More than two decades after its original publication, it remains a remarkable and deeply troubling book—a book that creates an indelible portrait of lost promises and mortgaged hopes in the suburbs of America.... Writing in controlled, economical prose, Mr. Yates delineates the shape of these disintegrating lives without lapsing into sentimentality or melodrama. His ear for dialogue enables him to infuse the banal chitchat of suburbia with a subtext of Pinteresque proportions, and he proves equally skilled at reproducing the pretentious, status-conscious talk of people brought up on Freud and Marx. If, at times, we are tempted to see Frank as something of a deluded, ineffectual snob, we are also inclined to sympathize with him—so graceful is Mr. Yates's use of irony. His portrait of these thwarted, needlessly doomed lives is at once brutal and compassionate.
Michiko Kakutani - New York Times (4/25/83)
(Refers to Yates's Collected Stories, 2001) At his best, Yates was a poet of post-World War II loneliness and disappointment, creating in his finest stories and in his masterpiece, Revolutionary Road, indelible, Edward Hopperesque portraits of dreamers who have mortgaged their dreams. Trapped in ill-considered marriages and dead-end jobs, they find themselves living on the margins of the postwar boom, the gap between their modest expectations and the even more modest realities of their day-to-day lives leading to rage, humiliation and alcoholic despair.
Michiko Kakutani - New York Times (4/17/01)
A powerful treatment of a characteristically American theme.... A moving and absorbing story.
So much nonsense has been written on suburban life and mores that it comes as a considerable shock to read a book by someone who seems to have his own ideas on the subject and who pursues them relentlessly to the bitter end..... It is reminiscent of the popular  film American Beauty in its depiction of white-collar life as fraught with discontent. Others have picked up on this theme since, but Yates remains a solid read.
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