, a second, Misha, the Magician and the Mysterious Amulet. In 1983 he released the first of the Pentagram series, The Devil's Door-Bell, which was followed by three more in the series until the final in 1986.

In between his novels, Horowitz worked with Richard Carpenter on the Robin of Sherwood television series, writing five episodes of the third season. He also novelized three of Carpenter's episodes as a children's book under the title Robin Sherwood: The Hooded Man (1986). In addition, he created Crossbow (1987), a half-hour action adventure series loosely based on William Tell.

Starting in 1988, Horowitz published two Groosham Grange novels, partially based on his boarding school years. The first won the 1989 Lancashire Children's Book of the Year Award.

The major release in his early career was The Falcon's Malteser (1986), which became the first in the eight-book Diamond Brothers series. The book was filmed for television in 1989 as Just Ask for Diamond. The series' final installment was issued in 2008.

Midcareer writing
Horowitz wrote numerous stand alone novels in the 1990s, but in 2000 he began the Alex Rider novels—about a 14-year-old boy becoming a spy for the British Secret Service branch MI6. The series is comprised of nine books (a tenth is connected but not part of it) with the final installment released in 2011.

Another series, The Power of Five (The Gatekeepers in the U.S.) began in 2005 with Raven's Gate—"Alex Rider with witches and devils," Horowitz called it. Five books in all were published by 2012

Horowitz also turned to playwrighting with Mindgame, which opened Off Broadway in 2009 at the Soho Playhouse in New York City. The production starred Keith Carradine, Lee Godart, and Kathleen McNenny; it was the New York stage directorial debut for Ken Russell

The estate of Arthur Conan Doyle selected Horowitz as the writer of a new Sherlock Holmes novel, the first such effort to receive an official endorsement. The resulting book, The House of Silk, came out in 2011, followed by Moriarty in 2014.

Horowitz was appointed Officer of the Order of the British Empire (OBE) in the 2014 New Year Honours for services to literature.

TV and film
Horowitz's association with televised murder mysteries began with the adaptation of several Hercule Poirot stories for ITV's popular Agatha Christie's Poirot series during the 1990s.

Starting in 1997, he wrote the majority of the episodes in the early series of Midsomer Murders. In 2001, he created a drama anthology series of his own for the BBC, Murder in Mind, an occasional series which deals with a different set of characters and a different murder every one-hour episode.

He is also less-favourably known for the creation of two short-lived and sometimes derided science-fiction shows, Crime Traveller (1997) for BBC One and The Vanishing Man (pilot 1996, series 1998) for ITV.  The successful 2002 launch of the detective series Foyle's War, set during the Second World War, helped to restore his reputation as one of Britain's foremost writers of popular drama.

He devised the 2009 ITV crime drama Collision and co-wrote the screenplay with Michael A. Walker. Horowitz is the writer of a feature film screenplay, The Gathering, released in 2003 and starring Christina Ricci. He wrote the screenplay for Alex Rider's first major motion picture, Stormbreaker. (From Wikipedia. Retrieved 12/1/2014.)

Book Reviews
Thrilling and compelling, with a stunning twist, this is written as if Conan Doyle were at Horowitz’s shoulder, and is—in my view—the finest crime novel of the year.
Daily Mail (UK)


In this skilfully executed follow on, Horowitz takes up the Conan Doyle baton and creates a suitably stylish and twisty detective story.
Sunday Mirror (UK)


Is there nothing Anthony Horowitz touches that doesn’t turn to gold? ...He captures Conan Doyle’s narrative technique to perfection. Gory murders, honest thieves, brilliant disguises, breathless chases and red herrings abound.
Daily Express (UK)


Though Horowitz dishes up the gore and violence with relish, he also offers all the tropes one might expect from a Holmes yarn, including baffling coded messages, impossible murders and clever red herrings... its plotting just as brilliantly gnarly but its tone more self-aware and laced with in-jokes.
Financial Times


A page-turning novel for all ages that continues the story of Sherlock Holmes’s greatest enemy…crammed with references to some of [Doyle’s] best-loved stories.
Independent (UK)


In this disappointing follow-up to Horowitz’s brilliant first Holmes pastiche, The House of Silk (2011), Sherlock Holmes appears only in passing, in a prologue in which narrator Frederick Chase, a Pinkerton operative, details the plot holes in Watson’s account of the fatal encounter between the great detective and the Napoleon of crime.... [A] pale shadow of Holmes and Watson.
Publishers Weekly


Horowitz's mystery bona fides are impeccable.... Here he reimagines what happened after the presumably lethal scuffle between Holmes and Moriarty at the Reichenbach Falls.
Library Journal


(Starred review.) A stunning riff on the Holmes-Moriarty clash. It’s full of allusions to the Holmes cannon that Sherlockians will congratulate themselves for spotting, then wince moments later when Horowitz gently reveals the prank.... Horowitz spins his tale in pitch-perfect Watsonian prose…setting readers up for a finale that is truly jaw-dropping.
Booklist


(Starred review.) A Sherlockian pastiche without Holmes and Watson? Yes indeed, and it's a tour de force quite unlike any other fruit from these densely plowed fields.... Readers who aren't put off by the Hollywood pacing, with action set pieces less like Conan Doyle than the Robert Downey Jr. movies, are in for a rare treat, a mystery as original as it is enthralling.
Kirkus Reviews

Discussion Questions
(We'll add specific questions if and when they're made available by the publisher. In the meantime, use our generic mystery questions.)

GENERIC DISCUSSION QUESTIONS
Mystery / Crime / Suspense Thrillers

1. Talk about the characters, both good and bad. Describe their personalities and motivations. Are they fully developed and emotionally complex? Or are they more one-dimensional heroes and villains?

2. What do you know...and when do you know it? At what point in the book do you, the reader, begin to piece together what happened?

3. Good crime writers are skillful at hiding clues in plain sight. How well does the author hide the clues in this work?

4. Does the author use red-herrings—false clues—to purposely lead readers astray?

5. Talk about plot's twists & turns—those surprising developments that throw everything you think you've figured out into disarray. Do they enhance the story, add complexity, and build suspense? Are they  plausible? Or do the twists & turns feel forced and preposterous—inserted only to extend the story.

6. Does the author ratchet up the story's suspense? Did you find yourself anxious—quickly turning pages to learn what happened? How does the author build suspense?

7. What about the ending—is it satisfying? Is it probable or believable? Does it grow out of clues previously laid out by the author (see Question 2). Or does the ending come out of the blue? Does it feel forced...tacked-on...or a cop-out? Or perhaps it's too predictable. Can you envision a better, or different, ending?

8. Are there certain passages in the book—ideas, descriptions, or dialogue—that you found interesting or revealing...or that somehow struck you? What lines, if any, made you stop and think?

9. Overall, does the book satisfy? Does it live up to the standards of a good crime story or suspense thriller? Why or why not?

(Generic Mystery Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)

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