The Enchanted explores the complexities of many crucial issues, including how we treat our children and the vulnerable and the consequences of our actions. It also makes us ask whether our personal behavior, social policies, and the justice system perpetuate more pain than otherwise for humanity.
New York Journal of Books
If you enjoy mystery and suspense as well as a bit of magic and horror you will find it all here. The story is enthralling and keeps you reading far into the night.
The Enchanted is instead a testament to the power of words, of language and symbols to reshape one’s reality, and it is an extraordinarily empathetic look at the sorrows and joys of even the worst aspects of human life.
The fiction debut from nonfiction author and journalist Denfeld (Kill the Body, the Head Will Fall) is a striking one-of-a-kind prison novel. The narrator, who is on death row and remains nameless until the book’s end, explains that the prison, although a place where “the walls sigh with sadness,” is enchanted: golden horses “run deep under the earth,” miniature men with miniature hammers hide in the walls, and “flibber-gibbets dance while the oven slowly ticks.” The narrator’s magical perspective—which is paradoxically necessary, perhaps, to preserve what remains of his sanity—contrasts heartbreakingly with the parallel tale of an investigator, also unnamed, who is tasked with finding details about the past of another death-row inmate, known as York, that will result in his sentence being commuted, even though York has decided he wants to die. The novel follows the investigator’s exploration of the inmate’s grim life, even as the narrator brings us inside the dank stone walls of the “dungeon” where he lives. Through the novel’s rich, haunting prose, Denfeld, who herself has worked as an investigator in death penalty cases, shines a light on lives led with capital punishment on the schedule. This is a stunning first novel from an already accomplished writer that will leave the reader hoping for more fiction in the author’s future.
(Starred review.) Filled with themes of pain and suffering and still a pleasure to read, this impressive debut from author/journalist Denfeld (All God's Children) is set in a decaying, dark, corrupt prison, but as the opening line reveals, it "is an enchanted place." The Lady, a death-row investigator (similar to mitigation specialist Denfeld) uses her unique perspective as a victim of terrible childhood abuse and conditions to research the lives of inmates. Working with her are a fallen priest, who is hiding secrets and hurt of his own, and the warden, whose wife is dying of cancer. Much of the story is told from the fantastical perspective of a reclusive prisoner on death row, preferring to remain unseen for his own protection and those around him. In many ways, this is a tale about being seen, understood, possibly forgiven, and maybe even loved. VERDICT While dark enough to appeal to fans of fantasy and horror (think Stephen King's The Green Mile), this is also a work of love and redemption. Read this magical book, and prepare to be spellbound. —Shaunna E. Hunter, Hampden-Sydney Coll. Lib., VA
Evocative.... Denfeld’s humanizing of the potential for horror that is within all of us and her insistence that the reader see the beauty in the darkest corners of life sizzles through her sharp prose, which both makes us flinch and invites us to imagine.
The lost souls are on both sides of the bars in this death-row melodrama, the first novel from the author of works on societal issues (All God's Children, 2007, etc.). The prison is old. The row itself is below ground. The nameless narrator calls the place enchanted, for the inmates are under the spell of death. Executions in the lethal injection chamber are frequent. Mute since the age of 6, this narrator left a mental hospital at 18 and did something "too terrible to name" to a little boy. He found sanctuary in the prison library until, intolerably provoked, he beat another inmate to death and was transferred to solitary. There are too many gaps in the mute's story to make him compelling. We know much more about his neighbor York, convicted of crimes against girls, again unspecified. His beautiful, mentally challenged mother had slept with half their small town; her visitors took advantage of York, too. He was born with syphilis. This detail is uncovered by the lady, as the death penalty investigator is known. (The author has worked in this field.) Acting for the defense to commute York's sentence to life, she is up against a tight deadline and against York himself, who wants to die. Her sleuthing could have made a powerful novella, but there are too many distractions. We delve into the lady's background, a mirror image of York's. She's painfully alone but looking for a mate, and she finds one in another death-row visitor, the fallen priest, a loner burdened by guilt. But Denfeld's not done; she explores the prison culture, in which corruption is rampant and rape condoned. She is on much surer ground here than with her magic realist touches, such as the golden horses that live beneath the row and start running as an execution nears. Their role? "[B]eauty in the pain," says the priest. An over-the-top work with a number of preordained victims but no individuals
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