Inferno is jampacked with tricks. And...[t]o the great relief of anyone who enjoys him, Mr. Brown winds up not only laying a breadcrumb trail of clues about Dante (this is “Inferno,” after all) but also playing games with time, gender, identity, famous tourist attractions and futuristic medicine.... And it all ties together. Dante’s nightmare vision becomes the book’s visual correlative for what its scientific calculations suggest. And eventually the book involves itself with Transhumanism, genetic manipulation and the potential for pandemics.... [But] there is the sense of play that saves Mr. Brown’s books from ponderousness.
Janet Maslin - New York Times
No matter what the critics might say about his overwriting, his overuse of cliches, his paper-thin characterizations, and his impenetrably murky plots, Brown...isn’t just a novelist; he’s a crossover pop culture sensation.... Plot predictability aside, Brown really does deliver the kind of exotically situated entertainment his fans expect. The formula has become a formula for a reason: It works in getting readers to turn the page.
Chuck Leddy - Boston Globe
Despite all the predictability, Brown’s art reigns over boredom. He manages to keep the reader glued.... But as long as Brown has a die-hard readership that enjoys the conspiracy theory formula, he is still in the running, and some of the flack he gets is a bit unfair, as his novels are fun reads.
Samra Amir - International Herald Tribune
Yet, as I continued to turn the pages almost against my will, I wondered whether [Brown's] crimes against English prose might actually be a brilliant literary masterstroke. Brown's fusion of gothic hyperbole with a pedant's tour-guide deliberately restrains the imagination through its awkward awfulness. Once the plot finally kicks in, you are suddenly released like a stone from a blockbusting catapult.... Inferno moves with enhanced feelings of velocity, excitement and fun.
James Kidd - Independent (UK)
If Mr. Brown intended to use the plot as a wakeup call in light of today's global disasters, it certainly worked. I imagine that there will be some debate over his mathematical projections (and the interpretations of this data), but at the same time, controversy may arise when some readers are tempted to agree with the villain.... Inferno can still qualify as vacation reading, redeemed by the sweeping spectacle of the story. The ending is both startling and far more frightening than his other plots—and he does a good job of connecting the medieval world to the modern, where science fiction apocalyptic nightmares are becoming a living reality.
Rebecca Denova - Pittsburgh Post-Gazette
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